Exhibition dates: 30th April – 30th June 2016
Installation photograph of the exhibition Bill Henson: Landscapes at the Castlemaine Art Gallery and Historical Museum
Photo: © Marcus Bunyan and the Castlemaine Art Gallery and Historical Museum
Drawing on light
A magnificent installation from one of the world’s great photographers.
Why this artist is not having sell out retrospectives at MoMA New York, Centre Georges Pompidou Paris or the Tate in London is beyond me. Is it because of continuing cultural cringe, or the fact that he’s not as well known in Europe and America?
Their loss is our gain.
The darkened room contains only eight images beautifully lit to create a wondrous, enveloping atmosphere. Henson’s night photographs emit light as though a result of the excitation of atoms by energy – the energy of the mind transferred to the light of place. A luminescence of thought is imaged in the photograph through the emission of light … produced not so much by physiological or electromagnetic processes as much as by a culturally informed mind that seems to bring forth its own light. And behold there is light.
As that eminent photographer Minor White used to opine when asked for technical information on his photographs in the back of popular American photography monthlies: for technical information the camera was creatively used.
For me, these are not images of ethereal malevolence or Australian anxiety about our environment and the ominous ordinary. They do not possess that feeling at all. These pictures are about an understanding and contemplation of light and place, a process which is in balance one with the other. Yes, the transient nature of earthly existence but more than that. The soft details of flowers in the grass, or the spatter of rain on water, not noticed until you really look at the image; or the shadow of a truck on a bridge underpass. In my mind I know where this is, in Gipps Street, Abbottsford near the train bridge… or so I believe in my imagination. All of these photographs have a feeling of a subtle vibration of energy in the universe. There is no malevolence here.
My only criticism of this, the first photographic exhibition at Castlemaine Art Gallery, is that there is not enough of it. There needed to be more of the work. It just felt a little light on. Another gallery was needed to make the installation experience fully enveloping. Having said that, congratulations must go to the artist and to gallery who are putting on some amazing exhibitions in the heart of regional Victoria.
Dr Marcus Bunyan
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Many thankx to Castlemaine Art Gallery and Historical Museum for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image. All images © Marcus Bunyan and the Castlemaine Art Gallery and Historical Museum
Opening titles for the exhibition Bill Henson: Landscapes at the Castlemaine Art Gallery and Historical Museum
Photo: © Marcus Bunyan and the Castlemaine Art Gallery and Historical Museum
Installation photograph of the exhibition Bill Henson: Landscapes at the Castlemaine Art Gallery and Historical Museum
Photo: © Marcus Bunyan and the Castlemaine Art Gallery and Historical Museum
Bill Henson (Australian, b. 1955)
Untitled #9 2005/2006
2005-2006
CL SH541 N2
Type C photograph
127 x 180cm (sheet)
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney
Bill Henson (Australian, b. 1955)
Untitled #9 2005/2006 (detail)
2005-2006
CL SH541 N2
Type C photograph
127 x 180cm (sheet)
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney
Installation photograph of the exhibition Bill Henson: Landscapes at the Castlemaine Art Gallery and Historical Museum with Untitled #21 2005/2006 at left and Untitled #9 2005/2006 at right
Photo: © Marcus Bunyan and the Castlemaine Art Gallery and Historical Museum
Bill Henson (Australian, b. 1955)
Untitled #21 2005-2006 (detail)
2005-2006
CL SH541 N2
Type C photograph
127 x 180cm
Bill Henson (Australian, b. 1955)
Untitled 1999-2000
1999-2000
Type C photograph
103.8 x 154.0cm (image) 126.8 x 179.9cm (sheet)
National Gallery of Victoria, Melbourne
Purchased with funds from the Victorian Foundation for Living Australian Artists, 2005 (2005.501)
Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney
“Our current exhibition, Bill Henson: Landscapes captures the haunting convergence of opposites; two worlds, darkness and light.
These dreamlike pictures pursue the Romantic project by engulfing the viewer in the urban or semi-rural sublime. Through these landscapes, we are immersed in a realm which offers an otherworldly view of the transient nature of earthly existence. The inky depths of the encroaching natural environment suggest a dark abyss, an ethereal malevolence that relates to both the artistic conventions of Renaissance landscape painting and, a uniquely Australian anxiety about our environment and the ominous ordinary.”
Text from the Castlemaine Art Gallery Facebook page
Installation photographs of the exhibition Bill Henson: Landscapes at the Castlemaine Art Gallery and Historical Museum with Untitled #23, 1998/1999/2000 at right bottom
Photos: © Marcus Bunyan and the Castlemaine Art Gallery and Historical Museum
Bill Henson (Australian, b. 1955)
Untitled 2001-2002
2001-2002
Type C photograph
127 x 180cm (sheet)
Collection of Annabel and Rupert Myer
Bill Henson (Australian, b. 1955)
Untitled 2001-2002 (detail)
2001-2002
Type C photograph
127 x 180cm (sheet)
Collection of Annabel and Rupert Myer
Installation photograph of the exhibition Bill Henson: Landscapes at the Castlemaine Art Gallery and Historical Museum with Untitled #28 1998 at right
Photo: © Marcus Bunyan and the Castlemaine Art Gallery and Historical Museum
Bill Henson (Australian, b. 1955)
Untitled #28 (detail)
1998
Type C photograph
104 × 154cm
Bill Henson (Australian, b. 1955)
Untitled #48 (detail)
1998/1999/2000
Type C photograph
127 × 180cm
Castlemaine Art Gallery and Historical Museum
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