Dr Marcus Bunyan
Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He writes Art Blart, an art and cultural memory archive, which posts mainly photography exhibitions from around the world. He holds a Doctor of Philosophy from RMIT University, Melbourne, a Master of Arts (Fine Art Photography) from RMIT University, and a Master of Art Curatorship from the University of Melbourne.
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Marcus Bunyan black and white archive: ‘Orphans and small groups’ 1994-96 Part 2
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Recent Posts
- Exhibition: ‘Germany / 1920s / New Objectivity / August Sander’ at Centre Pompidou, Paris
- Photographs: Frank Hurley – Soldiers of the Australian Imperial Force (AIF) on the Western Front during the First World War, mid-1917 – September 1918
- Exhibition: ‘In Focus: Sound’ at the J. Paul Getty Museum, Los Angeles
- Photographs: Images of Mongolian noblemen and noblewomen of early 20th century (1910s-1920s)
- Exhibition: ‘Image and Space. Candida Höfer in Dialogue with the Photography Collection of the Kunstbibliothek’ at the Museum für Fotografie, Berlin
- Exhibition: ‘George Tice Lifework: A Tribute, Photographs 1953-2013’ at Joseph Bellows Gallery, La Jolla, California
- Exhibition: ‘Photographic Concepts and Treasures – Works from the Collection Part 1 – Portraiture, Landscape, Botany’ at Die Photographische Sammlung / SK Stiftung Kultur, Cologne
- Exhibition: ‘Walter Sickert’ at Tate Britain, London
- Photographs: ‘Venice Views’ by Fratelli Gajo c. 1880s
- Exhibition: ‘Imogen Cunningham: A Retrospective’ at the J. Paul Getty Museum, Los Angeles
- Exhibition: ‘Real Photo Postcards: Pictures from a Changing Nation’ at the Museum of Fine Arts, Boston
- Exhibition: ‘André Kertész: Postcards from Paris’ at the High Museum of Art, Atlanta
- Exhibition: ‘After August Sander: People of the 21st Century’ at Museum für Gegenwartskunst Siegen
- Exhibition: ‘Known and Strange: Photographs from the Collection’ at the V&A Photography Centre, London
- Photographs: ‘Carnival attractions and circus photos’
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- Exhibition: 'Germany/1920s/New Objectivity/August Sander' at Centre Pompidou, Paris wp.me/pn2J2-kl5 “A port… twitter.com/i/web/status/1… 3 days ago
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Top Posts
- Exhibition: 'nude men: from 1800 to the present day' at the Leopold Museum, Vienna
- Exhibition: 'Hold That Pose: Erotic Imagery in 19th Century Photography' at the Kinsey Institute, Bloomington, Indiana Part 2
- Photographs: Frank Hurley – Soldiers of the Australian Imperial Force (AIF) on the Western Front during the First World War, mid-1917 - September 1918
- Exhibition: 'Germany / 1920s / New Objectivity / August Sander' at Centre Pompidou, Paris
- Exhibition: 'The Naked Truth and More Besides: Nude Photography around 1900' at the Museum for Photography, Berlin
- Exhibition: 'Hold That Pose: Erotic Imagery in 19th Century Photography' at the Kinsey Institute, Bloomington, Indiana Part 1
- Text / exhibition: 'David Bowie is' at the Australian Centre for the Moving Image (ACMI), Melbourne
- Exhibition: 'Harry Callahan: American Photographer' at the Museum of Fine Arts, Boston
- Exhibition: 'Nude Visions. 150 Years of Nude Photography' at Museum Fur Kunst und Gewerbe (MKG), Hamburg
- International artists/exhibitions by name & posting
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Lecture/Performance: Hans Aarsman at The Photographers Gallery, London
Tags: 1236 sheets of negatives from the 1980s, beauty, From Ugly to Pretty and Back Again, hans aarsman, Hans Aarsman 1236 sheets of negatives from the 1980s, lecture, London, performance, photographic commentator, photography, Photography Against Consumerism, The Mysterious Ways of Beauty in Photography, the photographers gallery, useful photography magazine
Date: 21st January 2009
Hans Aarsman (Dutch, b. 1951)
1236 sheets of negatives from the 1980s, thrown away on 19 August 2004
2004
Hans Aarsman presents From Ugly to Pretty and Back Again. The Mysterious Ways of Beauty in Photography.
In this lecture Hans Aarsman examines the myriad of questions involved in taking photographs for purposes as varied as advertising, documentation and personal mementos. How does our understanding of the beauty in these images differ depending their final resting place, be it Ebay, family album, specialist magazines or museums collections. Through his own experiences Aarsman asks if, and how, artistic ambitions, aesthetics and useful photography can coincide.
Hans Aarsman (b.1951, NL) worked as a photojournalist until 1994. He currently works as a writer, in particular on photography, and is co-founder of the magazine Useful Photography. Aarsman displayed, and invited contributions to, his project Photography Against Consumerism here at The Photographers’ Gallery last July. He is based in Amsterdam.
£5.00/ £3.50 concessions
The Photographers Gallery
16-18 Ramillies Street
London
W1F 7LW
Opening hours:
Monday – Saturday: 10.00 – 18.00
Thursday: 10.00 – 20.00 during exhibitions
Sunday: 11.00 – 18.00
The Photographers Gallery website
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