12
Jan
09

Exhibition: ‘Edward Steichen In High Fashion: The Conde Nast Years, 1923 – 1937’ at the International Centre of Photography, New York

Exhibition dates: 16th January – 3rd May 2009

 

Edward Steichen. 'Gloria Swanson' 1924

 

Edward Steichen (1879-1973)
Gloria Swanson (Vanity Fair, February 1, 1924)
1924
Gelatin silver print
The Sylvio Perlstein Collection Courtesy of Condé Nast Archive, Condé Nast Publications, Inc, New York/ Paul Hawryluk, Dawn Lucas and Rachael Smalley

 

 

“As part of the International Center of Photography’s 2009 Year of Fashion, the museum will host a retrospective of Edward Steichen’s fashion and celebrity portraiture. Edward Steichen: In High Fashion, The Condé Nast Years, 1923-1937, will be on view at ICP (1133 Avenue of the Americas at 43rd Street) from January 16 through May 3, 2009. It will feature 175 vintage photographs, drawn mainly from the extensive archive of original prints at Condé Nast, along with a selection of important prints from the collection of the George Eastman House Museum. This will be the first exhibition in which the full range of his fashion photography and celebrity portraiture will be shown, including many images that have never been exhibited before. Having previously traveled throughout Europe, the exhibition will be presented on its North American tour in this version only at ICP.

 

Edward Steichen (1879-1973) 'On George Baher's yacht' 1928

 

Edward Steichen (1879-1973)
On George Baher’s yacht
1928
Gelatin silver print
Courtesy Condé Nast Archive

 

 

Edward Steichen (1879-1973) was already a famed Pictorialist photographer and painter in the United States and abroad when he was offered the position of chief photographer for Vogue and Vanity Fair by Condé Nast. Upon assuming the job, the forty-four year old artist began one of the most lucrative and controversial careers in photography. To Alfred Stieglitz and his followers, Steichen was seen as damaging the cause of photography as a fine art by agreeing to do commercial editorial work. Nevertheless, Steichen’s years at Condé Nast magazines were extraordinarily prolific and inspired. He began by applying the soft focus style he had helped create to the photography of fashion. But soon he revolutionised the field, banishing the gauzy light of the Pictorialist era and replacing it with the clean, crisp lines of Modernism. In the process he changed the presentation of the fashionable woman from that of a distant, romantic creature to that of a much more direct, appealing, independent figure. At the same time he created lasting portraits of hundreds of leading personalities in movies, theatre, literature, politics, music, and sports, including Gloria Swanson, Gary Cooper, Marlene Dietrich, Joan Crawford, Colette, Winston Churchill, Amelia Earhart, Jack Dempsey, Noel Coward, Greta Garbo, Dorothy Parker, and Cecil B. De Mille.

from the ArtDaily.org website

 

Edward Steichen. 'Gary Cooper' 1930

 

Edward Steichen (1879-1973)
Gary Cooper
1930
Gelatin silver print
Courtesy Condé Nast Archive

 

Edward Steichen (1879-1973) 'Joan Crawford' 1932

 

Edward Steichen (1879-1973)
Joan Crawford
1932
Gelatin silver print
© 1932 Condé Nast

 

Edward Steichen (1879-1973) 'Princess Nathalie Paley wearing sandals by Shoecraft' 1934

 

Edward Steichen (1879-1973)
Princess Nathalie Paley wearing sandals by Shoecraft
1934
Gelatin silver print
© 1934 Condé Nast

 

Edward Steichen (1879-1973) 'Sinclair Lewis' 1932

 

Edward Steichen (1879-1973)
Sinclair Lewis
1932
Gelatin silver print
© 1932 Condé Nast

 

Edward Steichen (1879-1973) 'Patricia Bowman' 1932

 

Edward Steichen (1879-1973)
Patricia Bowman
1932
Gelatin silver print
© 1932 Condé Nast

 

 

“An exhibition of 175 works by Edward Steichen drawn largely from the Condé Nast archives, this is the first presentation to give serious consideration to the full range of Steichen’s fashion images. Organised by the Musée de l’Elysée, Lausanne, and the Foundation for the Exhibition of Photography, Minneapolis, in conjunction with the International Center of Photography, the exhibition will open at ICP after an extensive tour in Europe. Steichen’s approach to fashion photography was formative and over the course of his career he changed public perceptions of the American woman. An architect of American Modernism and a Pictorialist, Steichen exhibited his fashion images alongside his art photographs. Steichen’s crisp, detailed, high-key style revolutionised fashion photography, and his influence is felt in the field to this day – Richard Avedon, Robert Mapplethorpe, and Bruce Weber are among his stylistic successors.”

from the International Centre of Photography website

 

Edward Steichen (1879-1973) 'Evening shoes by Vida Moore' 1927

 

Edward Steichen (1879-1973)
Evening shoes by Vida Moore
1927
Gelatin silver print
© 1927 Condé Nast

 

Edward Steichen (1879-1973) 'Model posing for Beauty Primer on hand and nail care' 1934

 

Edward Steichen (1879-1973)
Model posing for Beauty Primer on hand and nail care
1934
Gelatin silver print
© 1934 Condé Nast

 

Edward Steichen (1879-1973) 'Anna May Wong' 1930

 

Edward Steichen (1879-1973)
Anna May Wong
1930
Gelatin silver print
© 1930 Condé Nast

 

Edward Steichen (1879-1973) 'Sylvia Sidney' 1929

 

Edward Steichen (1879-1973)
Sylvia Sidney
1929
Gelatin silver print
© 1929 Condé Nast

 

Edward Steichen (1879-1973) 'Pola Negri' 1925

 

Edward Steichen (1879-1973)
Pola Negri
1925
Gelatin silver print
© 1925 Condé Nast

 

Edward Steichen (1879-1973) 'Loretta Young' 1931

 

Edward Steichen (1879-1973)
Loretta Young
1931
Gelatin silver print
© 1931 Condé Nast

 

Edward Steichen (1879-1973) 'Mary Heberden' 1935

 

Edward Steichen (1879-1973)
Mary Heberden
1935
Gelatin silver print
© 1935 Condé Nast

 

Edward Steichen. 'Katharine Hepburn wearing a coat by Clare Potter' 1933

 

Edward Steichen
Katharine Hepburn wearing a coat by Clare Potter
1933
Gelatin silver print
Courtesy Condé Nast Archive

 

 

International Centre of Photography website

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1 Response to “Exhibition: ‘Edward Steichen In High Fashion: The Conde Nast Years, 1923 – 1937’ at the International Centre of Photography, New York”


  1. January 19, 2009 at 5:51 pm

    Beautiful and interesting post .. js


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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

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