06
May
12

Exhibition: ‘Warhol and Cars: American Icons’ at The Andy Warhol Museum, Pittsburgh

Exhibition dates: 5th February – 13th May 2012

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Many thankx to The Warhol Museum for allowing me to publish the photographs of the art in the posting. Please click on the photographs for a larger version of the image.

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I think of myself as an American artist; I like it here. I think it’ s so great. I feel I represent the U.S. in my art but I’m not a social critic: I just paint those objects in my paintings because those are the things I know best… I’ve heard it said that my paintings are as much a part of the fashionable world as clothes and cars.

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Andy Warhol, 1966

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Andy Warhol (1928-87)
Car (1958 Cadillac Coupe DeVille)
ca. 1958
Ink and Dr. Martin’s Aniline dye on Strathmore paper
13 ¼ x 25 5/8 in. (33.7 x 65.1 cm.)
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the VisualArts, Inc., 1998.1.1096
© 2010 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York

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Andy Warhol (1928-87)
Female Fashion Figure (with 1959 Plymouth Sport Fury Convertible)
ca. 1959 Ink and Dr. Martin’s Aniline dye on Strathmore paper
20 1/8 x 24 7/8 in. (51.1 x 63.2 cm.)
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol, Foundation for the Visual Arts, Inc. 1998.1.1194
© 2010 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York

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Andy Warhol (1928-87)
5 Deaths
1963
Acrylic and silkscreen ink on canvas
20 1/8 x 30 in. (51.1 x 76.2 cm.)
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the VisualArts, Inc., 1998.1.19
© 2010 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York.

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Andy Warhol
BMW M1 Art Race Car
1979

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Andy Warhol
BMW M1 Art Race Car (detail)
1979

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“Warhol and Cars: American Icons is the first exhibition to examine Warhol’s enduring fascination with automotive vehicles as products of American consumer society. This exhibition features more than forty drawings, paintings, photographs, and related archival material spanning from 1946 to 1986. As one of the most iconic and influential artists of the 20th century, Andy Warhol has helped to define America. His signature images of such American products and celebrities as Campbell’s soup cans, Coca-Cola bottles, Marilyn Monroe, and Elizabeth Taylor have become instantly recognizable. The majority of the work in the exhibition is from The Andy Warhol Museum’s collection.

The exhibition, organized by the Montclair Art Museum in New Jersey, traces the development of Warhol’s work with cars throughout his career. Warhol and Cars highlights include drawing created in the 1940s; works on paper of the 1950s, as well as paintings and prints from the 60s, 70s and 80s. The exhibition is organized chronologically and thematically, tracing the development of Warhol’s work with cars throughout his career. Exhibition highlights include a rare, spontaneous drawing of the 1940s featuring a produce truck operated by Warhol’s brother Paul; works on paper of the 1950s, dating from the era of Warhol’s commercial magazine illustration; and paintings and prints from his important and poignant Car Crash series.

A key work is Twelve Cadillacs, part of a group of nine Warhol car paintings published in the November 1962 issue of Harper’s Bazaar, which commissioned Warhol to make a visual commentary on the phenomenon of the iconic American motor car. The repetition and grid organization became a central feature of Warhol’s work. For the first time, Twelve Cadillacs will be juxtaposed with potential source images, as well as the related Seven Cadillacs and the hand-painted Lincoln Continental, both of which were also part of the Harper’s Bazaar commission. Also on view will be a related drawing and car model of Cadillacs from the Jean S. and Frederic A. Sharf Collection of American Automobile Art.

Warhol’s continued engagement with the theme of the automobile is seen in prints and paintings of the 1970s and 1980s based on Volkswagen advertisements, as well as in multiple photographs of European and American cars sewn together with thread into a format evocative of Warhol’s characteristic assembly-line aesthetic. An original BMW M-1 racing car that was hand-painted by Warhol will be on display in the entrance gallery. A film of Warhol painting a BMW in 1979 as part of the BMW Art Race Car Projects introduced by French race car driver Herve Poulin will be on view during the exhibition. The car is part of the BMW Museum’s collection in Munich and was last displayed in the United States at Grand Central Terminal in New York City in 2009.”

Press release from The Warhol Museum website

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Andy Warhol (1928-87)
1978 BMW 320i Art Car Maquette
1978

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Andy Warhol (1928-87)
Police Car (from the series Paintings for Children)
1983
Synthetic polymer and silkscreen inks on canvas
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the VisualArts, Inc.,1998.1.23
© 2010 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York.

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Andy Warhol
European License Plate, 1976-1986
1986
© AWF

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Andy Warhol
Truck
1985
© AWF

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Andy Warhol (1928-87)
Seven Cadillacs
1962
Silkscreen ink on linen
56 x 19 in. (142.2 x 48.3 cm.)
The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the VisualArts, Inc.,1998.1.23
© 2010 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York.

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The Andy Warhol Museum
117 Sandusky Street
Pittsburgh, PA 15212-5890
T: 412-237-8300

Opening hours:
Tues, Wed, Thurs, Sat and Sun 10 a.m. – 5 p.m.
Fri, 10 a.m. – 10 p.m.
Mon closed

W: www.warhol.org

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

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