Archive for July 17th, 2012

17
Jul
12

International Conference: ‘Travel Ideals: Engaging with spaces of mobility’ at the University of Melbourne

Conference dates: 18th July – 20th July 2012

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I am presenting an academic paper Traversing the unknown at the international conference Travel Ideals: Engaging with spaces of mobility this Wednesday afternoon at the University of Melbourne. Come along if you can!

More information and program on the conference website.

Dr Marcus Bunyan, Faculty of Arts, The University of Melbourne.

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Travel Ideals: Engaging with spaces of mobility conference website

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17
Jul
12

Exhibition: ‘Eugène Atget, Paris’ at the Carnavalet Museum, Paris

Exhibition dates: 25th April – 29th July 2012

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More photographs from the master, including some of the less well known figurative work. The exhibition has been rating its socks off, with long queues and people being stopped from entering until the crowds inside have dissipated, so that people can actually see the small prints. Being a Leo the image of the lion’s head (Heurtoir à tête de lion, 1900, below) is my favourite in the posting, which is why it’s at the top. Owning an Atget. It has a nice ring to it. Just imagine owning this Atget. I would be in a spin for days!

Many thankx to the Carnavalet Museum for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

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Eugène Atget
Heurtoir à tête de lion, hôtel de la Monnaie, quai Conti, 6e arrondissement
[Lion head knocker, Hotel Monnaie, Quai Conti, 6th District]
Septembre 1900
Tirage sur papier albuminé
Paris, musée Carnavalet
© Eugène Atget / Musée Carnavalet/ Roger-Viollet

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Eugène Atget
La Conciergerie et la Seine, brouillard en hiver, 1er arrondissement
[The Conciergerie and the Seine, fog in winter, 1st district]
1923
Tirage sur papier albuminé mat
Paris, musée Carnavalet
© Eugène Atget / Musée Carnavalet / Roger-Viollet

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Eugène Atget
Rue Hautefeuille, 6e arrondissement
1898
Tirage sur papier albuminé
Paris, musée Carnavalet
© Eugène Atget / Musée Carnavalet / Roger-Viollet

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Eugène Atget
Fontaine de l’Observatoire, par le sculpteur Carpeaux, jardin Marco-Polo, vue prise vers le jardin du Luxembourg, 6e arrondissement
[Fountain of the Observatory, by the sculptor Carpeaux, Marco Polo Garden, view towards the Luxembourg gardens, the sixth borough]
1902
Tirage sur papier albuminé
Paris, musée Carnavalet
© Eugène Atget / Musée Carnavalet / Roger-Viollet

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“In spring 2012, the Carnavalet Museum presents the Parisian work of one of the most famous photographers of the 20th century, Eugène Atget (Libourne, 1857 – Paris, 1927). The exhibition proposes a selection of 230 prints created in Paris between 1898 and 1927 from the collections of the Carnavalet Museum, in addition to those of the George Eastman House in Rochester and the collections of the Fundación Mapfre in Madrid.

This retrospective, which brings together some well-known images and others previously unseen, paints an unusual portrait of the capital, far from the clichés of the Belle Époque. Visitors will discover the streets of the Paris of old, the gardens, the quays of the Seine, the former boutiques and the travelling salesmen. Atget’s photographs also reveal the changes in his processes: when he started out, this self-taught photographer tried to bring together landscapes and motifs and then images of Paris streets, in order to sell them to artists as models. It was when he dedicated himself to the streets of Paris that he attracted the attention of prestigious institutions such as the Carnavalet Museum and the National Library, which were to become his main clients until the end of his life.

In addition, one room in the exhibition is dedicated to the presentation of a series of 43 photograph prints, collected in the 1920s by the American artist Man Ray. This album, which is currently kept in Rochester (United States), allows visitors to gain a better understanding of Atget’s influence on the Surrealists. Reflecting on Atget’s prints, the public will also discover the work of Emmanuel Pottier (Meslaydu- Maine, 1864 – Paris, 1921), his practically unknown contemporary who, like other photographers, explored the subject of picturesque Paris.”

Press release from the Carnavalet Museum website

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Eugène Atget
Chanteuse de rue et joueur d’orgue de Barbarie
[Street singer and organ player of Barbary]
1898
Tirage sur papier albuminé
Paris, musée Carnavalet
© Eugène Atget / Musée Carnavalet / Roger-Viollet

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Eugène Atget
Marchand ambulant, place Saint-Médard, 5e arrondissement
[Peddler, Place Saint-Médard, 5th District]
Septembre 1899
Tirage sur papier albuminé
Paris, musée Carnavalet
© Eugène Atget / Musée Carnavalet / Roger-Viollet

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Eugène Atget
Cabaret “Au Port Salut,” marchande de coquillages, rue des Fossés-Saint-Jacques, 5e arrondissement
[Cabaret “At Port Salut,” Merchant of shells, Rue des Fosses-Saint-Jacques, 5th District]
1903
Tirage sur papier albuminé collé sur carton gris bleu
Paris, musée Carnavalet
© Eugène Atget / Musée Carnavalet / Roger-Viollet

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Eugène Atget
Rue Asseline
1924 – 1925
Aristotype à la gélatine
Collection Man Ray 1926
© Eugène Atget/Album de Man Ray, George Eastman House

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Carnavalet Museum
23, rue de Sévigné
75003 Paris
T: 01 44 59 58 58

Open every day from 10am to 6pm,
except Mondays and public holidays

Carnavalet Museum website

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Marcus Bunyan black and white archive: ‘Études’ 1994

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

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