Exhibition: ‘Stanley Greene – Black Passport’ at Foam, Amsterdam

Exhibition dates: 16th December, 2011 – 5th February, 2012

Produced in close cooperation with Teun van der Heijden

 

Many thankx to FOAM for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image. All photographs: Black Passport © Stanley Greene / NOOR

 

Stanley Greene (American, 1949-2017) 'Madman, Afghanistan' 2008 from the exhibition 'Stanley Greene – Black Passport' at Foam, Amsterdam, December 2011 - February 2012

 

Stanley Greene (American, 1949-2017)
Madman, Afghanistan
2008
Black Passport © Stanley Greene / NOOR

 

Black Passport © Stanley Greene / NOOR from the exhibition 'Stanley Greene – Black Passport' at Foam, Amsterdam, December 2011 - February 2012

Black Passport © Stanley Greene / NOOR

 

From Stanley Greene’s Black Passport
Black Passport © Stanley Greene / NOOR

 

 

Foam presents Black Passport, a project by and about the American conflict photographer Stanley Greene (New York, 1949-2017). Black Passport shows photos of conflicts and disasters combined with photos of Greene’s  private life. The result is a revealing portrait of a photographer who is addicted to the adrenaline rush of being on the move, but at the same time realises the sacrifices he makes in his personal life. Stanley Greene has photographed in regions such as Chechnya, Iraq, Rwanda and Sudan and is one of the founders of the international photo agency NOOR.

Every day, newspapers and magazines are filled with photos of war, oppression and violence. The photographer that enables us to watch what is happening in the rest of the world from the safety of our own homes, however, usually remains invisible. This is not the case in Black Passport, the biography of war photographer Stanley Greene, which appeared in book form in 2009 and will be exhibited in Foam starting on 16 December. Photos of conflict and disaster regions such as Rwanda, Sudan, Chechnya and Iraq are alternated with photos from the private life of Stanley Greene: photos of Paris and many women. Slide shows will also be presented, interspersed with texts from the book. Greene’s voice resounds through the exhibition space – he is disconcertingly frank: ‘I think you can only keep positive for eight years. If you stay at it longer than that, you turn. And not into a beautiful butterfly.’

Just as Stanley Greene, visitors to the exhibition are poised between the safety of Western life and the horrors of foreign wars. And it is precisely this juxtaposition that causes these photos to stir us more than the stream of bad-news images that inundate us daily. In addition, Black Passport is a fascinating story about what it is like to be a war photographer. Why does someone choose to be continually confronted with death and misery? Is it an escape from everyday reality and a craving for adventure?

Short Biography

Stanley Greene has photographed in the former Soviet Union, Central America, Asia and the Middle East. His work has appeared in publications including Newsweek, The New York Times Magazine, Stern and Paris Match. He has won various World Press Awards and in 2004 the W. Eugene Smith Award. Open Wound: Chechnya 1994-2003 was published in 2004 and his book Black Passport in 2009. Greene is one of the founders of the Amsterdam-based international photo agency NOOR.

Press release from the Foam website

 

Stanley Greene (American, 1949-2017) 'Iraq, 2004, Road side explosion, Northern Iraq' 2004 from 'Black Passport'

 

Stanley Greene (American, 1949-2017)
Iraq, 2004, Road side explosion, Northern Iraq
2004
Black Passport © Stanley Greene / NOOR

 

 

“I think you can only do this for eight years. For eight years you can still keep the positive. If you stay at it longer than eight years, you turn. And not into a beautiful butterfly. You really turn. I see it in myself, I see it in all my friends and colleagues. I mean they are all victims of post trauma. We’re not the beautiful butterflies anymore. We become moths. We’re like moths flying to the flame.You know, sometimes your wings get singed or you just burn up. Get killed. Or you burn up inside.The drugs and the alcohol and the party and all of this is to push it away, push it away.”

“I’m an observer, I’m not an objective observer though, but I’m an observer. I feel it’s very important for journalists to go to these hell holes and photograph or write or do radio or whatever because I still believe that the public wants to know.”


Stanley Greene

 

 

Stanley Greene (American, 1949-2017)

Stanley Greene (February 14, 1949 – May 19, 2017) was an American photojournalist.

Greene was born to middle class parents in Brooklyn. Both his parents were actors. His father, who was born in Harlem, was a union organiser, one of the first African Americans elected as an officer in the Screen Actors Guild,and belonged to the Harlem Renaissance movement. Greene’s father was blacklisted as a Communist in the 1950s and forced to take uncredited parts in movies. Greene’s parents gave him his first camera when he was eleven years old.

Greene began his art career as a painter, but started taking photos as a means of cataloging material for his paintings. In 1971, when Greene was a member of the anti-Vietnam War movement and the Black Panther Party, his friend photographer W. Eugene Smith offered him space in his studio and encouraged him to study photography at the School of Visual Arts in New York and the San Francisco Art Institute.

Greene held various jobs as a photographer, including taking pictures of rock bands and working at Newsday. In 1986, he shot fashion photographs in Paris. He called himself a “dilettante, sitting in cafes, taking pictures of girls and doing heroin”. After a friend died of AIDS, Greene kicked his drug habit and began to seriously pursue a photography career.

He began photojournalism in 1989, when his image (“Kisses to All, Berlin Wall”) of a tutu-clad girl with a champagne bottle became a symbol of the fall of the Berlin Wall. While working for the Paris-based photo agency Agence Vu in October 1993, Greene was trapped and almost killed in the White House in Moscow during a stand-off between President Boris Yeltsin and the parliament. He covered the war-torn countries Azerbaijan, Bosnia and Herzegovina, Georgia, Iraq, Somalia, Croatia, Kashmir, and Lebanon. He took pictures of the genocide in Rwanda in 1994 and the US Gulf Coast in the aftermath of Hurricane Katrina in 2005.

After 1994, Greene was best known for his documentation of the conflict in Chechnya, between rebels and the Russian Armed Forces, which was compiled in his 2004 book, Open Wound. These photos drew attention to the “suffering that has marked the latest surge in Chechnya’s centuries-long struggle for independence from Russia”.

In 2008, Greene revealed that he had hepatitis C, which he believed he had contracted from a contaminated razor while working in Chad in 2007. After controlling the disease with medication, he traveled to Afghanistan and photographed a story about “the crisis of drug abuse and infectious disease”.

Stanley Greene co-founded NOOR Agency with Kadir van Lohuizen in 2007. They launched their agency with their colleagues on the 7th of September 2007 at Visa Pour L’Image. Greene died in Paris, at the age of 68. He had been undergoing treatment for liver cancer.

Text from the Wikipedia website

 

Black Passport is the biography of war photographer Stanley Greene, compiled out of hours of interviews by Teun van der Heijden. It shows Stanley’s war images alternated with private images.

Teun van der Heijden: “Black Passport started as any other photo book project. At the beginning Stanley did let me know that he was up for ‘something completely different’. While working on the project we had a lot of conversations in which I discovered that there were a lot of similarities between Stanley and me. What is it then that one person becomes a designer, living happily with the same woman for 25 years, being a father of two daughters and the other person becomes a war photographer. This question was the beginning of a series of interviews. Out of the interviews came Black Passport. Black Passport is nominated several times. Some people believe it is the most important photo book of 2010.

Text from the YouTube website

 

Stanley Greene (American, 1949-2017) 'Fireflies, Paris, France' 2006 from 'Black Passport'

 

Stanley Greene (American, 1949-2017)
Fireflies, Paris, France
2006
Black Passport © Stanley Greene / NOOR

 

Stanley Greene (American, 1949-2017) 'On the MKAD, on the way to the airport, Moscow, Russia' 2003 from 'Black Passport'

 

Stanley Greene (American, 1949-2017)
On the MKAD, on the way to the airport, Moscow, Russia
2003
Gelatin silver print
Black Passport © Stanley Greene / NOOR

 

Stanley Greene (American, 1949-2017) 'Kaboul, Afghanistan' 2008 from 'Black Passport'

 

Stanley Greene (American, 1949-2017)
Kaboul, Afghanistan
2008
Gelatin silver print
Black Passport © Stanley Greene / NOOR

 

Stanley Greene (American, 1949-2017) 'Scene 3. '89. East Berlin' from 'Black Passport'

 

Stanley Greene (American, 1949-2017)
Scene 3. ’89. East Berlin
From Black Passport © Stanley Greene / NOOR

 

Stanley Greene (American, 1949-2017) 'Black & White Ball, Paris, France' 2006 from 'Black Passport'

 

Stanley Greene (American, 1949-2017)
Black & White Ball, Paris, France
2006
Black Passport © Stanley Greene / NOOR

 

Stanley Greene's 'Black Passport' book pages
Stanley Greene's 'Black Passport' book pages
Stanley Greene's 'Black Passport' book pages
Stanley Greene's 'Black Passport' book pages
Stanley Greene's 'Black Passport' book pages

 

From Stanley Greene’s Black Passport
Black Passport © Stanley Greene / NOOR

 

Stanley Greene (American, 1949-2017) 'Scene 7. '93. Moscow. Inside the White House' from 'Black Passport'

 

Stanley Greene (American, 1949-2017)
Scene 7. ’93. Moscow. Inside the White House
From Black Passport © Stanley Greene / NOOR

 

 

From Stanley Greene’s Black Passport
Black Passport © Stanley Greene / NOOR

 

Stanley Greene's 'Black Passport' front cover

 

Stanley Greene’s Black Passport front cover

 

 

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Photographic prize: the Magnum Foundation and the Inge Morath Foundation announce the sixth annual Inge Morath Award

March 2009

 

Inge Morath (American born Austria, 1923-2002) From the series about Regensburg Museums 1999

 

Inge Morath (American born Austria, 1923-2002)
From the series about Regensburg Museums
1999
Gelatin silver print

 

 

“To take pictures had become a necessity and I did not want to forgo it for anything.”


Inge Morath

 

 

The Magnum Foundation and the Inge Morath Foundation announce the sixth annual Inge Morath Award. The annual prize of $5,000 is awarded by the Magnum Foundation to a female documentary photographer under the age of 30, to support the completion of a long-term project. One award winner and up to two finalists are selected by a jury composed of Magnum photographers.

Inge Morath was an Austrian-born photographer who was associated with Magnum Photos for nearly fifty years. After her death in 2002, the Inge Morath Foundation was established to manage Morath’s estate and facilitate the study and appreciation of her contribution to photography.

Because Morath devoted much of her enthusiasm to encouraging women photographers, her colleagues at Magnum Photos established the Inge Morath Award in her honour. The Award is now given by the Magnum Foundation as part of its mission of supporting new generations of socially-conscious documentary photographers, and is administered by the Magnum Foundation in collaboration with the Inge Morath Foundation.

Past winners of the Inge Morath Award include: Kathryn Cook (US, ’08) for Memory Denied: Turkey and the Armenian Genocide; Olivia Arthur (UK, ’07) for The Middle Distance; Jessica Dimmock (US, ’06) for The Ninth Floor; Mimi Chakarova (US, ’06) for Sex Trafficking in Eastern Europe; Claudia Guadarrama (MX, ’05) for Before the Limit; and Ami Vitale (US, ’02), for Kashmir.

Text from The Inge Morath Foundation website [Online] Cited 01/03/2009. No longer available online

 

Inge Morath (American born Austria, 1923-2002) 'Visitor in the Metropolitan Museum' 1958

 

Inge Morath (American born Austria, 1923-2002)
Visitor in the Metropolitan Museum
1958
Gelatin silver print

 

Inge Morath (American born Austria, 1923-2002) 'Window washer' 1958

 

Inge Morath (American born Austria, 1923-2002)
Window washer
1958
Gelatin silver print

 

 

“I have photographed since 1952 and worked with Magnum Photos since 1953, first out of Paris, later out of New York. I am usually labeled as a photojournalist, as are all members of Magnum. I am quoting Henri Cartier-Bresson’s explanation for this: He wrote to John Szarkowski in answer to an essay in which Szarkowski stated that Cartier-Bresson labels himself as a photojournalist.

“May I tell you the reason for this label? As well as the name of its inventor? It was Robert Capa. When I had my first show in the Museum of Modern Art in New York in 1948 he warned me: ‘watch out what label they put on you. If you become known as a surrealist […] then you will be considered precious and confidential. Just go on doing what you want to do anyway but call yourself a photojournalist, which puts you into direct contact with everything that is going on in the world.'”

It is in this understanding that we have been working as a group and yet everyone following their own way of seeing. The power of photography resides no doubt partly in the tenacity with which it pushes whoever gets seriously involved with it to contribute in an immeasurable number of forms his own vision to enrich the sensibility and perception of the world around him.

[In the 1950s] the burden of the already photographed was considerably less than now. There was little of the feeling of being a latecomer who has to overwhelm the huge existing body of the photographic oeuvre – which, in photography as in painting and literature, necessarily leads first to the adoption and then rejection of an elected model, until one’s own work is felt to be equal or superior, consequently original.

Photography is a strange phenomenon. In spite of the use of that technical instrument, the camera, no two photographers, even if they were at the same place at the same time, come back with the same pictures. The personal vision is usually there from the beginning; result of a special chemistry of background and feelings, traditions and their rejection, of sensibility and voyeurism. You trust your eye and you cannot help but bare your soul. One’s vision finds of necessity the form suitable to express it.”

Inge Morath, Life as a Photographer, 1999

Text from The Inge Morath Foundation website [Online] Cited 01/03/2009. No longer available online. Used under fair use conditions for the purposes of education and research

 

Inge Morath (American born Austria, 1923-2002) 'Mrs. Eveleigh Nash, London, 1953' 1953

 

Inge Morath (American born Austria, 1923-2002)
Mrs. Eveleigh Nash, London, 1953
1953
Gelatin silver print

 

 

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