Bill Henson Untitled #3 2008/2009 – Art Blart _ art and cultural memory archive

Exhibition dates: 10th March – 27th August 2017

Bill Henson (Australian, b. 1955)
Installation view of Untitled #5
2011/2012
Archival inkjet pigment print
180 × 127cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Installation view of Untitled #5 (detail)
2011/2012
Archival inkjet pigment print
180 × 127cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Masterclass

There is nothing that I need to add about the themes, re-sources and beauty of the photographs in this exhibition, than has not been commented on in Christopher Allen’s erudite piece of writing “Bill Henson images reflect the dark past at NGV” posted on The Australian website. It is all there for the reader:

“Figurative works like these, which invite an intense engagement because of our imaginative and affective response to beauty, are punctuated with landscapes that offer intervals of another kind of contemplation, a distant rather than close focus, an impersonal rather than a personal response, a meditation on time and space. …

Henson’s pictorial world is an intensely, almost hypnotically imaginative one, whose secret lies in a unique combination of closeness and distance. He draws on the deep affective power of physical beauty, and particularly the sexually ambiguous, often almost androgynous beauty of the young body, filled with a kind of potential energy, but not yet fully actualised. Yet these bodies are distanced and abstracted by their sculptural, nearly monochrome treatment, and transformed by a kind of alchemical synthesis with the ideal, poetic bodies of art. …

The figures are bewitching but withdraw like mirages, disembodied at the sensual level, only to be merged with the images of memory, the echoes of great works of the past, and to be reborn from the imagination as if some ancient sculpture were arising from darkness into the light of a new life.”

What I can add are some further observations. Henson is not so serious as to miss sharing a joke with his audience, as when the elbow of the classical statue in Untitled 2008/09 is mimicked in the background by the elbow of a figure. Henson is also a masterful storyteller, something that is rarely mentioned in comment upon his work. When you physically see this exhibition – the flow of the images, the juxtaposition of landscape and figurative works, the lighting of the work as the photographs emerge out of the darkness – all this produces such a sensation in the viewer that you are taken upon a journey into your soul. I was intensely moved by this work, by the bruised and battered bodies so much in love, that they almost took my breath away.

Another point of interest is the relationship between the philanthropist, the artist and the gallery. Due to the extraordinary generosity of Bill Bowness, whose gift of twenty-one photographs by Henson makes the NGV’s collection of his work the most significant of any public institution, the gallery was able to stage this exhibition. This is how art philanthropy should work: a private collector passionate about an artist’s work donating to an important institution to benefit both the artist, the institution and the art viewing public.

But then all this good work is undone in the promotion of the exhibition. I was supplied with the media images: five landscape images supplemented by five installation images of the same photographs. Despite requests for images of the figurative works they were not forthcoming. So I took my own.

We all know of the sensitivity around the work of Henson after his brush with the law in 2008, but if you are going to welcome 21 photographs into your collection, and stage a major exhibition of the donated work… then please have the courage of your convictions and provide media images of the ALL the work for people to see. For fear of offending the prurient right, the obsequiousness of the gallery belittles the whole enterprise.

If this artist was living in New York, London or Paris he would be having major retrospectives of his work, for I believe that Bill Henson is one of the greatest living photographers of his generation.

Dr Marcus Bunyan

Many thankx to the National Gallery of Victoria for allowing me to publish the images in the posting and supplying the media images (the images after the press release). All other images are © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria.

Installation view of the exhibition Bill Henson at the National Gallery of Victoria with at left, Untitled #35 2009/2010 and at right, Untitled #8 2008/2009
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #35 (installation view)
2009/2010
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #8 (installation view)
2008/2009
Archival inkjet pigment print
180 × 127cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Installation view of the exhibition Bill Henson at the National Gallery of Victoria
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #1 (installation view)
2010/2011
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Installation views of the exhibition Bill Henson at the National Gallery of Victoria
Photos: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Installation view of the exhibition Bill Henson at the National Gallery of Victoria with at left, Untitled 2010/2011 and at right, Untitled #9 2008/2009
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled (installation view)
2010/2011
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #9 (installation view)
2008/2009
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Installation view of the exhibition Bill Henson at the National Gallery of Victoria
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Installation view of the exhibition Bill Henson at the National Gallery of Victoria with at left, Untitled #2 2010/2011 and at right, Untitled #10 2011/2012
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #2 (installation view)
2010/2011
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #10 (installation view detail)
2011/2012
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #3 (installation view)
2008/2009
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Installation view of the exhibition Bill Henson at the National Gallery of Victoria
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Installation view of the exhibition Bill Henson at the National Gallery of Victoria with at left, Untitled #16 2009/10 and at right, Untitled #10 2008/2009
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #10 (installation view)
2008/2009
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #5 (installation view)
2011/2012
Archival inkjet pigment print
180 × 127cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #15 (installation view)
2008/2009
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled (installation view)
2012/13
Archival inkjet pigment print
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Installation view of Untitled (installation view detail)
2012/13
Archival inkjet pigment print
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Bill Henson (Australian, b. 1955)
Untitled #2 (installation view detail)
2009/2010
Archival inkjet pigment print
127 × 180cm
Gift of William Donald Bowness through the Australian Government’s Cultural Gifts Program 2016
Photo: © Dr Marcus Bunyan, Bill Henson and the National Gallery of Victoria

Dr Marcus Bunyan in front of Bill Henson’s Untitled 2009/10 which features Rembrandt’s The return of the prodigal son c. 1662 which is in the Hermitage, St. Petersburg
Photo: Jeff Whitehead

The solo exhibition, Bill Henson, will showcase recent works by the Australian photographer, who is celebrated for his powerful images that sensitively explore the complexities of the human condition.

The exhibition brings together twenty-three photographs selected by the artist, traversing the key themes in the artist’s oeuvre, including sublime landscapes, portraiture, as well as classical sculpture captured in museum settings.

Inviting contemplation, Henson’s works present open-ended narratives and capture an intriguing sense of the transitory. Henson’s portraits show his subjects as introspective, focused on internal thoughts and dreams; his landscapes are photographed during the transitional moment of twilight; and the images shot on location inside museums juxtapose graceful marble statues against the transfixed visitors observing them.

Henson’s work is renowned for creating a powerful sense of mystery and ambiguity through the use of velvet-like blackness in the shadows. This is achieved through the striking use of chiaroscuro, an effect of contrasting light and shadow, which is used to selectively obscure and reveal the form of the human body, sculptures and the landscape itself.

“Henson’s photographs have a palpable sense of the cinematic and together they form a powerful and enigmatic visual statement,” said Tony Ellwood, Director, NGV. “The NGV mounted Bill Henson’s first solo exhibition in 1975 when Henson was only 19. Over forty years later, audiences to the NGV will be captivated by the beauty of Henson’s images once more,” said Ellwood.

On display at the National Gallery of Victoria as part of the inaugural NGV Festival of Photography, the exhibition has been made possible by the extraordinary generosity of Bill Bowness, whose gift of twenty-one photographs by Henson makes the NGV’s collection of his work the most significant of any public institution.

Press release from the National Gallery of Victoria

Installation view of the exhibition Bill Henson at the National Gallery of Victoria. Presented as part of the NGV Festival of Photography
Photo: Sean Fennessy

Bill Henson (Australian, b. 1955)
Untiled 2009/10
2009-2010
Inkjet print
102.1 x 152.0cm
National Gallery of Victoria, Melbourne
Purchased, Victorian Foundation for Living Australia Artist, 2012
© Bill Henson

Bill Henson (Australian, b. 1955)
Untiled 2009/10 (installation view)
2009-2010
Inkjet print
102.1 x 152.0cm
National Gallery of Victoria, Melbourne
Purchased, Victorian Foundation for Living Australia Artist, 2011
© Bill Henson

Installation view of the exhibition Bill Henson at the National Gallery of Victoria. Presented as part of the NGV Festival of Photography
Photo: Wayne Taylor

Installation view of the exhibition Bill Henson at the National Gallery of Victoria. Presented as part of the NGV Festival of Photography
Photo: Sean Fennessy

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