Archive for December 3rd, 2008


Carbon Emissions 2000 from

Carbon Emissions 2000


Carbon Emissions 2000

© Copyright 2006 SASI Group (University of Sheffield) and Mark Newman (University of Michigan).

We welcome use of our maps under the Creative Commons conditions by educational, charitable and other non-profit organisations.


“If the world does not learn now to show respect to nature, what kind of future will the new generations have?”

Rigoberta Menchú Tum, 1992


More maps from


‘The Atlas of the Real World: Mapping the Way We Live’ by Daniel Dorling, Mark Newman and Anna Barford

The Atlas of the Real World


“In ‘Atlas of the Real World’, global inequities in the third millennium are mad strikingly visible. The book uses a clever mapping formula, massive amounts of data and a whole lot of computer power to produce 366 maps that stretch, twist and shrink the boundaries of nations according to how much they have of whatever is being mapped: money, disease, doctors, televisions, endangered animals …

The atlas (which builds on the free maps available at the website uses the simplest means to get across the most profound facts. Each country is brightly colour-coded and the maps are overlaid on a natural-looking ocean bed. The effect is a little like looking into a funfair mirror – you know what you’re seeing, but it takes a moment to work out what’s happened to it …

In the most extreme cases, the map no longer looks like the planet Earth: the map of people killed by volcanoes (302) shows two large round islands – Colombia and North Africa – and a small atoll of shrunken Asian nations …

They’re not really maps in the old-fashioned sense, but visual renderings of complex and sometimes frightening realities, perfectly suited to our supposedly post-literate age … As a wake up call, it’s not quite on the level of the first photograph of the Earth from space – the “blue marble” that inspired a generation of environmentalists. But it’s a reminder that everything we do, from fighting wars (map 318) to selling toys (129, 130), we do on the planet.

In visual form, statistics that seem like abstract numbers are transformed into a reality that can be as ugly as an Africa swollen with HIV cases (269), as hopeful as strong worldwide growth in education (226), or as simple as the fact America, and the rest of the West, could stand to go on a diet.”

Jenny Sinclair1


‘The Atlas of the Real World: Mapping the Way We Live’ by Daniel Dorling, Mark Newman and Anna Barford
416 pages
Thames and Hudson 2008

Amazon new book $31.50


1. Sinclair, Jenny. “Inequality unfolds in warped world,” in A2, The Age newspaper, Melbourne. Saturday November 29th 2008.


Exhibition: ‘Potraiture Now: Feature Photography’ at the National Portrait Gallery, Washington

Exhibition dates: 26th November 2008 – 27th September 2009


Jocelyn Lee. "Untitled (Kara on Easter)" 1999


Jocelyn Lee
Untitled (Kara on Easter)
Chromogenic print
 Jocelyn Lee



“America is a snapshot culture. Armed with a portable camera and a spirit of inquiry, we revel in the images that we create. Although we often treat still photographs – including portraits – as ephemeral fragments to be discarded or replaced by the next image, there are portrait photographers today who create pictures that defy an easy death. Often working on a specific commission or editorial assignment, these photographers compose portraits that cause us to pause and reflect.”

Portraiture Now: Feature Photography focuses on six photographers who, by working on assignment for publications such as the New Yorker, Esquire, and the New York Times Magazine, each bring their distinctive “take” on contemporary portraiture to a broad audience. Critically acclaimed for their independent fine-art work, these photographers – Katy Grannan, Jocelyn Lee, Ryan McGinley, Steve Pyke, Martin Schoeller, and Alec Soth – have also pursued a variety of editorial projects, taking advantage of the opportunities and grappling with the parameters that these assignments introduce. Their work builds upon a longstanding tradition of photographic portraiture for the popular press and highlights creative possibilities for twenty-first-century portrayal. The exhibition has additional portraits not included in this website; it opened on November 26, 2008, and closed on September 27, 2009.”

Text from the National Portrait Gallery website



Alec Soth
Part of the Niagara project
Pigmented ink print
Collection of the artist
Courtesy Gagosian Gallery, New York City
© Alec Soth



National Portrait Gallery, Smithsonian Institution
Eighth and F Streets, NW
Washington D.C.

Opening hours:
11.30 a.m. – 7.00 p.m. daily

Visit the online exhibition

National Portrait Gallery website


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Marcus Bunyan black and white archive: ‘Études’ 1994

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

December 2008
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