Posts Tagged ‘grief

18
Aug
13

Video: Installation of Erika Diettes ‘Sudarios (Shrouds) at the Ballarat International Foto Biennale 2013

Exhibition dates: 17th August – 15th September 2013

.

“Erika Diettes travelled to different cities in the department of Antioquia (Colombia) to interview women who had been present at the torture and murder of their loved ones. Diettes photographed the women, closely cropped in black and white, at a moment of great vulnerability – all but one with their eyes closed. The resultant twenty photographs were printed on seven feet tall silk panels and form the work Sudarios (shrouds are a burial cloak, a cloth that shrouds the body of the deceased). The artist always intended for these images to be printed on silk and had the installation in mind before she took the photographs: in other words previsualisation was strong. The work is usually displayed in sacred spaces such as churches and convents with a sound track of a barely audible, sighing female voice; here in Ballarat the work is hung in the former Mining Exchange building, a seat of colonial power and wealth which can be read as appropriate for the presentation of this work, for torture is always about the power of one person over another.”

From the catalogue essay Intimations of Mor(t)ality: Sudarios (Shrouds) by Erika Diettes by Dr Marcus Bunyan.

.

.

.

Installation video of Erika Diettes Sudarios (Shrouds) at the Ballarat International Foto Biennale 2013
© Dr Marcus Bunyan

.

.

Ballarat International Foto Biennale
Mining Exchange building
8 Lydiard St N
Ballarat VIC 3350
T: (03) 5333 4242

Ballarat International Foto Biennale website

Erika Diettes website

LIKE ART BLART ON FACEBOOK

Back to top

24
Jan
13

Exhibition: ‘WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath’ at the Museum of Fine Arts, Houston – Posting Part 4

Exhibition dates: 11th November 2012 – 3rd February 2013

.

Part 4 of the biggest posting on one exhibition that I have ever undertaken on Art Blart!

As befits the gravity of the subject matter this posting is so humongous that I have had to split it into 4 separate postings. This is how to research and stage a contemporary photography exhibition that fully explores its theme. The curators reviewed more than one million photographs in 17 countries, locating pictures in archives, military libraries, museums, private collections, historical societies and news agencies; in the personal files of photographers and service personnel; and at two annual photojournalism festivals producing an exhibition that features 26 sections (an inspired and thoughtful selection) that includes nearly 500 objects that illuminate all aspects of WAR/PHOTOGRAPHY.

I have spent hours researching and finding photographs on the Internet to support the posting. It has been a great learning experience and my admiration for photographers of all types has increased. I have discovered the photographs and stories of new image makers that I did not know and some enlightenment along the way. I despise war, I detest the state and the military that propagate it and I surely hate the power, the money and the ethics of big business that support such a disciplinarian structure for their own ends. I hope you meditate on the images in this monster posting, an exhibition on a subject matter that should be consigned to the history books of human evolution.

**Please be aware that there are graphic photographs in all of these postings.** Part 1Part 2Part 3

Marcus

.
Many thankx to the Museum of Fine Arts, Houston for allowing me to publish some of the photographs in the posting. Please click on the photographs for a larger version of the image.

.

.

25. Photographs in the “Memorials” section range from the tomb of an unknown World War I soldier in England, by Horace Nicholls; and a landscape of black German crosses throughout a World War II burial site, by Bertrand Carrière; to an anonymous photograph of a reunion scene in Gettysburg of the opposing sides in the Civil War; and Joel Sternfeld’s picture of a woman and her daughter at the Vietnam Veterans Memorial in Washington, DC, in 1986. (8 images)

.

Horace Nicholls. 'The Unknown Warrior at Westminster Abbey, London, November 1920' 1920

.

Horace Nicholls
The Unknown Warrior at Westminster Abbey, London, November 1920
1920
Silver gelatin print
© IWM (Q 31514)

.
In order to commemorate the many soldiers with no known grave, it was decided to bury an ‘Unknown Warrior’ with all due ceremony in Westminster Abbey on Armistice Day in 1920. The photograph shows the coffin resting on a cloth in the nave of Westminster Abbey before the ceremony at the Cenotaph and its final burial.

.

Anon. 'Under blue & gray - Gettysburg' July 1913

.

Anon
Under blue & gray – Gettysburg
July 1913
Photo shows the Gettysburg Reunion (the Great Reunion) of July 1913, which commemorated the 50th anniversary of the Battle of Gettysburg
Library of Congress Prints and Photographs Division Washington, D.C.

.

Bertrand Carrière. 'Untitled' 2005-2009

.

Bertrand Carrière
Untitled
2005-2009
from the series Lieux Mêmes [Same Places]

.

Joel Sternfeld American (born 1944) 'Vietnam Veterans Memorial, Washington, D.C.,' May 1986

.

Joel Sternfeld American (born 1944)
Vietnam Veterans Memorial, Washington, D.C.,
May 1986
Chromogenic print, ed. #1/25 (printed October 1986)
The Museum of Fine Arts, Houston, the Target Collection of American Photography, gift of the artist
© 1986 Joel Sternfeld

.

26. The last gallery in the exhibition is “Remembrance.” Most of these images were taken by artists seeking to come to terms with a conflict after fighting had ceased. Included are Richard Avedon’s picture of a Vietnamese napalm victim; a survivor of a machete attack in a Rwandan death camp, by James Nachtwey; a 1986 portrait of a hero who rescued Jews during the Holocaust, by Houston native Gay Block; and Suzanne Opton’s 2004 portrait of a soldier who survived the Iraq War and returned to the United States to work as a police officer, only to be murdered on duty by a fellow veteran. The final wall features photographs by Simon Norfolk of sunrises at the five D-Day beaches in 2004. The only reference to war is the title of the series: The Normandy Beaches: We Are Making a New World(33 images)

.

Richard Avedon. 'Napalm Victim #1, Saigon, South Vietnam, April 29, 1971' 1971

.

Richard Avedon
Napalm Victim #1, Saigon, South Vietnam, April 29, 1971
1971
Silver gelatin print
© Richard Avedon

.

Gay Block American, b.1942 'Zofia Baniecka, Poland' 1986

.

Gay Block American, b.1942
Zofia Baniecka, Poland
1986
From the series Rescuers: Portraits of Moral Courage in the Holocaust, a record of non-Jewish citizens from European countries who risked their lives helping to hide Jews from the Nazis
Chromogenic print, printed 1994
Courtesy of Museum of Fine Arts, Houston, gift of Clinton T. Wilour in honour of Eve France

.
Zofia Baniecka (born 1917 in Warsaw – 1993) was a Polish member of the Resistance during World War II. In addition to relaying guns and other materials to resistance fighters, Baniecka and her mother rescued over 50 Jews in their home between 1941 and 1944.

.

James Nachtwey. 'A Hutu man who did not support the genocide had been imprisoned in the concentration camp, was starved and attacked with machetes.  He managed to survive after he was freed and was placed in the care of the Red Cross, Rwanda, 1994' 1994

.

James Nachtwey
A Hutu man who did not support the genocide had been imprisoned in the concentration camp, was starved and attacked with machetes. He managed to survive after he was freed and was placed in the care of the Red Cross, Rwanda, 1994
1994
Silver gelatin print
© James Nachtwey / TIME

.

Simon Norfolk British (born Nigeria, 1963) 'Sword Beach' 2004

.

Simon Norfolk British (born Nigeria, 1963)
Sword Beach
2004
from the series The Normandy Beaches: We Are Making a New World
Chromogenic print, ed. #1/10 (printed 2006)
The Museum of Fine Arts, Houston, gift of Bari and David Fishel, Brooke and Dan Feather and Hayley Herzstein in honor of Max Herzstein and a partial gift of the artist and Gallery Luisotti, Santa Monica
© Simon Norfolk / Gallery Luisotti

.

.

Other photographs from the exhibition

.

Matsumoto Eiichi Japanese, 1915-2004 'Shadow of a soldier remaining on the wooden wall of the Nagasaki military headquarters (Minami-Yamate machi, 4.5km from Ground Zero)' 1945

.

Matsumoto Eiichi Japanese, 1915-2004
Shadow of a soldier remaining on the wooden wall of the Nagasaki military headquarters (Minami-Yamate machi, 4.5km from Ground Zero)
1945
Gelatin silver print
Collection of the Tokyo Metropolitan Museum of Photography
© Matsumoto Eiichi

.

Gilles Caron French, 1939-1970 'Young Catholic demonstrator on Londonderry Wall, Northern Ireland' 1969

.

Gilles Caron French, 1939-1970
Young Catholic demonstrator on Londonderry Wall, Northern Ireland
1969
Gelatin silver print
Courtesy of Foundation Gilles Caron and Contact Press Images
© Gilles Caron

.

Alexander Gardner, American, 1821-1882- ‘The Home of a Rebel Sharpshooter, Gettysburg, Pennsylvania’. Albumen paper print

.

Alexander Gardner American, 1821-1882
The Home of a Rebel Sharpshooter / Dead Confederate soldier in the devil’s den, Gettysburg, Pennsylvania
July 1863
Albumen paper print copied from glass, wet collodion negative
Library of Congress, Prints and Photographs Division

.

Ziv Koren Israeli, b.1970 'A sniper’s-eye view of Rafah, in the Southern Gaza strip, during an Israeli military sweep' 2006

.

Ziv Koren Israeli, b.1970
A sniper’s-eye view of Rafah, in the Southern Gaza strip, during an Israeli military sweep
2006
Inkjet print, printed 2012
© Ziv Koren/Polaris Images

.

David Leeson American, b.1957 'Death of a Soldier, Iraq' March 24, 2003

.

David Leeson American, b.1957
Death of a Soldier, Iraq
March 24, 2003
Inkjet print, printed 2012
Courtesy of the artist

.

August Sander German, 1876-1964 'Soldier' c. 1940

.

August Sander German, 1876-1964
Soldier
c. 1940
Gelatin silver print, printed by Gunther Sander, 1960s
The MFAH, gift of John S. and Nancy Nolan Parsley in honour of the 65th birthday of Anne Wilkes Tucker
© Die Photographische Sammlung/SK StiftungKultur – August Sander Archiv, Cologne; DACS, London 2012

.

.

Museum of Fine Arts, Houston
1001 Bissonnet Street
Houston, TX 77005

Opening hours:
Tuesday, Wednesday 10.00 am – 5.00 pm
Thursday 10.00 am – 9.00 pm
Friday, Saturday 10.00 am – 7.00 pm
Sunday 12.15 pm – 7.00 pm
Closed Monday, except Monday holidays
Closed Thanksgiving Day and Christmas Day

Museum of Fine Arts, Boston website

LIKE ART BLART ON FACEBOOK

Back to top

18
Jan
13

Exhibition: ‘WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath’ at the Museum of Fine Arts, Houston – Posting Part 3

Exhibition dates: 11th November 2012 – 3rd February 2013

.

“War is, above all, grief.”

.
Dmitri Baltermants

.

“Violence is the last refuge of the incompetent”

.
Salvor Hardin in Isaac Asimov’s ‘Foundation’ series

.

.

Part three of the biggest posting on one exhibition that I have ever undertaken on Art Blart!

As befits the gravity of the subject matter this posting is so humongous that I have had to split it into 4 separate postings. This is how to research and stage a contemporary photography exhibition that fully explores its theme. The curators reviewed more than one million photographs in 17 countries, locating pictures in archives, military libraries, museums, private collections, historical societies and news agencies; in the personal files of photographers and service personnel; and at two annual photojournalism festivals producing an exhibition that features 26 sections (an inspired and thoughtful selection) that includes nearly 500 objects that illuminate all aspects of WAR/PHOTOGRAPHY.

I have spent hours researching and finding photographs on the Internet to support the posting. It has been a great learning experience and my admiration for photographers of all types has increased. I have discovered the photographs and stories of new image makers that I did not know and some enlightenment along the way. I despise war, I detest the state and the military that propagate it and I surely hate the power, the money and the ethics of big business that support such a disciplinarian structure for their own ends. I hope you meditate on the images in this monster posting, an exhibition on a subject matter that should be consigned to the history books of human evolution.

**Please be aware that there are graphic photographs in all of these postings.** Part 1Part 2Part 4

Marcus

.
Many thankx to the Museum of Fine Arts, Houston for allowing me to publish some of the photographs in the posting. Please click on the photographs for a larger version of the image.

.

.

21. Civilians spans World War II through 2008. The subsection “Dead and Wounded” includes Grief, Kerch, Crimea, by Dmitri Baltermants, of civilians in 1942 searching the bodies of Russian Jewish family members who had been executed by Germans soldiers as they retreated. A 2003 photograph, taken by Ahmed Jadallah for the news agency Reuters while he lay wounded from shrapnel, shows bodies in the street in the largest refugee camp in the Gaza Strip. “Daily Life” shows a Congolese woman breastfeeding as a tank rolls by, in a 2008 image by Walter Astrada; Londoners sleeping in an underground train station in 1940, by Bill Brandt; a woman eating bread in Amsterdam during the Hongerwinter famine of 1944, by Cas Oorthuys; a 1940/41 meeting in New York of members of the Bund, an American Nazi party, by Otto Hagel; a monk burning himself in Saigon in 1963, in protest against alleged religious persecution by the South Vietnamese government, by Malcolm Browne; and a man uncovering an anti-personnel land mine in Angola in 2004, by Sean Sutton. Pictures of civilian “Grief” are common, and the images here include a woman in Tehran inspecting photographs of the missing, by Gilles Peress; a man at an airport, grieving alone and holding a folded American flag, by Harry Benson; a father digging a grave for his daughter in a soccer field in Somalia, by Howard Castleberry; and a woman mourning in Afghanistan in 1996, at the grave of her brother who was killed by a Taliban rocket, by James Nachtwey. (46 images)

.

.

Dmitri Baltermants
Grief, Kerch, Crimea
Spring 1942
Silver gelatin print

.
“War, is, above all, grief. I photographed non-stop for years and I know that in all that time I produced only five or six real photographs. War is not for photography. If, heaven forbid, I had to photograph war again, I would do it quite differently. I agonise now at the thought of all the things that I did not photograph.”

Dmitri Baltermants quoted in “The Russian War, 1941-1945” (J. Cape, London, 1978)

.

.

Walter Astrada, Argentinean (born 1974)
Congolese women fleeing to Goma
2008
from the series Violence against women in Congo, Rape as weapon of war in DRC
Chromogenic print (printed 2010)
The Museum of Fine Arts, Houston, museum purchase with funds provided by Photo Forum 2010
© Walter Astrada

.

.

Cas Oorthuys
Portrait of starving woman in the hunger winter, Amsterdam
1944-1945
Silver gelatin print

.

.

Otto Hagel
German-Americans at a meeting in New Jersey of the Deutsche Bund
1940/41
Silver gelatin print

.

.

Malcolm Browne
Burning Monk – The Self-Immolation
1963

.

.

Harry Benson
Grieving man, holding flag
1971

.

22. Children have been consistently photographed during wartime as both victims and soldiers. Images in this section include Sir Cecil Beaton’s Three-year-old Eileen Dunne in Hospital for Sick Children, England (1940); children viewing the bodies of other children who were hanged as collaborators in Russia in the 1940s, by Mark Redkin; Philip Jones Griffiths’ image of a young boy, Called “Little Tiger” for killing two “Vietcong women cadre” – his mother and teacher, it was rumored (1968); children playing “execution” in Italy, by Enzo Sellerio; two orphaned boys smoking cigarettes in post-World War II Japan, by Hayashi Tadahiko; a father home on leave reading the newspaper with his son, who wears his dad’s helmet, by Andrea Bruce; and the 2005 photograph, by Chris Hondros, of a blood-splattered Iraqi girl whose family was mistakenly ambushed by U.S. troops. (13 images) 

.

Andrea Bruce. 'Untitled [A father home on leave reading the newspaper with his son, who wears his dad’s helmet]' 2006

.

Andrea Bruce
Untitled [A father home on leave reading the newspaper with his son, who wears his dad’s helmet]
2006
from the series When the War Comes Home

.

Cecil Beaton. 'Eileen Dunne, aged three, sits in bed with her doll at Great Ormond Street Hospital for Sick Children, after being injured during an air raid on London in September 1940' 1940

.

Cecil Beaton
Eileen Dunne, aged three, sits in bed with her doll at Great Ormond Street Hospital for Sick Children, after being injured during an air raid on London in September 1940
1940
Gelatin silver print
© IWM (MH 26395)

.

Philip Jones Griffiths Welsh (1936-2008) 'Called "Little Tiger” for killing two "Vietcong women cadre” - his mother and teacher, it was rumored, Vietnam' 1968

.

Philip Jones Griffiths Welsh (1936-2008)
Called “Little Tiger” for killing two “Vietcong women cadre” – his mother and teacher, it was rumored, Vietnam
1968
Gelatin silver print
The Philip Jones Griffiths Foundation, courtesy of Howard Greenberg Gallery
© Philip Jones Griffiths / Magnum Photos

.

23. Portraits are the most common type of photograph made during conflicts. Dispersed throughout the exhibition, lining the main walkway through the galleries, are the faces of leaders, the enlisted, heroes and war criminals, as well as group portraits. One of the earliest prints in the exhibition is a daguerreotype from the Mexican-American War of a high-ranking officer. Matthew Brady, one of the most famous photographers of the 19th century, was renowned for coverage of the Civil War; his MajorGeneral Joseph Hooker, c. 1863, is on view. Among the most recent is a self-portrait by American Cpl. Reynaldo Leal USMC. Leal – who was born and grew up in Edinburg, Texas, and now lives in El Paso – served in Iraq conducting combat patrols through the villages along the Euphrates. (40 images)

.

Reynaldo Leal. 'Self portrait after a patrol' 2004-06

.

Corporal Reynaldo Leal USMC American, born 1983
Self‑portrait after a Patrol
c. 2004-06
Inkjet print
The Museum of Fine Arts, Houston, museum purchase with funds provided by Will Michels and Clinton T. Willour
© Reynaldo Leal

.

Mathew B. Brady American (1823-1896) 'Major-General Joseph Hooker' c. 1863

.

Mathew B. Brady American (1823-1896)
Major-General Joseph Hooker
c. 1863
Salted paper print, hand colored
The Museum of Fine Arts, Houston, museum purchase with funds provided by the S. I. Morris Photography Endowment

.

Matthew Brady. 'Colonel William Gates, believed to have been taken upon his return from the Mexican War' ca. 1848

.

Matthew B. Brady American (1823-1896)
Colonel William Gates, believed to have been taken upon his return from the Mexican War
c. 1848
Half plate daguerreotype, gold toned
Library of Congress

.

24. War’s End is identifiable at the moment a photograph is taken. The subsection “Victory/Defeat” is the visual manifest of the outcome of war, from the Japanese signing peace documents on board the USS Missouri, by Carl Mydans; to German generals discussing terms of surrender in the woods just four days after Adolf Hitler committed suicide in 1945, by E. G. Malindine; and the raising of the Hammer and Sickle over the Reichstag in Berlin in 1945, by Evgeny Khaldey. Also included is Simon Norfolk’s Victory arch built by the Northern Alliance at the entrance to a local commander’s headquarters in Bamiyan. The empty niche housed the smaller of the two Buddhas, destroyed by the Taliban in 2001, from the series Afghanistan: Chronotopia. “Retribution” contains a 1945 image, by Lee Miller, of a concentration-camp guard who was beaten by prisoners after their liberation; and a photograph by Robert Capa of a Frenchwoman who had been impregnated by a German soldier, as she walks through a jeering crowd with her head shaved in punishment and carrying her baby. The photographs in “Homecoming” establish an emotive connection: a family reunion on the tarmac at an Air Force base in California in 1973, by Sal Veder; a mother and son embracing at the Ben-Gurion Airport in Israel in 1976, by Micha Bar-Am; and a man who has returned from duty in Bosnia in 1995 to discover that his home and everyone in it is gone, by Ron Haviv. (23 images) 

.

Carl Mydans. 'Japanese signing peace documents on board the USS Missouri' 1945

.

Carl Mydans
Japanese signing peace documents on board the ‘USS Missouri’
1945

.

Simon Norfolk. 'Victory arch built by the Northern Alliance at the entrance to a local commander’s headquarters in Bamiyan. The empty niche housed the smaller of the two Buddhas, destroyed by the Taliban in 2001' 2001

.

Simon Norfolk
Victory arch built by the Northern Alliance at the entrance to a local commander’s headquarters in Bamiyan. The empty niche housed the smaller of the two Buddhas, destroyed by the Taliban in 2001
2001
from the series Afghanistan: Chronotopia

.

Robert Capa. 'Collaborator woman who had a German soldier's child, Chartres, 18 August 1944' 1944

.

Robert Capa
Collaborator woman who had a German soldier’s child, Chartres, 18 August 1944
1944
Gelatin silver print
33 x 49 cm

.

Sal Velder. 'Released prisoner of war Lt. Col. Robert L. Stirm is greeted by his family at Travis Air Force Base in Fairfield, California on March 17, 1973, as he returns home from the Vietnam War' 1973

.

Sal Velder
Released prisoner of war Lt. Col. Robert L. Stirm is greeted by his family at Travis Air Force Base in Fairfield, California on March 17, 1973, as he returns home from the Vietnam War
1973
Silver gelatin print
© Sal Velder

.

Ron Haviv, American, b.1965 'A Bosnian soldier stands on what is believed to be a mass grave outside his destroyed home. He was the sole survivor of 69 people' 1995

.

Ron Haviv American, b.1965
A Bosnian soldier stands on what is believed to be a mass grave outside his destroyed home. He was the sole survivor of 69 people
1995
Inkjet print
Courtesy of Ron Haviv/VII
© Ron Haviv

.

Micha Bar-Am Israeli (born Germany, 1930) 'The return from Entebbe, Ben-Gurion Airport, Israel' 1976

.

Micha Bar-Am Israeli (born Germany, 1930)
The return from Entebbe, Ben-Gurion Airport, Israel
1976
from the series Promised Land
Inkjet print
Courtesy of the artist and Andrea Meislin Gallery, New York
© Micha Bar-Am / Magnum Photos

.

.

Museum of Fine Arts, Houston
1001 Bissonnet Street
Houston, TX 77005

Opening hours:
Tuesday, Wednesday 10.00 am – 5.00 pm
Thursday 10.00 am – 9.00 pm
Friday, Saturday 10.00 am – 7.00 pm
Sunday 12.15 pm – 7.00 pm
Closed Monday, except Monday holidays
Closed Thanksgiving Day and Christmas Day

Museum of Fine Arts, Boston website

LIKE ART BLART ON FACEBOOK

Back to top




Marcus Bunyan black and white archive: ‘Études’ 1994

Join 2,222 other followers

Follow Art_Blart on Twitter
Art Blart on Pinterest

Lastest tweets

Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

November 2017
M T W T F S S
« Oct    
 12345
6789101112
13141516171819
20212223242526
27282930  

Archives

Categories