Exhibition: ‘The Mind’s Eye: 50 Years of Photography by Jerry Uelsmann’ at Peabody Essex Museum, Salem, MA

Exhibition dates: 11th February – 15th July 15 2012

 

Jerry Uelsmann (born 1934) 'Untitled (Pigeon Hill, Bloomington, Indiana)' 1958–59

 

Jerry Uelsmann (American, 1934-2022)
Untitled (Pigeon Hill, Bloomington, Indiana)
1958-59
Gelatin silver print
5 3/8 x 9 1/8 in (13.6 x 23.3cm)
© Jerry Uelsmann

 

 

More wonderful photographs from this magnificent photographer as featured in this touring exhibition. It is invaluable to see other images from the artist’s oeuvre (especially early work from the 1950s to observe thematic development), not just the most famous of the surreal montages. Untitled (1966, below) is an absolute ripper that I have never seen before while Untitled (1959, bottom) is as disturbing in a fantastical way as any of Joel-Peter Witkins’ theatrical tableaux vivant.

See my other posting on this exhibition from the Harn Museum of Art, Florida.

Marcus

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Many thankx to the Peabody Essex Museum for allowing me to publish the photographs in the posting. Please click on the photographs for a larger version of the image.

 

Jerry Uelsmann (born 1934) 'Room #1' 1963

 

Jerry Uelsmann (American, 1934-2022)
Room #1
1963
Gelatin silver print
9 1/8 x 13 3/4 in (23.3 x 34.8cm)
© Jerry Uelsmann

 

Jerry Uelsmann (born 1934) 'Untitled' 1966

 

Jerry Uelsmann (American, 1934-2022)
Untitled
1966
Gelatin silver print
6 1/2 x 6 5/8 in (16.6 x 16.8cm)
© Jerry Uelsmann

 

Jerry Uelsmann (born 1934) 'Untitled' 1962

 

Jerry Uelsmann (American, 1934-2022)
Untitled
1962
Gelatin silver print
8 1/2 in x 7 3/4 in (21.5 x 19.6cm)
© Jerry Uelsmann

 

Jerry Uelsmann (born 1934) 'Bless Our Home and Eagle' 1962

 

Jerry Uelsmann (American, 1934-2022)
Bless Our Home and Eagle
1962
Gelatin silver print
13 3/8 x 10 1/2 in (33.8 x 26.5cm)
© Jerry Uelsmann

 

 

Beautiful and surreal, funny and provocative, the photographs of Jerry Uelsmann are icons of American photo history. The Peabody Essex Museum (PEM) presents the first retrospective of Uelsmann’s work in over 30 years. The Mind’s Eye: 50 Years of Photography by Jerry Uelsmann features 90 works spanning the artist’s celebrated and wide-ranging career, with well-known works shown alongside never-before-seen recent images.

As a pioneer of contemporary photography and master of experimental darkroom technique, Uelsmann has continuously pushed the creative and technical boundaries of photography, revealing new visual possibilities and critical considerations for the medium. In the late 1950s, Uelsmann began experimenting with multiple enlargers and advanced masking, diffusing, burning and dodging techniques, to create imaginary images in the darkroom decades before the advent of Photoshop. Uelsmann’s ingenious work references Surrealists like Rene Magritte, Max Ernst, and Man Ray, as well as Modern photographers such as Edward Weston and Ansel Adams. He has spent his career advocating for the acceptance of experimental photography as an art form.

“For more than half a century, Uelsmann has challenged conventional ideas about what photography can and should do,” said Phillip Prodger, exhibition curator and PEM’s curator of photography. “Uelsmann’s pictures provide a valuable touchstone for understanding new trends in photographic art. His ideas and example have become ever more relevant as photography embraces Photoshop and other computer technologies for altering and manipulating photographs.”

The Mind’s Eye presents works drawn from the artist’s personal archive of vintage materials and, in addition to photographic prints, includes a selection of three-dimensional photographic sculptures, films, artist’s books, albums and work prints to give viewers first-hand insight into Uelsmann’s creative process and expressive range. Through experimental techniques, Uelsmann has explored universal themes of relationships, family, home and politics by creating unexpected and surprising juxtapositions.

“My visual quest is driven by a desire to create a universe capable of supporting feelings and ideas,” said Jerry Uelsmann. “I am drawn to art that challenges one’s sense of reality.”

Born in Detroit in 1934, Uelsmann received a Bachelor of Fine Arts from the Rochester Institute of Technology in 1957 and Master of Science and Master of Fine Arts degrees from Indiana University in 1960. He is recently retired from the faculty of the University of Florida, which he joined in 1960. Uelsmann received a National Endowment for the Arts Fellowship and a Guggenheim Fellowship. In 1967 he had his first solo exhibition at the Museum of Modern Art, New York.

Press release from the PEM website

 

Jerry Uelsmann (born 1934) 'Untitled' 1977

 

Jerry Uelsmann (American, 1934-2022)
Untitled
1977
Gelatin silver print
13 1/8 x 10 5/8 in (33.5 x 27.1cm)
© Jerry Uelsmann

 

Jerry Uelsmann (born 1934) 'Untitled' 1996

 

Jerry Uelsmann (American, 1934-2022)
Untitled
1996
Gelatin silver print
19 5/8 x 14 3/4 in (49.8 x 37.4cm)
© Jerry Uelsmann

 

Jerry Uelsmann (born 1934) 'Untitled' 1976

 

Jerry Uelsmann (American, 1934-2022)
Untitled
1976
Gelatin silver print
19 1/2 x 14 1/2 in (49.5 x 36.9cm)
© Jerry Uelsmann

 

Jerry Uelsmann (born 1934) 'Bloomington, Indiana' 1958

 

Jerry Uelsmann (American, 1934-2022)
Bloomington, Indiana
1958
Gelatin silver print
7 7/8 x 7 1/4 in (19.9 x 18.3cm)
© Jerry Uelsmann

 

Jerry Uelsmann (born 1934) 'Untitled' 1959

 

Jerry Uelsmann (American, 1934-2022)
Untitled
1959
Gelatin silver print
13 1/2 x 5 5/8 in (34.2 x 14.3cm)
© Jerry Uelsmann

 

 

Peabody Essex Museum
East India Square
161 Essex Street
Salem, MA 01970-3783 USA
Phone: 978-745-9500, 866-745-1876

Opening hours:
Open Tuesday – Sunday 10am – 5pm
Closed Mondays

Peabody Essex Museum website

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Author: Dr Marcus Bunyan

Australian artist, curator and writer. Doctor of Philosophy (RMIT University), Melbourne. Master of Art Curatorship (University of Melbourne), Melbourne. Master of Arts (RMIT University), Melbourne. BA (Hons) (RMIT University), Melbourne. A.R.C.M. (Associate of the Royal College of Music), London.

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