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Marcus Bunyan black and white archive: ‘Orphans and small groups’ 1994-96 Part 2
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- Text: ‘Finding Integrity: “New Woman” artists and female emancipation in the first half of the twentieth century’ on the exhibition ‘The New Woman Behind the Camera’ at the National Gallery of Art, Washington Part 3
- Photographs: ‘Australian cartes-de-visite, Melbourne’ 1860s-1880s
- Exhibition: ‘Richard Benson: The World Is Smarter Than You Are’ at the Philadelphia Museum of Art
- Exhibition: ‘Freedom Must Be Lived: Marion Palfi’s America, 1940-1978’ at the Phoenix Art Museum
- Exhibition: ‘The New Woman Behind the Camera’ at the National Gallery of Art, Washington Part 2
- Season’s greetings from Art Blart 2021
- Exhibition: ‘The New Woman Behind the Camera’ at the National Gallery of Art, Washington Part 1
- New website: Marcus Bunyan – celebrating 30 years of art practice in 2021
- Exhibition: ‘Notorious RBG: The Life and Times of Ruth Bader Ginsburg’ at the New-York Historical Society, New York
- Exhibition: ‘John Coplans: La Vie Des Formes’ at Fondation Henri Cartier-Bresson, Paris
- Exhibition: ‘In Lady Barclay’s Salon – Art and Photography around 1900’ at Moderna Museet, Stockholm
- Exhibition: ‘Ellsworth Kelly: Postcards’ at the Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York
- Photographs: Marcus Bunyan. ‘Resonance’ 2021
- Exhibition: ‘James Barnor: Accra/London – A Retrospective’ at the Serpentine North Gallery, London
- Exhibition: ‘Mario Giacomelli: Figure | Ground’ at the J. Paul Getty Museum, Los Angeles
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- Text: 'Finding Integrity' on the exhibition 'The New Woman Behind the Camera' at the National Gallery of Art Washin… twitter.com/i/web/status/1… 3 days ago
- Text: 'Finding Integrity' on the exhibition 'The New Woman Behind the Camera' at the National Gallery of Art Washin… twitter.com/i/web/status/1… 3 days ago
- Text: 'Finding Integrity: "New Woman" artists and female emancipation in the first half of the twentieth century' o… twitter.com/i/web/status/1… 3 days ago
- Photographs 'Australian cartes-de-visite, Melbourne' 1860s-1880s wp.me/pn2J2-igp #FrederickCornell… twitter.com/i/web/status/1… 1 week ago
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Top Posts
- Exhibition: 'Hold That Pose: Erotic Imagery in 19th Century Photography' at the Kinsey Institute, Bloomington, Indiana Part 2
- Exhibition: 'nude men: from 1800 to the present day' at the Leopold Museum, Vienna
- Exhibition: 'Licht-Bilder (Light images). Fritz Winter and Abstract Photography' at the Pinakothek der Moderne, Munich
- Photographs: Exhumed Coffin
- Exhibition: 'Hold That Pose: Erotic Imagery in 19th Century Photography' at the Kinsey Institute, Bloomington, Indiana Part 1
- Exhibition: 'Richard Benson: The World Is Smarter Than You Are' at the Philadelphia Museum of Art
- Photographs: "Climbing into immortality" on the work of Lewis W. Hine (1874-1940)
- International artists/exhibitions by name & posting
- Photographs: 'Weegee (Arthur Fellig)(1899-1968) – 9 crime-scene photographs' c. 1930s
- Exhibition: 'Nude Visions. 150 Years of Nude Photography' at Museum Fur Kunst und Gewerbe (MKG), Hamburg
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Art Blart 
Video: ‘Cottees: There’s a lot to celebrate’ (2012) by GPYR-Melbourne / insidious racism?
Tags: 'Cottees: There's a lot to celebrate, advertising, Australia, Australian advert, Australian advertising, Australian culture, Australian family, Australian racism, Australian social landscape, Cottees, Cottees cordial, Cottees there, Cottees there's a lot to celerate, current-events, Graeme Innes, Indigenous Australians, insidious racism, media, Race Discrimination Commissioner, racism, racism in Australia, social commentary, social landscape, television, There's a lot to celebrate, tv advertising, video, White Australia, White Australia policy
October 2012
insidious
adj.
Proceeding in a gradual, subtle way, but with harmful effects
There is a lot to celebrate living in Australia, the lucky country, especially if you are a white kid growing up in the perfect world of Cottees advertising. I have been viewing these TV commercials since 1986 and have yet to see an Indian, Asian, Aboriginal or child from a Muslim family in any of them. As far as I can see it is only white children of middle class suburban families that can “seize the day” in Cottee’s vision of contemporary Australia.
I ask my readers, do they think that these adverts promulgate a form of insidious racism? Are these adverts a form of racism by exclusion, rather than one by outright declamation?
Is this exclusion a form of societal system of oppression?
I leave the answer for you to decide.
Perhaps they should have said, “No matter how many white kids end up in your backyard, there’s always enough Cottee’s to go around…”
“We’re all responsible for naming, and saying no to, racism. We must call it when we see it… Race hate, racism, careless words – can harm entire populations. They can change the way that we live together… Racism can only be resisted, and eradicated, through solidarity, and cooperation. There are no exceptions. History has no bystanders – only participants.”
.
Graeme Innes AM, Race Discrimination Commissioner at the Australian Human Rights Commission, August 2011
VIDEO NO LONGER AVAILABLE
Cottees There’s a lot to celebrate (2012)
“This Sunday will see the launch of a new campaign for Cottee’s cordial. Created by George Patterson Y&R Melbourne, the commercial aims to take the brand back to its roots by celebrating the simple goodness of childhood – and the fact that no matter how many kids end up in your back yard at the end of the day, there’s always enough Cottee’s to go around.
Says Troy McKinna, advertising manager at Cottee’s: “We’re hoping the generation of Australians who grew up with classic ‘My dad picks the fruit’‚ ad will share this new Cottee’s classic with the next one.””
CLIENT:
Advertising Manger: Troy McKinna
Brand Manager: Karen Elsbury
Cottee’s Cordial – Australian TV Commercial (1998)
Cottee’s cordial ad from mid 90’s
Cottees Cordial Australian Commercial 1980s
.
Cottees Country Blend Cordial (Nd)
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