Exhibition: ‘Rückenfigur’ by David Ashley Kerr at Dear Patti Smith ARI, Fitzroy

Exhibition dates: 17th November – 27th November 2011

 

David Ashley Kerr. 'I hear the River
' 2009

 

David Ashley Kerr (Australian, b. 1986)
I hear the River

2009
Lightjet photographic print
80 x 140cm

 

 

Congratulations to David-Ashley Kerr on his first solo exhibition: the photographs and concept are very interesting.

Marcus

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Many thankx to David for allowing me to publish the photographs in the posting. Please click on the photographs to see a larger version of the image.

 

 

David Ashley Kerr. 'I hear the Sea' 2010

 

David Ashley Kerr (Australian, b. 1986)
I hear the Sea
2010
Lightjet photographic print
80 x 140cm

 

David Ashley Kerr. 'I hear the Wind' 2010

 

David Ashley Kerr (Australian, b. 1986)
I hear the Wind
2010
Lightjet photographic print
80 x 140cm

 

 

Although rückenfigur is popularly associated with the German romantic painter Caspar David Friedrich, its appearances in art very much pre-date his time. Early forms of it were attributed to Giotto but it became a more substantial style in the 15th century, creeping into the works of painters such as Jan van Eyck and later with Allaert van Everdingen and Jan Luiken.

Often these uses were simply to direct the viewer to behold the landscape in the scene. Friedrich’s approach transfigured this into a different concept, sometimes referred to as “the halted traveller”, where the lonely wanderer has appeared to have been “stopped” by the view of the landscape. This implies to us as a viewer that there is perhaps more to the landscape than we see, but those thoughts may remain unknown to us… privately contained in the mind of the rückenfigur in the scene.

It appears to me that in looking at rückenfigur art, there are two distinct thematic conveyances. The first is the aforementioned “halted traveller” lost in the contemplation of the landscape. In gazing upon the landscape, the rückenfigur is quite separate from the scene being viewed. Although s/he is anonymous and without identity, there is still a distinct identity from that of the landscape.

The second appears, to me at least, to be quite the opposite. Another form of rückenfigur seems to be where the figure(s) are distantly placed deep within the landscape itself. You’ve still got “back figures” in contemplation, but the composition makes them part of the landscape rather than separate. While we still identify with them as a viewer, the identity of the figures are very much subsumed into the grandeur of the landscape, maybe even biblically so.

Text by Christian Were, Melbourne

 

David Ashley Kerr. 'I hear Them' 2010

 

David Ashley Kerr (Australian, b. 1986)
I hear Them
2010
Lightjet photographic print
80 x 140cm

 

David Ashley Kerr. 'Territory' 2010

 

David Ashley Kerr (Australian, b. 1986)
Territory
2010
Lightjet photographic print
80 x 140cm

 

 

David Ashley Kerr is a Melbourne based visual artist working with large-format photography. This is his first Australian solo show, a selection of landscape studies completed since 2009 that began as a photographic investigation of the Rückenfigur, or back figure. This visual device is commonly associated with German Romantic painter Caspar David Friedrich. It involves depicting a human figure that does not engage the viewer, introspectively contemplating the natural world or landscape before them.

David Ashley Kerr’s photographic practice is a visual inquiry into the relationship between cultural identity and physical environment, site, or place. He currently investigates the use of a staged lone figure in contemporary landscape photography, attempting a symbolic representation of belonging to ‘place’ in a national context, in relation to both indigenous and non-indigenous Australian ownership and connection to land.

David Ashley Kerr completed a Bachelor of Contemporary Art at Deakin University (2009) and a Master of Fine Art at RMIT University (2010). He is currently undertaking a PhD at Monash University on an Australian Postgraduate Award Scholarship, his research inquiring into place theory through photography, investigating the visual relationship between Australian cultural identity and physical environment.

Text from the Dear Patti Smith website

 

David Ashley Kerr. 'Ore' 2010

 

David Ashley Kerr (Australian, b. 1986)
Ore
2010
Lightjet photographic print
80 x 140cm

 

David Ashley Kerr. 'Trash' 2010

 

David Ashley Kerr (Australian, b. 1986)
Trash
2010
Lightjet photographic print
80 x 140cm

 

David Ashley Kerr. 'Game' 2009

 

David Ashley Kerr (Australian, b. 1986)
Game
2009
Lightjet photographic print
80 x 140cm

 

 

Dear Patti Smith

This gallery has now closed.

David-Ashley Kerr website

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Author: Dr Marcus Bunyan

Australian artist, curator and writer. Doctor of Philosophy (RMIT University), Melbourne. Master of Art Curatorship (University of Melbourne), Melbourne. Master of Arts (RMIT University), Melbourne. BA (Hons) (RMIT University), Melbourne. A.R.C.M. (Associate of the Royal College of Music), London.