Exhibition: ‘Out of the closets, into the streets: gay liberation photography 1971-73’ at Edmund Pearce Gallery, Melbourne

Exhibition dates: Tuesday 22nd July – Saturday 26th July, 2014

Artists represented: Philip Potter, John Storey, John Englart, Barbara Creed, Ponch Hawkes, Rennie Ellis

Curators: Dr Marcus Bunyan and Nicholas Henderson

LAST DAY TOMORROW = MAKE SURE YOU DON’T MISS IT IF YOU ARE IN MELBOURNE!

Dr Marcus Bunyan

Many thankx to all the artists for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

https://www.youtube.com/watch?v=wCpqzRGOqUE

Curator Dr Marcus Bunyan talks about the exhibition Out of the closets, into the streets: Gay Liberation photography 1971-73 at Edmund Pearce Gallery, Melbourne July 2014

Phillip Potter
Gay is Good
1971, printed 2014
Digital C type print on Kodak Endura Matte
© Phillip Potter

Phillip Potter
Queens
1971, printed 2014
Digital C type print on Kodak Endura Matte
© Phillip Potter

John Storey (Australian, 1950-2019)
Homosexual Law Reform
1971, printed 2014
Digital C type print on Kodak Endura Matte
© John Storey

John Storey was a self-taught photographer who ran his own commercial photography business from 1979 until his move into academia in 1985. As a free-lance photographer, he documented the Gay Liberation Movement in Sydney as well as contributing photography to several publications including Peter Spearitt’s Sydney since the Twenties (1978); Waterfront Sydney 1860-1920, (1984, 1991) co-authored with Graeme Applin; and Anne Richter’s 1994 publication, Arts and Crafts of Indonesia, (1994). Photographs by John Storey are also included in Peter Spearitt’s history: The Sydney Harbour Bridge: a life (2007, 2011).

John took-up a part-time lecturer’s position in Photography at Charles Sturt University, Wagga Wagga in 1985 where he also established a film society and camera club. In 1986 he accepted a position as Lecturer in Photography at RMIT, where he worked until 2004, by which time he was Associate Professor and Post Graduate Coordinator in the School of Creative Arts. John’s commitment to practice based PhDs and the intersection between the creative and the scholarly was critical to the establishment of that programme. His Doctorate of Creative Arts from the University of Wollongong in 2992 entitled Journals of a Stranger: documents of a life, brings together image and text in a discontinuous narrative using photography, creative and exegetical writing.

As an artist, John’s work was exhibited both nationally and internationally, and he curated a number of exhibitions that reflected his interests in social justice, urban landscape, gender and intimacy for hospitals and old people’s homes. He was a member of the Stills Art Co-operative Melbourne and sat on the Board of Directors at Melbourne’s Centre of Contemporary Photography.

Dogged by ill health for many years, Dr John Storey is remembered as a committed, tenacious and caring teacher, artist and researcher. Charming, witty and a rigorous and progressive thinker, he is greatly missed by his family, friends and colleagues.

Anonymous text. “Obituary: Dr John Storey (1950-2019),” on the Non | Traditional Research Outcomes website April 18, 2019 [Online] Cited 02/11/2022. No longer available online

Phillip Potter
I am a Lesbian and Beautiful
1971, printed 2014
Digital C type print on Kodak Endura Matte
© Phillip Potter

Ponch Hawkes (Australian, b. 1946)
Gay Liberation march, Russell Street, Melbourne
Melbourne, 1973
Digital C type print on Kodak Endura Matte
© Ponch Hawkes

Ponch Hawkes (Australian, b. 1946)
Gay Liberation march, Elizabeth Street, Melbourne
Melbourne, 1973
Digital C type print on Kodak Endura Matte
© Ponch Hawkes

Photographer Rennie Ellis front and centre as always…

Rennie Ellis (Australian, 1940-2003)
The Kiss, Gay Pride Week, Melbourne 1973
1973, printed 2014
Silver gelatin photograph
© Rennie Ellis

Gays held a picnic in the Botannical Gardens, Melbourne during Gay Pride Week. They decided to play spin the bottle after forming a circle – the bottle can be seen at bottom left – and much kissing ensued. Lots of straights stopped to watch and laugh. Someone called the cops and the confrontation occurred that can be seen in the photograph below. Apparently, they were breaking some council by law about not playing games in the gardens, even though families were kicking footballs right next to them on the lawn.

Rennie Ellis (Australian, 1940-2003)
Confrontation, Gay Pride Week Picnic, Botanical Gardens 1973
1973, printed 2014
Silver gelatin photograph
© Rennie Ellis

Barbara Creed (Australian, b. 1943)
Julian Desaily and Peter McEwan in the back of a VW Combi van, Melbourne
Melbourne, c. 1971-1973
Digital C type print on Kodak Endura Matte
© Barbara Creed

Barbara Creed (Australian, b. 1943)
Stills from a Super 8mm film of a Women’s Liberation march
Melbourne, 1973, printed 2014
Still from a Super 8mm film
Digital C type print on Kodak Endura Matte
© Barbara Creed

Anonymous photographers
Photographs from Gay Pride Week, Adelaide, 1973
Adelaide, 1973
Digital C type print on Kodak Endura Matte
© Australian Lesbian and Gay Archives

John Englart (Australian, b. 1955)
Sit down protest in Martin Place in protest at Council Officers preventing us handing out material
Sydney, 1973
Digital C type print on Kodak Endura Matte
© John Englart

John Englart (Australian, b. 1955)
Gay Pride Week poster, outside the Town Hall Hotel, Sydney Town Hall
Sydney, 1973
Digital C type print on Kodak Endura Matte
© John Englart

John Englart (Australian, b. 1955)
Dancing with the Hare Krishnas in the Sydney Domain
Sydney, 1973
Digital C type print on Kodak Endura Matte
© John Englart

Anonymous photographers
Graffiti on Melbourne streets
1971-73

Phillip Potter
Portraits for CAMP Ink magazine
1973

Gay activist Lex Watson is the person in the bottom photograph. Lex sadly died very recently.

Installation photographs

Around the room, surrounded by colour and movement with elements of stillness

Title of the exhibition and opening images

Title of the exhibition with Barbara Creed’s three 35mm black and white photographs

Phillip Potter and John Storey photographs of the first ever Gay Liberation protest in Sydney in 1971 to the right; then Ponch Hawkes four photographs followed by three photographs by Rennie Ellis

Phillip Potter and John Storey photographs of the first ever Gay Liberation protest in Sydney in 1971.

From a series of photographs of the very first gay rights demonstration which attracts 70 people outside NSW Liberal Party headquarters in support of the pre-selection of Tom Hughes against a right wing challenge following his support for homosexual law reform.

John Englart’s five photographs of Sydney Gay Pride Week march 1973 in the centre with Rennie Ellis at right of these

Phillip Potter portraits for CAMP Ink magazine 1973 at left with Graffiti in Melbourne 1971-73 at right

Graffiti in Melbourne 1971-73

Stills from a super 8mm Women’s Liberation march by Barbara Creed, 1973, at left with Phillip Potter portraits for CAMP Ink magazine 1973 at right

Barbara Creed (Australian, b. 1943)
Stills from a Super 8mm film of a Women’s Liberation march
Melbourne, 1973, printed 2014

Supported by

Rennie Ellis is an award winning photographer and writer (03) 9525 3862 www.rennieellis.com.au

Edmund Pearce Gallery

This gallery has now closed.

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Exhibition preview: ‘Out of the closets, into the streets: gay liberation photography 1971-73’ at Edmund Pearce Gallery, Melbourne

Exhibition dates: Tuesday 22nd July – Saturday 26th July, 2014

Opening: Tuesday 22nd July 6-8pm
Nite Art: Wednesday 23rd July until 11pm
Artists represented: Philip Potter, John Storey, John Englart, Barbara Creed, Ponch Hawkes, Rennie Ellis

Curated by Dr Marcus Bunyan and Nicholas Henderson

Rennie Ellis (Australian, 1940-2003)
Confrontation, Gay Pride Week Picnic, Botanical Gardens 1973
1973, printed 2014
Silver gelatin photograph
© Rennie Ellis

Five days, that’s all you’ve got! Just five days to see this fabulous exhibition, so make a note of it now in your diaries…

The exhibition Out of the closets, into the streets: gay liberation photography 1971-73 pictures the very beginning of the gay liberation movement in Australia through the work of Philip Potter, John Storey, John Englart, Barbara Creed, Ponch Hawkes and Rennie Ellis. The exhibition examines for the first time images from the period as works of art as much as social documents. The title of the exhibition is a slogan from the period.

As gay people found their voice in the early 1970s artists, often at the very beginning of their careers, were there to capture meetings in lounge rooms, consciousness raising groups and street protests. The liberation movement meant ‘being there’, putting your body on the line. “It was a key feature of the new left that this embodied politics couldn’t stop in the streets: that is, the public arena as conventionally understood. ‘Being there’ politically also applied to households, classrooms, sexual relations, workplaces and the natural environment.”1

Curated by Dr Marcus Bunyan and Nicholas Henderson and with a catalogue essay by Professor Dennis Altman, the show is a stimulating experience for those who want to be inspired by the history and art of the early gay liberation movement in Australia.

The exhibition coincides with AIDS 2014: 20th International AIDS Conference (20-25 July 2014) and Nite Art which occurs on the Wednesday night (23rd July 2014). The exhibition will travel to Sydney to coincide with the 14th Australia’s Homosexual Histories Conference in November at a venue yet to be confirmed.

Dr Marcus Bunyan

1/ Connell, Raewyn. “Ours is in colour: the new left of the 1960s,” in Carolyn D’Cruz and Mark Pendleton (eds.,). After Homosexual: The Legacies of Gay Liberation. Perth: UWA Publishing, 2013, p. 43.

Many thankx to all the artists for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

Unknown artist
Cricket is homosexual!
Melbourne, c. 1971-1973, printed 2014
Giclee print on Hahnemuhle william turner 310gsm
© Australian Lesbian and Gay Archives

Still from a super 8mm movie of a Women’s Liberation march, Melbourne, 1973.

John Storey (Australian, 1950-2019)
I am a Lesbian and Beautiful
1971, printed 2014
Digital C type print on Kodak Endura Matte
© John Storey

Phillip Potter (Australian)
Policeman reading ‘Camp Ink’ magazine
1971, printed 2014
Digital C type print on Kodak Endura Matte
© Phillip Potter