Exhibition: ‘Guy Bourdin’ at the House of Photography at Deichtorhallen Hamburg

Exhibition dates: 1st November 2013 – 26th January 2014

 

*PLEASE NOTE THIS POSTING CONTAINS ART WORK OF FEMALE NUDITY – IF YOU DO NOT LIKE PLEASE DO NOT LOOK, FAIR WARNING HAS BEEN GIVEN*

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Many thankx to House of Photography at Deichtorhallen Hamburg for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

Guy Bourdin. 'Untitled' (Child) 1950

 

Guy Bourdin (French, 1928-1991)
Untitled (Child)
1950
Gelatin silver print
© The Estate of Guy Bourdin, 2013

 

Guy Bourdin. 'Untitled' (Child with doll and pram) 1954

 

Guy Bourdin (French, 1928-1991)
Untitled (Child with doll and pram)
1954
Gelatin silver print
© The Estate of Guy Bourdin, 2013

 

Guy Bourdin. 'Untitled' (Child lying on stones) 1953-1957

 

Guy Bourdin (French, 1928-1991)
Untitled (Child lying on stones)
1953-1957
Gelatin silver print
© The Estate of Guy Bourdin, 2013

 

Guy Bourdin. 'La Baigneuse' c. 1950-1953

 

Guy Bourdin (French, 1928-1991)
La Baigneuse (The Bather)
c. 1950-1953
Gelatin silver print
© The Estate of Guy Bourdin, 2013

 

Guy Bourdin. 'Vogue Paris - January 1966' 1966

 

Guy Bourdin (French, 1928-1991)
Vogue Paris – January 1966
1966
Gelatin silver print
© The Estate of Guy Bourdin, 2013

 

Guy Bourdin. 'Untitled' Nd

 

Guy Bourdin (French, 1928-1991)
Untitled
Nd
© Estate of Guy Bourdin

 

 

House of Photography at Deichtorhallen Hamburg announces an exhibition of the legendary photographer Guy Bourdin (1928-1991), on view from November 1, 2013 – January 26, 2014. This most comprehensive exhibition to date is both an overview of the essential components of Guy Bourdin’s oeuvre and an introduction to unveiling works from his personal archives which have never been seen before. This is the first time that both his works as a painter and his notes on films are being shown at an exhibition. B&W shots dating from the 1950s are also included, showing portraits of artists and views of the city of Paris as well as Polaroids, sketches and texts. The exhibition examines Guy Bourdin’s oeuvre, but moreover, it provides insight into the complex working processes of the photographer’s mind and aims to establish his status as a visionaire image maker.

Guy Bourdin’s career spanned more than forty years during which time he worked for the world’s leading fashion houses and magazines. With the eye of a painter, Guy Bourdin created images that contained fascinating stories, compositions, both in B&W and in colours. He was among the 1st to create images with narratives, telling stories and shows that the image is more important than the product which is displayed. Using fashion photography as his medium, he sent out his message, one that was difficult to decode, exploring the realms between the absurd and the sublime. Famed for his suggestive narratives and surreal aesthetics, he radically broke conventions of commercial photography with a relentless perfectionism and sharp humour.

During the 1950s, Guy Bourdin launched his career with fashion assignments for Vogue Paris working in B&W. It’s nearly unknown, that half of the oeuvre of Guy Bourdin is black-and-white and as amazingly powerful as his colour works. He developed colour photography to its maximum effect, creating dramatic accents with intense colour saturation and textures in his compositions. Guy Bourdin used the format of the double spread magazine page in the most inventive way. He tailored his compositions to the constraints of the printed page both conceptually and graphically, and the mirror motif so central in his work finds its formal counterpart in the doubleness of the magazine spread. Layout and design become powerful metaphors for the photographic medium, engaging the eye and with it, the mind. While on the one hand employing formal elements of composition, Guy Bourdin, on the other hand, sought to transcend the reality of the photographic medium with surreal twists to the apparent subject of his images and his unconventional manipulation of the picture plane. Given total creative freedom and with uncompromising artistic ethic, Guy Bourdin captured the imagination of a whole generation at the late 1970s, recognised as the highest note in his career.

Guy Bourdin was an image maker, a perfectionist. He knew how to grab the attention of the viewer and left nothing to chance. He created impeccable sets, or when not shooting in his studio rue des Ecouffes in le Marais, in undistinguished bedrooms, on the beach, in nature, or in urban landscapes. The unusual dramas that unfold in these seemingly everyday scenes and ordinary encounters pique our subconscious and invite our imagination. Moreover, he developed a technic using hyper real colours, meticulous compositions of cropped elements such as low skies with high grounds and the interplay of light and shadows as well as the unique make-up of the models.

“Guy Bourdin irreverently swept away all the standards of beauty, conventional morals and product portrayals in one fell swoop. Around the female body he constructed visual disruptions, the outrageous, the hair-raising, the indiscreet, the ugly, the doomed, the fragmentary and the absent, torsos and death – all the tension and the entire gamut of what lies beyond the aesthetic and the moral,” explains the exhibition’s curator Ingo Taubhorn. Bourdin investigates in minute detail the variables of fashion photography, from brash posing to subtle performances and from complex settings to novel and disturbing notions of images.

Guy Bourdin’s imagery not only changed the course of fashion photography but influenced a host of contemporary artists, photographers and filmmakers. It is without question, that Guy Bourdin’s work for Vogue and his highly acclaimed print advertising for Charles Jourdan in the 1970s are now being seen in the appropriate context of contemporary art.

Press release from House of Photography at Deichtorhallen Hamburg

 

Guy Bourdin. 'Self portrait' c. 1950

 

Guy Bourdin (French, 1928-1991)
Self portrait
c. 1950
© The Estate of Guy Bourdin, 2013

 

Guy Bourdin. 'Untitled' 1960

 

Guy Bourdin (French, 1928-1991)
Untitled
1960
© Estate of Guy Bourdin

 

Guy Bourdin. 'Untitled' Nd

 

Guy Bourdin (French, 1928-1991)
Untitled
Nd
© Estate of Guy Bourdin

 

Guy Bourdin. 'Charles Jourdan - Spring 1979' 1979

 

Guy Bourdin (French, 1928-1991)
Charles Jourdan – Spring 1979
1979
© Estate of Guy Bourdin

 

Guy Bourdin. 'Pentax Calendar' 1981

 

Guy Bourdin (French, 1928-1991)
Pentax Calendar
1981
Asahi Optical Company Limited. Tokyo, Japan
© Estate of Guy Bourdin

 

Guy Bourdin. 'Vogue Paris - May 1970' 1970

 

Guy Bourdin (French, 1928-1991)
Vogue Paris – May 1970
1970
© Estate of Guy Bourdin

 

Guy Bourdin. 'Charles Jourdan - Spring 1978' 1978

 

Guy Bourdin (French, 1928-1991)
Charles Jourdan – Spring 1978
1978
© Estate of Guy Bourdin

 

Guy Bourdin. 'Vogue Paris - December 1969' 1969

 

Guy Bourdin (French, 1928-1991)
Vogue Paris – December 1969
1969
Jewellery: Van Cleef & Arpels
Make-up: Serge Lutens
© Estate of Guy Bourdin, 2013

 

 

Deichtorhallen Hamburg
Deichtorstrasse 1-2
20095
Hamburg
Phone: +49 (0)40 32103-0

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Tuesday – Sunday 11am – 6pm
Closed Mondays

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Author: Dr Marcus Bunyan

Australian artist, curator and writer. Doctor of Philosophy (RMIT University), Melbourne. Master of Art Curatorship (University of Melbourne), Melbourne. Master of Arts (RMIT University), Melbourne. BA (Hons) (RMIT University), Melbourne. A.R.C.M. (Associate of the Royal College of Music), London.