Exhibition dates: 17th April – 7th September, 2025

 Curator: Sarah Meister

 

 

Carrie Mae Weems (American, b. 1953)
Welcome Home
1978-1984
From the series Family Pictures and Stories 1978-1984
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

 

I love artist’s that challenge your point of view, knowledge of the world, prejudices and biases – which we all have.

I love artist’s who make you think about the stories they tell, and how you relate to their intimate, constructed and memorable worlds.

Carrie Mae Weems is one such generational artist.

Weems blends the poetic and conceptual in photographs and bodies of work which investigate history, identity, racism, executive and patriarchal power from the perspectives of female / Black American.

What a fabulous artist, a guide into circumstances seldom seen, now revealed.

Dr Marcus Bunyan

Many thankx to Gallerie d’Italia, Turin for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

“I discovered that I was the reference point, and the point of view, pointing the viewer toward the likes of me in history. Later, I understood this photographic self to be a muse and a guide into the unknown.”

Carrie Mae Weems

 

“My work endlessly explodes the limits of tradition.”

“Weems was trained as both a dancer and a photographer before enrolling in the folklore studies program at the University of California, Berkeley, in the mid-1980s, where she became interested in the observation methods used in the social sciences. In the early 1990s, she began placing herself in her photographic compositions in an “attempt to create in the work the simultaneous feeling of being in it and of it.”2 She has since called this recurring figure an “alter-ego,” “muse,” and “witness to history” who can stand in for both the artist and audience. “I think it’s very important that as a Black woman she’s engaged with the world around her,” Weems has said, “she’s engaged with history, she’s engaged with looking, with being. She’s a guide into circumstances seldom seen.”3

Caitlin Ryan. “My work endlessly explodes the limits of tradition,” 2021 on the MoMA website [Online] Cited 06/09/2025

 

 

 

Carrie Mae Weems: The Heart of the Matter at Gallerie d’Italia, Turin

Installation walk through of the exhibition 17th April – 7th September, 2025

 

 

Installation views of the exhibition Carrie Mae Weems: The Heart of the Matter at Gallerie d’Italia, Turin showing work from the series Roaming, 2006

 

Transcending medium, chronology, and geography, Carrie Mae Weems: The Heart of the Matter puts the artist – as well as her spiritual and philosophical journeys – at the center of the discourse. Weems is a touchstone artist, renowned for her work investigating history, identity, and power. A comprehensive survey, The Heart of the Matter features generous presentations of landmark bodies of work, from Family Pictures and Stories (1978-1984) to her most recent series on the Black church. Throughout the exhibition and accompanying book, the artist’s spiritual musings provide critical insight into the iconic artist’s mind and eye. Newly commissioned essays and additional contributions from esteemed thinkers and scholars across generations underscore the singular value of Weems’s vision in grappling with the complexities and injustices of the world around us.

Text from the Aperture website

 

 

Carrie Mae Weems (American, b. 1953)
The Edge of Time – Ancient Rome
2006
From the series Roaming

 

Carrie Mae Weems’s “Rome Series,” titled ” Roaming” (2006), features photographs taken during her residency at the American Academy in Rome where she performed “photographic actions” contrasting her presence with grand architecture and monumental surroundings. In these works, Weems, often in her signature long black dress with her back to the camera, challenges viewers to confront power structures and historical contexts associated with the sites of Rome. The series explores themes of history, power, and the individual’s relationship to imposing edifices of authority.

AI generated text from Google

 

 

Installation views of the exhibition Carrie Mae Weems: The Heart of the Matter at Gallerie d’Italia, Turin showing work from the series Museums, 2006-ongoing

 

 

Carrie Mae Weems (American, b. 1953)
Galleria Nazionale D’Arte Moderna
2006-ongoing
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

  

Installation views of the exhibition Carrie Mae Weems: The Heart of the Matter at Gallerie d’Italia, Turin

 

 

Gallerie d’Italia – Torino presents the exhibition by American artist Carrie Mae Weems, open to the public from April 17 to September 7, 2025. The exhibition is organised in collaboration with Aperture and curated by Sarah Meister, former curator of the photography department at MoMA in New York. It is part of the main program of the second edition of EXPOSED Torino Foto Festival, titled Beneath The Surface, curated by Menno Liauw and Salvatore Vitale.

A major new exhibition dedicated to the internationally renowned artist Carrie Mae Weems, known for her photographic explorations of cultural identity, sexism, and class belonging.

The exhibition will feature a world premiere of a project commissioned by Intesa Sanpaolo specifically for this occasion, integrated into a powerful retrospective showcasing works from Weems’ most famous photographic series. Visitors will be guided through the artist’s entire career, following a deeply personal and spiritual journey.

The selected works highlight Carrie Mae Weems’ unique ability to address the complexities and injustices of the world around us. Her photography is rooted in spaces often excluded from mainstream narratives: artists’ studios, Southern U.S. plantations, domestic interiors, and the “invisible institutions” that emerged as places of worship for Black communities during times of oppression, juxtaposed with images of monuments and museums that have historically been sites of exclusion.

At the heart of the exhibition is Preach, a new project created specifically for this event as an original commission. This ambitious and intense installation explores religion and spirituality among African American communities across generations. The series celebrates the profound, passionate, and joyful forms of worship that define Weems’ Black Church experience while simultaneously confronting the violence and oppression that are inseparable from this history. In the new poetic text accompanying the installation, Weems writes: “Through flames and bombs, pray wherever and whenever you can, in ports and cabins, in palaces and basements, in theaters and clubs. From your secret hiding place, you have discovered new forms of worship…”. Using herself as both muse and guide, Weems invites us to join in this spiritual awakening and to condemn the persecution that has turned these sacred spaces into sites of refuge and activism. Preach intertwines early images from Harlem, San Diego, and Sea Island, Georgia, with a vast collection of new works that evoke the transcendental and secular realities of Black religious expression today.

The retrospective also includes many of Weems’ early works, such as the historic Kitchen Table Series (1990) and Museums (2006-ongoing); a selection of more recent projects, such as Scenes and Takes (2016) and Painting the Town (2021); as well as significant video installations, including The Shape of Things (2021) and Leave Now! (2022). Together, these works take visitors on a journey spanning Weems’ entire career, showcasing the depth and diversity of her artistic language.

The exhibition also benefits from the collaboration of Fondazione Compagnia di San Paolo, which has developed activities inspired by the values of inclusion and the appreciation of diversity as a source of enrichment, themes that resonate with the exhibition’s content and align with the foundation’s strategic challenges. Photography serves as a tool for storytelling, documentation, and identity-building, contributing to inclusion and community formation. Through widespread urban communication campaigns and collaboration with the public program #Inside, the foundation’s initiatives aim to promote participation and extend the exhibition’s themes to increasingly diverse audiences, particularly in light of the simultaneous presence of the EXPOSED Torino Foto Festival 2025 in the city.

The exhibition Carrie Mae Weems: The Heart of the Matter will be accompanied by a catalogue co-published by Società Editrice Allemandi / Aperture. In addition to numerous images of the American artist’s works, the catalog will feature contributions from scholars of different generations, underscoring the unique value of Weems’ vision in addressing these themes.

Aperture

Aperture is a nonprofit publisher that leads conversations around photography worldwide. From its base in New York, Aperture connects global audiences and supports artists through the acclaimed quarterly magazine, books, exhibitions, digital platforms, public programs, limited-edition prints, and awards. Established in 1952 to advance “creative thinking, significantly expressed in words and photographs,” Aperture champions photography’s vital role in nurturing curiosity and encouraging a more just, tolerant society.

Carrie Mae Weems. Biography

Carrie Mae Weems, a conceptual artist, examines and challenges perceptions of race and femininity in search of new models of life. Rooted in the specificity of her experience as a Black woman yet universal in its exploration of family relationships, cultural identity, power structures, and social hierarchy, her artistic practice is primarily photographic but also incorporates text, textiles, audio, installations, and video.

Informed by storytelling, folklore traditions, and the observational methodologies of social sciences, her approach to image-making ranges from staged and serialised narratives to the appropriation and adaptation of archival and ethnographic imagery. Weems critically addresses photography’s complicity in perpetuating dehumanising representations and the historical omission of Black women from institutions and art canons.

Weems lives in Syracuse, New York, with her husband, Jeffrey Hoone. She is currently an Artist in Residence at Syracuse University.

Text from the Gallerie d’Italia website

 

 

Installation view of the exhibition Carrie Mae Weems: The Heart of the Matter at Gallerie d’Italia, Turin showing the work North Star, 2022

 

In 1936 Carrie Mae Weems’s grandfather Frank Weems traveled 550 miles to Chicago on foot from Earle, Arkansas, partly with the aid of the North Star, which appears in these seven oval photographs as a cold and abstract promise. Frank Weems had been beaten after organising a labour strike to protest abysmal wages and working conditions in the cotton fields. For the artist, the abstracted world holds a tremendous yet distant possibility that her grandfather seized step by step.

Text from the Art Institute of Chicago website

 

 

Installation view of the exhibition Carrie Mae Weems: The Heart of the Matter at Gallerie d’Italia, Turin showing at left, work from the series Family Pictures and Stories 1978-1984

 

 

Installation view of the exhibition Carrie Mae Weems: The Heart of the Matter at Gallerie d’Italia, Turin showing the installation Preach, 2025

 

At the heart of the exhibition is Preach… this ambitious and intense installation explores religion and spirituality among African American communities across generations. The series celebrates the profound, passionate, and joyful forms of worship that define Weems’ Black Church experience while simultaneously confronting the violence and oppression that are inseparable from this history.

In the new poetic text accompanying the installation, Weems writes: “Through flames and bombs, pray wherever and whenever you can, in ports and cabins, in palaces and basements, in theaters and clubs. From your secret hiding place, you have discovered new forms of worship…”. Using herself as both muse and guide, Weems invites us to join in this spiritual awakening and to condemn the persecution that has turned these sacred spaces into sites of refuge and activism.

Preach intertwines early images from Harlem, San Diego, and Sea Island, Georgia, with a vast collection of new works that evoke the transcendental and secular realities of Black religious expression today.

Text from the Gallerie d’Italia Instagram web page

 

 

Carrie Mae Weems (American, b. 1953)
Untitled
Nd
From the series Preach
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

 

Carrie Mae Weems (American, b. 1953)
Road Sign
1991-1992
From the series Preach
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

 

Installation view of the exhibition Carrie Mae Weems: The Heart of the Matter at Gallerie d’Italia, Turin showing work from the Kitchen Table Series, 1990

 

 

Carrie Mae Weems (American, b. 1953)
Untitled (Man and mirror)
1990
From the Kitchen Table Series
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

 

Carrie Mae Weems (American, b. 1953)
Untitled (Woman and daughter with children)
1990
From the Kitchen Table Series
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

 

Carrie Mae Weems (American, b. 1953)
Untitled (Woman standing alone)
1990
From the Kitchen Table Series
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

 

Carrie Mae Weems (American, b. 1953)
Untitled
1988
From the series Four Women
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

 

Carrie Mae Weems (American, b. 1953)
Wilfredo, Laura and Me, I
2002
From the series Dreaming in Cuba
© Carrie Mae Weems and reproduced courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbara Thumm, Berlin

 

 

Gallerie d’Italia – Torino
Piazza San Carlo, 156
10121 Turin
Phone number: 800 167 619

Opening hours:
Tuesday, Thursday, Friday, Saturday and Sunday: 9.30 – 19.30
Wednesday: 9.30 – 20.30

Gallerie d’Italia – Torino website

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