04
Dec
12

Exhibition: ‘Licht-Bilder (Light images). Fritz Winter and Abstract Photography’ at the Pinakothek der Moderne, Munich

Exhibition dates: 9th November 2012 – 17th February 2013

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The glorious paintings of Fritz Winter show a beautiful synergy with the abstract photographs. The relationship between painting and photography has always been a symbiotic one, a close mutualist relationship that has benefited both art forms. This is fully evidenced in this outstanding posting, where I have tried to sequence the artworks to reflect the nature of their individuality and their interdependence. Great blessings on the curators that assembled this exhibition: an inspired concept!

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Many thankx to the Pinakothek der Moderne, Munich for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

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Fritz Winter
K 35
1934
Oil on Paper on Canvas
110 x 75 cm
Bayerische Staatsgemäldesammlungen Pinakothek der Moderne, München
© VG Bild-Kunst, Bonn 2012

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Alvin Langdon Coburn
Vortograph
1917 (1962)
Gelatin Silver Print
30.6 x 25.5 cm
George Eastman House, Rochester, New York
© Courtesy of George Eastman House, International Museum of Photography and Film

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Francis Bruguière
Abstract Study
c. 1926
Gelatin Silver Print
24.3 x 19.3 cm
George Eastman House, Rochester, New York
© Courtesy of George Eastman House, International Museum of Photography and Film

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Fritz Winter
Einfallendes Licht II [Incident Light II]
1935
Oil on Paper on Canvas
44.2 x 33.4 cm
Konrad Knöpfel-Stiftung Fritz Winter im Kunstmuseum Stuttgart
© VG Bild-Kunst, Bonn 2012

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“In his lesser ­known early work, the German painter Fritz Winter (1905-1976) made an obsessive analysis of the aesthetic aspects of light. As a Bauhaus student he was influenced by the international avant­garde’s boundless euphoria for light between Expressionism and Constructivism. The light of large cities with headlights, cinemas and illuminated advertisements gave a new impulse to aesthetics; x­rays, radioactivity and microphotography made it possible to perceive previously unknown sources of energy and natural phenomena.

In his pictures of light beams and crystals created in 1934-36, Winter devoted himself with virtuosity to aspects such as the reflection, radiation and refraction of light. His virtually monochrome paintings incorporate crystal shapes and bundles of rays; they focus on the earth’s interior and the infinite expanse of the cosmos; they block the pictorial space with dark grids or lend it a glass­like transparency.

For the first time, 25 Licht-­Bilder by Fritz Winter will be juxtaposed with an international selection of 40 of the earliest abstract photographs in history of art. In the 1910s to 1930s artists experimented with the most varied of photographic techniques to ascertain the genuine qualities of photography beyond the merely representative. The New Vision in photography and abstract painting become immediately obvious through the display of vintage prints and paintings side by side.

The exhibition combines 25 exceptional paintings by Fritz Winter from German museums and private collections as well as 40 international lenders of photographic works including Centre Pompidou, Paris, George Eastman House in Rochester, New York, Museum Folkwang, Essen, Museum für Kunst und Gewerbe, Hamburg, Neue Galerie Kassel, Kunsthalle Mannheim, Ann and Jürgen Wilde Foundation, Munich and Kunstmuseum Stuttgart.”

Press release from the Pinakothek der Moderne website

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Fritz Winter
Stufungen [Gradations]
1934
Oil on Paper on Canvas
100,5 x 75.5 cm
Konrad Knöpfel-Stiftung Fritz Winter im Kunstmuseum Stuttgart
© VG Bild-Kunst, Bonn 2012

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Alfred Ehrhardt
Adular, Maderanertal, Schweiz
1938/39
Gelatin Silver Print
49.5 x 30 cm
Stiftung Ann und Jürgen Wilde, Pinakothek der Moderne, München
© Alfred Ehrhardt Stiftung
© Courtesy of George Eastman House, International Museum of Photography and Film

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Fritz Winter
Weiß in Schwarz [White in Black]
1934
Oil on Paper on Canvas
100.5 x 75.5 cm
Museumslandschaft Hessen Kassel, Neue Galerie
© VG Bild-Kunst, Bonn 2012

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Fritz Winter
Licht, A 1
1934
Oil on Paper on Canvas
59 x 45 cm
Private Collection
© VG Bild-Kunst, Bonn 2012

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Laszlo Moholy-Nagy
Untitled (Photogram)
1925
Gelatin Silver Print
23.7 x 17.8 cm
Museum Folkwang, Essen, Fotografische Sammlung
© VG Bild-Kunst, Bonn 2012 Museum Folkwang, Essen, Fotografische Sammlung
© VG Bild-Kunst, Bonn 2012

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Alfred Ehrhardt
Beryll, Minas Geraes, Brasilien
1938/39
Gelatin Silver Print
49.7 x 29.9 cm
Stiftung Ann und Jürgen Wilde, Pinakothek der Moderne, München
© bpk, Alfred Ehrhardt Stiftung
© Courtesy of George Eastman House, International Museum of Photography and Film

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Pinakothek Der Moderne
Barer Strasse 40
Munich

Opening hours:
Daily except Monday 10am – 6pm
Thursday 10am – 8pm

Pinakothek der Moderne website

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

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