Posts Tagged ‘Institute for Sexology

13
May
15

Exhibition: ‘Hold That Pose: Erotic Imagery in 19th Century Photography’ at the Kinsey Institute, Bloomington, Indiana Part 1

Exhibition dates: 23rd January – 4th September 2015

Kinsey Institute Gallery, Indiana University

*PLEASE NOTE THIS POSTING CONTAINS ART PHOTOGRAPHS OF HUMAN EROTIC ACTIVITY AND NUDITY – IF YOU DO NOT LIKE PLEASE DO NOT LOOK, FAIR WARNING HAS BEEN GIVEN*

 

 

A first for Art Blart – photographs from the world famous Kinsey Institute for Research in Sex, Gender, and Reproduction!

After visiting the Kinsey Institute as part of my PhD in 2001 I was not allowed to publish any photographs from the collection for my research, which was a pity. Things have changed over the last decade and a half I am happy to say. As I observed in an email to Catherine Johnson-Roehr, Curator of Art, Artifacts, and Photographs recently, I understood that they had to be more sensitive than most institutions, especially with some of the material they hold in their collection. In reply, Catherine noted that while the Kinsey still had to be careful with the use of their materials especially when they are made public online, things had improved in the last 15 years. “Although we have collected artworks since the 1940s, we did not exhibit any of the materials until the 1990s and then on a very limited basis until 2002. When I arrived here in 2000, we had only a few tame images on our website, but now we have online galleries for some of our exhibitions (including all the juried art shows).”

Therefore, after some negotiation for online release, it is with great pleasure that I can feature 40 images in this two-part posting. Nobody should be offended by these glorious, historic photographs of the human body and a human action that everyone does, and it is fantastic to see the Kinsey opening up their collection to the world. We must oppose bigoted views such as that of Nazi Germany where they destroyed the library of the Institut für Sexualwissenschaft (Institute for Sexology) headed by Magnus Hirschfeld, in 1933… by making these images visible in the world, not hiding them away behind closed doors. These are joyous photographs of the male and female body, a body in which everyone of us lives, desires, and enjoys pleasure.

Dr Marcus Bunyan

.
Many thankx for the Kinsey Institute for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

The Kinsey Institute research collection contains thousands of examples of erotic imagery produced over centuries by artists around the world. When the new technology of photography was announced in France in 1839, it was not long before it became the most popular medium for depictions of the nude figure, as well as erotic imagery. The first photographic process to be widely used was the daguerreotype, which produced a unique image. With the invention of other processes that used negatives to make multiple prints, the mass production of erotic photographs became possible. Hold That Pose features daguerreotypes, tintypes, albumen and gelatin silver prints, stereocards, and other examples of photographic processes that were used by professional photographers in the 19th century to produce and distribute erotic material.

 

 

Gallery wall of the exhibition 'Hold That Pose' at the Kinsey Institute

 

Gallery wall of the exhibition Hold That Pose at the Kinsey Institute

 

Photo process display case from the exhibition 'Hold That Pose' at the Kinsey Institute

 

Photo process display case from the exhibition Hold That Pose at the Kinsey Institute

 

Stanhopes on display from the exhibition 'Hold That Pose' at the Kinsey Institute

 

Stanhopes on display from the exhibition Hold That Pose at the Kinsey Institute

 

Unknown photographers 'Stanhope lenses and holders' 19th or early 20th century

Unknown photographers 'Stanhope lenses and holders' 19th or early 20th century

 

Unknown photographers
Stanhope lenses and holders
19th or early 20th century

 

Unknown photographer. 'Stanhope lens and holder' (detail) 19th or early 20th century

 

Unknown photographer
Stanhope lens and holder (detail)
19th or early 20th century

 

Stanhope lenses and holders, 19th or early 20th century

 

Stanhope lenses and holders
19th or early 20th century

 

Stanhopes derive their name from Lord Stanhope, who created the tiny rod-shaped lens before the invention of photography. In 1859, an entrepreneurial French inventor named René Prudent Patrice Dagron patented a process for making “cylindres photomicroscopiques”, and then created a successful business selling them as inexpensive novelty items. A photograph smaller than the head of a pin was mounted on a Stanhope lens, and then both were placed in a holder such as a pen knife, ring, or other small object. Stanhopes were popular souvenir items – many featured photographs of places or famous monuments such as the Eiffel Tower, but images of nude women or explicit sexual activity were also produced.

 

Gallery wall from the exhibition 'Hold That Pose' at the Kinsey Institute

 

Gallery wall from the exhibition Hold That Pose at the Kinsey Institute

 

Stereoscope display case from the exhibition 'Hold That Pose' at the Kinsey Institute

 

Stereoscope display case from the exhibition Hold That Pose at the Kinsey Institute

 

Stereoscope on display in the exhibition 'Hold That Pose' at the Kinsey Institute

Stereoscope on display in the exhibition 'Hold That Pose' at the Kinsey Institute

 

Stereoscope on display in the exhibition Hold That Pose at the Kinsey Institute

 

Stereo photography

The stereoscope, a device for viewing images in three dimensions, was invented in England in1838, just as the first photographic processes were being developed in France. The first stereo photographs were created using the daguerreotype process, which preserved an image on a highly polished silver plate. Initially a single camera was used to produce two nearly identical images that when viewed through a stereo device gave the illusion of seeing in 3-D, but soon a camera equipped with two lenses came into use for the production of stereo images. Stereoscopes became as popular as televisions are today, as a form of affordable home entertainment that could be enjoyed by children and adults.

 

Webster & Albee, Publishers, United States 'Woman standing on the back of a kneeling man' late 19th century

 

Webster & Albee (Publishers, United States)
Woman standing on the back of a kneeling man
Late 19th century
Hand-colored stereocard

See the installation photograph above and the card in the Stereoscope

 

Unknown photographer, France 'Two nude women in a room with a mirror' c. 1850-1855

 

Unknown photographer (France)
Two nude women in a room with a mirror
c. 1850-1855
Stereo daguerreotype under glass

 

Underwood & Underwood, United States 'Oh ! you naughty man' 1900

 

Underwood & Underwood (United States)
Oh ! you naughty man
1900
Stereocard

 

Unknown photographer. 'The Entanglement' Mid 19th century

 

Unknown photographer
The Entanglement
Mid 19th century
Hand-coloured stereocard

 

Unknown photographer, France 'Nude woman in a room with a mirror' c.1850-1855

 

Unknown photographer (France)
Nude woman in a room with a mirror
c. 1850-1855
Copy photograph of stereo daguerreotype

 

Unknown photographer. 'Photomontage of men and women engaged in sexual activity' 1895-1900

 

Unknown photographer
Photomontage of men and women engaged in sexual activity
1895-1900
Gelatin silver print

 

Unknown photographer. 'Photomontage of men and women engaged in sexual activity' 1895-1900 (detail)

 

Unknown photographer
Photomontage of men and women engaged in sexual activity (detail)
1895-1900
Gelatin silver print

 

Unknown photographer. 'Woman penetrating a woman with a dildo' 1880-1885

 

Unknown photographer
Woman penetrating a woman with a dildo
1880-1885
Gelatin silver copy print

 

Unknown photographer. 'Bathing in a Baetingplace' Japan, 1880-1890

 

Unknown photographer
Bathing in a Baetingplace
Japan, 1880-1890
Hand-colored albumen print

___ and ___ – bathing, attended by their ____ (maid) who is putting charcoal into the fire under the tub

 

Unknown photographer, United States 'Nude woman reclining on a fallen tree' c. 1880

 

Unknown photographer (United States)
Nude woman reclining on a fallen tree
c. 1880
Modern platinum print from glass plate negative
(printed in 2012 by Herbert Ascherman, Jr.)

 

Unknown photographer, Indiana, United States 'Erect penis' 19th century

 

Unknown photographer (Indiana, United States)
Erect penis
19th century
Modern gelatin silver print from glass plate negative

 

Baron Wilhelm von Gloeden (1856-1931), Germany 'Man seated beside a tree' Taormina, Sicily, 1899

 

Baron Wilhelm von Gloeden (1856-1931 Germany)
Man seated beside a tree
Taormina, Sicily, 1899
Albumen print

 

Baron Wilhelm von Gloeden (1856-1931), Germany 'Two nude men standing in a forest' Taormina, Sicily, 1899

 

Baron Wilhelm von Gloeden (1856-1931, Germany)
Two nude men standing in a forest
Taormina, Sicily, 1899
Albumen print

 

 

The Kinsey Institute
Morrison Hall 313, Indiana University
Bloomington, Indiana, USA

Opening hours
Monday-Friday, 1-5pm

The Kinsey Institute website

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

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