Exhibition: ‘Early Photography in Imperial China’ at the Rijksmuseum, Amsterdam

Exhibition dates: 5th June – 23rd August, 2015

Curator: Ferry Bertholet

 

Afong (Lai Afong) (Chinese, 1838 or 1839-1890) 'A Chinese Party Game' c. 1895 from the exhibition 'Early Photography in Imperial China' at the Rijksmuseum, Amsterdam, June - Aug, 2015

 

Afong (Lai Afong) (Chinese, 1838 or 1839-1890)
A Chinese Party Game
c. 1895
Rijksmuseum, Amsterdam

 

 

For me, the standout photographs in this posting are Mee Cheung’s rhythmic Buddhist Monks in Chefoo and the work of Baron Raimund von Stillfried und Ratenitz, especially the three photographs Portrait of two Chinese Buddhist monks with rosary, bell and slit drum, Portrait of a Chinese woman and Portrait of Chinese Admiral Ting.

The latter three have a deceptively simple structure, delicate hand colouring, and a visual and metaphysical presence that is almost beyond description… as though you know the character and personality of these anonymous human beings through the rendition of their image. In a way they are humanist portraits presaging the tradition of the more scientific and archetypal portraits of August Sander.

You can see in the face of Admiral Ting that he is a prosperous and powerful man, you can see the individuality of each person in these images, the individualisation of these people, a tradition which is continued by today’s documentary photographers. But not generally by today’s art photographers looking at the portrait because, for them, the portrait is surface and detail – controlled by the photographer and not responsive to the subject.

Dr Marcus Bunyan


Many thankx to the Rijksmuseum for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

A. Chan (YA Zhen) (Chinese) 'Sheung-mun-tai Street in Canton' c. 1870 from the exhibition 'Early Photography in Imperial China' at the Rijksmuseum, Amsterdam, June - Aug, 2015

 

A. Chan (YA Zhen) (Chinese)
Sheung-mun-tai Street in Canton
c. 1870
Collectie Ferry Bertholet, Amsterdam

 

A. Chan (YA Zhen) (Chinese) 'Sheung-mun-tai Street in Canton' (detail) c. 1870

 

A. Chan (YA Zhen) (Chinese)
Sheung-mun-tai Street in Canton (detail)
c. 1870
Collectie Ferry Bertholet, Amsterdam

 

Mee Cheung. 'Buddhist Monks in Chefoo' c. 1880-1890

 

Mee Cheung & Co
Buddhist Monks in Chefoo
c. 1880-1890
Collection Ferry Bertholet, Amsterdam

 

Mee Cheung & Co. 'Buddhist Monks in Chefoo' (detail) c. 1880-1890

 

Mee Cheung & Co
Buddhist Monks in Chefoo (detail)
c. 1880-1890
Collection Ferry Bertholet, Amsterdam

 

Afong (Lai Afong) (Chinese, 1838 or 1839-1890) 'Studio Portrait of Courtesans in Shanghai' c. 1875-1880

 

Afong (Lai Afong) (Chinese, 1838 or 1839-1890)
Studio Portrait of Courtesans in Shanghai
c. 1875-1880
Collections Ferry Bertholet, Amsterdam

 

Afong (Lai Afong) (Chinese, 1838 or 1839-1890) 'Studio Portrait of Courtesans in Shanghai' (detail) c. 1875-1880

 

Afong (Lai Afong) (Chinese, 1838 or 1839-1890)
Studio Portrait of Courtesans in Shanghai (detail)
c. 1875-1880
Collections Ferry Bertholet, Amsterdam

 

 

Rare photos, photo albums and stereo photos from the collection of China expert Ferry Bertholet, enhanced with photographs from the Rijksmuseum’s collection, show 19th century unknown China at the time of the last emperors for the very first time. From 5 June to 23 August 2015 the Rijksmuseum is presenting Early Photography in Imperial China in it’s Photo Gallery.

In the 19th century Imperial China was almost entirely hidden away from the world until the last Emperor was deposed in 1912. Access was limited to port cities such as Shanghai, Hong Kong and Canton, which were forced to be open to the West after 1842 so that Westerners could trade unimpeded. The advent of photography coincided with a rapidly growing interest in the unknown China. The photographs in the exhibition take the visitor into this exciting unknown world of ports, quays and rickshaws, but also of narrow crowded streets bustling with the multitude of shops and ‘tea houses’ and their hostesses.

The display includes important photographs by such as Felice Beato (his famous photograph of the Second Opium War 1857-1860) and the famous China photographer John Thomson. They were among the first Europeans able to record images of a country that – even at that time – was still barely accessible to the rest of the world. Furthermore, this is also the first time that the work of Chinese photographers such as Afong, Lan Wah and Sze Yuen Ming has ever been shown in the Netherlands. 
Other highlights of the exhibition include a rare Chinese family portrait from 1860 from the Bertholet collection of American photographer Milton Miller, as well as the coloured photos of ‘types of people’ by Baron Raimund Ratenitz von Stillfried.

Besides the 35 photos in the exhibition, a huge travel camera from that time is also on display, illustrating how awkward it was to photograph such material. There are also stereo photos in 3D, including a special shot of the city of Peking in 1860, and photo albums and amateur photos of travellers to China are also on display. A richly illustrated book was published recently: Ferry Bertholet & Lambert van der Aalsvoort, Among the Celestials. China in Early Photographs, Brussels 2014.

Press release from the Rijksmuseum website

 

Anonymous photographer. 'Peking' c. 1860 - c. 1930

 

Anonymous photographer
Peking
c. 1860 – c. 1930

 

Attributed to Baron Raimund von Stillfried und Ratenitz. 'Chinese carriers' c. 1861 - c. 1880

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911)
Chinese carriers
c. 1861 – c. 1880

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911) 'Portrait of two Chinese Buddhist monks with rosary, bell and slit drum' 1875

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911)
Portrait of two Chinese Buddhist monks with rosary, bell and slit drum
1875

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911) 'Portrait of two Chinese Buddhist monks with rosary, bell and slit drum' 1875

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911)
Portrait of two Chinese Buddhist monks with rosary, bell and slit drum
1875

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911) 'Portrait of two Chinese Buddhist monks with rosary, bell and slit drum' 1875 (detail)

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911)
Portrait of two Chinese Buddhist monks with rosary, bell and slit drum (detail)
1875

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911) 'Portrait of a Chinese woman' 1860-1870

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911)
Portrait of a Chinese woman
1860 – 1870

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911) 'Portrait of Chinese Admiral Ting' c. 1861 - c. 1880

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911)
Portrait of Chinese Admiral Ting
c. 1861 – c. 1880

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911) 'Portrait of Chinese Admiral Ting' (detail) c. 1861 - c. 1880

 

Attributed to Baron Raimund von Stillfried und Ratenitz (Austrian, 1839-1911)
Portrait of Chinese Admiral Ting (detail)
c. 1861 – c. 1880

 

Attributed to Jan Adriani (Dutch, d. 1948) 'A street with several people in Kinkiang, China' 1907

 

Attributed to Jan Adriani (Dutch, d. 1948)
A street with several people in Kinkiang, China
1907

 

 

Rijksmuseum, Amsterdam
Jan Luijkenstraat 1, Amsterdam

Opening hours:
Every day from 9:00 to 18:00

Rijksmuseum website

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Exhibition: ‘Treasures of the Alfred Stieglitz Center: Photographs from the Permanent Collection’ at the Philadelphia Museum of Art

Exhibition dates: 22nd December 2012 – 7th April 2013

 

Many thankx to the Philadelphia Museum of Art for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

William Henry Fox Talbot (British, 1800-1877) 'Group of Persons Selling Fruit and Flowers' 1845

 

William Henry Fox Talbot (British, 1800-1877)
Group of Persons Selling Fruit and Flowers
1845
Salted paper print from a paper negative
6 11/16 x 8 1/4 inches (17 x 21cm)
Philadelphia Museum of Art, Purchased with the Robert A. Hauslohner Fund, 1967

 

Felice Beato (English born Italy, 1825-1913) 'Confucius, Canton, April 1860 April' 1860

 

Felice Beato (English born Italy, 1825-1913)
Confucius, Canton, April 1860
April 1860
Albumen silver print
10 x 12 inches (25.4 x 30.5cm)
Philadelphia Museum of Art, Purchased with funds contributed by Dr. Chaoying Fang, Harvey S. Shipley Miller and J. Randall Plummer, and with the Alice Newton Osborn Fund, 1978

 

Dorothy Norman (American, 1905-1997) 'Harbor II, (Osterville), Cape Cod' 1930s

 

Dorothy Norman (American, 1905-1997)
Harbor II, (Osterville), Cape Cod
1930s
Gelatin silver print
Sheet: 2 7/8 x 3 7/8 inches (7.3 x 9.8cm)
Philadelphia Museum of Art, From the Collection of Dorothy Norman, 1980

 

Edward Weston (American, 1886-1958) 'Dunes, Oceano' 1936

 

Edward Weston (American, 1886-1958)
Dunes, Oceano
1936
Gelatin silver print
Philadelphia Museum of Art

 

Louise Lawler (American, b. 1947) 'Living Room Corner Arranged by Mr. and Mrs. Burton Tremaine, Sr.,' 1984

 

Louise Lawler (American, b. 1947)
Living Room Corner Arranged by Mr. and Mrs. Burton Tremaine, Sr.,
1984
Dye destruction print
Sheet: 18 1/4 x 23 3/4 inches (46.4 x 60.3cm)
Philadelphia Museum of Art, Gift of Henry S. McNeil, Jr., 1988

 

Richard Misrach (American, b. 1949) 'Pink Lightning, Salton Sea' 1985

 

Richard Misrach (American, b. 1949)
Pink Lightning, Salton Sea
1985
Chromogenic print
18 5/16 x 23 1/16 inches (46.5 x 58.6cm)
Philadelphia Museum of Art, Gift of the Friends of the Philadelphia Museum of Art, 1986

 

Joachim Koester (Danish active United States, b. 1962) 'Room of Nightmares #1' 2005

 

Joachim Koester (Danish active United States, b. 1962)
Room of Nightmares #1
2005
Chromogenic print
18 7/8 x 23 7/8 inches (47.9 x 60.6cm)
Philadelphia Museum of Art, Gift of Lynne and Harold Honickman

 

 

This exhibition presents a survey of photographs from the permanent collection and includes an important group of works by Dorothy Norman and her mentor Alfred Stieglitz, one of the greatest figures in twentieth-century American art. There are also early masterworks by Gustave Le Gray, whose images of light and motion inspired the Impressionists; Edward Weston; Julia Margaret Cameron; and Charles Aubry. These striking images are complemented by an array of modern and contemporary works that trace the medium’s history as a visual art form, including recent acquisitions by artists such as Florence Henri, Roy DeCarava, and Hiroh Kikai, many on view for the first time in Philadelphia.

The mainly black-and-white photographs reflect the strengths of the Museum’s photography collection, ranging from the 1840s to 2005. Nineteenth-century photographs include works by William Henry Fox Talbot, an early inventor of photography; a group of views from Felice Beato’s 1860 album China; and Rue des Prêtres Saint‑Étienne, de la rue Descartes by Charles Marville, who documented the narrow quarters of nineteenth-century Paris.

Post-World War II American and Japanese photography is seen through a number of works by Robert Frank including Jehovah’s Witness, Los Angeles (1955), Diane Arbus’s Untitled (6) (1970-71), and Masahisa Fukase’s Untitled (1976). The exhibition continues with contemporary photography by a broad range of international artists, including Joachim Koester’s Room of Nightmares #1 (2005) and Gerhard Richter’s Guildenstern (Rhombus II) (1998), a cunning investigation of the shared terrain between painting and photography.

The works by Norman and Stieglitz were made during the years of their creative exchange, from 1929 until Stieglitz’s death in 1946. These include a number of portraits, such as Norman’s cropped close-up Alfred Stieglitz IX, New York (1933); cityscapes and landscapes, as seen in Stieglitz’s New York from the Shelton (1935), showing the interplay of light and shadow on the skyscrapers of a changing New York skyline; and Norman’s Harbor II, Osterville, Cape Cod (1930s), a study in line and composition. These images are complemented by photographs made by their contemporaries, including Man Ray’s surrealist Marquise Casati (1922) and Florence Henri’s Portrait (c. 1930).

Press release from the Philadelphia Museum of Art website

 

Charles Marville (French, 1816-1879) 'Rue des Prêtres Saint-Étienne, de la rue Descartes' c. 1865

 

Charles Marville (French, 1816-1879)
Rue des Prêtres Saint-Étienne, de la rue Descartes
c. 1865
Albumen silver print
Image and sheet: 12 13/16 x 10 3/8 inches (32.5 x 26.4cm)
Philadelphia Museum of Art, Purchased with the Lola Downin Peck Fund, 2009

 

Man Ray (American, 1890-1976) 'Marquise Casati' 1922

 

Man Ray (American, 1890-1976)
Marquise Casati
1922
Gelatin silver print
Image and sheet: 8 1/2 x 6 9/16 inches (21.6 x 16.7cm)
Philadelphia Museum of Art, Gift of Carl Van Vechten, 1949
© Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris

 

Dorothy Norman (American, 1905-1997) 'Alfred Stieglitz IX, New York' 1933

 

Dorothy Norman (American, 1905-1997)
Alfred Stieglitz IX, New York
1933
Gelatin silver print
Sheet: 2 5/8 x 2 11/16 inches (6.7 x 6.8cm)
Philadelphia Museum of Art, From the Collection of Dorothy Norman, 1968

 

Alfred Stieglitz (American, 1864-1946) 'New York from the Shelton' 1935

 

Alfred Stieglitz (American, 1864-1946)
New York from the Shelton
1935
Gelatin silver print
Image and sheet: 9 5/8 x 7 9/16 inches (24.4 x 19.2cm)
Philadelphia Museum of Art, From the Collection of Dorothy Norman, 1997
© The Georgia O’Keeffe Foundation / Artists Rights Society (ARS), New York

 

Robert Frank (American, 1924-2019) 'Jehovah's Witness. Los Angeles' 1955

 

Robert Frank (American, 1924-2019)
Jehovah’s Witness, Los Angeles
1955
Gelatin silver print
Philadelphia Museum of Art

 

Diane Arbus (American, 1923-1971 'Untitled (6)' 1970-1971

 

Diane Arbus (American, 1923-1971
Untitled (6)
1970-71
Gelatin silver print
Philadelphia Museum of Art

 

 

Philadelphia Museum of Art
26th Street and the Benjamin Franklin Parkway
Philadelphia, PA 19130

Opening hours:
Tuesday through Sunday: 10am – 5pm

Philadelphia Museum of Art website

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