Exhibition dates: 28th June – 21st September, 2025
Curator: Biba Giacchetti
Elliott Erwitt (American born France, 1928-2023)
England, Birmingham, 1991
1991
40 x 50cm
© Elliott Erwitt
Private Collection
Small intimacies
My apologies that I haven’t been writing that much in recent postings, but I am still recovering from my hip replacement operation and the pain is still ongoing over 6 weeks after the operation. I’m a little exhausted to put it mildly…
With this sumptuous exhibition of photographs by Elliott Erwitt – in a beautiful palazzo with painted ceilings and classical sculptures with the walls painted a glorious colour of green – you get what is says on the tin: Erwitt’s iconic and humanist photographs of dogs, children and celebrities, “visual double-takes and finely tuned one-liners.”
That is all the media images consisted of, his famous photographs.
I know that the exhibition, and the artist’s reputation, rests on his “icons” but I just wish we could see past these to his other photographs, photographs of everyday people, captured in the midst of their ordinary lives; photographs that contain a little more gravitas, a little more depth of poignancy / spirit / energy, revealing small intimacies not readily seen and acknowledged.
That Erwitt is capable of such images can be see in photographs such as Italy, Venice, Gallerie dell’Accademia, 1965 (below), USA, New York City, 1969 (below) and that most gut wrenching, heart breaking of images, USA, Arlington, Virginia, Jacqueline Kennedy at John F. Kennedy’s funeral, November 25, 1963 (below) – where Erwitt reveals the grief of loss and finally touches the marrow of what it is to be human.
Dr Marcus Bunyan
Many thankx of the Palazzo Bonaparte for allowing me to publish the photographs and video in the posting. Please click on the photographs for a larger version of the image.
Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy
Installation walk through of the exhibition “Elliott Erwitt. Icons,” dedicated to the late master of visual irony and empathy, Elliott Erwitt. This major show offers an intimate look into the universe of one of contemporary photography’s most significant figures, whose work transformed everyday life into profound visual poetry.
Installation views of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing in the bottom image, the Erwitt’s photograph France, Paris, 1989
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at right Erwitt’s photograph USA, New York City, 1953
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at left, USA, Santa Monica, California, 1956 (below); at second left, USA, New York City, 1955 (below); at third left, USA, Louisiana, Shreveport, 1962; and at right, USSR, Bratsk, Siberia, 1967 (below)
Elliott Erwitt (American born France, 1928-2023)
USA, Santa Monica, California, 1956
1956
Gelatin silver print
Private Collection
© Elliott Erwitt
Elliott Erwitt (American born France, 1928-2023)
USA, New York City, 1955
1955
Gelatin silver print
50 x 60cm
Private Collection
© Elliott Erwitt
Elliott Erwitt (American born France, 1928-2023)
USSR, Bratsk, Siberia, 1967
1967
Gelatin silver print
Private Collection
© Elliott Erwitt
Starting June 28th, 2025, Palazzo Bonaparte will open its doors to an extraordinary exhibition, “Elliott Erwitt. Icons,” dedicated to the late master of visual irony and empathy, Elliott Erwitt. This major show offers an intimate look into the universe of one of contemporary photography’s most significant figures, whose work transformed everyday life into profound visual poetry.
With over 80 celebrated photographs, “Elliott Erwitt. Icons” invites visitors to experience Erwitt’s distinctive style – irreverent, poetic, and deeply human. He possessed a remarkable ability to capture the lightness of the joy of living, becoming the most insightful and moving chronicler of the human comedy. His lens made us smile, reflect, and feel, turning fleeting moments into unforgettable images.
A Glimpse into Erwitt’s Vision
Erwitt, who passed away in November 2023 at the age of 95, was a master at transforming the ordinary into the extraordinary. His “Icons” are not just photographs; they are symbols of his unique perspective and our shared collective memory. As he once put it, “In the saddest and most wintry moments of life… suddenly the sight of something wonderful can change the aspect of things, your state of mind. The type of photography I like, the one where the instant is caught, is very similar to this break in the clouds. In a flash, a wonderful photo seems to come out of nowhere.”
This exhibition, curated by Biba Giacchetti, a leading international Erwitt expert, along with technical assistance from Gabriele Accornero, offers a comprehensive yet concise overview of his genius. From his anthropomorphic dogs to powerful world leaders, from iconic movie stars like Marilyn Monroe to intimate family moments, Erwitt’s gaze was both incisive and empathetic. He captured not only the irony of daily life but also its underlying complexity.
Beyond the Famous Faces
While the exhibition features renowned portraits of figures such as Che Guevara, Jack Kerouac, Marlene Dietrich, Fidel Castro, and Sophia Loren, it also highlights historical moments like the Nixon-Khrushchev dispute, Kennedy’s funeral, and the Frazier-Ali fight. Yet, Erwitt’s democratic approach to his medium shines through in his focus on everyday people, captured in the midst of their ordinary lives.
A significant portion of Erwitt’s work showcased his love for dogs, whose free-spirited nature he admired. Many photographs are taken from a dog’s-eye view, often revealing only the feet or legs of their owners. Erwitt ingeniously employed playful tactics, like sounding a horn or mimicking a bark, to elicit natural reactions from the animals, resulting in humorous and endearing compositions.
An Unmissable Summer Event
The “Elliott Erwitt. Icons” exhibition, running until September 21st, 2025, marks the opening of Palazzo Bonaparte’s summer exhibition season. Following the success of the recent Edvard Munch retrospective, this show pays homage to a globally beloved master of photography. Visitors will have the unique opportunity to journey through Erwitt’s surreal, romantic, and playful vision of the world, always capable of grasping the essence of things.
Press release from Palazzo Bonaparte
Installation views of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing in the bottom image from left to right, Italy, Venice, Gallerie dell’Accademia, 1965; France, Versailles, 1975; and Spain, Madrid, 1995 (below)
Elliott Erwitt (American born France, 1928-2023)
Italy, Venice, Gallerie dell’Accademia, 1965
1965
Gelatin silver print
Private Collection
© Elliott Erwitt
Elliott Erwitt (American born France, 1928-2023)
Spain, Madrid, 1995
1995
Gelatin silver print
Private Collection
© Elliott Erwitt
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at left, Erwitt’s photograph USA, New York City, 1969 (below)
“A 1969 scene in Amagansett, New York – a sober, soot-stained Victorian office block with a single storefront whose sign (“Tony’s of Worth Street”) is written in cheerful white paint – somehow combines the austerity of Atget with the irreverent glee of Weegee.”
Andrew Dickson. “Elliott Erwitt’s Visual One-liners,” on The New Yorker website October 14, 2016 [Online] Cited 02/09/2025
Elliott Erwitt (American born France, 1928-2023)
USA, New York City, 1969
1969
Gelatin silver print
Private Collection
© Elliott Erwitt
From June 28 to September 21, 2025, Palazzo Bonaparte welcomes the most ironic and disarming gaze in twentieth-century photography: Elliott Erwitt. An exhibition that is much more than an exhibition: it is an invitation to observe the world with lightness, empathy, and wonder.
An unmissable event, which recounts – through over 80 iconic shots – the long and brilliant career of an artist capable of capturing the soul of the twentieth century and transforming ordinary moments into unforgettable images, with a profoundly human yet always surprising gaze.
On display in Rome are icons of an era, of a way of looking at the world with lightness and intelligence. “Icons” because each of Erwitt’s shots has become a symbol of his poetics and of our collective memory.
Erwitt is more than just a photographer: he is the poet of human comedy, the unerring witness to life’s small and large absurdities, which he recounts with disarming irony, subtle poetry, and timeless grace. His images – famous, unforgettable, often dazzling – manage to be simultaneously light and profound, intimate and universal. They are shots that make you smile, reflect, and move you.
Elliott Erwitt was – and is – a key figure in the visual culture of our time. His images, books, reportages, illustrations, and advertising campaigns have spanned the decades, appearing in international publications and influencing generations of photographers and artists. This exhibition is a journey through his work and an invitation to look at the world with new eyes: with lightness, empathy, and wonder.
A member since 1953 of the historic Magnum agency – founded by Henri Cartier-Bresson and Robert Capa, among others – Erwitt has chronicled the last sixty years of history and contemporary civilisation with journalistic flair, capturing the most dramatic yet humorous aspects of the life that has passed before his lens.
“In life’s saddest, wintry moments, when a cloud has enveloped you for weeks, suddenly the sight of something wonderful can change the face of things, your state of mind. The kind of photography I like, the one that captures the moment, is very similar to this break in the clouds. In a flash, a wonderful photo seems to come out of nowhere.”
With these words, Erwitt sums up the spirit and poetics with which he filters reality, representing it with his mastery, capturing its sometimes playful, sometimes irreverent, or almost surreal aspects, which make him an undisputed master of the human comedy.
Curated by Biba Giacchetti, one of Erwitt’s leading international experts, with technical assistance from Gabriele Accornero, Elliott Erwitt. Icons is a snapshot of history and customs, a concise and comprehensive journey through his genius and his perspective on the world, from his anthropomorphic dogs to the world’s powerful figures, from the great movie stars – Marilyn Monroe above all – to his children. But it is also a tribute to the man who, with a gentle and disenchanted gaze, was able to portray the world for what it is: tragicomic, tender, absurd, unique.
The exhibition features famous portraits of Marilyn Monroe, Che Guevara, Kerouac, Marlene Dietrich, Fidel Castro, Sophia Loren, Arnold Schwarzenegger, and photographs that have made history, such as the Nixon-Khrushchev quarrel, Kennedy’s funeral, and the great fight between Frazier and Ali. Other iconic photographs, beloved by the public for their romantic power, such as the California Kiss, include more intimate and private ones, such as the snapshot of his newborn firstborn, observed by her mother on the bed.
Above all, Erwitt casts an incisive yet empathetic gaze, revealing not only the irony of everyday life, but also its complexity.
With the same attitude, Erwitt reserves his attention for any other subject, pushing the democratic quality that is typical of his medium to the extreme. His imagery is populated predominantly by ordinary people, men and women, captured in the midst of the normality of their lives.
From portraits of famous people to more ironic and sometimes irreverent images, we move on to some self-portraits where Erwitt no longer leaves anything to chance or intuition, but constructs a self-other, where eccentricity for its own sake is metaphor and pure surreal fun.
Special attention is paid to dogs, whose irreverent, free-spirited attitude Erwitt appreciated, unfettered by the common rules that condition humans, is what Erwitt appreciated.
Many of his shots are “from the dog’s point of view,” allowing only the shoes or parts of their owners’ legs to appear in his compositions. Erwitt wanted these photographs to be comical, and for this reason he employed ingenious strategies, such as blowing a trumpet or emitting a kind of bark, to elicit the most natural reaction from the animals.
The exhibition – on view until September 21st – marks the opening of Palazzo Bonaparte’s summer exhibition season, following the recent resounding success of the Edvard Munch retrospective and paying tribute to one of the world’s most beloved masters of photography. Visitors will have the opportunity to retrace his vision of the world: surreal, romantic, playful, always capable of capturing the essence of things.
The exhibition, “Elliott Erwitt. Icons,” is produced and organised by Arthemisia, in collaboration with Orion57 and Bridgeconsultingpro. The exhibition’s main partner is the Fondazione Terzo Pilastro – Internazionale with Fondazione Cultura e Arte and Poema.
The exhibition’s special partner is Ricola, mobility partner Frecciarossa Treno Ufficiale, and technical sponsor Ferrari Trento.
Text translated from the Italian by Google Translate from the Palazzo Bonaparte website
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at right, Erwitt’s photograph USA, Pittsburgh, 1950 (below)
Elliott Erwitt (American born France, 1928-2023)
USA, Pittsburgh, 1950
1950
Gelatin silver print
Private Collection
© Elliott Erwitt
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at right, Erwitt’s photograph France, Honfleur, 1968
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing from left to right, France, Honfleur, 1968; USA, New York City, 1977; and USA, New York City, 1955
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing Erwitt’s photograph Ireland, Ballycotton, 1991
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing Erwitt’s photograph USA, New York City, Marilyn Monroe (with hand), 1956
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at left, USA, New York City, 1953; and at right, USA, NewYork, 1956 (below)
Elliott Erwitt (American born France, 1928-2023)
USA, NewYork, 1956
1956
Gelatin silver print
40 x 50cm
© Elliott Erwitt
Private Collection
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at left, USA, Los Angeles, 1960; and at right, USA, Arlington, Virginia, Jacqueline Kennedy at John F. Kennedy’s funeral, November 25, 1963 (below)
Note: wrong title and date underneath the photograph on the right-hand side
Elliott Erwitt (American born France, 1928-2023)
USA, Arlington, Virginia, Jacqueline Kennedy at John F. Kennedy’s funeral, November 25, 1963
1963
Gelatin silver print
© Elliott Erwitt
Private Collection
Elliott Erwitt was not just a photographer, but an unparalleled visual storyteller, capable of transforming the moment into history, the everyday into art, irony into poetry. His images evoke in the viewer emotions that move on different registers, from emotion to laughter, to the most spontaneous amusing. Having passed away in November 2023 at the age of 95, he left us an immense legacy: an archive of photographs that span eras, cultures, and feelings with a universal language, inviting us to look at the world with greater indulgence and wonder, always standing by our side in that profound lightness that he himself defined as “The Art of Observation.”
His lens captured iconic moments in history: the tense confrontation between Nixon and Khrushchev, Kennedy’s funeral, the legendary fight between Frazier and Ali. He portrayed legends of our imagination – Marilyn Monroe, Che Guevara, Marlene Dietrich – but he also captured moments of extraordinary intimacy and summarised universal feelings in a single shot: a stolen kiss in the rearview mirror, the gaze of a mother on her newborn baby, a dog lost in thought. Images that transcend time to become iconic.
What makes Erwitt unique is his ability to intertwine emotion and intelligence, making us laugh and moved, surprising us with his irony and his ability to grasp the profound meaning of existence. He has captured the absurd and the surreal with a sharp and light-hearted gaze, always finding in every scene a spark capable of making it memorable.
His anthropomorphic dogs, the protagonists of entire photographic series, are not just amusing images: they are mirrors of the human condition, ironic and melancholic at the same time, sometimes proud and surprising. His children, portrayed with the most authentic spontaneity, convey the wonder of discovery and freedom, still intact, expressing already defined personalities, still unconstrained. His self-portraits, where he pokes fun at himself, remind us that art – like life – should never take itself too seriously.
Elliott Erwitt was all of this: a master of photography, an interpreter of the human comedy, an artist who left an indelible mark on the history of the image. This exhibition is our homage to his vision of the world: a journey through irony, tenderness, depth, and lightness, just as his art has always been able to convey.
Welcome to the world of this great artist. My master.
Biba Giacchetti
Exhibition curator
Text translated from the Italian by Google Translate
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing Erwitt’s photograph USA, New York City, 1971 (Muhammad Ali vs Joe Frazier)
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at left, USA, Los Angeles, 1960; and at second left, USA, Arlington, Virginia, Jacqueline Kennedy at John F. Kennedy’s funeral, November 25, 1963; at third right, USSR, Moscow, 1959 (below); and at second right, Cuba, Havana, 1964 (below)
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing Erwitt’s photograph USSR, Moscow, 1959 (below)
Elliott Erwitt (American born France, 1928-2023)
USSR, Moscow, 1959 (Nikita Khruschchev and Richard Nixon)
1959
Gelatin silver print
40 x 50cm
Private Collection
© Elliott Erwitt
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing Erwitt’s photograph Cuba, Havana, 1964 (Che Guevara)
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing at left, England, Birmingham, 1991 (top); at third right, USA, New York City, 1946 (below); at second right, France, Paris, 1989 (below); and at right, USA, New York City, 2000 (below)
Elliott Erwitt (American born France, 1928-2023)
USA, New York City, 1946
1946
Gelatin silver print
40 x 50cm
Private Collection
© Elliott Erwitt
Elliott Erwitt (American born France, 1928-2023)
France, Paris, 1989
1989
Gelatin silver print
50 x 60cm
Private Collection
© Elliott Erwitt
Elliott Erwitt (American born France, 1928-2023)
USA, New York City, 2000
2000
Gelatin silver print
50 x 60cm
Private Collection
© Elliott Erwitt
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing Erwitt’s photograph USA, New York City, 1974 (below)
Elliott Erwitt (American born France, 1928-2023)
USA, New York City, 1974
1974
Gelatin silver print
50 x 60cm
Private Collection
© Elliott Erwitt
Installation view of the exhibition Elliott Erwitt. Icons at Palazzo Bonaparte, Rome, Italy showing Erwitt’s photograph USA, New York City, 1955 (below)
Elliott Erwitt (American born France, 1928-2023)
USA, New York City, 1955
1955
Gelatin silver print
Private Collection
© Elliott Erwitt
Palazzo Bonaparte
Piazza Venezia 5, Roma
Art Blart _ art and cultural memory archive 
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