December 2018
Posts Tagged ‘Art Blart
13th November 2008 – 13th November 2018
A big effort
Art Blart has a readership of 1,500 a day. It has become a research tool for artists and photographers around the world. It is also an important form of cultural memory, with over 1,300 posts in its archive. The site is itself being archived by Pandora from the National Library of Australia.
What I find most important about the archive is that it gives me the opportunity to promote artists, to promote ideas and thoughts about art and life and, most importantly, to shine a light on different aspects of art, from the under recognised concepts to the disenfranchised and forgotten artists.
Reproduced below is the first ever post on Art Blart with the key tags, life and death. Not a lot has changed in 10 years. My concerns in that first post are still present – what we are doing to the planet and to our culture, how we construct our histories and memories, and how we can embrace diversity and equality the world over. Text and images and powerful tools for promoting such egalitarian ideals.
I must thank all the amazing galleries around the world for suppling text and media images. Your efforts are truly appreciated, for without you the archive would be nothing. Your enthusiasm and willingness to help has been incredible.
And to you, the readers, I must thank you for your for your attention and continued patronage. While the website is a personal form of expression there is also a good dose of altruism amongst its postings. I hope my musings have enlightened your ideas on art and life for the better. I hope you have all enjoyed the ride as much as I have enjoyed making and writing the website.
I will continue to write into history and memory as much as I can in the following years.
Marcus
First ever post
13th November 2008
“We are such spendthrifts with our lives,” Newman once told a reporter.“The trick of living is to slip on and off the planet with the least fuss you can muster.”
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Paul Newman
December 2017
Marcus Bunyan
Untitled from the series The Shape of Dreams
2013 – 2017
Silver gelatin print
© Marcus Bunyan
In conversation
EG: Just saw your most recent Art Blart and your work. It’s very beautiful. Congratulations. At first I didn’t know whose they were. Then I went through them one by one, and only after responding to them ‘unknown’ I saw it was your work. SO BEAUTIFUL, so potent and yet, within the ambivalence and questioning there was space for great stillness and contemplation. Powerful and so poetic. The one of the children, close up is dazzling, but so are the open fields, mountains, roadways and minute images of flight.
MB: Thank you so much Elizabeth. Yes, my work would you believe. I can now believe after 4 years hard work. A poem to the uncertainty of human dreams. It’s a conceptual series in the vein of my hero Minor White – contemplative, poetic as always with me, but with an edge under the poetry as you so correctly observe EG – you are caught in the dream in the end image, suspended in time and space, in your imagination. You are always so spot on with your observations.
EG: Your own tendency is also closely linked to language and ideas?
MB: This is very true. The basis for all my work is body, time, space, environment and their link to language and ideas… and how conceptual work can be spiritual as well.
EG: I’m with you on that one, and political as well.
MB: Indeed – all my work, including this series, is very anti-war.
EG: What is unseen, invisible in these images is definitely the dark quiet hole of hell that war is. Or at least those that invest in it.
MB: The key image in this regard is the one of the explosion.
EG: But the ones of the distant and misdirected aerial machines also…
MB: Indeed, and the second one, where all the men are looking away while the cloud expands in the background.
EG: Yes, the casual indifference and banality of it.
MB: You have it perfectly Elizabeth!
EG: But the children, oh those children, and the innocent implacability of the natural world.
MB: To find these images on Ebay and then spend four years of my life cleaning and saving them was an incredible experience. It was almost like I was breathing these images as I was saving them, looking into each one and being immersed in them. Thus, the art demands contemplation from the viewer in order to begin to understand its resonances.
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Many thankx to Elizabeth Gertsakis for her wisdom, knowledge, friendship and advice throughout the year. These observations of my work mean a great deal to me.
SEE THE FULL SEQUENCE INCLUDING SIZE AND SPACING OF IMAGES (ENLARGE AND USE SCROLL BAR)
Marcus Bunyan
Untitled from the series The Shape of Dreams
2013 – 2017
Silver gelatin print
© Marcus Bunyan
21
Dec
15
Season’s Greetings 2015
Season’s Greetings from Art Blart – seven years of writing on the arts.
1000th post on Art Blart
Tags: Art Blart, Art Blart 1000th post, Australian art, Australian photography, Crown Chakra, Marcus Bunyan, Melbourne, photography, Sahasrãra, Thousand Petal Lotus
This is the 1000th post on Art Blart.
I started the blog 6 years ago with 11 people a day reading it. Today the blog averages between 3-4,000 people a day and has over 3,000 Likes on Facebook.
Reproduced below are a couple of postings from the blog on its very first day 13/11/2008 – just text please note, no images – and a mandala image of the Sahasrãra or Crown Chakra (for creativity) to celebrate the milestone.
Namaste
Marcus
The artist does not turn money into time
After Light
Sahasrãra or Crown Chakra / Thousand Petal Lotus
“That for which they seek is that which searches.”
Saint Francis of Assissi
Symbol: The Crown Chakra is known as the Thousand Petal Lotus. The number 1000, adds up and reduces to the number 1 in numerology. The number one represents strong leadership and will power, a courageous person who is goal oriented and driven. A number one person is a pioneer who is independent and individualistic and approaches issues from a unique perspective. A number one is original and sometimes unconventional. They possess tremendous potential for success in life.
Throughout history it has been depicted in paintings of Jesus the Christ, Buddha, Saints, Angels and other highly evolved beings as a golden white halo around their heads.
Color: The Crown Chakra is associated with the color violet. Some references link it to the color white as well. Violet is the highest color in the light spectrum. It represents the spiritual or higher self, wisdom, vitality, intuitive awareness, passion and dignity. White is purity and the color of the Divine light. Red, which is the lowest color on our physical perceptual light spectrum, and just above infrared light, rules the Root Chakra. Conversely, violet, the highest color on our physical perceptual light spectrum, and just below ultra-violet light, rules the Crown Chakra.
Sense: Our multidimensional and extrasensory senses are ruled by the seventh chakra. Once this chakra is opened, our sense of empathy and unity expands. When we raise our consciousness, we experience another person, place or object as if we are inside of them or as if we are “being” them. It is important, then, that we remember that with this power comes responsibility. We should activate these senses only to provide help or healing – NEVER for mere curiosity or with any malicious intent.
Compassion is the main sense that develops as our Crown Chakra opens. We have two kinds of compassion: Crown Compassion, which is more about perception and communication, and Heart Compassion, which is more about emotions and empathy.
Element: The element of this Chakra is the Cosmic Energy, which is often experienced as an inner light emanating from the deepest part of our being. This Cosmic Energy, which rules the higher kingdoms and stems from the Source, feels like an ultimate intelligence and a sense of all-knowing. When our Crown Chakra opens we can also experience the complete isolation and blackness of the Great Void. This Void, which resonates just below the fifth dimension, represents the raw potential for all that can, or will be. The total darkness is representative of the center of a seed before it opens into the light of manifestation. when we can perceive from our Crown Chakra, we can identify both extremes of all polarities.
The opening of the Crown Chakra expands our perception into the fifth dimension where there are NO polarities. Therefore, there are many paradoxes associated with this Chakra as it represents the “end of all paradox.” As we travel through the higher dimensions, it is important that we release all judgments associated with the polarities of light and dark. We must instead consult our own inner knowing and higher consciousness to navigate us through our inner worlds. Eventually, we will all be aware of our fifth dimensional selves; they know no judgment and hold no fear. For what is judgment, if not a form of fear?
Consciousness: Since our Crown Chakra represents our multidimensional consciousness, as we open this Chakra our reality will no longer be limited to the third and fourth dimension. When our Brow Chakra, the sixth Chakra, opens we begin to travel into the higher sub planes of the fourth dimension. With the opening of our seventh Chakra, and the subsequent activation of our Third Eye, our consciousness can now enter the fifth dimension. It is then that the many realities around and within us gradually become consciously apparent to us.
The process of our awakening begins with expanding the consciousness of our physical selves and working to clear our etheric bodies. Then the astral, the mental, the causal and the spiritual I AM consciousness can align themselves in preparation to ascend into the fifth dimension. Until we reach the fifth dimension we can “work” towards enlightenment, but from the fifth dimension on, we must simply “BE”. “Doing” is not important then; consciousness alone is important. And finally, in the sixth and seventh dimensions even consciousness is not important as there is only the “Isness”, the “Nowness” and the “Hereness.”
Source: www.chakras.net and 3rdeyevision.org
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