Joel Meyerowitz Paris France – Art Blart _ art and cultural memory archive

Exhibition dates: 27th September 2014 – 11th January 2015

Joel Meyerowitz (American, b. 1938)
New York City
1963

Meyerowitz really comes into his own in the ’70s. Luscious colours and lascivious compositions in which the attention of the photographer is directed towards the relationship between object, light and time. The image becomes an object of fetishistic desire.

The hyperreal colours and placement of figures are crucial to this ocular obsession. Look at the image Gold corner, New York City (1974) and observe the precise, choreographed placement of the figures and how the colours flow, from orange/brown to green/blue and onto turquoise/red and polka dot, the central figure’s eyes shielded under a wide-brimmed hat, hand to head, model style. This is colour porn for the eyes. And Meyerowitz does it so well… the stretch of thigh and shadow in Los Angeles Airport, California (1976), the classic red of Truro (1976) or the bare midriff and raised yellow heel in New York City, 42nd and Fifth Ave (1974).

The best of these photos give you a zing of excitement and a surge of recognition – like a superlative Stephen Shore or an outstanding William Eggelston. At his best Meyerowitz is mesmerising.

Marcus

.
Many thankx to the NRW-Forum Düsseldorf for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

Joel Meyerowitz (American, b. 1938)
Ballston Beach, Truro, Cape Cod
1976

Joel Meyerowitz (American, b. 1938)
Los Angeles Airport, California
1976

Joel Meyerowitz (American, b. 1938)
Dairyland, Provincetown
1976

Joel Meyerowitz (American, b. 1938)
Truro
1976

Joel Meyerowitz (American, b. 1938)
Red Interior, Provincetown, Massachusetts
1977

Joel Meyerowitz is a “street photographer” in the tradition of Henri Cartier-Bresson and Robert Frank, who influenced him greatly at the beginning of his career. Since the mid-seventies he has photographed exclusively in colour.

The artist was born in 1938 in the Bronx. He initially studied art, history of art and medical illustration at the Ohio State University. Back in New York City he began his career in 1959 as an Art Director and Designer. Particularly impressed by an encounter with the photographer Robert Frank, he started taking photographs in 1962 and in the same year he left the agency, devoting himself from this point on, exclusively to photography. He travelled through New York City and capturing the mood of the streets. He soon developed his distinctive sensitivity and his candid, people-focussed style, a very unique visual language. In 1966, he embarked on an 18 month trip through Europe, which both profoundly affected and also influenced him and can be described as an artistic turning point. Meyerowitz photographed many of his works from a moving car. These works were displayed in 1968 in his first exhibition at the Museum of Modern Art in New York: Photographs from a moving car, curated by the photography legend John Szarkowski. From the late seventies onward, Joel Meyerowitz concentrated exclusively on colour photography. In the first half of the seventies, he created numerous unique works of “street photography”. In order to further improve the image quality, the artist took another crucial step: in the mid 1970s he changed from the 35mm format to the 8 x 10″ plate camera.

In 1979, his first book Cape Light was published by Phaidon Verlag. The picture book sold over 100,000 copies and is to this day regarded as a milestone in colour photography. 17 further publications followed, most recently in 2012 with a comprehensive two-volume edition Taking my Time, a retrospective of 50 years of his photography, also published by Phaidon Verlag.

A few days after the attack on the World Trade Center, Meyerowitz began to document its destruction and reconstruction. As the only photographer, he received unrestricted access to the site of the incident. It resulted in over 8000 photographs for the The World Trade Center exhibition, which was displayed in the 9/11 Memorial Museum in New York City.

Joel Meyerowitz’ works have been and will be shown in numerous solo and group exhibitions around the world; several times in the Museum of Modern Art in New York City. On 27 September, the NRW Forum in Düsseldorf opens the most comprehensive retrospective of the artist. In addition, the works are represented in many international collections, including in the Museum of Modern Art and the Boston Museum of Fine Art.

Text from the NRW-Forum Düsseldorf website

Joel Meyerowitz (American, b. 1938)
New York City
1965

Joel Meyerowitz (American, b. 1938)
London, England
1966

Joel Meyerowitz (American, b. 1938)
JFK Airport, New York City
1968

Joel Meyerowitz (American, b. 1938)
Paris, France
1967

Joel Meyerowitz (American, b. 1938)
New York City, 42nd and Fifth Ave
1974

Joel Meyerowitz (American, b. 1938)
Dusk, New Jersey
1978

Joel Meyerowitz (born 1938 in New York) is, along with William Eggleston and Stephen Shore, one of the most important representatives of American New Colour Photography of the 1960s / 70s. After a first encounter with Robert Frank 1962, Meyerowitz decided to give up his job as art director in New York and to devote himself to photography. In particular, his photographs of street scenes of American cities, which he takes with his 35mm camera as fleeting moments, make him a precursor of street photography and his works icons of contemporary photography.

“Watching Life is all about Timing”

A first turning point in his photography was his annual trip to Europe in 1966/67, a trip which allowed him to critically question his colour photography. As early as 1968, he had his first solo exhibition at the Museum of Modern Art (MoMA) of works created in Europe under the title From a moving car. His first book, Cape Light (1978), in which he examines achromatic variations of light at Cape Cod, is now regarded as a milestone in photography. In addition to his film camera, which he always carries with him, Meyerowitz has been working since the late 1970s with the 8 x 10 plate camera, which allows him to capture the relationship between object, light and time in a new and more accurate way for him.

“Time is what Photography is About”

The exhibition at the NRW-Forum presents the entire photographic spectrum of 50 years of his photography for the first time in Germany. In addition to the early black / white and colour photographs of the 1960s / there will be years works from all business groups such as Cape Light, Portraits, Between the Dog and the Wolf and Ground Zero series, presented to allow the visitor a photographic and cultural image-comparison between Europe and the USA. In addition, the first documentary about the life and work of the photographer, created over a period of three years in France, Italy and the United States, will have its world premiere.”

Text from the NRW-Forum Düsseldorf website