Exhibition: ‘Gilbert & George: Jack Freak Pictures’ at Arndt & Partner, Berlin

Exhibition dates: 16th June – 18th September, 2009

 

Artist duo George (left) and Gilbert (right) pose in front of their work "The Church of England" in Berlin, Germany

 

Artist duo George (left) and Gilbert (right) pose in front of their work “The Church of England” in Berlin, Germany

 

 

That pair of agent provocateurs are at it again!

Marcus


Many thankx to Arndt & Partner for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'Dating' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
DATING
2008
Mixed media

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'BRITISHISM' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
BRITISHISM
2008
Mixed media

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'JESUS JACK' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
JESUS JACK
2008
Mixed media

 

Gilbert & George. 'ROUND FLAG' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
ROUND FLAG
2008
Mixed media

 

 

As the international tour of the last Gilbert & George retrospective (2007-2009) did not include Berlin, Arndt & Partner are now presenting a solo exhibition of the celebrity artist duo in its gallery rooms behind the Hamburger Bahnhof. It is the first Gilbert & George solo show in Berlin for 14 years. The exhibition features a selection of 20 large-scale pieces from the Jack Freak Pictures, the largest Gilbert & George group of pictures to date. The thrust of the content is given by the colours and shapes of the Union Jack flag that dominate the bulk of the pictures as well as the recurring motive of medals, emblems and trees. In the Jack Freak Pictures the artist duo explores aspects of nationhood and of the sentient individual in the nets of society. In his essay published in the catalogue accompanying the exhibition the British writer Michael Bracewell describes these pictures as “the most iconic, philosophically astute and visually violent works that Gilbert & George have ever created …”

Gilbert & George, who met as students of sculpture at St. Martin’s School of Art in London 42 years ago, embarked on a joint artistic career that was to encompass a wide range of media from drawing to video and their trademark pictures. Further, the pair revolutionised the concept of sculpture by presenting themselves as “living sculptures” dressed in the quintessentially British tailored suit, shirt and tie. But it was their monumental trademark pictures composed of a grid like array of smaller images which they began to create in the early 70s that first brought them international fame. Figures, cityscapes, symbols, plants, bodily fluids, excrements and text interlock in pictorial messages as visually powerful as their content is provocative. The pictures, which started out in black and white and later assumed increasingly luminous, bold colours, generally also depict portraits of the artists themselves and seize on taboo subjects like sexuality, race, religion and national identity with a brash and fearless candour.

The Jack Freak Pictures again feature the bodies and/or faces of the artists. In these compositions, their bodies function as stylised representatives of the individual in society, whose relationship to social norms and categories, to national, religious and sexual identification processes is relentlessly explored and commented upon. Departing from their earlier oeuvre, some of their new pictures split the raw images into much smaller fragments before merging them into new forms. The result is a fascinating kaleidoscopic mix of the monstrously grotesque with an intricate ornamental structure reminiscent of sacred art. In ever new variations, Gilbert & George order the signs and fragments of social life they find in their neighbourhood – the multicultural East End of London – where solidarity and friendship are as visible as intolerance and marginalisation.

Press release from the Arndt & Partner website [Online] Cited 04/07/2009. No longer available online

 

Gilbert & George installation photograph of their exhibition 'Jack Freak Pictures' at Arndt & Partner, Berlin

Gilbert & George installation photograph of their exhibition 'Jack Freak Pictures' at Arndt & Partner, Berlin

Gilbert & George installation photograph of their exhibition 'Jack Freak Pictures' at Arndt & Partner, Berlin

Gilbert & George installation photograph of their exhibition 'Jack Freak Pictures' at Arndt & Partner, Berlin

 

Gilbert & George installation photographs of their exhibition Jack Freak Pictures at Arndt & Partner, Berlin

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'JESUS SUITS' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
JESUS SUITS
2008
Mixed media

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'CHURCH OF ENGLAND' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
CHURCH OF ENGLAND
2008
Mixed media

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'POSTER DANCE' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
POSTER DANCE
2008
Mixed media

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'REALM' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
REALM
2008
Mixed media

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'SPIDER' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
SPIDER
2008
Mixed media

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942) 'UNION WALL DANCE' 2008

 

Gilbert & George (Gilbert Prousch, English born Italy, b. 1943) (George Passmore, English, b. 1942)
UNION WALL DANCE
2008
Mixed media

 

 

Arndt Fine Art

This gallery has now closed.

Arndt website

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International Sculpture Conference accepting proposals: ‘What is Sculpture in the 21st Century?

May 2009

22nd International Sculpture Conference

7th – 9th April, 2010 London, United Kingdom

 

 

Chris Burden
Flying Steamroller
2006

 

Call for papers

The ISC’s 22nd International Sculpture Conference will explore and consider the potential of sculpture in the 21st century – to provide an opportunity to both celebrate its vitality and diversity, its capacity to challenge, and to examine its current position, function and production.

Themes include The Languages of Sculpture, Public Perception and Investment and The State of Education.

 

 

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Lecture/Performance: Hans Aarsman at The Photographers Gallery, London

Date: 21st January 2009

 

Hans Aarsman (Dutch, b. 1951) 1236 sheets of negatives from the 1980s, thrown away on 19 August 2004

 

Hans Aarsman (Dutch, b. 1951)
1236 sheets of negatives from the 1980s, thrown away on 19 August 2004
2004

 

 

Hans Aarsman presents From Ugly to Pretty and Back Again. The Mysterious Ways of Beauty in Photography.

In this lecture Hans Aarsman examines the myriad of questions involved in taking photographs for purposes as varied as advertising, documentation and personal mementos. How does our understanding of the beauty in these images differ depending their final resting place, be it Ebay, family album, specialist magazines or museums collections. Through his own experiences Aarsman asks if, and how, artistic ambitions, aesthetics and useful photography can coincide.

Hans Aarsman (b. 1951, NL) worked as a photojournalist until 1994. He currently works as a writer, in particular on photography, and is co-founder of the magazine Useful Photography. Aarsman displayed, and invited contributions to, his project Photography Against Consumerism here at The Photographers’ Gallery last July. He is based in Amsterdam.

£5.00/ £3.50 concessions

 

 

The Photographers Gallery
16-18 Ramillies Street
London
W1F 7LW

Opening hours:
Monday – Saturday: 10.00 – 18.00
Thursday: 10.00 – 20.00 during exhibitions
Sunday: 11.00 – 18.00

The Photographers Gallery website

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