Exhibition dates: 18th September 18 2012 – 20th January 2013
Imogen Cunningham exhibition poster
This is the first posting on one of my favourite photographers of all time: Imogen Cunningham. The sensuality of this artist, from the early Pictorialist studies (including her ground breaking depiction of the male nude, her husband artist Roi Partridge) to the later Modernist nudes, portraits, industrial landscapes and botanical photographs is of the highest order. Cunningham reminds me of a photographic version of Georgia O’Keeffe without the undoubted darkness that inhabits some of O’Keeffe’s work.
The portrait of Frida Kahlo Rivera (1931, below) is a magnificent study of a proud woman with delicate use of natural light framing the face and gently clasped hands. Note the textures within the photograph – the dress, the shawl, the wicker chair and the wall – and also notice the reflective light falling behind the sitter upper left to balance the frontal light coming from bottom right. Masterful. Cunningham’s famous Two Callas (1929, below) is an glorious study of form, light and texture, a sensual symphony for the eyes, the background a kind of mutable black that allows the viewer’s gaze to be immersed in the subject. The viewer’s voyeuristic gaze is further engaged by the voluptuous suggestiveness of the copious hair and out of focus breast of Phoenix Recumbent (1968, below) where, “the object of the gaze is not aware of the current viewer (though they may originally have been aware of being filmed, photographed, painted etc. and may sometimes have been aware that strangers could subsequently gaze at their image).” (Daniel Chandler “Notes on ‘The Gaze'” on the Aberystwyth University website [Online] Cited 12/01/2013 no longer available online)
Finally, the photograph of Imogen Cunningham and Twinka Thiebaud by Judy Dater (1974, below) seems to me to capture the spirit of the human being Imogen Cunningham with indelible grace. Youth, beauty, age, wisdom. A constantly inquisitive mind, wanting to know, wanting to see things more clearly, taking photographs right up until her final years. There she is with her twin-lens Rollei dressed as if from another century, the quizzical nature of her left hand and the look that passes between Imogen and Twinka, the space between them seeming to shimmer with possibility. That space seems to wash away the years of Imogen’s life to when she was young, lying naked near some trees (Self-Portrait (1906, below). It is a truly memorable image. In the sensitivity of this image, Dater embodies everything that I admire in Cunningham’s work: light, texture, sensitivity to subject, an understanding of beauty and an irrepressible, joyous sensuality. A fitting tribute to one of the world’s great photographers.
Dr Marcus Bunyan
.
Many thankx to the Fundación Mapfre, Madrid for allowing me to publish the photographs in the posting. Please click on the photographs for a a larger version of the image.
Imogen Cunningham (American, 1883-1976)
Self-Portrait
1906
Platinum print
©The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Magnolia Blossom
1925
Gelatin silver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Roi on the Dipsea trail 3
1918
Gelatin sliver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Unmade bed
1957
Gelatin silver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Three Dancers, Mills College
1929
Gelatin silver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Five Eggs
1951
Cibachrome
© The Imogen Cunningham Trust
Imogen Cunningham (American, 1883-1976)
The Wood Beyond the World
c. 1912
Gelatin silver print
© The Imogen Cunningham Trust
Imogen Cunningham (American, 1883-1976)
Agave Design 2
1920s
Gelatin silver print
© The Imogen Cunningham Trust
Imogen Cunningham (American, 1883-1976)
The dream
1910
Gelatin silver print
© The Imogen Cunningham Trust, 2011
Imogen Cunningham (American, 1883-1976)
Frida Kahlo Rivera, Painter and Wife of Diego Rivera
1931
Gelatin silver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Two Callas
1929
Gelatin silver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Cary Grant, Actor
1932
Gelatin silver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Aloe
1925
Gelatin silver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Nude
1939
Gelatin silver print
© The Imogen Cunningham Trust, 2012
Imogen Cunningham (American, 1883-1976)
Edward Weston and Margrethe Mather, Photographers I-II
1922
Gelatin silver print
© The Imogen Cunningham Trust, 2011
Imogen Cunningham (American, 1883-1976)
Hen and Chickens
1929
Gelatin silver print
© The Imogen Cunningham Trust, 2011
Imogen Cunningham (American, 1883-1976)
Phoenix Recumbent
1968
Gelatin silver print
Private Collection
Judy Dater (American, b. 1941)
Imogen Cunningham and Twinka Thiebaud
1974
FUNDACIÓN MAPFRE – Instituto de Cultura
Paseo de Recoletos, 23
28004 Madrid, Spain
Phone: +34 915 81 61 00
Opening hours:
Monday (except Hollidays): From 2pm to 8pm
Tuesday to Saturday: From 11am to 8pm
Sundays and Hollidays: From 11am to 7pm
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