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Marcus Bunyan black and white archive: ‘Orphans and small groups’ 1994-96 Part 2
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- Exhibition: ‘Germany / 1920s / New Objectivity / August Sander’ at Centre Pompidou, Paris
- Photographs: Frank Hurley – Soldiers of the Australian Imperial Force (AIF) on the Western Front during the First World War, mid-1917 – September 1918
- Exhibition: ‘In Focus: Sound’ at the J. Paul Getty Museum, Los Angeles
- Photographs: Images of Mongolian noblemen and noblewomen of early 20th century (1910s-1920s)
- Exhibition: ‘Image and Space. Candida Höfer in Dialogue with the Photography Collection of the Kunstbibliothek’ at the Museum für Fotografie, Berlin
- Exhibition: ‘George Tice Lifework: A Tribute, Photographs 1953-2013’ at Joseph Bellows Gallery, La Jolla, California
- Exhibition: ‘Photographic Concepts and Treasures – Works from the Collection Part 1 – Portraiture, Landscape, Botany’ at Die Photographische Sammlung / SK Stiftung Kultur, Cologne
- Exhibition: ‘Walter Sickert’ at Tate Britain, London
- Photographs: ‘Venice Views’ by Fratelli Gajo c. 1880s
- Exhibition: ‘Imogen Cunningham: A Retrospective’ at the J. Paul Getty Museum, Los Angeles
- Exhibition: ‘Real Photo Postcards: Pictures from a Changing Nation’ at the Museum of Fine Arts, Boston
- Exhibition: ‘André Kertész: Postcards from Paris’ at the High Museum of Art, Atlanta
- Exhibition: ‘After August Sander: People of the 21st Century’ at Museum für Gegenwartskunst Siegen
- Exhibition: ‘Known and Strange: Photographs from the Collection’ at the V&A Photography Centre, London
- Photographs: ‘Carnival attractions and circus photos’
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- Exhibition: 'Hold That Pose: Erotic Imagery in 19th Century Photography' at the Kinsey Institute, Bloomington, Indiana Part 2
- Exhibition: 'Germany / 1920s / New Objectivity / August Sander' at Centre Pompidou, Paris
- Exhibition: 'nude men: from 1800 to the present day' at the Leopold Museum, Vienna
- Exhibition: 'Imogen Cunningham: A Retrospective' at the J. Paul Getty Museum, Los Angeles
- Exhibition: 'Image and Space. Candida Höfer in Dialogue with the Photography Collection of the Kunstbibliothek' at the Museum für Fotografie, Berlin
- Photographs: Edward J. Kelty
- Photographs: Images of Mongolian noblemen and noblewomen of early 20th century (1910s-1920s)
- Exhibition: 'In Focus: Sound' at the J. Paul Getty Museum, Los Angeles
- Exhibition: 'Hold That Pose: Erotic Imagery in 19th Century Photography' at the Kinsey Institute, Bloomington, Indiana Part 1
- Exhibition: 'Maestro: Recent Works by Lino Tagliapietra' at the Museum of Glass, Tacoma
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Art Blart 
Video: ‘Cottees: There’s a lot to celebrate’ (2012) by GPYR-Melbourne / insidious racism?
Tags: 'Cottees: There's a lot to celebrate, advertising, Australia, Australian advert, Australian advertising, Australian culture, Australian family, Australian racism, Australian social landscape, Cottees, Cottees cordial, Cottees there, Cottees there's a lot to celerate, current-events, Graeme Innes, Indigenous Australians, insidious racism, media, Race Discrimination Commissioner, racism, racism in Australia, social commentary, social landscape, television, There's a lot to celebrate, tv advertising, video, White Australia, White Australia policy
October 2012
insidious
adj.
Proceeding in a gradual, subtle way, but with harmful effects
There is a lot to celebrate living in Australia, the lucky country, especially if you are a white kid growing up in the perfect world of Cottees advertising. I have been viewing these TV commercials since 1986 and have yet to see an Indian, Asian, Aboriginal or child from a Muslim family in any of them. As far as I can see it is only white children of middle class suburban families that can “seize the day” in Cottee’s vision of contemporary Australia.
I ask my readers, do they think that these adverts promulgate a form of insidious racism? Are these adverts a form of racism by exclusion, rather than one by outright declamation?
Is this exclusion a form of societal system of oppression?
I leave the answer for you to decide.
Perhaps they should have said, “No matter how many white kids end up in your backyard, there’s always enough Cottee’s to go around…”
“We’re all responsible for naming, and saying no to, racism. We must call it when we see it… Race hate, racism, careless words – can harm entire populations. They can change the way that we live together… Racism can only be resisted, and eradicated, through solidarity, and cooperation. There are no exceptions. History has no bystanders – only participants.”
.
Graeme Innes AM, Race Discrimination Commissioner at the Australian Human Rights Commission, August 2011
VIDEO NO LONGER AVAILABLE
Cottees There’s a lot to celebrate (2012)
“This Sunday will see the launch of a new campaign for Cottee’s cordial. Created by George Patterson Y&R Melbourne, the commercial aims to take the brand back to its roots by celebrating the simple goodness of childhood – and the fact that no matter how many kids end up in your back yard at the end of the day, there’s always enough Cottee’s to go around.
Says Troy McKinna, advertising manager at Cottee’s: “We’re hoping the generation of Australians who grew up with classic ‘My dad picks the fruit’‚ ad will share this new Cottee’s classic with the next one.””
CLIENT:
Advertising Manger: Troy McKinna
Brand Manager: Karen Elsbury
Cottee’s Cordial – Australian TV Commercial (1998)
Cottee’s cordial ad from mid 90’s
Cottees Cordial Australian Commercial 1980s
.
Cottees Country Blend Cordial (Nd)
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