Posts Tagged ‘Andrew Follows

12
Dec
19

Vale Andrew Follows: A life in focus. ‘Elements Of Focus’ exhibition at Magnet Gallery, Docklands, Melbourne

Exhibition dates: 7th – 21st December 2019

 

Andrew Follows (Australian) 'Elements of Focus' 2019

 

Andrew Follows (Australian)
Elements of Focus
2019
Photos used: 12

 

 

Vale Andrew Follows: A life in focus

It is with great sadness that I found out today that artist Andrew Follows passed away yesterday, December 11th, 2019.

If anybody could say that he lived and breathed photography it was Andrew. It was his passion, his reason for being. And he was good at it, very good at it.

With his Retinitis Pigmentosa (RP) – a condition which rendered one eye completely blind with ever diminishing tunnel vision in the other – he saw the world like nobody else could. Not because of this, but because he was Andrew, he was just born to be the great enabler. There was no dis/abled with Andrew. He got on with life. He got on with being an artist, being the best he could possibly be with a passion and enthusiasm which I was totally in awe of.

I still remember our trips together to photograph for his solo exhibition Density at Anita Traverso Gallery in 2013 with his beloved guide dog Eamon sitting in the footwell of my car. I mentored Andrew for a year before the exhibition and believe me, he knew what he wanted and how to get the shot. I drove him to the locations we had chosen and helped him set up the camera and tripod. He opened the lens and looked at the screen on the back of the digital camera… and saw the world! He saw things that were only blurs to him before on the screen of that digital camera. That line of light that hovers above the judges chair in the courtroom at Beechworth, where Ned Kelly was sentenced to death, lingers long in the memory. Only Andrew could get permission to photograph, at night, in the old Beechworth Courthouse.

As I have written in an earlier piece, “His is not the vision of im(pair)ment as the rest of us see the world, through two eyes, but the holistic vision of a monocular eye that becomes the root of his photography. The lens of the camera becomes an extension of Self, the shutter his very existence and the digital screen on the back of the camera his tabula rasa, a “blank slate” upon which he writes his experience and perception, his knowledge of the world. His experience of vision and the evidence of his photographs become both the beginning and the end of the work, a place in which his fundamental nature resides.”

Andrew speaks truth to photography, for that was his nature. In so doing he speaks truth to life itself.

He had such a passion for photography. Two postings I did for him earlier Andrew Follows: Carmania (February 2016) and Andrew Follows: Carmania 2 (June 2016) express what I most loved about Andrew as a person and as a photographer… how he just got so much out of life, and how he saw the world with crystal clear focus and clarity – in these two postings combining his two great passions, cars and photography. I still think these are some of the best art car photographs I have ever seen. There is an immediacy and directness to them, a time and space of great perception. Again, in his new exhibition we feel his love in seeing the world through the camera, offering his unique and fragmented perspective to the viewer, which comes together in the final, holistic image.

Above all Andrew brought people together to enable his projects through his charisma, cheekiness and charm, his get up and go for what he was doing and what he wanted to achieve. He brought everyone along for the ride. Andrew Andrew Andrew what a spirit young man… what energy, love, passion, commitment and talent. We had some fabulous times together. I loved how you taught me as much as I taught you. About life, about photography, and looking and seeing the world. I’m so glad I got to see you at the opening on Saturday and give you a kiss and a hug.

Andrew speaks truth to photography, for that was his nature. In so doing he speaks truth to life itself.

With thanks to Dishan Marikar, Magnet Galleries Melbourne, Fiona Cook and everyone who helped with the exhibition and book. Condolences to all family and friends.

Marcus xx

.
Many thankx to Andrew Follows, Magnet Galleries Melbourne and Dishan Marikar for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image. The book from the exhibition is available to buy from the gallery as are prints, and funds raised from this show will benefit artists with disability in the future with a biennial prize to be awarded from the Andrew Follows Trust. For more information about the book please see the Magnet Galleries Melbourne website.

 

 

Andrew Follows (Australian) 'Mercedes-Benz 230SL' 2019

 

Andrew Follows (Australian)
Mercedes-Benz 230SL
2019
Photos used: 11
Year of manufacture: 1964

 

'Elements of Focus' exhibition book cover

 

Elements of Focus exhibition book cover

 

'Elements of Focus' exhibition book cover and postcards

 

Elements of Focus exhibition book cover and postcards

 

'Elements of Focus' exhibition postcards

 

Elements of Focus exhibition postcards

 

Crowd at the opening of Andrew Follows' 'Elements of Focus' exhibition at Magnet Galleries Melbourne

 

Crowd at the opening of Andrew Follows’ Elements of Focus exhibition at Magnet Galleries Melbourne
Photo: Michael Silver

 

Andrew Follows (Australian) 'Ferrari F12tdf' 2019

 

Andrew Follows (Australian)
Ferrari F12tdf
2019
Photos used: 12
Year of manufacture: 2017

 

Andrew Follows (Australian) 'Ferrari F12tdf' 2019 (detail)

Andrew Follows (Australian) 'Ferrari F12tdf' 2019 (detail)

 

Andrew Follows (Australian)
Ferrari F12tdf (details)
2019
Photos used: 12
Year of manufacture: 2017

 

Andrew Follows (Australian) 'Lamborghini Murcielago R-GT (unrestored)' 2019

 

Andrew Follows (Australian)
Lamborghini Murcielago R-GT (unrestored)
2019
Photos used: 5
Year of manufacture: 2004

 

Andrew Follows (Australian) 'Lamborghini Murcielago R-GT (restored)' 2019

 

Andrew Follows (Australian)
Lamborghini Murcielago R-GT (restored)
2019
Photos used: 13
Year of manufacture: 2004

 

Andrew Follows (Australian) 'Ferrari Enzo' 2019

 

Andrew Follows (Australian)
Ferrari Enzo
2019
Photos used: 10
Year of manufacture: 2003

 

Andrew Follows with his guide dog Leo and his mentor Dishan Marikar

 

Andrew Follows with his guide dog Leo and his mentor Dishan Marikar at the opening of the exhibition Elements of Focus at Magnet Galleries Melbourne

 

 

Elements of Focus is a very important project that brings together my two passions – motor cars and photography. The cars in this project range from some of the rarest to even a few more common examples, but they are being photographed and presented in a way that has never been seen before.

Being a legally blind photographer, who has tunnel vision, my images offer the viewer a different perspective through my lens and take them on a visual journey. I have an eye condition called Retinitis Pigmentosa (RP), a condition which has rendered one eye completely blind with ever diminishing tunnel vision in the other. I can see three metres to most people’s seventy metres, and that through a foggy haze.

My tunnel vision means that I can’t see the object as a whole when I’m photographing a car, I take shots of each individual element of the car, and then piece the final image together like a jigsaw puzzle.

For this very exciting photographic project, I have been mentored by Dishan Marikar, one of the best car photographers in Melbourne. I am very honoured and proud to have Dishan teach me new skills in the area of photography he is so well known for.

For those of you may not know, I have been diagnosed with cancer of the oesophagus and Elements of Focus may be the last exhibition that I will be able to celebrate with you as I am not well. I’d love to share this important exhibition with my friends, peers and colleagues. Thank you for being part of my journey in photography and life.

Andrew Follows

Text from the Andrew Follows website November 7, 2019 [Online] Cited Saturday 07/12/2019

 

Andrew Follows (Australian) 'Porsche 991 911 GT2 RS' 2019

 

Andrew Follows (Australian)
Porsche 991 911
GT2 RS

2019
Photos used: 16
Year of manufacture: 2018

 

Andrew Follows (Australian) 'Lamborghini Diablo Roadster' 2019

 

Andrew Follows (Australian)
Lamborghini Diablo Roadster
2019
Photos used: 21
Year of manufacture: 1999

 

Andrew Follows (Australian) 'Frazer Nash TT' 2019

 

Andrew Follows (Australian)
Frazer Nash TT
2019
Photos used: 11
Year of manufacture: 1932

 

 

Elements Of Focus is a very important project that brings together the two passions of Andrew Follows: motor cars and photography. The cars in this project range from some of the rarest in Australia to even a few common examples, but they are being photographed and presented in a way that has never been seen before. Being a legally blind photographer with tunnel vision, Andrew’s images offer viewers a different perspective through his lens as he takes them on a visual journey.

“My tunnel vision means that I can’t see the object as a whole. When I’m photographing a car, I take shots of each individual element of the car, and then piece the final image together like a jigsaw puzzle.”

For this very exciting photographic project, Andrew has been mentored by Dishan Marikar, one of the best car photographers in Melbourne.

The exhibition is being held in December at Magnet Gallery in Docklands, a highly respected photography gallery in Melbourne.

“I am very honoured and proud to have Dishan teach me new skills in the area of photography he is so well known for. The team at Magnet has been great to work with and I am very excited to showcase my Elements Of Focus project there.”

Text from the Magnet Galleries Melbourne website [Online] Cited Saturday 07/12/2019

 

Andrew Follows (Australian) 'Citroën DS21 Safari' 2019

 

Andrew Follows (Australian)
Citroën DS21 Safari
2019
Photos used: 10
Year of manufacture: 1971

 

Andrew Follows (Australian) 'Citroën DS21 Safari' 2019 (detail)

Andrew Follows (Australian) 'Citroën DS21 Safari' 2019 (detail)

 

Andrew Follows (Australian)
Citroën DS21 Safari (details)
2019
Photos used: 10
Year of manufacture: 1971

 

 

Installation views of Andrew Follows Citroën DS21 Safari 2019 at the exhibition Elements of Focus at Magnet Galleries Melbourne

 

Pages from the 'Elements of Focus' book

Pages from the 'Elements of Focus' book

Pages from the 'Elements of Focus' book

 

Pages from the Elements of Focus book showing photographic fragmentation and stitching process

 

Andrew Follows (Australian) 'Porsche 964 991 Turbo 3.6' 2019

 

Andrew Follows (Australian)
Porsche 964 991 Turbo 3.6
2019
Photos used: 9
Year of manufacture: 1994

 

Andrew Follows (Australian) 'Maserati Merak SS' 2019

 

Andrew Follows (Australian)
Maserati Merak SS
2019
Photos used: 9
Year of manufacture: 1978

 

Marcus Bunyan with his friend Andrew Follows at the opening of his exhibition 'Elements of Focus'

 

Marcus Bunyan with his friend Andrew Follows at the opening of his exhibition Elements of Focus at Magnet Galleries Melbourne

 

 

Magnet Galleries Melbourne
SC G19 Wharf St, The District,
Docklands, Victoria, 3008
Australia
Phone: +61 (0) 3 8589 0371

Opening hours:
Tuesday – Friday 11am – 5pm
Saturday and Sunday 11am – 4pm

Andrew Follows Photographer website

Magnet Galleries Melbourne website

 

01
Jun
16

Photographs: ‘Andrew Follows: Carmania 2’

June 2016

 

Australian vernacular

Hats off to my photographer friend Andrew Follows for another stunning set of Australian automobile photographs.

These photographs were taken at a fund raising display for brain injury in Epping, Melbourne, Australia.

Great job Andrew… with a little digital clean, retouch and colour balance from me!

Marcus

PS. Don’t forget Andrew is a vision impaired photographer, with only 10% vision in one eye and no vision at all in the other eye. All the more remarkable…

** Please make sure you enlarge these images to see them to best advantage. **

.
Many thankx to Andrew Follows for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image. All images © Andrew Follows 2016.

 

 

Andrew Follows. 'Two 1930s Chevrolet hotrods' 2016

 

Andrew Follows
Two 1930s Chevrolet hotrods
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. 'Ford REBBEL hotrod' 2016

 

Andrew Follows
Ford REBBEL hotrod
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1930s Ford hotrod' 2016

 

Andrew Follows
1930s Ford hotrod
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1930s Ford hotrod' 2016

 

Andrew Follows
1930s Ford hotrod
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. 'Chevrolet bucket hotrod' 2016

 

Andrew Follows
Chevrolet bucket hotrod
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1930s Chevrolet hotrod' 2016

 

Andrew Follows
1930s Chevrolet hotrod
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1941 Willys hotrod' 2016

 

Andrew Follows
1941 Willys hotrod
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1956 Chevrolet Belair 2016

 

Andrew Follows
1956 Chevrolet Belair
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1958 Chevrolet Corvette Convertible Coupe' 2016

 

Andrew Follows
1958 Chevrolet Corvette Convertible Coupe
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '2010 Chevrolet Corvette Z06' 2016

 

Andrew Follows
2010 Chevrolet Corvette Z06
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1964 Chevrolet Chevelle' 2016

 

Andrew Follows
1964 Chevrolet Chevelle
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1964 Chevrolet Impala' 2016

 

Andrew Follows
1964 Chevrolet Impala
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1964 Chevrolet Impala' 2016 no retouch

Andrew Follows. '1964 Chevrolet Impala' 2016 no retouch detail

 

Retouching detail – now you see it, now you don’t!

 

Andrew Follows. '1967 Ford Shelby Mustang G.T. 500 Cobra' 2016

 

Andrew Follows
1967 Ford Shelby Mustang G.T. 500 Cobra
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1967 Ford Shelby Mustang G.T. 500 Cobra' 2016

 

Andrew Follows
1967 Ford Shelby Mustang G.T. 500 Cobra
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1972 Ford XA GT coupe' 2016

 

Andrew Follows
1972 Ford XA GT coupe
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1967 Ford Shelby Mustang G.T. 500 Cobra' 2016

 

Andrew Follows
1967 Ford Shelby Mustang G.T. 500 Cobra
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1966-67 Chrysler Valiant Wayfarer ute' 2016

 

Andrew Follows
1966-67 Chrysler Valiant Wayfarer ute
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1966-67 Chrysler Valiant Wayfarer ute' 2016

 

Andrew Follows
1966-67 Chrysler Valiant Wayfarer ute
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1969-70 Ford XW Fairmont GT' 2016

 

Andrew Follows
1969-70 Ford XW Fairmont GT
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1970-71 Holden Monaro HG GTS 350' 2016

 

Andrew Follows
1970-71 Holden Monaro HG GTS 350
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1970-71 Holden Monaro HG GTS 350' 2016

 

Andrew Follows
1970-71 Holden Monaro HG GTS 350
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '1972 Holden Monaro HQ GTS Coupe' 2016

 

Andrew Follows
1972 Holden Monaro HQ GTS Coupe
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. 'Nissan 350Z' 2016

 

Andrew Follows
Nissan 350Z
2016
From the series Carmania 2
Digital photograph

 

Andrew Follows. '2009 Dodge Challenger R/T' 2016

 

Andrew Follows
2009 Dodge Challenger R/T
2016
From the series Carmania 2
Digital photograph

 

 

Andrew Follows Photographer website

LIKE ART BLART ON FACEBOOK

Back to top

04
Feb
16

Photographs: ‘Andrew Follows: Carmania’

February 2016

 

Australian vernacular

Hats off to my photographer friend Andrew Follows for a stunning set of Australian automobile photographs.

These photographs, taken during daylight at the BP station before the West Gate Bridge in Melbourne, and at twilight on the opposite side of the freeway at the corresponding BP station after the cars have returned from their drive to Frankston, are superb.

Andrew and I have an intense passion for cars. Only through this true immersion and engagement can you get photographs that are so evocative of subject matter, that are so atmospheric of place, space and the cars themselves. These are some of the best car photographs I have seen in a very long time… a kind of Australian vehicular vernacular.

I have sequenced these photographs for Andrew so that they tell a story, a modernist story of light, form and design, interspersed with vibrations of energy (punctum) such as Buick 1956 or XA Ford Faclon coupe GT 1974 Faze 4. Look at the crack in the concrete of this image as it leads into the car which both crouches down and seems to float in the air. Then just look at the clean presence of XB Faclon 500 coupe John Goss special 1975 or the space and light in the image VE Valiant sedan with red Ford pick up truck. God I love them…

To then finish the sequence with that classic Aussie car, HDT Holden LH Torana L34 1978, captured in such an eloquent image of movement and light. Just sensational.

Andrew, you could make a living taking photographs of car art!

Marcus

** Please make sure you enlarge these images to see them to best advantage. **

.
Many thankx to Andrew Follows for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image. All images © Andrew Follows 2016.

 

 

Andrew Follows. 'XB Faclon 500 coupe John Goss special 1975' 2016

 

Andrew Follows
XB Faclon 500 coupe John Goss special 1975
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'Ford Falcon S Pack 1982' 2016

 

Andrew Follows
Ford Falcon S Pack 1982
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'HQ Holden Monaro GTS 1972' 2016

 

Andrew Follows
HQ Holden Monaro GTS 1972
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'VH Holden Commodore SL/E 1983' 2016

 

Andrew Follows
VH Holden Commodore SL/E 1983
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'Ford XY Fairmont 1969' 2016

 

Andrew Follows
Ford XY Fairmont 1969
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'XW GT Ford Falcon 1968' 2016

 

Andrew Follows
XW GT Ford Falcon 1968
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'HK Holden Monaro GTS 127ci' 2016

 

Andrew Follows
HK Holden Monaro GTS 127ci
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'Cadillac Coupe de Ville 1965' 2016

 

Andrew Follows
Cadillac Coupe de Ville 1965
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'Ford Mustang Fastback 1966' 2016

 

Andrew Follows
Ford Mustang Fastback 1966
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'Ford Mustang 302 Boss 1970' 2016

 

Andrew Follows
Ford Mustang 302 Boss 1970
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'Ford Mustang 2 door hardtop' 2016

 

Andrew Follows
Ford Mustang 2 door hardtop
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'Buick 1956' 2016

 

Andrew Follows
Buick 1956
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'Black Ford pick up truck' 2016

 

Andrew Follows
Black Ford pick up truck
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'VE Valiant sedan with red Ford pick up truck' 2016

 

Andrew Follows
VE Valiant sedan with red Ford pick up truck
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'VF Valiant coupe 1969' 2016

 

Andrew Follows
VF Valiant coupe 1969
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'VF Valiant coupe 1969' 2016

 

Andrew Follows
VF Valiant coupe 1969
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'XA Ford Faclon coupe GT 1974 Faze 4' 2016

 

Andrew Follows
XA Ford Faclon coupe GT 1974 Faze 4
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'HQ Holden Kingswood wagon 1972' 2016

 

Andrew Follows
HQ Holden Kingswood wagon 1972
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'VK Chrysler Valiant 1976' 2016

 

Andrew Follows
VK Chrysler Valiant 1976
2016
From the series Carmania
Digital photograph

 

Andrew Follows. 'HDT Holden LH Torana L34 1978' 2016

 

Andrew Follows
HDT Holden LH Torana L34 1978
2016
From the series Carmania
Digital photograph

 

 

Andrew Follows Photographer website

LIKE ART BLART ON FACEBOOK

Back to top

03
Jan
14

Melbourne’s magnificent nine 2013

.

Here’s my pick of the nine best local exhibitions which featured on the Art Blart blog in 2013 (plus a favourite of the year from Hobart). Enjoy!

Marcus

.

1/ Review: Terraria by Darron Davies at Edmund Pearce Gallery, Melbourne

This is the first “magical” exhibition of photography that I have seen in Melbourne this year. Comprising just seven moderately large Archival Pigment Print on Photo Rag images mounted in white frames, this exhibition swept me off my feet. The photographs are beautiful, subtle, nuanced evocations to the fragility and enduring nature of life…

A sense of day/dreaming is possible when looking at these images. Interior/exterior, size/scale, ego/self are not fixed but fluid, like the condensation that runs down the inside of these environments (much like blood circulates our body). This allows the viewer’s mind to roam at will, to ponder the mysteries of our short, improbable, joyous life. The poetic titles add to this introspective reflection. I came away from viewing these magical, self sustaining vessels with an incredibly happy glow, more aware of my own body and its relationship to the world than before I had entered Darron Davies enveloping, terrarium world.

.

Darron Davies. 'Encased' 2012

.

Darron Davies
Encased 
2012
Archival Pigment Print on Photo Rag
80 x 80 cm / edition of 6

.

Darron Davies. 'The Red Shard' 2012

.

Darron Davies
The Red Shard 
2012
Archival Pigment Print on Photo Rag
80 x 80 cm / edition of 6

.

.

2/ Review: Confounding: Contemporary Photography at NGV International, Melbourne

Presently, contemporary photography is able to reveal intangible, constructed vistas that live outside the realm of the scientific. A photograph becomes a perspective on the world, an orientation to the world based on human agency. An image-maker takes resources for meaning (a visual language, how the image is made and what it is about), undertakes a design process (the process of image-making), and in so doing re-images the world in a way that it has never quite been seen before.

These ideas are what a fascinating exhibition titled Confounding: Contemporary Photography, at the National Gallery of Victoria, Melbourne investigates. In the confounding of contemporary photography we are no longer witnessing a lived reality but a break down of binaries such as sacred and profane, public and private, natural and artificial, real and dreamed environments as artists present their subjective visions of imagined, created worlds. Each image presents the viewer with a conundrum that investigates the relationship between photographs and the “real” world they supposedly record. How do these photographs make you feel about this constructed, confounding world? These fields of existence?

.

Thomas Demand German born 1964 'Public housing' 2003

.

Thomas Demand German born 1964
Public housing
2003
type C photograph
100.1 x 157.0 cm (image and sheet)
National Gallery of Victoria, Melbourne
Purchased with funds donated by the Bowness Family Fund for Contemporary Photography, 2010
© Thomas Demand/VG Bild-Kunst, Bonn. Licensed by VISCOPY, Sydney

.

Eliza Hutchison Australian born 1965 'The ancestors' 2004

.

Eliza Hutchison Australian born 1965
The ancestors
2004
Light-jet print
95.4 x 72.9 cm (image), 105.4 x 82.9 cm (sheet)
National Gallery of Victoria, Melbourne
Purchased with funds arranged by Loti Smorgon for Contemporary Australian Photography, 2005
© Eliza Hutchison, courtesy Murray White Room

.

3/ Review: Louise Bourgeois: Late Works at Heide Museum of Modern Art, Melbourne

.

Louise Bourgeois: Late Works installation view Heide Museum of Modern Art, Melbourne Photograph: John Gollings 2012

.

Louise Bourgeois: Late Works installation view
Heide Museum of Modern Art, Melbourne
Photograph: John Gollings 2012

.

Louise Bourgeois 'Untitled' 2002

.

Louise Bourgeois
Untitled
2002
Tapestry and aluminium
43.2 x 30.5 x 30.5 cm
Courtesy Cheim & Read and Hauser & Wirth
Photo: Christopher Burke
© Louise Bourgeois Trust

.

.

This is a tough, stimulating exhibition of late works by Louise Bourgeois at Heide Museum of Modern Art, Melbourne. All the main themes of the artist’s work explored over many years are represented in these late works: memory, emotion, anxiety, family, relationships, childhood, pain, desire and eroticism are all present as are female subjectivity and sexuality, expressed through the body…

Bourgeois’ work gives me an overall feeling of immersion in a world view, one that transcends the pain and speaks truth to power. Bourgeois confronted the emotion, memory or barrier to communication that generated her mood and the work. She observed, “My art is an exorcism. My sculpture allows me to re-experience fear, to give it a physicality, so that I am able to hack away at it.” By weaving, stitching and sewing Bourgeois threaded the past through the present and enacted, through artistic performance, a process of repair and reconstruction, giving meaning and shape to frustration and suffering. I have not been so lucky. My mother refuses to discuss the past, will not even come close to the subject for the pain is so great for her. I am left with a heaviness of heart, dealing with the demons of the past that constantly lurk in the memory of childhood, that insistently impinge on the man I am today. Louise Bourgeois’ sculptures brought it all flooding back as the work of only a great artist can, forcing me to become an ethical witness to her past, my past. A must see exhibition this summer in Melbourne.

.

4/ Exhibition: Petrina Hicks: Selected Photographs, 2013 at Helen Gory Galerie, Prahran, Melbourne

A stunning, eloquent and conceptually complex exhibition buy Petrina Hicks at Helen Gory Galerie…

I am just going to add that the photograph Venus (2013, below) is one of the most beautiful photographs that I have seen “in the flesh” (so to speak) for a long while. Hicks control over the ‘presence’ of the image, her control over the presence within the image is immaculate. To observe how she modulates the colour shift from blush of pink within the conch shell, to colour of skin, to colour of background is an absolute joy to behold. The pastel colours of skin and background only serve to illuminate the richness of the pink within the shell as a form of immaculate conception (an openness of the mind and of the body). I don’t really care who is looking at this photograph (not another sexualised male gaze!) the form is just beauty itself. I totally fell in love with this work.

Forget the neo-feminist readings, one string of text came to mind: The high fidelity of a fetishistic fecundity.

.

Petrina Hicks. 'Venus' 2013

.

Petrina Hicks
Venus
2013
Pigment print, Edition of 8
100 x 100cm

.

Petrina Hicks. 'Enigma' 2013

.

Petrina Hicks
Enigma
2013
Pigment print, Edition of 8
100 x 100cm

.

.

5/ Exhibition: Density by Andrew Follows at Anita Traverso Gallery, Richmond

I include this in my list of magnificent photographic exhibitions for the year not because I curated it, but because of the conceptualisation, the unique quality of the images and the tenacity of a visually impaired artist to produce such memorable work.

A wonderful exhibition by vision impaired photographer Andrew Follows at Anita Traverso Gallery, Richmond. It has been a real pleasure to mentor Andrew over the past year and to see the fruits of our labour is incredibly satisfying. The images are strong, elemental, atmospheric, immersive. Due to the nature of Andrew’s tunnel vision there are hardly any traditional vanishing points within the images, instead the ‘plane of existence’ envelops you and draws you in.

.

Density n.

The degree of optical opacity of a medium or material, as of a photographic negative;

Thickness of consistency;

Complexity of structure or content.

.

Andrew Follows. 'Number 31, Eltham' 2013

.

Andrew Follows
Number 31, Eltham
2013
Digital photograph on archival cotton rag
130 cm x 86.5 cm

.

Andrew Follows. 'Green, Montsalvat' 2013

.

Andrew Follows
Green, Montsalvat
2013
Digital photograph on archival cotton rag
130 cm x 86.5 cm

.

Carol Jerrems. 'Mark and Flappers' 1975

.

Carol Jerrems
Mark and Flappers
1975
Gelatin silver photograph
National Gallery of Australia, Canberra
© Ken Jerrems and the Estate of Lance Jerrems

.

Carol Jerrems. 'Carol Jerrems, self-portrait with Esben Storm' c. 1975

.

Carol Jerrems
Carol Jerrems, self-portrait with Esben Storm
c. 1975
Gelatin silver photograph
National Gallery of Australia, Canberra
Gift of Mrs Joy Jerrems 1981
© Ken Jerrems and the Estate of Lance Jerrems

.

.

6/ Review: Carol Jerrems: photographic artist at the Monash Gallery of Art, Wheelers Hill, Melbourne

This is a fascinating National Gallery of Australia exhibition about the work of Australian photographer Carol Jerrems at Monash Gallery of Art, Wheelers Hill – in part both memorable, intimate, informative, beautiful, uplifting and disappointing…

The pity is that she died so young for what this exhibition brought home to me was that here was an artist still defining, refining her subject matter. She never had to time to develop a mature style, a mature narrative as an artist (1975-1976 seems to be the high point as far as this exhibition goes). This is the great regret about the work of Carol Jerrems. Yes, there is some mediocre work in this exhibition, stuff that really doesn’t work at all (such as the brothel photographs), experimental work, individual and collective images that really don’t impinge on your consciousness. But there are also the miraculous photographs (and for a young photographer she had a lot of those), the ones that stay with you forever. The right up there, knock you out of the ball park photographs and those you cannot simply take away from the world. They live on in the world forever.

Does Jerrems deserve to be promoted as a legend, a ‘premier’ of Australian photography as some people are doing? Probably not on the evidence of this exhibition but my god, those top dozen or so images are something truly special to behold. Their ‘presence’ alone – their physicality in the world, their impact on you as you stand before them – guarantees that Jerrems will forever remain in the very top echelons of Australian photographers of all time not as a legend, but as a women of incredible strength, intelligence, passion, determination and vision.

.

7/ Exhibition: Edward Steichen & Art Deco Fashion at NGV International, Melbourne

What a gorgeous exhibition. It’s about time Melbourne had a bit of style put back into the National Gallery of Victoria, and this exhibition hits it out of the park. Not only are the photographs absolutely fabulous but the frocks are absolutely frocking as well. Well done to the NGV for teaming the photographs with the fashion and for a great install (makes a change to see 2D and 3D done so well together). Elegant, sophisticated and oozing quality, this is a sure fire winner….

.

Installation photograph of the exhibition 'Edward Steichen & Art Deco Fashion' at NGV International

.

Installation photograph of the exhibition Edward Steichen & Art Deco Fashion at NGV International

.

Edward Steichen American 1879-1973, emigrated to United States 1881, worked in France 1906-23 'Marlene Dietrich' 1934

.

Edward Steichen (American 1879-1973, emigrated to United States 1881, worked in France 1906-23)
Marlene Dietrich
1934
Gelatin silver photograph
Courtesy Condé Nast Archive
© 1924 Condé Nast Publications

.

.

8/ Exhibition: Reinventing the Wheel: the Readymade Century at the Monash University Museum of Art (MUMA), Melbourne

Monash University Museum of Art (MUMA) is generating an enviable reputation for holding vibrant, intellectually stimulating group exhibitions on specific ideas, concepts and topics. This exhibition is no exception. It is one of the best exhibitions I have seen in Melbourne this year. Accompanied by a strong catalogue with three excellent essays by Thierry de Duve, Dr Rex Butler and Patrice Sharkey, this is a must see exhibition for any Melbourne art aficionado before it closes.

“This transition is a flash, a boundary where this becomes that, not then, not that – falling in love, jumping of a bridge. Alive : dead; presence : absence; purpose : play; mastery : exhaustion; logos : silence; worldly : transcendent. Not this, not that. It is an impossible presence, present – a moment of unalienated production that we know exists but we cannot define it, place it. How can we know love? We can speak of it in a before and after sense but it is always a past moment that we recognise.”

Dr Marcus Bunyan. Made Ready: A Philosophy of Moments. December 2013

.

Jeff Koons. 'Balloon dog (Red)' 1995 designed

.

Jeff Koons
Balloon dog (Red)
1995 designed
Porcelain, ed. 1113/2300
11.3 x 26.3 cm diameter
National Gallery of Victoria, Melbourne

.

Andrew Liversidge. 'IN MY MIND I KNOW WHAT I THINK BUT THAT’S ONLY BASED ON MY EXPERIENCE' 2009

.

Andrew Liversidge
IN MY MIND I KNOW WHAT I THINK BUT THAT’S ONLY BASED ON MY EXPERIENCE
2009
10,000 $1 coins (AUD)
30.0 x 30.0 x 30.0 cm
Courtesy of the artist and The Commercial Gallery, Sydney

.

.

9/ Review: Claudia Terstappen: In The Shadow Of Change at the Monash Gallery of Art, Wheelers Hill, Melbourne

.

Claudia Terstappen. 'Cabbage trees (Queensland, Australia)' 2002

.

Claudia Terstappen
Cabbage trees (Queensland, Australia)
2002
from the series Our ancestors 1990-
Gelatin silver print
29.0 x 29.0 cm
Courtesy  of the artist

.

Claudia Terstappen. 'Zion Park (USA)' 1996

.

Claudia Terstappen
Zion Park (USA)
1996
from the series Sacred land of the Navajo Indians 1990-
Gelatin silver print
37.0 x 37.0 cm
Courtesy  of the artist

.

.

Without doubt this is the best pure photography exhibition I have seen this year in Melbourne. The exhibition is stimulating and enervating, the image making of the highest order in its aesthetic beauty and visual complexity. The artist explores intangible spaces which define our physical and spiritual relationship with the un/known world…

In Terstappen’s work there is no fixed image and no single purpose, a single meaning, or one singular existence that the images propose. They transcend claims about the world arising from, for example, natural or scientific attitudes or theories of the ontological nature of the world. As the artist visualises, records the feeling of the facts, such complex and balanced images let the mind of the viewer wander in the landscape. In their fecundity the viewer is enveloped in that situation of not knowing. There is the feeling of the landscape, a sensitivity to being “lost” in the landscape, in the shadow of ‘Other’, enhanced through the modality of the printing. Dreamworld vs analytical/descriptive, there is the enigma of the landscape and its spiritual places. Yes, the sublime, but more an invocation, a plea to the gods for understanding. This phenomenological prayer allows the artist to envelop herself and the viewer in the profundity – the great depth, intensity and emotion – of the landscape. To be ‘present’ in the the untrammelled places of the world as (divine) experience…

I say to you that this is the most sophisticated reading of the landscape that I have seen in a long time – not just in Australia but from around the world. This is such a joy of an exhibition to see that you leave feeling engaged and uplifted. Being in the gallery on your own is a privilege that is hard to describe: to see (and feel!) landscape photography of the highest order and by an Australian artist as well.

.

10/ Exhibition: Joan Ross: Touching Other People’s Shopping at Bett Gallery, Hobart

The claiming of things
The touching of things
The digging of land
The tagging of place
The taking over of the world

Tag and capture.
Tag and capture.
Shop, dig, spray, destroy.

.
An ironic critique of the pastoral, neo/colonial world, tagged and captured in the 21st century.
Excellent work. The construction, sensibility and humour of the videos is outstanding. I also responded to the two works Tag and capture and Shopping for butterfly (both 2013, below).

.

Joan Ross. 'Tag and capture' 2013

.

Joan Ross
Tag and capture
2013
hand painted pigment print on cotton rag paper
50 x 47 cm (image size)
edition of 3

.

Joan Ross. 'Shopping for butterfly' 2013

.

Joan Ross
Shopping for butterfly
2013
hand painted pigment print on cotton rag paper
51.5 x 50 cm (image size)
edition of 3

.

.

LIKE ART BLART ON FACEBOOK

Back to top

20
Sep
13

Exhibition: ‘Density’ by Andrew Follows at Anita Traverso Gallery, Richmond

Exhibition dates: 27th August – 21st September 2013

.

Only 2 days to go before the ending of Andrew Follows exhibition Density at ANITA TRAVERSO GALLERY, 7 Albert Street Richmond which I curated.

You have to see these images in person, they are impressively immersive!

Marcus

.
PS. Preview all the images in the exhibition and read the catalogue essay at this previous posting. Please click on the photographs for a larger version of the image.

.

.

Andrew Follows. 'Number 31, Eltham' 2013

.

Andrew Follows
Number 31, Eltham
2013
Digital photograph on archival cotton rag
130 cm x 86.5 cm

.

.

Density Logos

.

Anita Traverso Gallery
7, Albert Street
Richmond, Vic 3121

Opening hours:
Wed – Sat 11 – 5

Anita Traverso Gallery website

Andrew Follow website

LIKE ART BLART ON FACEBOOK

Back to top

02
Aug
13

Invitation to opening: ‘Density’ by Andrew Follows, curated by Dr Marcus Bunyan at Anita Traverso Gallery, Richmond, Melbourne

Date: Saturday 31st August 2013, 3.30 – 5pm

.

I welcome all friends to the opening of the first exhibition I have curated since the completion of my Master of Art Curatorship at The University of Melbourne.

.

density n.

the degree of optical opacity of a medium or material, as of a photographic negative; thickness of consistency; complexity of structure or content.

.

.

You are cordially invited to the opening of Density, a solo exhibition of photographs by Andrew Follows on Saturday 31st  August 3.30 – 5pm at The Anita Traverso Gallery, 7 Albert Street Richmond, Victoria.

The works premiered in this exhibition are the culmination of a mentorship between Dr Marcus Bunyan and Andrew Follows, supported by Arts Access Victoria as part of the Boost Pathways Program.

.
“Curated by Dr Marcus Bunyan, the concept of Density was envisaged as a point of departure to explore the manifold variations and subsequent ruminations on the term as it relates to Follows’ perspective. As a technical descriptive, density explains the degree of optical opacity within a photographic negative. Portions of film that have been exposed to greater amounts of light yield a greater deposit of reduced silver. This is referred to as having a higher density than areas of shadow. Density also denotes a thickness of consistency and many of Follows’ works exhibit a complexity of compositional structure and content that elucidates the nature of Follows’ perception.”

.
Anna Briers. “The Mind’s Eye: Density in the Work of Andrew Follows.” Catalogue essay 2013

.

Curator: Dr Marcus Bunyan
Guest Speaker: 4pm Dr Jondi Keane, Senior Lecturer Deakin University
Artists Floor Talk: 3pm Saturday 7 September
Preview from Tuesday 27 August
Exhibition until Saturday 21 September
Gallery Hours Wed-Sat 11-5 + by appointment

The Opening will be Auslan Interpreted and the exhibition will be Audio Described.

Rsvp to Anita Traverso Gallery 9428 7557 art@anitatraversogallery.com.au

Please click on the images below for a larger version.

.

Andrew Follows. 'Density' invitation 2013

Andrew Follows. 'Density' invitation 2013

.

Andrew Follows
Density invitation
2013

.

Andrew Follows. 'Density' catalogue cover 2013

.

Andrew Follows
Density catalogue cover
2013

.

.

Anita Traverso Gallery
7, Albert Street
Richmond, Vic 3121

Opening hours:
Wed – Sat 11 – 5

Anita Traverso Gallery website

LIKE ART BLART ON FACEBOOK

Back to top

03
May
13

Exhibition and Art Award: ‘Art For Kids’ Sake’ Ballarat

Opening: May 4th, 2013

.

I journeyed up to Ballarat with my friend and fellow photographer Andrew Follows and his guide dog Eamon to judge the Arts for Kids’ Sake art award today. Art For Kids’ Sake is an inclusive art exhibition and art award to raise funds and awareness for the Daylesford Dharma School. As the first school in Australia to offer an education on Buddhist principles, the school provides an alternative academic curriculum informed by mindfulness, care for the environment and conflict resolution.

We had a great time with Kim Percy from Ballarat based graphic design firm designscope who were offering the major prize of $2,500 dollars worth of design services for web or print. I went to University with Kim many years ago studying at RMIT for my Bachelor of Arts and she was our wonderful guide and host for the day. Below are the three winners in the sections ‘Most resolved’ (major prize), ‘Most spiritual’ and ‘Best environmental’. The work The Argument, an etching by artist Jackie Gorring was complex, mysterious, beautifully executed and resolved and touched close to home, coming as I do from a dysfunctional family where violence was never far from the surface. Let’s hope with the prize of design work by Kim’s company she can finally get a website to display her work online. Flowers by Amanda Holloway were made while sitting in front of the television. Three layers of hand cut, recycled paper with buttons at the centre were exquisitely executed. The time and patience to do this work – and they were selling in the exhibition for $2 each! Just beautiful. Finally the painting Macaw by Gav Barbey was visually arresting in how the intricately painted face of the macaw dissolved into this wondrous flight of fancy that was its plumage – totally enlightening.

A great day was had by all – thank you Kim for inviting Andrew and I to come up. Next time in Ballarat I will be opening the John Cato exhibition at the Ballarat International Foto Biennale and meeting Colombian artist Erika Diettes for whose exhibition Shrouds (Sudarios) I am writing the catalogue essay.

Marcus

.

.

Marcus with The Argument by Jackie Gorring

.

Marcus with The Argument by Jackie Gorring

.

Looking at Flowers by Amanda Holloway

.

Looking at Flowers by Amanda Holloway

.

Gav Barbey. 'Macaw' (detail) Nd

.

Gav Barbey
Macaw (detail)
Nd

.

.

B1 Ballarat Art
14 Camp St, Ballarat

LIKE ART BLART ON FACEBOOK

Back to top




Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He writes Art Blart, a photographic archive and form of cultural memory, which posts mainly photography exhibitions from around the world. He holds a Dr of Philosophy from RMIT University, Melbourne, a Master of Arts (Fine Art Photography) from RMIT University, and a Master of Art Curatorship from the University of Melbourne.

Marcus Bunyan black and white archive: ‘Mask’ 1994

Join 2,619 other followers

Follow Art_Blart on Twitter
Art Blart on Pinterest

Lastest tweets

April 2020
M T W T F S S
 12345
6789101112
13141516171819
20212223242526
27282930  

Archives

Categories