Dr Marcus Bunyan
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Marcus Bunyan black and white archive: ‘Orphans and small groups’ 1994-96
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Recent Posts
- Exhibition: ‘Dawoud Bey: An American Project’ at the High Museum of Art, Atlanta
- Marcus Bunyan black and white archive: ‘Orphans and small groups’ 1994-96 Part 1
- Photographs: ‘Women’ 1960s British / Australian 35mm colour slides Part 2
- Exhibition: Gordon Parks and “The Atmosphere of Crime” at the Museum of Modern Art (MoMA), New York
- Photographs: Marcus Bunyan. ‘Stones, Vaults, Flowers: Père Lachaise’ 2017-2020
- Review: ‘DESTINY’ at NGV Australia, Federation Square, Melbourne
- Photographs: ‘Women’ 1960s Australian 35mm colour slides Part 1
- Photographs: Walker Evans. ‘Subway portraits 1938-41’
- Exhibition: ‘The Experimental Self: Edvard Munch’s Photography’ at the National Nordic Museum, Seattle
- Exhibition: ‘Max Beckmann: feminine-masculine’ at Hamburger Kunsthalle, Hamburg
- Exhibition: ‘Unearthed: Photography’s Roots’ at the Dulwich Picture Gallery, London
- European art research tour exhibition: ‘Alberto Giacometti’ at the Trade Fair Palace, National Gallery Prague
- Season’s greetings from Art Blart 2020
- Exhibition: ‘Bruce Davidson: Brooklyn Gang’ at Cleveland Museum of Art
- Objet d’art: French and German enamelled boxes at the Louvre, Paris
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- Exhibition: 'Dawoud Bey: An American Project' at the High Museum of Art, Atlanta wp.me/pn2J2-gtC #lynchings… twitter.com/i/web/status/1… 12 hours ago
- Exhibition: 'Dawoud Bey: An American Project' at the High Museum of Art, Atlanta wp.me/pn2J2-gtC #art… twitter.com/i/web/status/1… 12 hours ago
- Exhibition: 'Dawoud Bey: An American Project' at the High Museum of Art, Atlanta wp.me/pn2J2-gtC #DawoudBey… twitter.com/i/web/status/1… 13 hours ago
- Exhibition: 'Dawoud Bey: An American Project' at the High Museum of Art, Atlanta wp.me/pn2J2-gtC "Bey's pho… twitter.com/i/web/status/1… 13 hours ago
- Marcus Bunyan black and white archive: 'Orphans and small groups' 1994-96 Part 1 wp.me/pn2J2-giN Nine photo… twitter.com/i/web/status/1… 1 week ago
- Marcus Bunyan black and white archive: 'Orphans and small groups' 1994-96 Part 1 wp.me/pn2J2-giN… twitter.com/i/web/status/1… 1 week ago
Top Posts
- Exhibition: 'Hold That Pose: Erotic Imagery in 19th Century Photography' at the Kinsey Institute, Bloomington, Indiana Part 2
- Exhibition: Gordon Parks and "The Atmosphere of Crime" at the Museum of Modern Art (MoMA), New York
- Exhibition: 'nude men: from 1800 to the present day' at the Leopold Museum, Vienna
- Exhibition: 'Dawoud Bey: An American Project' at the High Museum of Art, Atlanta
- Exhibition: 'Japan's Modern Divide: The Photographs of Hiroshi Hamaya and Kansuke Yamamoto' at the J. Paul Getty Museum, Los Angeles
- International artists/exhibitions by name & posting
- Exhibition: 'Masculine / Masculine: The Nude Man in Art from 1800 to the present day' at the Musée d'Orsay, Paris
- Exhibition: 'The Naked Truth and More Besides: Nude Photography around 1900' at the Museum for Photography, Berlin
- Photographic archive: 'The Gibson archive' at the Royal Museums Greenwich (RMG)
- Exhibition: 'Gordon Parks: The Making of an Argument' at The New Orleans Museum of Art
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Video: ‘Cottees: There’s a lot to celebrate’ (2012) by GPYR-Melbourne / insidious racism?
Tags: 'Cottees: There's a lot to celebrate, advertising, Australia, Australian advert, Australian advertising, Australian culture, Australian family, Australian racism, Australian social landscape, Cottees, Cottees cordial, Cottees there, Cottees there's a lot to celerate, current-events, Graeme Innes, Indigenous Australians, insidious racism, media, Race Discrimination Commissioner, racism, racism in Australia, social commentary, social landscape, television, There's a lot to celebrate, tv advertising, video, White Australia, White Australia policy
October 2012
insidious
adj.
Proceeding in a gradual, subtle way, but with harmful effects
There is a lot to celebrate living in Australia, the lucky country, especially if you are a white kid growing up in the perfect world of Cottees advertising. I have been viewing these TV commercials since 1986 and have yet to see an Indian, Asian, Aboriginal or child from a Muslim family in any of them. As far as I can see it is only white children of middle class suburban families that can “seize the day” in Cottee’s vision of contemporary Australia.
I ask my readers, do they think that these adverts promulgate a form of insidious racism? Are these adverts a form of racism by exclusion, rather than one by outright declamation?
Is this exclusion a form of societal system of oppression?
I leave the answer for you to decide.
Perhaps they should have said, “No matter how many white kids end up in your backyard, there’s always enough Cottee’s to go around…”
“We’re all responsible for naming, and saying no to, racism. We must call it when we see it… Race hate, racism, careless words – can harm entire populations. They can change the way that we live together… Racism can only be resisted, and eradicated, through solidarity, and cooperation. There are no exceptions. History has no bystanders – only participants.”
.
Graeme Innes AM, Race Discrimination Commissioner at the Australian Human Rights Commission, August 2011
VIDEO NO LONGER AVAILABLE
Cottees There’s a lot to celebrate (2012)
“This Sunday will see the launch of a new campaign for Cottee’s cordial. Created by George Patterson Y&R Melbourne, the commercial aims to take the brand back to its roots by celebrating the simple goodness of childhood – and the fact that no matter how many kids end up in your back yard at the end of the day, there’s always enough Cottee’s to go around.
Says Troy McKinna, advertising manager at Cottee’s: “We’re hoping the generation of Australians who grew up with classic ‘My dad picks the fruit’‚ ad will share this new Cottee’s classic with the next one.””
CLIENT:
Advertising Manger: Troy McKinna
Brand Manager: Karen Elsbury
Cottee’s Cordial – Australian TV Commercial (1998)
Cottee’s cordial ad from mid 90’s
Cottees Cordial Australian Commercial 1980s
.
Cottees Country Blend Cordial (Nd)
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