European photographic research tour exhibition: ‘Robert Frank. Unseen’ at C/O Berlin

Exhibition dates: 13th September – 30th November, 2019
Visited September 2019 posted January 2020

 

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin
Photo: Marcus Bunyan

 

 

Utopian dreaming / dystopian dreams

Synchronicity… when I visited this exhibition on the 16th September 2019, the grand man had only died the previous week on the 9th September 2019.

This was a fabulous exhibition of mainly VINTAGE prints (see labels) at C/O Berlin, with the added bonus of seeing many Robert Frank photographs I had never seen before.

Thoughts

1/ The vintage prints were much larger than I had thought they would be

2/ The English photographs were very impressive. A similar tonal range to Josef Sudek’s prints in these works i.e. no hard blacks or whites zones 2.5-8

3/ The Americans – to actually see a large vintage print of the Trolley Car was incredible. The Black American man’s face was only his mouth, nose and eyes, the rest was completely dark

4/ The vintage prints seemed more whimsical than the later prints: not so much contrast. Sometimes edges bleed off, grain was large, depth of field low, skylines askew. Frank loved his silhouettes and chiaroscuro


It was a great pleasure to see these iconic photographs together in one place. Several times I had to catch my breath as one famous image followed another. But then there were images I had never seen before. Mostly vintage prints as well… as close to Frank’s original vision as you can get. More poetic, more spontaneous, than the later prints. The United States photographs form a road trip of impressions, a reflective and elegiac poem to the American dream.

It’s not often that you can say that an artist changed how we see and interpret the world but that is the case. Through his seminal work The Americans, Frank’s importance to the history of photography and visual culture cannot be denied. Americans didn’t like the mirror that was held up to their society by an outsider, a European Jew. Frank certainly wasn’t afraid to picture the underbelly of America – a phlegmatic portrait of a disaffected and divided country that still has great relevance today.

Dr Marcus Bunyan


All installation photographs © Marcus Bunyan. Please click on the photographs for a larger version of the image.

 

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin showing photographs titled 'Landsgemeinde / Cantonal Assembly Hundwil, Schweiz' (1949)

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin showing photographs titled 'Landsgemeinde / Cantonal Assembly Hundwil, Schweiz' (1949)

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin showing photographs titled Landsgemeinde / Cantonal Assembly Hundwil, Schweiz (1949). Later silver gelatin prints. No individual titles. Donation of the artist.
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Landsgemeinde / Cantonal Assembly Hundwil, Schweiz' 1949 (installation view) at the exhibition 'Robert Frank. Unseen' at C/O Berlin

Robert Frank (Swiss-American, 1924-2019) 'Landsgemeinde / Cantonal Assembly Hundwil, Schweiz' 1949 (installation view) at the exhibition 'Robert Frank. Unseen' at C/O Berlin

Robert Frank (Swiss-American, 1924-2019) 'Landsgemeinde / Cantonal Assembly Hundwil, Schweiz' 1949 (installation view) at the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Robert Frank (Swiss-American, 1924-2019)
Landsgemeinde / Cantonal Assembly Hundwil, Schweiz (installation views)
1949
Gelatin silver photograph, later print
Donation of the artist
Photos: Marcus Bunyan

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Peru' 1948 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Peru (installation view)
1948
Gelatin silver photograph, later print
Collection Fotomuseum Winterthur
Permanent loan of the Volkart Stiftung
Photo: Marcus Bunyan

 

'Robert Frank. Unseen' wall text

 

Robert Frank. Unseen wall text
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Geneva' 1945 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Geneva (installation view)
1945
Gelatin silver photograph, later print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Geneva' 1945 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Geneva (installation view)
1945
Gelatin silver photograph, later print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Geneva' 1944-45 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Geneva (installation view)
1944-1945
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'New York' c. 1949

 

Robert Frank (Swiss-American, 1924-2019)
New York
c. 1949
Vintage silver gelatin print
Donation of the artist

 

Robert Frank (Swiss-American, 1924-2019) 'Times Square, New York' 1949 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Times Square, New York (installation view)
1949
Gelatin silver photograph, later print
Donation of the artist
Photo: Marcus Bunyan

 

'Robert Frank. Unseen' wall text

 

Robert Frank. Unseen wall text
Photo: Marcus Bunyan

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Portfolio. 40 Photos' 1941-46 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Portfolio. 40 Photos' 1941-46 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Portfolio. 40 Photos (installation views)
1941-1946
First Edition Steidl, Göttingen, 2000
Photos: Marcus Bunyan

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Mississippi, St Louis' 1948 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Mississippi, St Louis (installation view)
1948
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Paris' 1949 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Paris (installation view)
1949
Gelatin silver photograph, later print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Paris' 1949 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Paris (installation view)
1949
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Mary and Pablo, New York' 1951 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Mary and Pablo, New York' 1951 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Mary and Pablo, New York (installation views)
1951
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photos: Marcus Bunyan

 

 

Robert Frank (b. 1924 in Zurich, d. 2019 in Nova Scotia, Canada) traveled thousands of kilometres between America’s East and West coasts, taking almost 30,000 photographs. Just 83 black-and-white pictures from this mixture of diary, social portrait, and photographic road movie have influenced generations of photographers after him. Frank’s book The Americans was first published in Paris before it was released in the United States in 1959 with an introduction by the Beat novelist Jack Kerouac. Oblique angles, cropped figures, and blurred movement became the hallmarks of a new photographic style that would change the course of postwar photography. In 1985, Franks photographs have been displayed in Germany for the first time – in the Amerika Haus in Berlin. Now, C/O Berlin presents contact sheets, first editions, and vintage material from the photographer’s early work at the same place. His time in Switzerland, travels through Europe and South America, and unpublished pictures from the United States in the 1950s will be shown together with famous classic photos from The Americans.

Robert Frank. Unseen reveals the narrative power of a visual language that Frank developed long before it earned him international recognition.

The exhibition was organised in cooperation with the Fotostiftung Schweiz, Winterthur.

Robert Frank was born in Zurich in 1924. A trained photographer, he traveled to New York for the first time in 1947, where he found a position at the Harper’s Bazaar photo studio. He worked between Europe and the US for several years and in 1950, Edward Steichen invited him to participate in the 51 American Photographers exhibition at Museum of Modern Art, New York. Frank freelanced for Life, McCall’s, Look, Vogue and other magazines. In 1955, he was the first European to receive a prestigious Guggenheim fellowship that funded a comprehensive photo series for which he traveled across America. The result was the seminal photobook The Americans (1959). Following the volume’s unexpected success, the photographer turned to film. His later work juxtaposed Polaroids and autobiographical text fragments. This year Frank published his most recent book, Good Days Quiet, at the age of 95. Frank’s photographs have been exhibited internationally, most recently at Les Rencontres d’Arles (2018); Albertina, Vienna (2018); Art Institute of Chicago (2017); Museum Folkwang, Essen (2014); and at Tate Modern, London (2004). His films were shown at C/O Berlin in 2009. Robert Frank lived in New York and in Nova Scotia, Canada, where he died on September 9, 2019.

Text from the C/O Berlin [Online] Cited 28/12/2019

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin showing at bottom, photographs of London
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'London' 1951 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
London (installation view)
1951
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Paris' 1949 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Paris (installation view)
1949
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photo: Marcus Bunyan

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin showing at right a photograph of London
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'London' 1951 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
London (installation view)
1951
Vintage gelatin silver print
Arnold Kübler Archive
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'London' 1951

 

Robert Frank (Swiss-American, 1924-2019)
London
1951
Vintage gelatin silver print
Arnold Kübler Archive

 

Robert Frank (Swiss-American, 1924-2019) 'London' 1951 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'London' 1951 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'London' 1951 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
London (installation views)
1951
Gelatin silver photographs, later prints
Permanent loan of the Friends of the Fotostiftung Schweiz
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'London' 1951

 

Robert Frank (Swiss-American, 1924-2019)
London
1951
Gelatin silver photograph, later print
Permanent loan of the Friends of the Fotostiftung Schweiz

 

Robert Frank (Swiss-American, 1924-2019) 'Paris' 1952

 

Robert Frank (Swiss-American, 1924-2019)
Paris
1952
Gelatin silver photograph, later print
Donation of the artist

 

America

 

'Robert Frank. Unseen' wall text

 

Robert Frank. Unseen wall text
Photo: Marcus Bunyan

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin showing at left, 'Nevada' (1956); at second left, 'Los Angeles' (1956); and at right, 'On the road to Carolina' (1955)

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin showing at left, Nevada (1956); at second left, Los Angeles (1956); and at right, On the road to Carolina (1955)
Photo: Marcus Bunyan

 

Robert Frank (American, 1924-2019) 'Nevada' 1956 (installation view)

 

Robert Frank (American, 1924-2019)
Nevada (installation view)
1956
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Los Angeles' 1956 (installation view)

 

Robert Frank (American, 1924-2019)
Los Angeles (installation view)
1956
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'On the road to Carolina' 1955 (installation view)

 

Robert Frank (American, 1924-2019)
On the road to Carolina (installation view)
1955
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Route US 91, leaving Blackfoot, Idaho' 1956 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Route US 91, leaving Blackfoot, Idaho' 1956 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Route US 91, leaving Blackfoot, Idaho (installation views)
1956
Gelatin silver photograph, later print
Donation of the artist
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'U.S. 91, leaving Blackfoot, Idaho' 1956

 

Robert Frank (Swiss-American, 1924-2019)
Route US 91, leaving Blackfoot, Idaho
1956
Gelatin silver photograph, later print
Donation of the artist

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin showing at left, 'Florida' (1956); at third left, 'New York City' (early 1950s); and at right, 'Ranch Market, Hollywood' (1955-1956)

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin showing at left, Florida (1956); at third left, New York City (early 1950s); and at right, Ranch Market, Hollywood (1955-1956)
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'New York City' early 1950s (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
New York City (installation view)
early 1950s
Vintage gelatin silver photograph
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Florida' 1956 (installation view)

 

Robert Frank (American, 1924-2019)
Florida (installation view)
1956
Gelatin silver print
Swiss Foundation for Photography Collection, Winterthur
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Florida' 1956

 

Robert Frank (American, 1924-2019)
Florida
1956
Gelatin silver print
© Robert Frank
Courtesy Swiss Foundation for Photography Collection, Winterthur

 

Robert Frank (Swiss-American, 1924-2019) 'New York City' early 1950s (installation view)

 

Robert Frank (American, 1924-2019)
New York City (installation view)
early 1950s
Vintage gelatin silver photograph
Donation of the artist
Photo: Marcus Bunyan

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin showing at left, 'Bar – Gallup, New Mexico' (1955) and at right, 'Rodeo – New York City' (1954)

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin showing at left, Bar – Gallup, New Mexico (1955) and at right, Rodeo – New York City (1954)
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Rodeo - New York City' 1954 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Rodeo - New York City' 1954 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Rodeo – New York City (installation views)
1954
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Rodeo – New York City' 1954

 

Robert Frank (Swiss-American, 1924-2019)
Rodeo – New York City
1954
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin showing at right, 'Charity Ball, New York' 1954

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin showing at right, Charity Ball, New York 1954
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Charity Ball, New York' 1954 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Charity Ball, New York' 1954 (installation view)

 

Robert Frank (American, 1924-2019)
Charity Ball, New York (installation views)
1954
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Charity Ball, New York' 1954

 

Robert Frank (Swiss-American, 1924-2019)
Charity Ball, New York
1954
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin showing at left 'Bar – New York' (1955) followed by, 'Yom Kippur – East River, New York City' (1954)

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin showing at left in the bottom photograph, Bar – New York (1955) followed by, Yom Kippur – East River, New York City (1954)
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Los Angeles' 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Los Angeles (installation view)
1955
Vintage gelatin silver photograph
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Los Angeles' 1955

 

Robert Frank (Swiss-American, 1924-2019)
Los Angeles
1955
Vintage gelatin silver photograph
Donation of the artist

 

Robert Frank (Swiss-American, 1924-2019) 'Wanamaker Fire, 10th Street East, New York' 1956 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Wanamaker Fire, 10th Street East, New York (installation view)
1956
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Bar - New York' 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Bar – New York (installation view)
1955
Gelatin silver photograph, later print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Bar, New York City' 1955-1956

 

Robert Frank (Swiss-American, 1924-2019)
Bar – New York
1955
Gelatin silver photograph, later print
Donation of the artist

 

Robert Frank (Swiss-American, 1924-2019) 'Yom Kippur - East River, New York City' 1954 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Yom Kippur – East River, New York City (installation view)
1954
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'USA' 1950s (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
USA (installation view)
1950s
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Contact Sheet 62 / Factory, Detroit' 1955 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Contact Sheet 62 / Factory, Detroit' 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Contact Sheet 62 / Factory, Detroit (installation views)
1955
From The Americans. 81 Contact Sheets.
Yugensha, Tokyo/Motomura Kazuhiko, 2009
Private Collection
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Contact Sheet 31 / U.S. 91, Leaving Blackfoot, Idaho' 1956 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Contact Sheet 31 / U.S. 91, Leaving Blackfoot, Idaho' 1956 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Contact Sheet 31 / U.S. 91, Leaving Blackfoot, Idaho (installation views)
1956
From The Americans. 81 Contact Sheets.
Yugensha, Tokyo/Motomura Kazuhiko, 2009
Private Collection
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Contact Sheet 18 / Trolley, New Orleans' 1955 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Contact Sheet 18 / Trolley, New Orleans' 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Contact Sheet 18 / Trolley, New Orleans (installation views)
1955
From The Americans. 81 Contact Sheets.
Yugensha, Tokyo/Motomura Kazuhiko, 2009
Private Collection
Photos: Marcus Bunyan

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin showing wall text
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Bryant Park, New York' around 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Bryant Park, New York (installation view)
around 1955
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) '42nd Street, New York' early 1950s (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
42nd Street, New York (installation view)
early 1950s
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) '41st Street and 7th Avenue' 1953 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
41st Street and 7th Avenue (installation view)
1953
Vintage gelatin silver print
Donation of the artist
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Les Américans' book cover (installation view)

Robert Frank (Swiss-American, 1924-2019) 'Les Américans' pages (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Les Américans book cover and pages (installation views)
1958
Delpire. Paris

 

Robert Frank (Swiss-American, 1924-2019) 'Gli Americani' book cover (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Gli Americani book cover (installation view)
1959

 

Robert Frank (Swiss-American, 1924-2019) 'The Americans' book cover (installation view)

Robert Frank (Swiss-American, 1924-2019) 'The Americans' pages (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
The Americans book cover and pages (installation views)
1959
Grove Press, New York

 

Robert Frank (Swiss-American, 1924-2019) 'Trolley - New Orleans' 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Trolley – New Orleans (installation view)
1955
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Trolley - New Orleans' 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Trolley – New Orleans (installation view)
1955
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Trolley, New Orleans' 1955

 

Robert Frank (Swiss-American, 1924-2019)
Trolley – New Orleans
1955
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern

 

Installation view of the exhibition Robert Frank. Unseen at C/O Berlin showing at left, 'Parade – Hoboken, New Jersey' (1955) and at right, 'City Fathers – Hoboken, New Jersey' (1955)

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin showing at left, Parade – Hoboken, New Jersey (1955) and at right, City Fathers – Hoboken, New Jersey (1955)
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'Parade - Hoboken, New Jersey' 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
Parade – Hoboken, New Jersey (installation view)
1955
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photo: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'City Fathers - Hoboken, New Jersey' 1955 (installation view)

Robert Frank (Swiss-American, 1924-2019) 'City Fathers - Hoboken, New Jersey' 1955 (installation view)

 

Robert Frank (Swiss-American, 1924-2019)
City Fathers – Hoboken, New Jersey (installation views)
1955
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern
Photos: Marcus Bunyan

 

Robert Frank (Swiss-American, 1924-2019) 'City fathers – Hoboken, New Jersey' 1955

 

Robert Frank (Swiss-American, 1924-2019)
City Fathers – Hoboken, New Jersey
1955
Vintage gelatin silver print
Property of the Confédération Suisse, Federal Office of Culture, Bern

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin
Photos: Marcus Bunyan

 

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

Installation view of the exhibition 'Robert Frank. Unseen' at C/O Berlin

 

Installation views of the exhibition Robert Frank. Unseen at C/O Berlin
Photos: Marcus Bunyan

 

 

C/O Berlin Foundation, Amerika Haus,
Hardenbergstraße 22–24, 10623 Berlin
Phone: +49 30 2844416 62

Opening hours:
Daily 11am – 8pm

C/O Berlin website

LIKE ART BLART ON FACEBOOK

Back to top

Exhibition: ‘Looking In: Robert Frank’s The Americans’ at The National Gallery of Art, Washington

Exhibition dates: National Gallery of Art, January 18 – April 26, 2009; San Francisco Museum of Modern Art, May 16 – August 23, 2009; Metropolitan Museum of Art, September 22 – December 27, 2009

 

Robert Frank (Swiss-American, 1924-2019) 'The Americans' New York: Grove Press 1959 front cover from the exhibition Exhibition: 'Looking In: Robert Frank's The Americans' at The National Gallery of Art, Washington, Jan - April, 2009

Robert Frank (Swiss-American, 1924-2019) 'The Americans' New York: Grove Press 1959 back cover from the exhibition Exhibition: 'Looking In: Robert Frank's The Americans' at The National Gallery of Art, Washington, Jan - April, 2009

 

Robert Frank (Swiss-American, 1924-2019)
The Americans
New York: Grove Press
1959

 

 

One of the seminal photography books of the twentieth century, Robert Frank’s The Americans changed photography forever, changed how America saw itself and became a cult classic. Like Eugene Atget’s positioning of the camera in an earlier generation Frank’s use of camera position is unique; his grainy and contrasty images add to his outsider vision of a bleak America; his sequencing of the images, like the cadences of the greatest music, masterful. One of the easiest things for an artist to do is to create one memorable image, perhaps even a group of 4 or 5 images that ‘hang’ together – but to create a narrative of 83 images that radically alter the landscape of both photography and country is, undoubtedly, a magnificent achievement.

The photographs in the posting appear by number order that they appear in the book.

Dr Marcus Bunyan


Many thankx to the National Gallery of Art for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

 

Robert Frank (Swiss-American, 1924-2019) The Americans 1 'Parade - Hoboken, New Jersey' 1955

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 1
Parade – Hoboken, New Jersey
1955
Gelatin silver print
Image: 21.3 x 32.4cm (8 3/8 x 12 3/4 in.)
Private collection, San Francisco
Photograph © Robert Frank, from The Americans

 

 

Released at the height of the Cold War, The Americans was initially reviled, even decried as anti-American. Yet during the 1960s, many of the issues that Frank had addressed – racism, dissatisfaction with political leaders, skepticism about a rising consumer culture – erupted into the collective consciousness. The book came to be regarded as both prescient and revolutionary and soon was embraced with a cult-like following.

First published in France in 1958 and in the United States in 1959, Robert Frank’s The Americans is widely celebrated as the most important photography book since World War II. Including 83 photographs made largely in 1955 and 1956 while Frank (1924-2019) travelled around the United States, the book looked beneath the surface of American life to reveal a profound sense of alienation, angst, and loneliness. With these prophetic photographs, Frank redefined the icons of America, noting that cars, jukeboxes, gas stations, diners, and even the road itself were telling symbols of contemporary life. Frank’s style – seemingly loose, casual compositions, with often rough, blurred, out-of-focus foregrounds and tilted horizons – was just as controversial and influential as his subject matter. The exhibition celebrates the 50th anniversary of the book’s publication by presenting all 83 photographs from The Americans in the order established by the book, and by providing a detailed examination of the book’s roots in Frank’s earlier work, its construction, and its impact on his later art.

Anonymous text from The National Gallery of Art website [Online] Cited 06/03/2009. No longer available online

 

Robert Frank (Swiss-American, 1924-2019) The Americans 2 'City fathers – Hoboken, New Jersey' 1955

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 2
City fathers – Hoboken, New Jersey
1955
Gelatin silver print
Image: 41.9 x 57.8cm (16 1/2 x 22 3/4 in.)
Susan and Peter MacGill
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 3. 'Political Rally - Chicago' 1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 3
Political Rally – Chicago
1956
Gelatin silver print
Image and sheet: 57.8 x 39.4cm (22 3/4 x 15 1/2 in.)
Susan and Peter MacGill
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 4 'Funeral, St. Helena, South Carolina' 1955-1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 4
Funeral – St. Helena, South Carolina
1955
Gelatin silver print
Image and sheet: 39.7 x 58.1cm (15 5/8 x 22 7/8 in.)
Susan and Peter MacGill
Photograph © Robert Frank, from The Americans

 

“The photos revealed a bleaker, more dislocated view of America than Americans were used to (at least in photography). Frank’s “in-between moments” demonstrated that disequilibrium can seem more revealing, seeming to catch reality off-guard. In doing so the collection also announced to the world that photos with a completely objective reference / referent could be subjective, lyrical, reveal a state-of-mind. Looser framing, more forced or odd juxtapositions, “drive-by” photos and other elements offer a sense of the process that has produced the photos”

Lloyd Spencer on Discussing The Americans in Hardcore Street Photography

I couldn’t have put it better myself!

 

Robert Frank (Swiss-American, 1924-2019) The Americans 13 'Charleston, South Carolina' 1955

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 13
Charleston, South Carolina
1955
Gelatin silver print
Image: 41.3 x 59.1cm (16 1/4 x 23 1/4 in.)
Susan and Peter MacGill
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 14 'Ranch Market, Hollywood' 1955-1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 14
Ranch Market – Hollywood
1956
Gelatin silver print
Image: 31.4 x 48.3cm (12 3/8 x 19 in.)
Danielle and David Ganek
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 15 'Butte, Montana' 1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 15
Butte, Montana
1956
Gelatin silver print
Overall: 20 x 30.2cm (7 7/8 x 11 7/8 in.)
The Museum of Modern Art, New York, Acquired through the generosity of the Young family in honour of Robert B. Menschel, 2003
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 18 'Trolley - New Orleans' 1955

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 18
Trolley – New Orleans
1955
Gelatin silver print
Image: 40.6 x 57.8cm (16 x 22 3/4 in.)
Susan and Peter MacGill
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) Contact sheets for 'The Americans'

 

Robert Frank (Swiss-American, 1924-2019)
Contact sheets for The Americans
Photograph © Robert Frank, from The Americans

 

“Frank’s contact sheets take us back to the moment he made the photographs for The Americans. They show us what he saw as he traveled around The United States and how he responded to it. These sheets are not carefully crafted objects; in his eagerness to see what he had captured, Frank did not bother to order his film strips numerically or even to orientate them all in the same direction.”

 

Robert Frank (Swiss-American, 1924-2019) Sequencing of 'The Americans' numbers 32-36

 

Robert Frank (Swiss-American, 1924-2019)
Sequencing of
The Americans numbers 32-36
Photograph © Robert Frank, from The Americans

 

“Almost halfway through the book Frank created a sequence united by the visual repetition of the car and the suggestion of its movement.”

 

Robert Frank (Swiss-American, 1924-2019) The Americans 32 'U.S. 91, Leaving Blackfoot, Idaho' 1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 32
U.S. 91, Leaving Blackfoot, Idaho
1956
Gelatin silver print
Image: 28.9 x 42.2cm (11 3/8 x 16 5/8 in.)
Collection of Barbara and Eugene Schwartz
Photograph © Robert Frank, from The Americans

 

 

Robert Frank (Swiss-American, 1924-2019) The Americans 33 'St. Petersburg, Florida' 1955

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 33
St. Petersburg, Florida
1955
Gelatin silver print
Sheet: 22.2 x 33.7cm (8 3/4 x 13 1/4 in.)
Collection of Barbara and Eugene Schwartz
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 34 'Covered Car - Long Beach, California' 1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 34
Covered Car – Long Beach, California
1956
Gelatin silver print
Image: 21.4 x 32.7cm (8 7/16 x 12 7/8 in.)
Lent by The Metropolitan Museum of Art, Gilman Collection, Purchase, Ann Tenenbaum and Thomas H. Lee Gift, 2005
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 35 'Car accident, US 66 between Winslow and Flagstaff, Arizona' 1955-1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 35
Car accident, US 66 between Winslow and Flagstaff, Arizona
1955-1956
Gelatin silver print
Image: 31 x 47.5cm (12 3/16 x 18 11/16 in.)
Philadelphia Museum of Art, Promised gift of Susan and Peter MacGill in honour of Anne d’Harnoncourt
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 36 'U.S. 285, New Mexico' 1955

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 36
U.S. 285, New Mexico
1955
Gelatin silver print
Image: 33.7 x 21.9cm (13 1/4 x 8 5/8 in.)
Mark Kelman, New York
Photograph © Robert Frank, from The Americans

 

 

Robert Frank (Swiss-American, 1924-2019) The Americans 37 'Bar, Detroit' 1955-1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 37
Bar – Detroit
1955
Gelatin silver print
Overall: 39.4 x 57.8cm (15 1/2 x 22 3/4 in.)
Sherry and Alan Koppel
Photograph © Robert Frank, from The Americans

 

 

The 50th anniversary of a groundbreaking publication will be celebrated in the nation’s capital with the exhibition Looking In: Robert Frank’s The Americans, premiering January 18 through April 26, 2009, in the National Gallery of Art’s West Building ground floor galleries. In 1955 and 1956, the Swiss-born American photographer Robert Frank (b. 1924) traveled across the United States to photograph, as he wrote, “the kind of civilisation born here and spreading elsewhere.” The result of his journey was The Americans, a book that looked beneath the surface of American life to reveal a culture on the brink of massive social upheaval and one that changed the course of 20th-century photography.

First published in France in 1958 and in the United States in 1959, The Americans remains the single most important book of photographs published since World War II. The exhibition will examine both Frank’s process in creating the photographs and the book by presenting 150 photographs, including all of the images from The Americans, as well as 17 books, 15 manuscripts, and 28 contact sheets. In honour of the exhibition, Frank has created a film and participated in selecting and assembling three large collages. The exhibition will travel to the San Francisco Museum of Modern Art from May 17 through August 23, 2009, and The Metropolitan Museum of Art from September 22 through December 27, 2009.

The Americans is as powerful and provocative today as it was 50 years ago,” said Earl A. Powell III, director, National Gallery of Art. “We are immensely grateful to Robert Frank and his wife, June Leaf, for their enthusiastic participation and assistance in all aspects of this exhibition and its equally ambitious catalogue. We also wish to thank Robert Frank for his donation of archival material related to The Americans, in addition to gifts of his photographs and other exhibition prints to the National Gallery of Art in 1990, 1994, and 1996, all of which formed the foundation of the project.”

Press release from the National Gallery of Art

 

Robert Frank (Swiss-Americans, 1924-2019) The Americans 44 'Elevator - Miami Beach' 1955

 

Robert Frank (Swiss-Americans, 1924-2019)
The Americans 44
Elevator – Miami Beach
1955
Gelatin silver print
Image: 31.4 x 47.8cm (12 3/8 x 18 13/16 in.)
Philadelphia Museum of Art, Purchased with funds contributed by Dorothy Norman, 1969
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 50 'Assembly line, Detroit' 1955-1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 50
Assembly line – Detroit
1955
Gelatin silver print
21.4 x 32.1cm (8 7/16 x 12 5/8 in.)
The Museum of Modern Art, New York, Purchase, 1959
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 51 'Convention hall, Chicago' 1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 51
Convention hall – Chicago
1956
Gelatin silver print
Image: 22.5 x 34.1cm (8 7/8 x 13 7/16 in.)
Addison Gallery of American Art, Phillips Academy, Andover, Museum Purchase
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 55 'Beaufort, South Carolina' 1955-1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 55
Beaufort, South Carolina
1955
Gelatin silver print
Image and sheet: 31.1 x 47.6cm (12 1/4 x 18 3/4 in.)
Private collection
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 58 'Political rally – Chicago' 1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 58
Political rally – Chicago
1956
Gelatin silver print
Image: 59.1 x 36.5cm (23 1/4 x 14 3/8 in.)
Betsy Karel
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 70 'Coffee shop, railway station – Indianapolis' 1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 70
Coffee shop, railway station – Indianapolis
1956
Gelatin silver print
Overall (image): 22.9 x 34.6cm (9 x 13 5/8 in.)
The Museum of Modern Art, New York, Acquired through the generosity of Carol and David Appel, 2003
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss, 1924-2019) The Americans 71 'Chattanooga, Tennessee' 1955

 

Robert Frank (Swiss, 1924-2019)
The Americans 71
Chattanooga, Tennessee
1955
Gelatin silver print
Image: 20.8 x 29.5cm (8 3/16 x 11 5/8 in.)
Private collection
Photograph © Robert Frank, from The Americans

 

“It’s hard to stress how different The Americans was. Over the course of those 83 pictures – shot from Detroit to San Francisco to Chattanooga, Tennessee – Frank captured the country in images that were intentionally unglamorous. On a technical level, he brazenly tossed out an adherence to traditional ideas of composition, framing, focus, and exposure.”

Sarah Greenough, Senior Curator of Photography at the National Gallery of Art in Washington

 

Robert Frank (Swiss-American, 1924-2019) The Americans 73 'Detroit - Belle Isle' 1955

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 73
Belle Isle – Detroit
1955
Gelatin silver print
Sheet: 29.2 x 42.5cm (11 1/2 x 16 3/4 in.)
Collection of Barbara and Eugene Schwartz
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 81 'City Hall – Reno, Nevada' 1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 81
City Hall – Reno, Nevada
1956
Gelatin silver print
Image: 20.3 x 32.4cm (8 x 12 3/4 in.)
Private collection
Photograph © Robert Frank, from The Americans

 

Robert Frank (Swiss-American, 1924-2019) The Americans 83 'US 90 on route to Del Rio, Texas' 1955-1956

 

Robert Frank (Swiss-American, 1924-2019)
The Americans 83
U.S. 90, en route to Del Rio, Texas
1955
Gelatin silver print
Image (and board): 47.6 x 31.1cm (18 3/4 x 12 1/4 in.)
Private collection, courtesy Hamiltons Gallery, London
Photograph © Robert Frank, from The Americans

 

 

National Gallery of Art
National Mall between 3rd and 7th Streets
Constitution Avenue NW, Washington

Opening hours:
Daily 10.00am – 5.00pm

National Gallery of Art website

LIKE ART BLART ON FACEBOOK

Back to top