Exhibition: ‘Edward Steichen In High Fashion: The Conde Nast Years, 1923 – 1937’ at the International Centre of Photography, New York

Exhibition dates: 16th January – 3rd May, 2009

Curators: William A. Ewing, Todd Brandow, and Nathalie Herschdorfer

 

Edward Steichen (American, 1879-1973) 'Gloria Swanson' 1924 'Edward Steichen In High Fashion: The Conde Nast Years, 1923 - 1937' at the International Centre of Photography, New York, Jan - May, 2009

 

Edward Steichen (American, 1879-1973)
Gloria Swanson (Vanity Fair, February 1, 1924)
1924
Gelatin silver print
The Sylvio Perlstein Collection Courtesy of Condé Nast Archive, Condé Nast Publications, Inc, New York/ Paul Hawryluk, Dawn Lucas and Rachael Smalley

 

 

As part of the International Center of Photography’s 2009 Year of Fashion, the museum will host a retrospective of Edward Steichen’s fashion and celebrity portraiture. Edward Steichen: In High Fashion, The Condé Nast Years, 1923-1937, will be on view at ICP (1133 Avenue of the Americas at 43rd Street) from January 16 through May 3, 2009. It will feature 175 vintage photographs, drawn mainly from the extensive archive of original prints at Condé Nast, along with a selection of important prints from the collection of the George Eastman House Museum. This will be the first exhibition in which the full range of his fashion photography and celebrity portraiture will be shown, including many images that have never been exhibited before. Having previously traveled throughout Europe, the exhibition will be presented on its North American tour in this version only at ICP.

Edward Steichen (1879-1973) was already a famed Pictorialist photographer and painter in the United States and abroad when he was offered the position of chief photographer for Vogue and Vanity Fair by Condé Nast. Upon assuming the job, the forty-four year old artist began one of the most lucrative and controversial careers in photography. To Alfred Stieglitz and his followers, Steichen was seen as damaging the cause of photography as a fine art by agreeing to do commercial editorial work. Nevertheless, Steichen’s years at Condé Nast magazines were extraordinarily prolific and inspired. He began by applying the soft focus style he had helped create to the photography of fashion. But soon he revolutionised the field, banishing the gauzy light of the Pictorialist era and replacing it with the clean, crisp lines of Modernism. In the process he changed the presentation of the fashionable woman from that of a distant, romantic creature to that of a much more direct, appealing, independent figure. At the same time he created lasting portraits of hundreds of leading personalities in movies, theatre, literature, politics, music, and sports, including Gloria Swanson, Gary Cooper, Marlene Dietrich, Joan Crawford, Colette, Winston Churchill, Amelia Earhart, Jack Dempsey, Noel Coward, Greta Garbo, Dorothy Parker, and Cecil B. De Mille.

From the ArtDaily.org website


Many thankx to the International Center of Photography for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

Edward Steichen (American, 1879-1973) 'On George Baher's yacht' 1928 Edward Steichen (American, 1879-1973) 'Gloria Swanson' 1924 'Edward Steichen In High Fashion: The Conde Nast Years, 1923 - 1937' at the International Centre of Photography, New York, Jan - May, 2009

 

Edward Steichen (American, 1879-1973)
On George Baher’s yacht
1928
Gelatin silver print
Courtesy Condé Nast Archive

 

Edward Steichen (American, 1879-1973) 'Gary Cooper' 1930

 

Edward Steichen (American, 1879-1973)
Gary Cooper
1930
Gelatin silver print
Courtesy Condé Nast Archive

 

Edward Steichen (American, 1879-1973) 'Joan Crawford' 1932

 

Edward Steichen (American, 1879-1973)
Joan Crawford
1932
Gelatin silver print
© 1932 Condé Nast

 

Edward Steichen (American, 1879-1973) 'Princess Nathalie Paley wearing sandals by Shoecraft' 1934

 

Edward Steichen (American, 1879-1973)
Princess Nathalie Paley wearing sandals by Shoecraft
1934
Gelatin silver print
© 1934 Condé Nast

 

Princess Natalia Pavlovna Paley (Russian: Наталья Павловна Палей; 5 December 1905 – 27 December 1981) was a Russian aristocrat who was a non-dynastic member of the Romanov family. A daughter of Grand Duke Paul Alexandrovich of Russia, she was a first cousin of the last Russian emperor, Nicholas II. After the Russian Revolution, she emigrated first to France and later to the United States. She became a fashion model, socialite, vendeuse, and briefly pursued a career as a film actress.

Text from the Wikipedia website

 

Edward Steichen (American, 1879-1973) 'Sinclair Lewis' 1932

 

Edward Steichen (American, 1879-1973)
Sinclair Lewis
1932
Gelatin silver print
© 1932 Condé Nast

 

Harry Sinclair Lewis (February 7, 1885 – January 10, 1951) was an American novelist, short-story writer, and playwright. In 1930, he became the first author from the United States (and the first from the Americas) to receive the Nobel Prize in Literature, which was awarded “for his vigorous and graphic art of description and his ability to create, with wit and humour, new types of characters.” Lewis wrote six popular novels: Main Street (1920), Babbitt (1922), Arrowsmith (1925), Elmer Gantry (1927), Dodsworth (1929), and It Can’t Happen Here (1935).

Several of his notable works were critical of American capitalism and materialism during the interwar period. Lewis is respected for his strong characterisations of modern working women.

Text from the Wikipedia website

 

Edward Steichen (American, 1879-1973) 'Patricia Bowman' 1932

 

Edward Steichen (American, 1879-1973)
Patricia Bowman
1932
Gelatin silver print
© 1932 Condé Nast

 

Patricia Bowman (December 12, 1908 – March 18, 1999) was an American ballerina, ballroom dancer, musical theatre actress, television personality, and dance teacher.

Dance critic Jack Anderson described her as “the first American ballerina to win critical acclaim and wide popularity as a classical and a musical-theatre dancer … Her sparkling stage personality won her many fans.” She was the first prima ballerina of the Radio City Music Hall when it opened in 1932, and is chiefly remembered for her work as a founding member of the American Ballet Theatre with whom she was a principal dancer from 1939 to 1941.

Text from the Wikipedia website

 

An exhibition of 175 works by Edward Steichen drawn largely from the Condé Nast archives, this is the first presentation to give serious consideration to the full range of Steichen’s fashion images. Organised by the Musée de l’Elysée, Lausanne, and the Foundation for the Exhibition of Photography, Minneapolis, in conjunction with the International Center of Photography, the exhibition will open at ICP after an extensive tour in Europe. Steichen’s approach to fashion photography was formative and over the course of his career he changed public perceptions of the American woman. An architect of American Modernism and a Pictorialist, Steichen exhibited his fashion images alongside his art photographs. Steichen’s crisp, detailed, high-key style revolutionised fashion photography, and his influence is felt in the field to this day – Richard Avedon, Robert Mapplethorpe, and Bruce Weber are among his stylistic successors.

Text from the International Centre of Photography website

 

Edward Steichen (American, 1879-1973) 'Evening shoes by Vida Moore' 1927

 

Edward Steichen (American, 1879-1973)
Evening shoes by Vida Moore
1927
Gelatin silver print
© 1927 Condé Nast

 

Edward Steichen (American, 1879-1973) 'Model posing for Beauty Primer on hand and nail care' 1934

 

Edward Steichen (American, 1879-1973)
Model posing for Beauty Primer on hand and nail care
1934
Gelatin silver print
© 1934 Condé Nast

 

Edward Steichen (American, 1879-1973) 'Anna May Wong' 1930

 

Edward Steichen (American, 1879-1973)
Anna May Wong
1930
Gelatin silver print
© 1930 Condé Nast

 

Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.

Text from the Wikipedia website

 

Edward Steichen (American, 1879-1973) 'Sylvia Sidney' 1929

 

Edward Steichen (American, 1879-1973)
Sylvia Sidney
1929
Gelatin silver print
© 1929 Condé Nast

 

Sylvia Sidney (born Sophia Kosow; August 8, 1910 – July 1, 1999) was an American stage, screen, and film actress whose career spanned 70 years. She rose to prominence in dozens of leading roles in the 1930s. She was nominated for the Academy Award for Best Supporting Actress for her performance in Summer Wishes, Winter Dreams in 1973. She later gained attention for her role as Juno, a case worker in the afterlife, in Tim Burton’s 1988 film Beetlejuice, for which she won a Saturn Award for Best Supporting Actress.

Text from the Wikipedia website

 

Edward Steichen (American, 1879-1973) 'Pola Negri' 1925

 

Edward Steichen (American, 1879-1973)
Pola Negri
1925
Gelatin silver print
© 1925 Condé Nast

 

Pola Negri (/ˈpoʊlə ˈnɛɡri/; born Barbara Apolonia Chałupiec [apɔˈlɔɲa xaˈwupʲɛt͡s]; 3 January 1897 – 1 August 1987) was a Polish stage and film actress and singer. She achieved worldwide fame during the silent and golden eras of Hollywood and European film for her tragedienne and femme fatale roles. She was also acknowledged as a sex symbol of her time.

Text from the Wikipedia website

 

Edward Steichen (American, 1879-1973) 'Loretta Young' 1931

 

Edward Steichen (American, 1879-1973)
Loretta Young
1931
Gelatin silver print
© 1931 Condé Nast

 

Loretta Young (born Gretchen Michaela Young; January 6, 1913 – August 12, 2000) was an American actress. Starting as a child, she had a long and varied career in film from 1917 to 1989. She received numerous honors including an Academy Award, two Golden Globe Awards, and three Primetime Emmy Awards as well as two stars on the Hollywood Walk of Fame for her work in film and television.

Text from the Wikipedia website

 

Edward Steichen (American, 1879-1973) 'Mary Heberden' 1935

 

Edward Steichen (American, 1879-1973)
Mary Heberden
1935
Gelatin silver print
© 1935 Condé Nast

 

Edward Steichen (American, 1879-1973) 'Mary Heberden' 1935 'Katharine Hepburn wearing a coat by Clare Potter' 1933

 

Edward Steichen (American, 1879-1973)
Katharine Hepburn wearing a coat by Clare Potter
1933
Gelatin silver print
Courtesy Condé Nast Archive

 

 

International Centre of Photography website

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Exhibition: ‘Odyssey: The Photographs of Linda Connor’ at the Phoenix Art Museum

Exhibition dates: 30th November, 2008 – 8th March, 2009

Curator: Rebecca Senf, Norton Family Assistant Curator of Photograph at the at Phoenix Art Museum

 

Linda Connor (American, b. 1944) 'Prayer Flag and Chortens, Ladakh, India 1988' 1988 from the exhibition 'Odyssey: The Photographs of Linda Connor' at Phoenix Art Museum, Nov 2008 - March 2009

 

Linda Connor (American, b. 1944)
Prayer Flag and Chortens, Ladakh, India 1988
1988
Silver gelatin print

 

 

Connor’s photographs reveal the essence of her subjects, yielding a sense of timelessness while visually evoking the intangible. She uses a distinctive technique. A large-format view camera allows her to achieve remarkable clarity and rich detail. Her prints are created by direct contact of the 8 x 10-inch negative on printing out paper, exposed and developed using sunlight …

Connor embraces a wide range of subject matter, connecting the physical and the spiritual world. Just as sacred art evokes deep meaning even without an explicit understanding, Connor hopes her photographs serve a similar metaphorical function. Upon entering Chartres Cathedral, for example, one feels transported into another realm, regardless of religious beliefs. Connor’s images share this transformative nature as they transcend the boundaries of subject, culture, and time. She brings an equal amount of attention to a rock in the desert as she does when she photographs a temple.

Text from the Phoenix Art Museum website


Many thankx to the Phoenix Art Museum for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

Linda Connor (American, b. 1944) 'Windows and Thangkas, Ladakh' 1988 from the exhibition 'Odyssey: The Photographs of Linda Connor' at Phoenix Art Museum, Nov 2008 - March 2009

 

Linda Connor (American, b. 1944)
Windows and Thangkas, Ladakh
1988
Silver gelatin print

 

Linda Connor (American, b. 1944) 'Library of Prayer Books, Ladakh, India' 1988

 

Linda Connor (American, b. 1944)
Library of Prayer Books, Ladakh, India
1988
Silver gelatin print

 

Linda Connor is an American photographer who photographs spiritual and exotic locations including India, Mexico, Thailand, Ireland, Peru, and Nepal. Her photographs appear in a number of books, including Spiral Journey, a catalog of her exhibition at the Museum of Contemporary Photography in 1990 and Odyssey: Photographs by Linda Connor, published by Chronicle Books in 2008. Connor was awarded a National Endowment for the Arts grant in 1976 and 1988 and received a Guggenheim Fellowship in 1979. Connor’s work is included in the collections of the Art Institute of Chicago, Museum of Modern Art, San Francisco Museum of Modern Art, and the Victoria & Albert Museum in London.

 

Linda Connor (American, b. 1944) 'Portal Figures, Chartres Cathedral, France' 1989

 

Linda Connor (American, b. 1944)
Portal Figures, Chartres Cathedral, France
1989
Silver gelatin print

 

Linda Connor (American, b. 1944) 'Mudra, Mindroling Monastery, Tibet' 1993

 

Linda Connor (American, b. 1944)
Mudra, Mindroling Monastery, Tibet
1993
Silver gelatin print

 

Linda Connor (American, b. 1944)
'Blind Musician, Kashmir, India' 1985

 

Linda Connor (American, b. 1944)
Blind Musician, Kashmir, India
1985
Silver gelatin print

 

Linda Connor (American, b. 1944)
'Apollo, Mt. Nemrut, Turkey' 1992

 

Linda Connor (American, b. 1944)
Apollo, Mt. Nemrut, Turkey
1992
Silver gelatin print

 

 

Doris and John Norton Gallery for the Center for Creative Photography, Phoenix Art Museum
1625 N Central Ave, Phoenix, AZ 85004, USA

Opening hours:
Wednesday 10am – 9pm
Thursday – Sunday 10am – 5pm
Closed Monday and Tuesday

Center for Creative Photography, University of Arizona, Tucson
27th March – 21st June 2009

Phoenix Art Museum website

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Book: ‘Edward S. Curtis: Visions of the First Americans’ (with Eugene Atget and Diane Arbus)

November 2008

 

Edward S Curtis (American, 1868-1952) 'Nuhlihahla-Qagyuhl' Nd

 

Edward S Curtis (American, 1868-1952)
Nuhlihahla-Qagyuhl
Nd

 

 

Following my thoughts on the series The First Australians on SBS we have this wonderful coffee table book of photographs: Edward S. Curtis: Visions of the First Americans with images taken from his seminal 20 volume work The North American Indian.

Curtis worked on the project from 1906 to 1927 hauling his large format glass plate camera across the United States much as Eugene Atget did at roughly the same time in Paris, taking photographs of the old city and its hotels, shops, parks and gardens. Atget died in 1927 with his art recognised by few whilst Curtis lived on into the 1950s, dying in obscurity and poverty after the fame of his groundbreaking work had disappeared.

Atget’s photographs of people half seen through shop doors and windows, like shadows of the night. Curtis’s photographs of masked Yeibichei dancers wearing elaborate attire. Both photographed a vanishing world capturing it for prosperity on fragile glass plates. Both brought to their projects a unique vision and a belief in what they were doing.

Curtis thought he was photographing the dying races of the American Indians. Atget knew he was photographing the collapsing spaces of old Paris. Both use the space of the photograph to signify their intentions: an understanding of their subject matter, an empathy with a disappearing way of life, a need to record their vision of this world – and an intensity of insight into that condition.

No other photograph has the space and timelessness of an Atget. No other image evokes the presence of the plains that Curtis summoned.

His masked dancers remind me of the last photographs of the great American photographer Diane Arbus in their candour and beauty, posthumously called Untitled. Finally Arbus had found a subject matter that she could return to over and over again. As did Atget and Curtis.

As Doon Arbus has commented,

“These images – created out of the courage to see things as they are, the grace to permit them simply to be, and a deceptive simplicity that permits itself neither fancy nor artifice … The photographs appear to be documents of a world we’ve never seen or imagined before – one with its own rituals and icons, its own games and fashions and codes of conduct – which, for all its strangeness, is at the same time hauntingly familiar and, in the end, no more or less unfathomable than our own.”1

Dr Marcus Bunyan

 

1/ Arbus, Doon. “Afterword,” in Diane Arbus: Untitled. London: Thames and Hudson, 1995.

 

~ Diane Arbus: Untitled
~ Edward S. Curtis: Visions of the First Americans
~ Some late Diane Arbus photographs from Google Images
~ Eugène Atget Wikipedia entry
~ Eugène Atget Google images

 

 

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