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Marcus Bunyan black and white archive: ‘Dogs, chickens, cattle’ 1994-95
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Recent Posts
- Marcus Bunyan black and white archive: ‘Horses, sheep’, 1994-95
- Marcus Bunyan black and white archive: ‘Dogs, chickens, cattle’, 1994-95
- Exhibition: ‘Gathering Clouds: Photographs from the Nineteenth Century and Today’ at George Eastman Museum, Rochester, NY
- Exhibition: ‘Model Aircraft’ at SFO Museum, San Francisco International Airport
- Photographs: ‘Early French aviator glass slides’ c. 1913-14
- European photographic research tour exhibition: ‘L’equilibriste, André Kertész’ at Jeu de Paume, Château de Tours Part 1
- Pamphlet: ‘Australian Aboriginal Art’ with texts by Charles Barrett and A.S. Kenyon, National Museum of Victoria, 1952
- Text: “Atget’s shadow,” on his Paris photographs
- European photographic research tour exhibition: ‘Brassaï’ at Foam, Amsterdam
- Marcus Bunyan black and white archive: ‘Padlocks/People’, 1994-96
- Exhibition: ‘2020 Vision: Photographs, 1840s-1860s’ at the Metropolitan Museum of Art, New York
- Exhibition: ‘Hilma af Klint – Artist, Researcher, Medium’ at Moderna Museet Malmö
- European photographic research tour exhibition: ‘Berenice Abbott: Portraits of Modernity’ at Huis Marseille, Amsterdam Part 2
- European photographic research tour: Vintage August Sander photographs at Galerie Julian Sander, Cologne
- Photographs: Marcus Bunyan. ‘A day in the Tiergarten’ (2019-2020)
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- Marcus Bunyan black and white archive: 'Dogs, chickens, cattle', 1994-95 wp.me/pn2J2-f3h "Ah, the light!"… twitter.com/i/web/status/1… 6 days ago
- Marcus Bunyan black and white archive: 'Dogs, chickens, cattle', 1994-95 wp.me/pn2J2-f3h "Ah, the light!"… twitter.com/i/web/status/1… 6 days ago
- Exhibition: 'Gathering Clouds: Photographs from the Nineteenth Century & Today' at George Eastman Museum, Rochester… twitter.com/i/web/status/1… 1 week ago
- Exhibition: 'Gathering Clouds: Photographs from the Nineteenth Century and Today' at George Eastman Museum, Rochest… twitter.com/i/web/status/1… 1 week ago
Top Posts
- Exhibition: 'Hold That Pose: Erotic Imagery in 19th Century Photography' at the Kinsey Institute, Bloomington, Indiana Part 2
- Photographic archive: 'The Gibson archive' at the Royal Museums Greenwich (RMG)
- Exhibition: 'René Burri: A Retrospective' at Flo Peters Gallery, Hamburg
- Review: 'Jonh Brack' retrospective at The National Gallery of Victoria, NGV Australia, Federation Square, Melbourne
- Exhibition: 'Face to Face: Portraits of Artists' at the Philadelphia Museum of Art
- Review: 'René Magritte: The Revealing Image, Photos and Films' at the Latrobe Regional Art Gallery, Victoria
- Photographs: Weegee (Arthur Fellig) (1899-1968) '9 crime-scene photographs' c. 1930s
- Photographs: Gordon Parks "The Atmosphere of Crime" 1957
- Exhibition: 'The New Landscape: Experiments in Light by Gyorgy Kepes' at the Cantor Arts Center at Stanford University
- Exhibition: 'The Naked Truth and More Besides: Nude Photography around 1900' at the Museum for Photography, Berlin
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Video: ‘Cottees: There’s a lot to celebrate’ (2012) by GPYR-Melbourne / insidious racism?
Tags: 'Cottees: There's a lot to celebrate, advertising, Australia, Australian advert, Australian advertising, Australian culture, Australian family, Australian racism, Australian social landscape, Cottees, Cottees cordial, Cottees there, Cottees there's a lot to celerate, current-events, Graeme Innes, Indigenous Australians, insidious racism, media, Race Discrimination Commissioner, racism, racism in Australia, social commentary, social landscape, television, There's a lot to celebrate, tv advertising, video, White Australia, White Australia policy
October 2012
insidious
adj.
Proceeding in a gradual, subtle way, but with harmful effects
There is a lot to celebrate living in Australia, the lucky country, especially if you are a white kid growing up in the perfect world of Cottees advertising. I have been viewing these TV commercials since 1986 and have yet to see an Indian, Asian, Aboriginal or child from a Muslim family in any of them. As far as I can see it is only white children of middle class suburban families that can “seize the day” in Cottee’s vision of contemporary Australia.
I ask my readers, do they think that these adverts promulgate a form of insidious racism? Are these adverts a form of racism by exclusion, rather than one by outright declamation?
Is this exclusion a form of societal system of oppression?
I leave the answer for you to decide.
Perhaps they should have said, “No matter how many white kids end up in your backyard, there’s always enough Cottee’s to go around…”
“We’re all responsible for naming, and saying no to, racism. We must call it when we see it… Race hate, racism, careless words – can harm entire populations. They can change the way that we live together… Racism can only be resisted, and eradicated, through solidarity, and cooperation. There are no exceptions. History has no bystanders – only participants.”
.
Graeme Innes AM, Race Discrimination Commissioner at the Australian Human Rights Commission, August 2011
VIDEO NO LONGER AVAILABLE
Cottees There’s a lot to celebrate (2012)
“This Sunday will see the launch of a new campaign for Cottee’s cordial. Created by George Patterson Y&R Melbourne, the commercial aims to take the brand back to its roots by celebrating the simple goodness of childhood – and the fact that no matter how many kids end up in your back yard at the end of the day, there’s always enough Cottee’s to go around.
Says Troy McKinna, advertising manager at Cottee’s: “We’re hoping the generation of Australians who grew up with classic ‘My dad picks the fruit’‚ ad will share this new Cottee’s classic with the next one.””
CLIENT:
Advertising Manger: Troy McKinna
Brand Manager: Karen Elsbury
Cottee’s Cordial – Australian TV Commercial (1998)
Cottee’s cordial ad from mid 90’s
Cottees Cordial Australian Commercial 1980s
.
Cottees Country Blend Cordial (Nd)
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