21
Jan
14

Exhibition: ‘Guy Bourdin’ at the House of Photography at Deichtorhallen Hamburg

Exhibition dates: 1st November 2013 – 26th January 2014

.

*PLEASE NOTE THIS POSTING CONTAINS ART WORK OF FEMALE NUDITY – IF YOU DO NOT LIKE PLEASE DO NOT LOOK, FAIR WARNING HAS BEEN GIVEN*

.
Many thankx to House of Photography at Deichtorhallen Hamburg for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

.

.

Guy Bourdin. 'Untitled' (Child) 1950

.

Guy Bourdin
Untitled (Child)
1950
© The Estate of Guy Bourdin, 2013

.

Guy Bourdin. 'Untitled' (Child with doll and pram) 1954

.

Guy Bourdin
Untitled (Child with doll and pram)
1954
© The Estate of Guy Bourdin, 2013

.

Guy Bourdin. 'Untitled' (Child lying on stones) 1953-57

.

Guy Bourdin
Untitled (Child lying on stones)
1953-57
© The Estate of Guy Bourdin, 2013

.

Guy Bourdin. 'La Baigneuse' c. 1950-53

.

Guy Bourdin
La Baigneuse (The Bather)
c. 1950-53
© The Estate of Guy Bourdin, 2013

.

Guy Bourdin. 'Vogue Paris - January 1966' 1966

.

Guy Bourdin
Vogue Paris – January 1966
1966
© The Estate of Guy Bourdin, 2013

.

Guy Bourdin. 'Untitled' Nd

.

Guy Bourdin
Untitled
Nd
© Estate of Guy Bourdin

.

.

“House of Photography at Deichtorhallen Hamburg announces an exhibition of the legendary photographer Guy Bourdin (1928-1991), on view from November 1, 2013 – January 26, 2014. This most comprehensive exhibition to date is both an overview of the essential components of Guy Bourdin’s oeuvre and an introduction to unveiling works from his personal archives which have never been seen before. This is the first time that both his works as a painter and his notes on films are being shown at an exhibition. B&W shots dating from the 1950s are also included, showing portraits of artists and views of the city of Paris as well as Polaroids, sketches and texts. The exhibition examines Guy Bourdin’s oeuvre, but moreover, it provides insight into the complex working processes of the photographer’s mind and aims to establish his status as a visionaire image maker.

Guy Bourdin’s career spanned more than forty years during which time he worked for the world’s leading fashion houses and magazines. With the eye of a painter, Guy Bourdin created images that contained fascinating stories, compositions, both in B&W and in colours. He was among the 1st to create images with narratives, telling stories and shows that the image is more important than the product which is displayed. Using fashion photography as his medium, he sent out his message, one that was difficult to decode, exploring the realms between the absurd and the sublime. Famed for his suggestive narratives and surreal aesthetics, he radically broke conventions of commercial photography with a relentless perfectionism and sharp humor.

During the 1950s, Guy Bourdin launched his career with fashion assignments for Vogue Paris working in B&W. It’s nearly unknown, that half of the oeuvre of Guy Bourdin is black-and-white and as amazingly powerful as his colour works. He developed colour photography to its maximum effect, creating dramatic accents with intense colour saturation and textures in his compositions. Guy Bourdin used the format of the double spread magazine page in the most inventive way. He tailored his compositions to the constraints of the printed page both conceptually and graphically, and the mirror motif so central in his work finds its formal counterpart in the doubleness of the magazine spread. Layout and design become powerful metaphors for the photographic medium, engaging the eye and with it, the mind. While on the one hand employing formal elements of composition, Guy Bourdin, on the other hand, sought to transcend the reality of the photographic medium with surreal twists to the apparent subject of his images and his unconventional manipulation of the picture plane. Given total creative freedom and with uncompromising artistic ethic, Guy Bourdin captured the imagination of a whole generation at the late 1970s, recognised as the highest note in his career.

Guy Bourdin was an image maker, a perfectionist. He knew how to grab the attention of the viewer and left nothing to chance. He created impeccable sets, or when not shooting in his studio rue des Ecouffes in le Marais, in undistinguished bedrooms, on the beach, in nature, or in urban landscapes. The unusual dramas that unfold in these seemingly everyday scenes and ordinary encounters pique our subconscious and invite our imagination. Moreover, he developed a technic using hyper real colours, meticulous compositions of cropped elements such as low skies with high grounds and the interplay of light and shadows as well as the unique make-up of the models.

“Guy Bourdin irreverently swept away all the standards of beauty, conventional morals and product portrayals in one fell swoop. Around the female body he constructed visual disruptions, the outrageous, the hair-raising, the indiscreet, the ugly, the doomed, the fragmentary and the absent, torsos and death – all the tension and the entire gamut of what lies beyond the aesthetic and the moral,” explains the exhibition’s curator Ingo Taubhorn. Bourdin investigates in minute detail the variables of fashion photography, from brash posing to subtle performances and from complex settings to novel and disturbing notions of images.

Guy Bourdin’s imagery not only changed the course of fashion photography but influenced a host of contemporary artists, photographers and filmmakers. It is without question, that Guy Bourdin’s work for Vogue and his highly acclaimed print advertising for Charles Jourdan in the 1970s are now being seen in the appropriate context of contemporary art.”

Press release from House of Photography at Deichtorhallen Hamburg

.

Guy Bourdin. 'Self portrait' c. 1950

.

Guy Bourdin
Self portrait
c. 1950
© The Estate of Guy Bourdin, 2013

.

Guy Bourdin. 'Untitled' 1960

.

Guy Bourdin
Untitled
1960
© Estate of Guy Bourdin

.

Guy Bourdin. 'Untitled' Nd

.

Guy Bourdin
Untitled
Nd
© Estate of Guy Bourdin

.

Guy Bourdin. 'Charles Jourdan - Spring 1979' 1979

.

Guy Bourdin
Charles Jourdan – Spring 1979
1979
© Estate of Guy Bourdin

.

Guy Bourdin. 'Pentax Calendar' 1981

.

Guy Bourdin
Pentax Calendar
1981
Asahi Optical Company Limited. Tokyo, Japan
© Estate of Guy Bourdin

.

Guy Bourdin. 'Vogue Paris - May 1970' 1970

.

Guy Bourdin
Vogue Paris – May 1970
1970
© Estate of Guy Bourdin

.

Guy Bourdin. 'Charles Jourdan - Spring 1978' 1978

.

Guy Bourdin
Charles Jourdan – Spring 1978
1978
© Estate of Guy Bourdin

.

Guy Bourdin. 'Vogue Paris - December 1969' 1969

.

Guy Bourdin
Vogue Paris – December 1969
1969
Jewellery: Van Cleef & Arpels
Make-up: Serge Lutens
© Estate of Guy Bourdin, 2013

.

.

Deichtorhallen Hamburg
Deichtorstrasse 1-2
20095
Hamburg
T: +49 (0)40 32103-0

Opening hours:
Tuesday – Sunday 11 am – 6 pm
Closed Mondays

Deichtorhallen Hamburg website

LIKE ART BLART ON FACEBOOK

Back to top



Marcus Bunyan black and white archive: ‘Études’ 1994

Join 2,245 other followers

Follow Art_Blart on Twitter
Art Blart on Pinterest

Lastest tweets

Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

January 2014
M T W T F S S
« Dec   Feb »
 12345
6789101112
13141516171819
20212223242526
2728293031  

Archives

Categories


%d bloggers like this: