Posts Tagged ‘Australian analogue photography

26
Jul
20

Marcus Bunyan black and white archive: ‘Padlocks/People’, 1994-96

July 2020

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

 

The padlocks were from a collection borrowed from a friend and photographed on a black velvet background. I liked their antiquity coupled with their minimalist modernist aesthetic highlighted against the black background. The installation photographs at the bottom of the posting show how they were originally exhibited at my solo exhibition The Cleft in Words, The Words as Flesh at Stop 22 Gallery, Melbourne in 1996, in a grid formation with the facade of an English cathedral.

The people were photographed out of the open door of an old W class tram on Swanston Street, Melbourne, with me sitting on the floor of the tram handholding my Mamiya RZ67 – so that the people outside were at eye level as they entered. At the time, I was fascinated by the open door of the tram, of life sliding past, of people not being aware they were being photographed climbing up into the tram after the door had opened.

Today, putting these two sets of images together, I am thinking about the relationship between the mundanity of everyday life and being locked into the routine and ritual of existence, with barely a key in/sight. At the time, and now, I am informed by a quotation from Susan Stewart:

“To walk in the city is to experience the disjuncture of partial vision/partial consciousness. The narrativity of this walking is belied by a simultaneity we know and yet cannot experience. As we turn a corner, our object disappears around the next corner. The sides of the street conspire against us; each attention suppresses a field of possibilities… The walkers of the city travel at different speeds, their steps like handwriting of a personal mobility.”1

Shadows lengthen, people hasten, rushing who knows where, the body immersed in absent presence, present and not present, conscious and not conscious, aware and yet unaware of the narratives of the body and the city. Walkers of this transcendent and anonymous silence.

Dr Marcus Bunyan

 

  1. Stewart, Susan. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Durham: Duke University Press, 1993, p. 2. Prologue.

 

I am scanning my negatives made during the years 1991-1997 to preserve them in the form of an online archive as a process of active memory, so that the images are not lost forever. These photographs were images of my life and imagination at the time of their making, the ideas I was thinking about and the people and things that surrounded me.

All images © Marcus Bunyan. Please click the photographs for a larger version of the image. Please remember these are just straight scans of the prints, all full frame, no cropping !

 

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Padlocks/People' 1995-96

 

Marcus Bunyan (Australian, born England 1958)
Untitled
1995-96
From Padlocks/People
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Installation of the Padlocks at the exhibition ‘The Cleft in Words, The Words as Flesh’ at Stop 22 Gallery, Melbourne, 1996'

 

Marcus Bunyan (Australian, born England 1958)
Installation of the Padlocks at the exhibition ‘The Cleft in Words, The Words as Flesh’ at Stop 22 Gallery, Melbourne, 1996
1996
Gelatin silver print

 

Marcus Bunyan (Australian, born England 1958) 'Installation of the Padlocks at the exhibition ‘The Cleft in Words, The Words as Flesh’ at Stop 22 Gallery, Melbourne, 1996'

 

Marcus Bunyan (Australian, born England 1958)
Installation of the Padlocks at the exhibition ‘The Cleft in Words, The Words as Flesh’ at Stop 22 Gallery, Melbourne, 1996
1995-96
Gelatin silver print

 

 

Marcus Bunyan black and white archive 1991-1997

Marcus Bunyan website

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06
May
12

Review: ‘Jane Brown / Australian Gothic’ at Edmund Pearce Gallery, Melbourne

Exhibition dates: 25th April – 12th May 2012

 

Jane Brown. 'Big Trout, New South Wales' 2010

 

Jane Brown (Kuwait, Australia, b. 1967)
Big Trout, New South Wales
2010
Museo silver rag print
59 x 46 cm

 

 

As you should know by now, this blog tries to promote the work of less well known artists and subject matter. So instead of concentrating on the wonderful aerial bushfire photographs of the well-known artist John Gollings (showing in the same gallery in different spaces with the work of Michael Norton) I have decided to do a posting on the exhibition Australian Gothic by Jane Brown.

This is a good exhibition of small, darkly hewn, traditionally printed silver gelatin photographs, beautifully hung in the small gallery at Edmund Pearce and lit in the requisite, ambient manner. There are some outstanding photographs in the exhibition. The strongest works are the surrealist tinged, film noir-ish mise-en-scènes, the ones that emphasise the metaphorical darkness of the elements gathered upon the stage. Photographs such as Big TroutThe Female Factory, Adelong, New South Wales and Captain’s Flat Hotel, New South Wales really invoke a feeling of unhomely (or unheimlich), where nature is out of kilter. These images unsettle our idea of Oztraliana, our perceived sense of Self and our place in the world. They disrupt normal transmission; they transmutate the seen environment, transforming appearance, nature and form. Less successful in this quest are the bushfire landscapes. I feel these add little to the narrative thread of the exhibition and could have easily been left out in a judicious cull of the photographs. This would have made the overarching story line stronger still.

One of the best photographs in the exhibition is Lathamstowe (2011, below). This dark, brooding, intense photograph is a beautifully realised visualisation, one that balances scale, tone, light, form and darkness to create a haunting image that stays with you a long time after you have seen it. This one images says it all: the artist has talent. More please!

Dr Marcus Bunyan

.
Many thankx to Edmund Pearce Gallery for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

Jane Brown. 'Bushfire Landscape I' 2011

 

Jane Brown (Kuwait, Australia, b. 1967)
Bushfire Landscape I
2011
Fibre based, silver gelatin print
16.5 x 20.5 cm

 

Jane Brown. 'Bushfire Landscape II, Lake Mountain, Victoria' 2010

 

Jane Brown (Kuwait, Australia, b. 1967)
Bushfire Landscape II, Lake Mountain, Victoria
2010
Fibre based, silver gelatin print
16.5 x 19.5 cm

 

Jane Brown. 'The Female Factory (convict women’s prison), Ross, Tasmania' 2009

 

Jane Brown (Kuwait, Australia, b. 1967)
The Female Factory (convict women’s prison), Ross, Tasmania
2009
Fibre based, silver gelatin print
15.8 x 19.5 cm

 

Jane Brown. 'Lathamstowe' 2011

 

Jane Brown (Kuwait, Australia, b. 1967)
Lathamstowe
2011
Fibre based, silver gelatin print
16.5 x 16.5 cm

 

 

“I find it interesting how monochrome is used to differentiate the living and the dead, the past and the present. It has an ability to transcend the constraints of time, memory and death. I examine this a lot in my work – landscapes seem to have vestiges or traces of past life and memorials become otherworldly.”

.
Jane Brown. ‘Weekend Australian Review’, August 2011

 

“The antipodes was seen as a world of reversals, the dark subconscious of Britain. It was for all intents and purposes Gothic par excellence.”

.
Gary Turcotte. “Australian Gothic,” in Marie Mulvey-Roberts (ed.), ‘The Handbook to Gothic Literature’.1998

 

 

Comprising photographs taken in rural New South Wales, the ACT, Victoria and Tasmania, this exhibition takes its cue from the gothic imaginings of colonial Australia. We see images of a convict past, the bush Christmas, unforgiving landscapes and melancholic hotels. It carries echoes of the cinema of Wake in Fright (1971) and the Cars that Ate Paris (1974)Rendering visible the themes of the melancholic and the uncanny, Australian Gothic manifests itself in rural isolation – where the homely becomes unhomely (or unheimlich) and where nature is out of kilter.

 

Jane Brown. 'Adelong, New South Wales' 2011

 

Jane Brown (Kuwait, Australia, b. 1967)
Adelong, New South Wales
2011
Fibre based, silver gelatin print
16.5 x 20.5 cm

 

Jane Brown. 'Tumbarumba, New South Wales' 2012

 

Jane Brown (Kuwait, Australia, b. 1967)
Tumbarumba, New South Wales
2012
Fibre based, silver gelatin print
16.5 x 19.5 cm

 

Jane Brown. 'One Way, Hobart, Tasmania' 2009

 

Jane Brown (Kuwait, Australia, b. 1967)
One Way, Hobart, Tasmania
2009
Fibre based, silver gelatin print
16.5 x 19.5 cm

 

Jane Brown. 'Unheimlich, French Island, Victoria' 2010

 

Jane Brown (Kuwait, Australia, b. 1967)
Unheimlich, French Island, Victoria
2010
Fibre based, silver gelatin print
19 x 16 cm

 

Jane Brown. 'Captain’s Flat Hotel, New South Wales' 2012

 

Jane Brown (Kuwait, Australia, b. 1967)
Captain’s Flat Hotel, New South Wales
2012
Fibre based, silver gelatin print
21.5 x 17.5 cm

 

 

Edmund Pearce Gallery

This gallery has now closed.

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29
Apr
12

Marcus Bunyan black and white archive: objects, cars and places, 1991/2

April 2012

 

I am scanning my negatives made during the years 1991-1997 to preserve them in the form of an online archive as a process of active memory, so that the images are not lost forever. These photographs were images of my life and imagination at the time of their making, the ideas I was thinking about and the people and things that surrounded me.

All images © Marcus Bunyan. Please click the photographs for a larger version of the image; remember these are just straight scans of the negatives !

 

 

Marcus Bunyan. 'Two faces' 1991

 

Marcus Bunyan (Australian, b. 1958)
Two faces
1991
Gelatin silver print

 

Marcus Bunyan. 'Fred and Andrew smoking a joint in Paris' 1992

 

Marcus Bunyan (Australian, b. 1958)
Fred and Andrew smoking a joint in Paris
1992
Gelatin silver print

 

Marcus Bunyan. 'Unknown landscape' 1991-2

 

Marcus Bunyan (Australian, b. 1958)
Unknown landscape
1991-2
Gelatin silver print

 

Marcus Bunyan. 'Base' 1991

 

Marcus Bunyan (Australian, b. 1958)
Base
1991
Gelatin silver print

 

Marcus Bunyan. 'Shower room, Punt Road, South Yarra' 1991

 

Marcus Bunyan (Australian, b. 1958)
Shower room, Punt Road, South Yarra
1991
Gelatin silver print

 

Marcus Bunyan. 'Keep Clear, Virgin Girl' 1992

 

Marcus Bunyan (Australian, b. 1958)
Keep Clear, Virgin Girl
1992
Gelatin silver print

 

Marcus Bunyan. 'Two torsos' 1991

 

Marcus Bunyan (Australian, b. 1958)
Two torsos
1991
Gelatin silver print

 

Marcus Bunyan. 'Standing stove, plant and broom' 1991

 

Marcus Bunyan (Australian, b. 1958)
Standing stove, plant and broom
1991
Gelatin silver print

 

Marcus Bunyan. 'Suspended kitchen' 1991

 

Marcus Bunyan (Australian, b. 1958)
Suspended kitchen
1991
Gelatin silver print

 

Marcus Bunyan. 'Bring me the head of John the Baptist / Man with Big Ears' 1992

 

Marcus Bunyan (Australian, b. 1958)
Bring me the head of John the Baptist / Man with Big Ears
1992
Gelatin silver print

 

Marcus Bunyan. 'The Windmills of Don Q' 1992

 

Marcus Bunyan (Australian, b. 1958)
The Windmills of Don Q
1992
Gelatin silver print

 

Marcus Bunyan. 'Where the stars are (after Manuel Alvarez Bravo)' 1991

 

Marcus Bunyan (Australian, b. 1958)
Where the stars are (after Manuel Alvarez Bravo)
1991
Gelatin silver print

 

Marcus Bunyan. 'Fred and Andrew, Sherbrooke Forest' 1992

 

Marcus Bunyan (Australian, b. 1958)
Fred and Andrew, Sherbrooke Forest
1992
Gelatin silver print

 

Marcus Bunyan. 'Jeff standing on his Valiant' 1991-2

 

Marcus Bunyan (Australian, b. 1958)
Jeff standing on his Valiant
1991-2
Gelatin silver print

 

 

Marcus Bunyan black and white archive page

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19
Jan
12

marcus bunyan black and white archive: self-portraits and nudes, 1991-92

January 2012

 

Marcus Bunyan. 'Self-portrait in Punk Jacket' 1991-92

 

Marcus Bunyan (Australian, b. 1958)
Self-portrait in Punk Jacket
1991-92
Silver gelatin print

 

 

I am scanning my negatives made during the years 1991 – 1997 to preserve them in the form of an online archive as a process of active memory, so that the images are not lost forever. These photographs were images of my life and imagination at the time of their making, the ideas I was thinking about and the people and things that surrounded me.

Dr Marcus Bunyan

.
All images © Marcus Bunyan. Please click the photographs for a larger version of the image; remember these are just straight scans of the negatives !

 

Marcus Bunyan. 'Marcus Sucking His Thumb' 1991-92

 

Marcus Bunyan (Australian, b. 1958)
Marcus Sucking His Thumb
1991-92
Silver gelatin print

 

Marcus Bunyan. 'Marcus in his Punk Jacket, Punt Road, South Yarra' 1991-92

 

Marcus Bunyan (Australian, b. 1958)
Marcus in his Punk Jacket, Punt Road, South Yarra
1991-92
Silver gelatin print

 

Marcus Bunyan. 'Marcus as The Fool (posing for the sculptor Fredrick White)' 1991-92

 

Marcus Bunyan (Australian, b. 1958)
Marcus as The Fool (posing for the sculptor Fredrick White)
1991-92
Silver gelatin print

 

Marcus Bunyan. 'Nude, in the Flat, Rear of Derelict House, 455, Punt Road, South Yarra' 1992

 

Marcus Bunyan (Australian, b. 1958)
Nude, in the Flat, Rear of Derelict House, 455, Punt Road, South Yarra
1992
Silver gelatin print

 

Marcus Bunyan. 'Nude on Floor (with Clifford Last)' 1992

 

Marcus Bunyan (Australian, b. 1958)
Nude on Floor (with Clifford Last)
1992
Silver gelatin print

 

Marcus Bunyan. 'Nude on Couch, Punt Road, South Yarra' 1992

 

Marcus Bunyan (Australian, b. 1958)
Nude on Couch, Punt Road, South Yarra
1992
Silver gelatin print

 

Marcus Bunyan. 'Nude on Couch, Punt Road, South Yarra' 1992

 

Marcus Bunyan (Australian, b. 1958)
Nude on Couch, Punt Road, South Yarra
1992
Silver gelatin print

 

 

Marcus Bunyan black and white archive page

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He writes Art Blart, a photographic archive and form of cultural memory, which posts mainly photography exhibitions from around the world. He holds a Dr of Philosophy from RMIT University, Melbourne, a Master of Arts (Fine Art Photography) from RMIT University, and a Master of Art Curatorship from the University of Melbourne.

Marcus Bunyan black and white archive: ‘Padlocks/People’ 1994-96

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