Posts Tagged ‘Ted Gott

09
Jul
14

Exhibition: ‘Transmissions: Archiving HIV/AIDS – Melbourne 1979 – 2014’ at George Paton Gallery, The University of Melbourne

Exhibition dates: 14th July – 25th July 214

Curators: Michael Graf and Russell Walsh

Artists include: Marcus Bunyan, Juan Davila, Andrew Foster, Brent Harris, Mathew Jones, Peter Lyssiotis, Lex Middleton, Andi Nellssun, Marcus O’Donnell, Scott Redford, and Ross T Smith.

Opening: Wednesday 16 July 5.30 pm – 7.30 pm

 

 

Unknown photographer. 'ACT UP D-Day on the steps of Flinders St. Station, 6 June 1991' 1991

 

Unknown photographer
ACT UP D-Day on the steps of Flinders St. Station, 6 June 1991
1991
Image courtesy of the Australian Queer Archives

 

 

Another important exhibition to coincide with the 20th International AIDS Conference to be held in Melbourne this July. The exhibition – which focuses on the seminal exhibition Don’t Leave Me This Way: Art In The Age Of AIDS, curated by Ted Gott at the National Gallery of Australia in Canberra in 1994 – is supported by an extensive program of public events (see below) some of which I hope to get to. The community lost so many good people.

I just want to say ‘good on ya, Andi’, hope your smiling up there somewhere!

Dr Marcus Bunyan

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Many thankx to Michael Graf and The George Paton Gallery for allowing me to publish the art work in the posting. Please click on the photographs for a larger version of the image. The exhibition will be open until 9pm on Wednesday 23 July as part of the Nite Art Walk.

 

 

Andi Nellsün. 'Matr'x' 1993

 

Andi Nellsün
Matr’x
1993

 

 

To coincide with the 20th International AIDS Conference to be held in Melbourne in July, TRANSMISSIONS | Archiving HIV/AIDS | Melbourne 1979-2014 is an exhibition of artworks, manuscripts, and other material from private collections and public archives. It will focus on the partnership between government, health professionals, and Melbourne’s gay community, and on relations between activism, art and design.

Australia is recognised for having implemented one the world’s most successful HIV/AIDS prevention campaigns. The exhibition and conference, however, coincide with a twenty-year high in infection rates. To be able to reach a younger generation,current health promotion campaigns have become increasingly sophisticated. TRANSMISSIONS will investigate several of these campaigns in relation to others from the past thirty years.

TRANSMISSIONS will feature artworks by Marcus Bunyan, Juan Davila, Andrew Foster, Brent Harris, Mathew Jones, Peter Lyssiotis, Lex Middleton, Andi Nellsün, Marcus O’Donnell, Scott Redford, and Ross T Smith.

A publication and a comprehensive public program will accompany this two-week exhibition.

Exhibition curated by Michael Graf and Russell Walsh.

 

Andi-Nellsun-Synergy-WEB

 

Andi Nellsün
Synergy
1993

 

 

Free Public program

Wednesday 16 July 5.30 pm – 7.30 pm – Exhibition Launch
(all welcome but please RSVP to transmissions-rsvp@unimelb.edu.au)

Thursday 17 July, 5.30 pm – 6.30 pm – Introduction to the archives
Nick Henderson (Australian Queer Archives) and Katie Wood (University of Melbourne Archives) in conversation with Russell Walsh.

Friday 18 July, 5.30 pm – 6.30 pm – Activism, archives and history
Graham Willett (Australian Lesbian & Gay Archives) in conversation with Russell Walsh.

Saturday 19 July, 3 pm – 4 pm – Curator floor-talk with Michael Graf and Russell Walsh

Wednesday 23 July – exhibition open till 9pm for Nite Art Walk

Wednesday 23 July 7.00 pm – 8.00 pm – Hares and Hyenas Word is Out presents: Charles Roberts, Infected Queer – 20 years on
Melbourne writer Javant Biarujia will read from the polemical AIDS diary that he helped edit and publish in 1994.

Thursday 24 July, 5.30 pm – 6.30 pm – Don’t Leave Me This Way: Art In The Age Of AIDS: 20 years on
Ted Gott, Curator of the seminal exhibition at the National Gallery of Australia in 1994, in conversation with Michael Graf, with several of the exhibition’s artists present for comment.

Friday 25 July, 5.30 pm – 6.30 pm – The Face of HIV/AIDS: Photographic Portraiture and HIV/AIDS 1984-1994
Susannah Seaholm-Rolan reflecting on why many of the artists featured in Don’t Leave Me This Way: Art In The Age Of AIDS worked in the medium of photographic portraiture and self-portraiture (includes exhibition closing drinks).

Please note: all events will commence sharply at advertised times owing to the early closure of the Student Union Building

 

Lex Middleton. 'Gay Beauty Myth' 1992

 

Lex Middleton
Gay Beauty Myth
1992
Gelatin silver photographs

 

Juan Davila. 'LOVE' 1988

 

Juan Davila (Chilean Australian, b. 1946)
LOVE
1988
Oil on canvas
© Juan Davila, Courtesy Kalli Rolfe Contemporary Art

 

 

The central theme of the exhibition is the response from Melbourne’s LGBT community to the HIV/AIDS epidemic. It will contain artworks from this period as well as activist, government and other cultural responses – some of the works have never been exhibited before.

Michael Graf is co-curator of Transmissions, along with Russell Walsh. Both Graf and Walsh have spent the past seven months trawling through the Australian Queer Archives (AQuA) and the University of Melbourne Archives, where they have discovered some of the most moving and unique stories in Melbourne’s LGBT history.

“We wanted to focus on some of the cultural responses to the crisis,” Graf says. “The main part of that has been Ted Gott’s exhibition at the National Gallery of Australia in 1994: Don’t leave me this way: art in the age of AIDS. That exhibition became an incredibly important event for a lot of people. The NGA actually thought they would get 10,000 people through the space in four or five months – they got 140,000 people.

“It became a kind of pilgrimage for people from Melbourne and Sydney and other places around Australia. They went to Canberra specifically to see that exhibition. It was the first time a national gallery anywhere in the world put on an exhibition about HIV/AIDS.”

Transmissions includes copies of the visitors books from Don’t leave me this way: art in the age of AIDS. As the exhibition became a place where people remembered those they had lost, they poured their emotions and their experiences of the exhibition into the visitors books.

“There are some extraordinary accounts,” Graf says. “They had this experience in a national gallery to actually grieve.”

Graf and Walsh also tracked down artists from this exhibition. While many concede that Don’t leave me this way has been long forgotten, the milieu surrounding Transmissions is that it is time for this work to be considered again.

“They [the artists] have also said this is the perfect time to remember it,” Graf says. “Sometimes these things have to wait until they have receded enough back into history before they can be looked at again.” …

Graf hopes people visiting Transmissions will take away the richness of these collections. He also hopes they attract a younger audience as well as those who will remember what life was like in the gay community at the height of the HIV/AIDS epidemic.

“We’re hoping people might be inspired to access places such as the Australia Lesbian and Gay Archives and for a younger generation of people in Melbourne to be exposed to this incredible important history.”

Rachel Cook. “Transmissions: Archiving HIV/AIDS – Melbourne 1979 – 2014,” on the Gay News Network website, 2nd July 2014 [Online] Cited 06/07/2014. No longer available online

 

Marcus Bunyan. 'How will it be when you have changed' 1994

 

Marcus Bunyan (Australian, b. 1958)
How will it be when you have changed
1994
Silver gelatin photograph

 

Marcus Bunyan. 'Tell me your face before you were born' 1994

 

Marcus Bunyan (Australian, b. 1958)
Tell me your face before you were born
1994
Silver gelatin photograph

 

 

George Paton Gallery
Level Two, Union House
The University of Melbourne 3010
Phone: +61 3 8344 5418

Opening hours:
Monday – Friday 12 pm – 6 pm
Saturday 2 pm – 5 pm

George Paton Gallery website

The University of Melbourne website Australian Queer Archives website
Thorne Harbour Health website Nite Art Melbourne website
George Paton Gallery University of Melbourne Student Union
The Ian Potter Museum of Art

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17
Jun
10

Exhibition: ‘European Masters: Städel Museum 19th – 20th Century’, Winter Masterpieces at the National Gallery of Victoria, Melbourne

Exhibition dates: 19th June – 10th October 2010

 

Media opening of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

 

Media opening of European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

 

A huge posting – and another ‘you saw it here first’ on Art Blart!

A simple, spacious hang shows off some wonderfully vibrant paintings in the new Winter Masterpieces blockbuster at the NGV. The use of strong yellow and pale grey wall colour compliments the paintings. Conversely, other rooms have a dark brown and very dark grey wall colour. Some people will like the effect but I found the dark grey a little too sombre and heavy in the room dedicated to the work of Max Beckmann. Overall a fantastic range of paintings, especially those by the German Expressionists and a luminous painting by Odilon Redon. To see them in Australia is a joy to behold.

Note on the photographs: All the photographs were taken with a timed exposure with the camera on a tripod. While this leads to ghosting as people walk through the shot it also adds a sense of the exhibition as a living entity. I find it preferable to the use of flash photography as flash destroys any ambience that the rooms possess. The photographs are in chronological order, proceeding from the beginning of the exhibition to the end.

Marcus

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Many thankx to Dr Ted Gott, Senior Curator of International Art, Sue Coffey and all the media team and the National Gallery of Victoria for allowing me to photograph the exhibition and publish the photographs online. Please click on the photographs for a larger version of the image.

PS. Thankx to the many people who have emailed me saying that they love the photographs, especially to Sue Coffey who said the posting looked superb = it makes it all worthwhile!

 

Media opening of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

 

Media opening of European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Installation view of Johann Heinrich Wilhelm Tischbei's panting 'Goethe in the Roman countryside' 1787

Installation view of Johann Heinrich Wilhelm Tischbei's panting 'Goethe in the Roman countryside' 1787

 

Installation views of Johann Heinrich Wilhelm Tischbei’s panting Goethe in the Roman countryside 1787 at the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Johann Heinrich Wilhelm Tischbein (German, 1751-1829) 'Goethe in the Roman countryside' (Goethe in der römischen Campagna) 1787

 

Johann Heinrich Wilhelm Tischbein (German, 1751-1829)
Goethe in the Roman countryside (Goethe in der römischen Campagna)
1787
Oil on canvas
161.0 x 197.5 cm
Städel Museum, Frankfurt am Main
Acquired in 1878 as a gift by Baroness Salomon von Rothschild

 

Installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

 

Installation view of the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Installation view of Johann Heinrich Wilhelm Tischbei's panting 'Goethe in the Roman countryside' 1787

Installation view of Johann Heinrich Wilhelm Tischbei's panting 'Goethe in the Roman countryside' 1787

 

Installation views of Johann Heinrich Wilhelm Tischbei’s panting Goethe in the Roman countryside 1787 at the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

Installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

 

Installation views of the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Alfred Sisley (English 1839-1899) 'Banks of the Seine in Autumn' 1879

 

Alfred Sisley (English 1839-1899)
Banks of the Seine in Autumn
1879
Oil on canvas

 

Installation view of Charles-Francois Daubigny (French 1817-1878) 'French Orchard at Harvest Time' (Le verger) 1876

Installation view of Charles-Francois Daubigny (French 1817-1878) 'French Orchard at Harvest Time' (Le verger) 1876

 

Installation views of Charles-Francois Daubigny (French 1817-1878) French Orchard at Harvest Time (Le verger) 1876 at the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Installation view of Charles-Francois Daubigny (French 1817-1878) 'French Orchard at Harvest Time' (Le verger) 1876

 

Charles-Francois Daubigny (French 1817-1878)
French Orchard at Harvest Time (Le verger) (installation view)
1876
Oil on canvas

 

Installation view of Pierre Auguste Renoir (French 1841-1919) 'After the luncheon' (La fin du déjeuner) 1879

Installation view of Pierre Auguste Renoir (French 1841-1919) 'After the luncheon' (La fin du déjeuner) 1879

 

Installation views of Pierre Auguste Renoir (French 1841-1919) After the luncheon (La fin du déjeuner) 1879 at the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Pierre Auguste Renoir (French 1841-1919) 'After the luncheon' (La fin du déjeuner) 1879

 

Pierre Auguste Renoir (French 1841-1919)
After the luncheon (La fin du déjeuner)
1879
Oil on canvas
100.5 x 81.3 cm
Städel Museum, Frankfurt am Main
Acquired in 1910

 

Installation view of Odilon Redon (French 1840-1916) 'Christ and the Samaritan Woman' (Le Christ et la Samaritaine) c. 1895

 

Installation view of Odilon Redon (French 1840-1916) Christ and the Samaritan Woman (Le Christ et la Samaritaine) c. 1895 at the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Odilon Redon (French 1840-1916) 'Christ and the Samaritan Woman' (Le Christ et la Samaritaine) c. 1895

 

Odilon Redon (French 1840-1916)
Christ and the Samaritan Woman (Le Christ et la Samaritaine)
c. 1895
Oil on canvas
64.8 x 50.0 cm
Städel Museum, Frankfurt am Main
Acquired in 1960

 

Installation view of the exhibition 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

 

Installation view of the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

 

“The appeal of the Städel Institute lies in the tremendous energy filling that confined space. Virtually all of the great emotions that have lived in the souls of the peoples of Europe are there, and all in superb works.”

Alfred Lichtwark, Director the Hamburg Museum, 1905

 

One of the world’s finest collections of 19th and 20th century art is showing exclusively in Melbourne as the seventh exhibition in the hugely popular Melbourne Winter Masterpieces series at the National Gallery of Victoria.

European Masters: Städel Museum, 19th-20th Century brings together almost 100 works by 70 artists from one of Germany’s oldest and most respected museums, the Städel Museum in Frankfurt.

Dr Gerard Vaughan, NGV Director, said: “European Masters presents a comprehensive overview of the Städel Museum’s holdings of painting and sculpture from the last two centuries of European art. This blockbuster exhibition provides a superb survey of the key artistic movements of the time, including Realism, Impressionism and Post Impressionism, German Romanticism, Expressionism and Modernism, and French Symbolism.”

The exhibition opens with a series of large-scale romantic German paintings, including Johann H.W. Tischbein’s iconic Goethe in the Roman Campagna from 1787. Visitors will also be treated to magnificent examples of 19th century French art from Corot and Courbet’s Realist landscapes to well-known beautiful Impressionist works by Monet, Renoir, Degas and Cézanne.

European Masters then traces the development of German art, introducing audiences to rarely seen Realist and Symbolist masterpieces from artists such as Max Liebermann and Franz von Stuck.

A major highlight of the exhibition is a powerful selection of German Expressionist paintings, with ten poignant works by Max Beckmann, including The synagogue in Frankfurt am Main and his powerful Double Portrait, all of which have left the Städel for the first time to be shown outside of Europe.

The exhibition also includes a breathtaking selection of Swiss, Belgian and Dutch works by artists such as Arnold Böcklin, Fernand Khnopff and Vincent Van Gogh.

“Exclusive to Melbourne, European Masters provides an unprecedented opportunity to see a spectacular group of masterpieces spanning the dynamic and transformative years of the 19th and 20th centuries. There is something in this exhibition for everyone, from the beauty and immediacy of French Impressionism to the raw power of German Expressionism. This is a once-in-a-lifetime chance to see superb pictures that rarely travel outside of Europe,” said Dr. Vaughan.

Founded in 1816 by the Frankfurt financier Johann Friedrich Städel, the Städel Museum has one of the world’s finest art collections. The collection boasts 2700 paintings, 600 sculptures and over 100,000 prints and drawings documenting the development of European art and culture.

The Melbourne Winter Masterpieces series began in 2004 with The Impressionists: Masterpieces from the Musée d’Orsay, continued in 2005 with Dutch Masters from the Rijksmuseum, Amsterdam, followed by Picasso in 2006, Guggenheim Collection: 1940s to Now in 2007, Art Deco 1910 -1939 in 2008 and Salvador Dalí: Liquid Desire in 2009.

This year Melbourne Winter Masterpieces includes European Masters: Städel Museum, 19th-20th Century at the NGV, and Tim Burton at the Australian Centre for the Moving Image.

Press release from the National Gallery of Victoria website

 

Installation view of the exhibition 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

Installation view of Max Liebermann (German 1847-1935, lived in France 1874-78) 'Samson and Delilah' (Simson und Delila) 1901

Installation view of Max Liebermann (German 1847-1935, lived in France 1874-78) 'Samson and Delilah' (Simson und Delila) 1901

 

Installation views of Max Liebermann (German 1847-1935, lived in France 1874-78) Samson and Delilah (Simson und Delila) 1901 at the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Max Liebermann (German 1847-1935, lived in France 1874-78) 'Samson and Delilah' (Simson und Delila) 1901

 

Max Liebermann (German 1847-1935, lived in France 1874-78)
Samson and Delilah (Simson und Delila)
1901
Oil on canvas
151.2 x 212.0 cm
Städel Museum, Frankfurt am Main
Acquired in 1910

 

Max Klinger (German 1857-1920) 'Portrait of a Roman woman on a flat roof' (Bildnis einer Römerin auf einem Dach in Rom) 1891

 

Max Klinger (German 1857-1920)
Portrait of a Roman woman on a flat roof (Bildnis einer Römerin auf einem Dach in Rom)
1891
Oil on canvas
182.0 x 182.0 cm
Städel Museum, Frankfurt am Main
Acquired in 1926 as a gift in commemoration of Walther Rathenau

 

 

Installation view of Max Klinger (German 1857-1920) Portrait of a Roman woman on a flat roof (Bildnis einer Römerin auf einem Dach in Rom) 1891 at the exhibition European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Max Beckmann room, installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

Max Beckmann room, installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

Max Beckmann room, installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

 

Max Beckmann room, installation view of European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Max Beckmann. 'Female dancer' (Tanzerin) c.1935

 

Max Beckmann (German 1884-1950, worked in the Netherlands 1937-47, United States 1947-50)
Female dancer (Tanzerin) (installation view)
c. 1935
Bronze

 

Installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

Installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

Installation view of 'European Masters: Städel Museum 19th - 20th Century', Winter Masterpieces at the National Gallery of Victoria

 

Installation views of European Masters: Städel Museum 19th – 20th Century, Winter Masterpieces at the National Gallery of Victoria

 

Ernst Ludwig Kirchner (German 1880-1938) 'Reclining woman in a white chemise' (Liegende Frau im weiβen Hemd) 1909

 

Ernst Ludwig Kirchner (German 1880-1938)
Reclining woman in a white chemise (Liegende Frau im weiβen Hemd)
1909
Oil on canvas
95.0 x 121.0 cm
Städel Museum, Frankfurt am Main
Acquired in 1950

 

 

NGV International
180 St Kilda Road

Opening hours:
10am – 5pm daily

National Gallery of Victoria website

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He writes Art Blart, a photographic archive and form of cultural memory, which posts mainly photography exhibitions from around the world. He holds a Dr of Philosophy from RMIT University, Melbourne, a Master of Arts (Fine Art Photography) from RMIT University, and a Master of Art Curatorship from the University of Melbourne.

Marcus Bunyan black and white archive: ‘Orphans and small groups’ 1994-96 Part 2

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