Posts Tagged ‘John Bodin

12
Aug
11

Opening: ‘John Bodin: Rite of Passage’ at Anita Traverso Gallery, Richmond

Exhibition dates: 11th August – 3rd September, 2011

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Many thanx to Anita and John for asking me to speak at the opening – it was fun!

Reprinted below is the speech I gave at the opening. Beautiful work (shot mostly in Tasmania from the passenger seat of a moving car).

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Opening night speech

I want to preface what I am about to say by noting that I am interested in how these photographs, as physical objects, might speak to what is not physical, what is intangible and ineffable about the spaces they display.

I saw a fantastic documentary about the pianist Artur Rubenstein recently on SBS. When he was playing in concert he believed that he recognized in the audience a person that was more attuned to the nuances of his phrasing and performance than others and he played for them – he wanted to show them something new, insightful and challenging. This made him play better, taking more risks for greater reward, for himself and for the audience. These moments have the possibility of becoming moments in eternity (or to introduce the analogy of the road, milestones). For us it is the recognition of these moments in eternity (or to keep the analogy going, a journey), the unenclosed and apparently insignificant. The material world’s strange mixture of familiarity and otherness, ‘humanness’ and non-humanness.

Where these ideas share a quality with the photographs by John is a recognition of the fluid energy flowing through these spaces, like infinite ribbons of consciousness. For me this is not an escapement nor contentment but a point of stillness within self – an awareness and balance at that moment, at that point in time, in that line of sight when the photograph was taken. A stillness within self that acknowledges the journey taken and the journey to be taken – something that is beyond language and goes to the most intimate place of our being.

The photographs become the surface of the body, stitched together with lines, markers pointing the way – they are encounters with the things that we see before us but also the things that we carry inside of us. It is the interchange between these two things, how one modulates and informs the other. It is this engagement that holds our attention: the dappled light, ambiguity, unevenness, the winding path that floats and bobs before our eyes looking back at us, as we observe and are observed by the body of these landscapes.

One of the fundamental qualities of the photographs is that they escape our attempts to rationalize them and make them part of our understanding of the world, to quantify our existence in terms of materiality. I have an intimate feeling with regard to these sites of engagement. They are both once familiar and unfamiliar to us; they possess a sense of nowhereness. A sense of groundlessness and groundedness. A collapsing of near and far, looking down, looking along, a collapsing of the constructed world.

Why here? Why this particular angle? This section of the visible, this turn in the road. Not quite knowing where we are, we are neither here nor there, within nor without. It is an experience of being between the two – a potential space, a “between” that is formed only in the simultaneous presence of the two. As Donald Winnicott has observed in the book In/different Spaces by Victor Burgin it is “the potential space between the subjective object and the object objectively perceived” that becomes the location of cultural experience.

“Those things of which I can perceive the beginnings and the end are not my self.” Grimm says. Like the road in these photographs there is no self just an infinite time that has no beginning and no end. The time before my birth, the time after my death. We are just in the world, just being somewhere. Life is just a temporary structure on the road from order to disorder. “The road is life,” writes Jack Kerouac in On the Road.

John’s skill as a photographer is to make visible the not really seen, potential spaces that we could have not have imagined otherwise. And for that, John, I am grateful.

Dr Marcus Bunyan

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John Bodin
I Was Far Away From Home
2009
Type C print on metallic paper
80 x 110cm

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John Bodin
Into the Mystic
2009
Type C print on metallic paper
80 x 110cm

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John Bodin
Into Timeless Shadows
2009
Type C print on metallic paper
80 x 110cm

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John Bodin
Remembrance of Some Lost Bliss
2009
Type C print on metallic paper
80 x 110cm

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John Bodin
So Ghostly Easy
2009
Type C print on metallic paper
80 x 110cm

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John Bodin
Somewhere Along the Line the Pearl would be Handed to Me
2009
Type C print on metallic paper
80 x 110cm

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John Bodin
The One Distinct Moment of My Life
2009
Type C print on metallic paper
80 x 110cm

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Anita Traverso Gallery
7, Albert Street
Richmond, Vic 3121

Opening hours:
Wed – Sat 11 – 5

Anita Traverso Gallery website

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07
May
09

Opening 2: ‘Urban Edge’ photographs by John Bodin at Anita Traverso Gallery, Melbourne

Exhibition dates: 6th May – 30th May, 2009

 

“Urban Edge continues on from the 2006 Urban Abstraction exhibition at ATG by introducing contrasting elements and structure from the natural world alongside stark semi-abstracted urban scapes. Whilst we may at first perceive these as opposing forces, I contend that the integration is more harmonious than we think.”

John Bodin

 

Opening night crowd for John Bodin exhibition at Anita Traverso Gallery, Melbourne

 

John Bodin photographs at Anita Traverso Gallery, Melbourne

 

 

More interesting are the eerie contemplative photographs of John Bodin presented at Anita Traverso Gallery, Melbourne, our second opening of the night. In a well presented show Bodin’s hyper-real photographs employ a limited colour palette to portray the constructed landscape of the urban fringe. The images work well because the artist leaves room for doubt in the mind of the viewer – what am I looking at, where is it, do I subconsciously remember these places? How do the photographs make me feel about the edges of the world, this strangeness that we inhabit? They engage the viewer in a fluid architecture of space and place.

Light and colour are important tools for Bodin and he plays with their form, darkening pavements, shooting at night, making subtle negative interpretations of roads and underground car-parks while desaturating buildings, landscapes and skies of ‘natural’ colour. Walls bleed in ‘Witchhunt’ (2007) and then you work out the photograph is taken under a bridge with a pavement, graffiti providing the title of the work. Blue light emotes from behind the cloaked window of a house in ‘Shrouded’ (2005) and you are left wondering by the crazed cellular like constructions of ‘As if by Nature’ (2007).

Haunting and elegiac these compositions are worthy of your attention.

 

John Bodin. 'Witchhunt' 2007

 

John Bodin
‘Witchhunt’
2007

 

John Bodin. 'Shrouded' 2005

 

John Bodin
‘Shrouded’
2005

 

John Bodin. 'As If By Nature' 2007

 

John Bodin
‘As If By Nature’
2007

 

John Bodin in front of his work at the opening of his exhibition 'Urban Edge' at Anita Traverso Gallery, Melbourne

 

Artist John Bodin in front of his work ‘Lover’s Lane’ (2007, left) and ‘Object of Speculation’ (2008, right) at the opening of his exhibition ‘Urban Edge’ at Anita Traverso Gallery, Melbourne

 

John Bodin. 'Midnight Solitude' 2005

 

John Bodin
‘Midnight Solitude’
2005

 

 

Anita Traverso Gallery

7, Albert Street, Richmond, Vic 3121
Opening hours: Wed – Sat 11-5

Anita Traverso Gallery website

Lovely to meet Catherine Fogarty and John Bodin. Thankyou for your help!

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Marcus Bunyan black and white archive: ‘Études’ 1994

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

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