08
Mar
10

Exhibition: ‘F.C. Gundlach. The Photographic Work’ at Martin-Gropius-Bau, Berlin

Exhibition dates: November 20th 2009 – March 14th 2010

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Many thankx to Marie Skov and Martin-Gropius-Bau for allowing me to reproduce the photographs in this posting.

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F.C. Gundlach
‘Erich von Stroheim during the shooting of “Alraune”, Munich’
1952

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F.C. Gundlach
‘Cary Grant. A Star goes to the Ball.’
Berlin 1960 in Film und Frau, issue 16/1960

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F.C. Gundlach
‘Jean-Luc Godard’
Berlin 1961

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F.C. Gundlach
‘Grit Hübscher. White atlas coat by Sinaida Rudow’
Berlin 1954

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F.C. Gundlach
‘Op Art Silhouette. Jersey coat by Lend’
Paris 1966 in Brigitte, issue 4/1966

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F.C. Gundlach
‘Berlinale. Elsa Maxwell and Gina Lollobrigida, film ball in the Palais am Funkturm, X.’
Berlinale 1960 in Film und Frau, issue 16/1960

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“From November 2009 the Martin-Gropius-Bau presents the definitive retrospective of F.C. Gundlach’s extensive photographic work with the exhibition “F.C. Gundlach – Photographic Work”. F.C Gundlach is one of the most famous fashion photographers worked for the most important magazines and publications from the middle of the 1950’s to 1990. Among other many famous pictures the most comprehensive presentation of F.C. Gundlach’s work shows many fameless facets of F.C. Gundlach’s work to date. After years of research, the curators Klaus Honnef, Hans-Michael Koetzle, Sebastian Lux and Ulrich Rüter present for the first time numerous unknown images as vintage prints alongside F.C. Gundlach’s famous photo icons.

The intention of the exhibition is to present the unique aesthetics of F.C. Gundlach’s photography, his roots in photojournalism, his focus on series and sequences, his narrative approach. Furthermore, the exhibition alludes to social and cultural issues over several decades.

The exhibition includes the experimental photography of his early years, especially those from Paris during the 1950’s, his remarkable portraits of German and international movie stars and film-directors as well as F.C. Gundlach’s early photo reportages and photographs of children.

For the first time, F.C. Gundlach’s work for magazines is presented on a larger scale. Magazine covers and a comprehensive collection of double-page spreads show his photographs within the magazines’ context, especially in ‘Film und Frau’ (1951–1965) and ‘Brigitte’ (1963–1986). Among photographs, title pages and a comprehensive selection of double pages of his pictures will be shown in context of the magazines. The exhibition illustrates that Gundlach has always been open to technical innovations in photography (35mm cameras, flash or color photography).

His fashion productions took him both to Paris and New York and to Egypt and Morocco. This multiple printed photographs were been to special motifs in his work. F.C. Gundlach’s impressive travel reportages occurred amongst others in Argentina, Brazil, Peru, Japan, Cambodia, Thailand, Vietnam and will be present in Berlin the first time. Original documents of his vita illustrate the life of the photographer. Moreover, the show illustrates the internationalization of his work due to extensive traveling. Documents and archival material give a brief outline of the artist’s life and work.

F.C. Gundlach himself has commented his functioning in a 60 min. interview-film, which was exclusively produced for the exhibition by filmmaker Reiner Holzemer. The exhibition presents: a life’s work of photography between documentary representation and staged artificiality, between practical and experimental photography.

F.C. Gundlach, born in 1926 in Heinebach (Hesse), is considered the most significant fashion photographer of the young Federal Republic of Germany. For more than four decades of fashion photography, he wrote fashion history with his work and shaped the perception of fashion in Germany decisively. He set the stage for the ever-changing vogues, defined postures and gestures of models, chose props and locations and thus reflected the ideals of beauty and the history of fashion against a changing social background. F.C. Gundlach worked on assignment for various magazines. His first publications were reportages, theatre- and movie reports. Through his work for the magazine ‘Film und Frau’ he became a fashion photographer. His photographs have been published in many distinguished magazines such as: Deutsche Illustrierte, Stern, Revue, Quick, Elegante Welt, Film und Frau, Annabelle, Brigitte, Twen and Deutsch. For Brigitte alone F.C. Gundlach photographed more than 5500 pages as well as about 180 magazine covers.”

Press release from the Martin-Gropius-Bau website

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F.C. Gundlach
‘The Whole Day on the Beach.’
Gizeh/Egypt 1966 in Brigitte, issue 8/1966

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F.C. Gundlach
‘Slow. Karin Mossberg’
Nairobi/Kenia 1966 in Brigitte, issue 9/1966

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F.C. Gundlach
‘Simone d’Aillencourt. Sheath dress by Horn’
Berlin 1957 in Film und Frau, issue spring/summer 1957

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F.C. Gundlach
‘Op Art Swimsuit. Brigitte Bauer, Op Art swimsuit by Sinz Vouliagmeni’
Greece 1966

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F.C. Gundlach
‘Rainweather, party sunshiny. Three poplin coats by Staebe-Seger’
Berlin 1955

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F.C. Gundlach
‘Romy Schneider’
Hamburg 1961 in Film und Frau, issue 11/1962

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Martin-Gropius-Bau Berlin
Niederkirchnerstraße 7
Corner Stresemannstr. 110
10963 Berlin
Phone +49 (0)30 254 86-0

Opening Hours:
Wednesday to Monday 10 – 20 hrs
Tuesday closed

Martin-Gropius-Bau website

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

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