A

• ‘A DAY IN THE TIERGARTEN’
  • Photographs: Marcus Bunyan. ‘A day in the Tiergarten’ (2019-2020) OR large images on the Marcus Bunyan website June 2020
• ‘A PERFORMATIVE PARADOX’
  • Review: ‘A Performative Paradox’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, May – July 2013
• ‘À REBOURS’
  • Review: ‘Pat Brassington: À Rebours’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, August – September 2012
• ADLER, Alan
  • Exhibition: ‘Auto-Photo: A Life in Portraits‘ at RMIT Gallery, Melbourne, June – August, 2025
• ‘AFTER IMAGES’
  • Review: 
’After Images’ by Daniel von Sturmer at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, May – July 2013
• AFSHAR, Hoda
  • Exhibition: ‘Hoda Afshar: A Curve is a Broken Line’ at the Art Gallery of New South Wales, Sydney, September 2023 – January 2024
  • Review: ‘Hoda Afshar / Under Western Eyes’ at Edmund Pearce Gallery, Melbourne, April – May 2014
• ALDOUS, Veronica Caven
  • Exhibition: ‘Light in Space’ at Stephen McLaughlan Gallery, Melbourne, June 2012
• ‘ALIZA LEVI / BOOKS ON A WHITE BACKGROUND’
  • Review: ‘Aliza Levi / Books on a White Background’ at Edmund Pearce Gallery, Melbourne, April – May 2013
• ‘ALL THE BETTER TO SEE YOU WITH: FAIRY TALES TRANSFORMED’
  • Review: ‘All the better to see you with: Fairy tales transformed’ at The Ian Potter Museum of Art, Melbourne, January – March 2018
• ALTMAN, Dennis
  • Catalogue essay: ‘Out of the closets, onto the streets’ July 2014
• ‘AMERICAN DREAMS’
  • Review: ‘American Dreams: 20th century photography from George Eastman House’ at Bendigo Art Gallery, April – July 2011
• AMOS, Sarah
  • Review: ‘Intersections’ at Gallery 101, Melbourne, July – August 2009
• ‘ANDREAS GURSKY’
  • Opening: ‘Andreas Gursky’ at the National Gallery of Victoria International, Melbourne, November 2008 – February 2009
• ANDREW, Brook
  • Text: ‘Un/settling Aboriginality’ Dr Marcus Bunyan / Exhibition: ‘Brook Andrew: 52 Portraits’ at Tolarno Gallery, Melbourne, June – July 2013
  • Review: ‘Paradise’ at Tolarno Galleries, Melbourne, June – July 2011
• ‘ANDREW CURTIS: MOONLIGHT MILE’
  • Review: ‘Andrew Curtis: Moonlight Mile’ at Blockprojects, Melbourne, February – March 2013
• ‘ANDREW FOLLOWS: CARMANIA’
  • Photographs: ‘Andrew Follows: Carmania 2’ June 2016
  • Photographs: ‘Andrew Follows: Carmania’ February 2016
• ‘ANDY WARHOL | AI WEIWEI’
  • Review: ‘Time lapse: Andy Warhol | Ai Weiwei’ at the National Gallery of Victoria, Melbourne, December 2015 – April 2016
  • Exhibition: ‘Andy Warhol | Ai Weiwei’ at the National Gallery of Victoria, Melbourne Part 1, December 2015 – April 2016
• ‘ANDY WARHOL AND PHOTOGRAPHY: A SOCIAL MEDIA’
  • Exhibition: ‘Andy Warhol and Photography: A Social Media’ at the Art Gallery of South Australia, Adelaide, March – May 2023
• ‘AN EDWARDIAN SUMMER’
  • Exhibition: ‘An Edwardian Summer: Sydney & beyond through the lens of Arthur Wigram Allen’ at the Museum of Sydney, December 2010 – April 2011
• ‘ANNE FERRAN: BOX OF BIRDS’
  • Review: ‘Anne Ferran: Box of Birds’ at Stills Gallery, Sydney, June – July 2013
• ‘ANONYMOUS 1960s MEDIUM FORMAT KODAK EKTACHROME SLIDES OF AUSTRALIA’
  • Photographs: ‘Anonymous 1960s medium format Kodak Ektachrome slides of Australia’, July 2025
• ANONYMOUS MOTOR VEHICLES
  • Photographs: Anonymous motor vehicle wizbang thingamabobs
• ‘ANTI-ENTROPY: A NATURAL HISTORY OF THE STUDIO’
  • William Kentridge. Notes from the public lecture ‘Anti-Entropy: A Natural History of the Studio’ at the Australian Centre for the Moving Image (ACMI), Melbourne, March 2012
• ‘AN UNORTHODOX FLOW OF IMAGES’
  • Review: ‘An unorthodox flow of images’ at the Centre for Contemporary Photography (CCP), Melbourne Part 2, September – November 2017
  • Exhibition: ‘An unorthodox flow of images’ at the Centre for Contemporary Photography (CCP), Melbourne Part 1, September – November 2017
• ART BLART
  • 10th year anniversary of Art Blart November 2018
  • 1000th post on Art Blart, October 2014
  • Melbourne’s magnificent nine 2013
    The nine best Melbourne exhibitions (and a favourite from Hobart) that featured on the Art Blart blog in 2013
  • Melbourne’s magnificent eleven 2012
    The eleven best Melbourne artists/exhibitions that featured on the Art Blart blog in 2012
  • Melbourne’s magnificent nine 2011
    The nine best Melbourne exhibitions (Bendigo and Hobart included) that featured on the Art Blart blog in 2011
  • Melbourne’s magnificent eleven 2010
    The eleven best Melbourne exhibitions that featured on the Art Blart blog for 2010
  • Melbourne’s magnificent dozen 2009
    The twelve best Melbourne exhibitions that featured on the Art Blart blog for 2009
• ‘ART FOR KIDS’ SAKE’
  • Exhibition and Art Award: ‘Art For Kids’ Sake’ Ballarat, May 2013
• ART GALLERY OF NEW SOUTH WALES
  • Exhibition: ‘Hoda Afshar: A Curve is a Broken Line’ at the Art Gallery of New South Wales, Sydney, September 2023 – January 2024
  • Exhibition: ‘The Greats: masterpieces from the National Galleries of Scotland’ at the Art Gallery of New South Wales (AGNSW), Sydney Part 2, October 2015 – February 2016
  • Exhibition: ‘The Greats: Masterpieces from the National Galleries of Scotland’ at the Art Gallery of New South Wales (AGNSW), Sydney Part 1, October 2015 – February 2016
  • Text / Exhibition: ‘Julia Margaret Cameron: from the Victoria and Albert Museum, London’ at the Art Gallery of New South Wales (AGNSW), Sydney Part 2, August – October 2015
  • Exhibition: ‘Julia Margaret Cameron: from the Victoria and Albert Museum, London’ at the Art Gallery of New South Wales (AGNSW), Sydney Part 1, August – October 2015
  • Exhibition: ‘Max Dupain The Paris ‘private’ series and other pictures’ at the Art Gallery of New South Wales (AGNSW), Sydney, May – September 2014
  • Text / exhibition: ‘Australian vernacular photography’ at the Art Gallery of New South Wales (AGNSW), Sydney, February – May 2014
  • Exhibition: ‘Flatlands: photography and everyday space’ at the Art Gallery of New South Wales (AGNSW), Sydney, September 2012 – February 2013
  • Exhibition: ‘Eugène Atget: Old Paris’ at the Art Gallery of New South Wales, Sydney, August – November 2012
  • Exhibition: ‘What’s in a face? aspects of portrait photography’ at the Art Gallery of New South Wales, Sydney, September 2011 – February 2012
  • Exhibition: ‘Eikoh Hosoe – Theatre of Memory’ at the Art Gallery of New South Wales, Sydney, May – August 2011
    
  • Exhibition: ‘Photography & place: Australian landscape photography, 1970s until now’ at the Art Gallery of New South Wales, Sydney, March – May 2011
• ‘AS FAR AS I KNOW’
  • Review: ‘As far as I know’ by Katrin Koenning and Jessie Boylan at The Colour Factory Gallery, Fitzroy, Melbourne, July 2013
• ATKINS, Peter
  • Review: ‘Polaroid Project’ at Arts Project Australia, Melbourne, June – July 2014
• ‘AUS DER TRAUM (FROM THE DREAM)’
  • Photographs: Marcus Bunyan. ‘Aus der Traum (From the Dream)’ (2023); OR the full series on my website
• AUSTRALIA
  • Text: “Golden splendour: privilege, ceremony and racism in 1920s-1930s Australia” on the photo album ‘John “Jack” Riverstone Faviell (1892-1960), 1922-1933’ Part 2, January 2023 (4,670 words)
• AUSTRALIA AND THE BOER WAR
  • Stereographs: Rose Stereoscopic Views of Victorian Contingents leaving for the Boer War in South Africa, 1899-1900, October 2023
• AUSTRALIAN ART AND ARTISTS
  • Exhibition: ‘Auto-Photo: A Life in Portraits‘ at RMIT Gallery, Melbourne, June – August, 2025
  • Exhibition: ‘Australian Tonalism: A Selection from the John and Peter Perry Collection’ at the Town Hall Gallery, Hawthorn, Melbourne, May – July, 2025
  • Photographs: Marcus Bunyan. ‘The shadow takes another form’ 2024-2025 March 2025
  • Review: “Down with Earth,” on the exhibition ‘Julie Millowick: Surrounding’ at the Castlemaine Art Museum, June 2024
  • Photographs: Marcus Bunyan. “Material Witness” from the series Travelling the wonderful loneliness (2019-2024) March 2024
  • Photographs: Marcus Bunyan. “(How I) Wish You Were Here” from the series Travelling the wonderful loneliness (2019-2024) March 2024
  • Review: “Smoke and mirrors, smoke and mirrors…” on the exhibition Photography: Real & Imagined at The Ian Potter Centre: NGV Australia, Melbourne Part 2, October 2023 – February 2024
  • Text/Photographs: “Communities dismantled,” on the Melbourne slum photographs of Frederick Oswald Barnett (Australian, 1883-1972), February 2024
  • Exhibition: ‘Photography: Real & Imagined’ at The Ian Potter Centre: NGV Australia, Melbourne Part 1, October 2023 – February 2024
  • Vale Ian Lobb (1948-2023), photographer “The luminosity of Ian Lobb” December 2023
  • Exhibition: ‘Joyce Evans’ at the National Library of Australia, Canberra, April – November 2023
  • Stereographs: Rose Stereoscopic Views of Victorian Contingents leaving for the Boer War in South Africa, 1899-1900, October 2023
  • Photographs: Marcus Bunyan. ‘Aus der Traum (From the Dream)’ 2023; OR the full series on my website
  • Exhibition: ‘Spowers & Syme’ at the Geelong Art Gallery, Victoria October 2022
  • Photographs: Marcus Bunyan. ‘The sun does not move’ 2017-2022; OR the full series on my website
  • Review: “The Black and White Show,” on the exhibition WHO ARE YOU: Australian Portraiture at NGV Australia, Federation Square, Melbourne, August 2022
  • Photographs: ‘Frank Hurley – Soldiers of the Australian Imperial Force (AIF) on the Western Front during the First World War, mid-1917 – September 1918’, July 2022 
  • Exhibition: ‘Birdlike’ by Anne Ferran at Sutton Gallery, Melbourne, March 2022
  • New website: ‘Marcus Bunyan – celebrating 30 years of art practice in 2021’ November 2021
  • Photographs: Marcus Bunyan. ‘Resonance’ October 2021
  • Text/Exhibition: “In our sight, in our mind” on the exhibition Mervyn Bishop: Australian Photojournalist at the National Film and Sound Archive of Australia, Acton, Canberra ACT, March – October 2021
  • Review: “The Family of Yang,” on the exhibition William Yang: Seeing and Being Seen at the Queensland Art Gallery | Gallery of Modern Art (GOMA), Brisbane, August 2021
  • Photo album: John “Jack” Riverstone Faviell (1892-1960), 1922-1933 Part 1, July 2021
  • Review: “Embodied Ab/origin” on the exhibition DESTINY at NGV Australia, Federation Square, Melbourne, November 2020 – February 2021
  • Photographs: Marcus Bunyan. ‘Stones, Vaults, Flowers: Père Lachaise’ 2017-2020 February 2021
  • Photographs: ‘Gunner Andrew Rumann embarkation for Singapore, August 1941’ and other WW2 Australian photographs, October 2020
  • Pamphlet: ‘Australian Aboriginal Art’ with texts by Charles Barrett and A.S. Kenyon, National Museum of Victoria, 1952, August 2020
  • Photographs: Marcus Bunyan. ‘A day in the Tiergarten’ 2019-2020 June 2020
  • Photographs: ‘Australia 1946-1947’ Part 2 March 2020 
  • Photographs: ‘Australia 1946-47’ Part 1 March 2020
  • Review: ‘Why Take Pictures?’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
  • Exhibition: ‘Shea Kirk: Vantages’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
  • Exhibition: ‘Sophie Gabrielle: Worry For The Fruit The Birds Won’t Eat’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
  • Photographs: Marcus Bunyan. ‘The Night Journey’ July 2019
  • Exhibition: ‘Carte-o-mania!’ at the National Portrait Gallery, Canberra, Australia, November 2018 – April 2019
  • Photographs: Marcus Bunyan. ‘Oblique’ March 2019
  • Review: ‘Clement Meadmore: The art of mid-century design’ at the Ian Potter Museum of Art, Melbourne, November 2018 – March 2019
  • Photographs: ‘Australia’ Part 1 December 2018
  • Photographs: Marcus Bunyan. ‘Paris in film’ July 2018
  • Review: “Terror incognita” on ‘Colony: Australia 1770-1861‘ at NGV Australia at Federation Square, Melbourne Part 2, featuring photographs from exhibition, March – July 2018
  • Exhibition: ‘Colony: Australia 1770-1861’ at NGV Australia at Federation Square, Melbourne Part 1, March – July 2018
  • Review: ‘Del Kathryn Barton: The Highway is a Disco’ at the Ian Potter Centre: NGV Australia at Federation Square, Melbourne, November 2017 – March 2018
  • Review: ‘All the better to see you with: Fairy tales transformed’ at The Ian Potter Museum of Art, Melbourne, January – March 2018
  • Review: ‘John Gollings: The history of the built world’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, December 2017 – March 2018
  • Review: ‘Rosemary Laing’ at TarraWarra Museum of Art, Healesville, Victoria, December 2017 – February 2018
  • Book review: ‘The Lumen Seed’ by Judith Crispin (2016) January 2018
  • Photographs: Marcus Bunyan. ‘The Shape of Dreams’ 2013-2017 December 2017
  • Photographs: Historical Australia Part 1, December 2017
  • Review: ‘Brave New World: Australia 1930s’ at The Ian Potter Centre: NGV Australia, Melbourne, July – October 2017
  • Review: ‘Under the sun: Reimagining Max Dupain’s Sunbaker’ at the Monash Gallery of Art, Melbourne, May – August 2017
  • Exhibition: ‘Bill Henson’ as part of the NGV Festival of Photography, NGV International, Melbourne, March – August 2017
  • Exhibition: ‘Girls In Our Town: Women in the Shadow of ‘The Magnificent Empire’, Florina Prefecture & Region, Macedonia Greece 1900-1917, 2017′ at William Mora Galleries, Melbourne, July 2017
  • Review: ‘Christian Thompson: Ritual Intimacy’ at Monash University Museum of Art (MUMA), Melbourne, April – July 2017
  • Exhibition: ‘Sit. Pose. Snap. Brisbane Portrait Photography 1850 – 1950’ at the Museum of Brisbane, March – July 2017
  • Exhibition: ‘Beyond Eden: Polixeni Papapetrou’ at Monash Gallery of Art, Melbourne, October – December 2016
  • Photographs: Australia in the first decade of the 20th century, November 2016
  • Review: ‘Henry Talbot: 1960s Fashion Photographer’ at The Ian Potter Centre: NGV Australia, Melbourne, May – August 2016
  • Review: ‘Max and Olive: The photographic life of Olive Cotton and Max Dupain’ at The Ian Potter Museum of Art, Melbourne, May – July 2016
  • William Blackwood: ‘Panorama of Sydney & Harbour from Government House’ 1858, July 2016
  • Cabinet card: William Bardwell, photographer – Alfred William Howitt, William Barak and unidentified man, April 2016
  • Exhibition: ‘Impressions of Melbourne’ at the Monash Gallery of Art, Melbourne, July – September 2015
  • Exhibition: ‘Colour my world: handcoloured Australian photography’ at the National Gallery of Australia, Canberra, April – September 2015
  • Exhibition: ‘Crowd Source’ at the State Library of New South Wales, Sydney, April – August 2015
  • Exhibition: ‘The view from here: The photographic world of Alfred Elliott 1890-1940’ at the Museum of Brisbane, February – August 2015
  • Photographs and text: ‘Quandong, New South Wales, Australia 1887’, July 2015
  • Exhibition: ‘The photograph and Australia’ at the Art Gallery of New South Wales, Sydney, March – June 2015
  • Photographs: Marcus Bunyan. ‘Too Much of the Air’ April 2015
  • Exhibition: ‘Australian Women Artists Between the Wars’ at Lauraine Diggins Fine Art, Melbourne, March – April 2015
  • Exhibition: ‘Juvenilia: Peter Milne’ at Strange Neighbour, Fitzroy, Melbourne, February – March 2015
  • Exhibition: ‘Bohemian Melbourne’ at the State Library of Victoria, Melbourne, December 2014 – February 2015
  • Review: ‘PHOTOGRAPHY MEETS FEMINISM: Australian women photographers 1970s-80s’ at the Monash Gallery of Art, Melbourne, October – December 2014
  • Exhibition: ‘Portraits of War: The Crown Studios Project’ at the State Library of New South Wales, Sydney, June – September 2014
  • Exhibition: ‘The Sievers Project’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – August 2014
  • Exhibition ‘David McDiarmid: When This You See Remember Me’ at NGV Australia, Melbourne, May – August 2014
  • Catalogue essay: ‘Being (t)here: Gay liberation photography in Australia 1971-73’ from the exhibition Out of the closets, onto the streets July 2014
  • Exhibition: ‘Transmissions: Archiving HIV/AIDS – Melbourne 1979 – 2014’ at George Paton Gallery, The University of Melbourne, July 2014
  • Review: ‘The Rennie Ellis Show’ at Monash Gallery of Art, Wheeler Hill, Melbourne, April – June 2014
  • Text / exhibition: ‘Australian vernacular photography’ at the Art Gallery of New South Wales (AGNSW), Sydney, February – May 2014
  • Exhibition: ‘Melbourne Now’ at the National Gallery of Victoria, Melbourne, Part 2, November 2013 – March 2014
  • Exhibition: ‘The Sievers Project’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – August 2014
  • Photographs. Marcus Bunyan. ‘upside, down’ December 2013
  • Exhibition: ‘My Country, I Still Call Australia Home: Contemporary Art from Black Australia’ at The Gallery of Modern Art (GOMA), Brisbane, June – October 2013
  • Review: ‘Carol Jerrems: photographic artist’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, July – September 2013
  • Text: ‘Un/settling Aboriginality’ Dr Marcus Bunyan / Exhibition: ‘Brook Andrew: 52 Portraits’ at Tolarno Gallery, Melbourne, June – July 2013
  • Exhibition: ‘The Greatest Wonder of the World’ at the State Library of New South Wales, Sydney, February – May 2013
  • Exhibition: ‘Home Front: Wartime Sydney 1939-45’ at the Museum of Sydney, March – September 2012
  • Review: ‘Lee Grant / Belco Pride’ at Edmund Pearce Gallery, Melbourne, June 2013
  • Review: ‘Jane Brown/Australian Gothic’ at Edmund Pearce Gallery, Melbourne, April – May 2012
  • Exhibition: ‘NGV 150th Felton Bequest Gift – Living Water: Contemporary Art of the Far Western Desert’ at NGV Australia, Melbourne, May 2011 – May 2012
  • Review: ‘Fred Kruger: Intimate Landscapes’ at The Ian Potter Centre: NGV Australia, Melbourne, February – July 2012
  • Photographs: Marcus Bunyan. ‘Vertical’ December 2011
  • Exhibition: ‘The Enemy at Home: German internees in World War I Australia’ at The Museum of Sydney, May – September 2011
  • Review: ‘Ricky Maynard: Portrait of a Distant Land’ at The Ian Potter Museum of Art, Melbourne, May – August 2011
  • Review: ‘Paradise’ at Tolarno Galleries, Melbourne, June – July 2011
  • Exhibition: ‘Photography & place: Australian landscape photography, 1970s until now’ at the Art Gallery of New South Wales, Sydney, March – May 2011
  • Exhibition: ‘An Edwardian Summer: Sydney & beyond through the lens of Arthur Wigram Allen’ at the Museum of Sydney, December 2010 – April 2011
  • Exhibition: ‘TRACEY MOFFATT: narratives’ at Art Gallery of South Australia, Adelaide, February – March 2011
  • Review: ‘Sidney Nolan: Drought Photographs’ at Australian Galleries, Melbourne, March 2011
  • Photographs: Marcus Bunyan. ‘The Symbolic Order (cartes de visite)’ March 2011
  • Photographs: Marcus Bunyan. ‘Missing in Action (red kenosis)’ October 2010
  • Exhibition: ‘Candid Camera: Australian Photography 1950s – 1970s’ at the Art Gallery of South Australia, Adelaide, May – August 2010
  • Review: ‘Sistagirls’ by Bindi Cole at Nellie Castan Gallery, Melbourne, July 2010
  • Photographs: Marcus Bunyan. ‘Missing in action (dark kenosis)’ May 2010
  • Review: ‘Cubism & Australian Art’ at Heide Museum of Modern Art, Bulleen, November 2009 – April 2010
  • Photographs: Marcus Bunyan. ‘Missing in Action (horizontal kenosis)’ March 2010
  • Review: ‘Emily Kame Kngwarreye: The Person and her Paintings’ at DACOU Aboriginal Art, Port Melbourne, October – December 2009
  • Photographs: Marcus Bunyan. ‘There But For The Grace of You Go I’ December 2009
  • Review: ‘First Jobs’ by Tracey Moffatt at Centre for Contemporary Photography, August – September 2009
  • Exhibition: ‘Edward Burtynsky: Australian Minescapes’ at the Australian Centre for Photography, Sydney, July – August 2009
  • Exhibition: ‘Ricky Maynard: Portrait of a Distant Land’ at Museum of Contemporary Art (MCA), Sydney, June – August 2009
  • Review: ‘Jonh Brack’ retrospective at The National Gallery of Victoria, NGV Australia, Federation Square, Melbourne, April – August 2009
  • Review: ‘Exotic Queensland: Recent Painting’ at Gallery 101, Melbourne, May 2009
  • Review: ‘Mark Strizic: Melbourne – A City in Transition (Rare Silver Gelatin Photographs)’ at Gallery 101, Melbourne, April – May 2009
  • Review: ‘Modern Times: The Untold Story of Modernism in Australia’ at Heide Museum of Modern Art, Melbourne, March – July 2009
  • Photographs: Marcus Bunyan. ‘The Shape of Dreams’ June 2009
  • Review: ‘Rosalie Gascoigne’ at The Ian Potter Centre: NGV Australia, Melbourne, December 2008 – March 2009
  • Photographs: Marcus Bunyan. ‘Momentum’ February 2009
  • Exhibition: ‘Klippel/Klippel: Opus 2008’ at National Gallery of Victoria (Federation Square), Melbourne, October – November 2008
• AUSTRALIA 1946-1947
  • Photographs: ‘Australia 1946-1947’ Part 2 March 2020
  • Photographs: ‘Australia 1946-1947’ Part 1 March 2020
• AUSTRALIA IN THE FIRST DECADE OF THE 20th CENTURY
  • Australia in the first decade of the 20th century, November 2016
• ‘AUSTRALIAN ABORIGINAL ART’
  • Pamphlet: ‘Australian Aboriginal Art’ with texts by Charles Barrett and A.S. Kenyon, National Museum of Victoria, 1952, August 2020
• AUSTRALIAN CABINET CARD
  • Cabinet card: William Bardwell, photographer – Alfred William Howitt, William Barak and unidentified man, April 2016
• AUSTRALIAN CENTRE FOR CONTEMPORARY ART (ACCA)
  • Review: ‘Berlinde De Bruyckere: We are all Flesh’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, June – July 2012
  • Review: ‘Mortality’ at the Australian Centre for Contemporary Art, Melbourne, October – November 2010
    
  • Review: ‘Scenes’ by David Noonan at the Australian Centre for Contemporary Art (ACCA), Melbourne, August – September 2009
  • Review: ‘Tacita Dean’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, June – August 2009
  • Review: ‘New 09’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, March – May 2009
  • Review: ‘The Water Hole’ exhibition by Gerda Steiner and Jorg Lenzlinger at the Australian Centre for Contemporary Art (ACCA), Melbourne, December 2008 – March 2009
  • Review: ‘Intimacy’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, October – November 2008
• ‘AUSTRALIAN GOTHIC’
  • Review: ‘Jane Brown/Australian Gothic’ at Edmund Pearce Gallery, Melbourne, April – May 2012
• AUSTRALIAN PORTRAITURE
  • Review: “The Black and White Show,” on the exhibition WHO ARE YOU: Australian Portraiture at NGV Australia, Federation Square, Melbourne, March – August 2022
• ‘AUSTRALIAN TONALISM: A SELECTION FROM THE JOHN AND PETER PERRY COLLECTION’
  • Exhibition: ‘Australian Tonalism: A Selection from the John and Peter Perry Collection’ at the Town Hall Gallery, Hawthorn, Melbourne, May – July, 2025
• ‘AUSTRALIAN VERNACULAR PHOTOGRAPHY’
  • Text / exhibition: ‘Australian vernacular photography’ at the Art Gallery of New South Wales (AGNSW), Sydney, February – May 2014
• ‘AUSTRALIAN WOMEN ARTISTS BETWEEN THE WARS’
  • Exhibition: ‘Australian Women Artists Between the Wars’ at Lauraine Diggins Fine Art, Melbourne, March – April 2015
• ‘AUTO-PHOTO: A LIFE IN PORTRAITS’
  • Exhibition: ‘Auto-Photo: A Life in Portraits‘ at RMIT Gallery, Melbourne, June – August, 2025
• ‘AUTUMN MASTERPIECES’
  • Review: ‘Autumn Masterpieces: Highlights from the Permanent Collection’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, March – May 2010

B

• BAIN, Pamela
  • Review: ‘DEEPER DARKER BRIGHTER’ at Town Hall Gallery, Hawthorn Arts Centre, Melbourne, May – July 2018
• BARAK, William
  • Cabinet card: William Bardwell, photographer – Alfred William Howitt, William Barak and unidentified man, April 2016
• ‘BARBARA HEPWORTH: IN EQUILIBRIUM’
  • Exhibition: ‘Barbara Hepworth: In Equilibrium’ at the Heide Museum of Modern Art, Melbourne, November 2022 – March 2023
• BARDWELL, William
  • Cabinet card: William Bardwell, photographer – Alfred William Howitt, William Barak and unidentified man, April 2016
• BARNETT, F. Oswald
  • Text/Photographs: “Communities dismantled,” on the Melbourne slum photographs of Frederick Oswald Barnett (Australian, 1883-1972), February 2024
• BARTON, Del Kathryn
  • Review: ‘Del Kathryn Barton: The Highway is a Disco’ at the Ian Potter Centre: NGV Australia at Federation Square, Melbourne, November 2017 – March 2018
• BAWDEN, Lionel
  • Exhibition: ‘Lionel Bawden: Pattern spill’ at Karen Woodbury Gallery, Richmond, November – December 2011
• BEARD, John
  • Review: ‘John Beard: After Image’ paintings at John Buckley Gallery, Melbourne, May – June 2009
• BECKETT, Clarice
  • Exhibition: ‘Clarice Beckett: The present moment’ at the Art Gallery of South Australia, Adelaide, February – May 2021
• ‘BELCO PRIDE’
  • Review: ‘Lee Grant / Belco Pride’ at Edmund Pearce Gallery, Melbourne, June 2013
• ‘BEN QUILTY: AFTER AFGHANISTAN’
  • Review: ‘Ben Quilty: After Afghanistan’ at the Castlemaine Art Gallery and Historical Museum, January – April 2016
• ‘BERLINDE DE BRUYCKERE: WE ARE ALL FLESH’
  • Review: ‘Berlinde De Bruyckere: We are all Flesh’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, June – July 2012
• BERTOLI, Damiano
  • Opening: Review: ‘Continuous Moment: Bad Infinity’ video installation at The Narrows, Melbourne, March 2009
• ‘BEYOND EDEN: POLIXENI PAPAPETROU’
  • Exhibition: ‘Beyond Eden: Polixeni Papapetrou’ at Monash Gallery of Art, Melbourne, October – December 2016
• ‘BILL HENSON’
  • Exhibition: ‘Bill Henson’ as part of the NGV Festival of Photography, NGV International, Melbourne, March – August 2017
• ‘BILL HENSON: LANDSCAPES’
  • Exhibition: ‘Bill Henson: Landscapes’ at Castlemaine Art Gallery and Historical Museum, Victoria, April – June 2016
• ‘BIRDLIKE’
  • Exhibition: ‘Birdlike’ by Anne Ferran at Sutton Gallery, Melbourne, March – April 2022
• BISHOP, Mervyn
  • Text/Exhibition: “In our sight, in our mind” on the exhibition Mervyn Bishop: Australian Photojournalist at the National Film and Sound Archive of Australia, Acton, Canberra ACT, March – October 2021
• ‘BLACK MIST BURNT COUNTRY’
  • Exhibition: ‘Black Mist Burnt Country’ at the National Museum of Australia, Canberra, August – November 2018
• BLACKWOOD, William
  • William Blackwood: ‘Panorama of Sydney & Harbour from Government House’ 1858, July 2016
• BODIN, John
  • Opening: ‘John Bodin: Rite of Passage’ at Anita Traverso Gallery, Richmond, August – September 2011
  • Opening: ‘Urban Edge’ at Anita Traverso Gallery, Melbourne, May 2009
• ‘BOHEMIAN MELBOURNE’
  • Exhibition: ‘Bohemian Melbourne’ at the State Library of Victoria, Melbourne, December 2014 – February 2015
• BOOTH, Peter
  • Exhibition: ‘Peter Booth’ at TarraWarra Museum of Art, Healesville, November 2022 – March 2023
• BORLAND, Polly
  • Exhibition: ‘Polly Borland: Smudge’ at Paul Kasmin Gallery, New York, September – October 2011
• BOWERY, Leigh
  • Exhibition: ‘XTRAVAGANZA. Staging Leigh Bowery’  at Kunsthalle Wien, Vienna, October 2012 – February 2013
• BOWNESS PHOTOGRAPHY PRIZE
  • Exhibition: ‘2011 Bowness Photography Prize’ at the Monash Gallery of Art, Melbourne, September – October 2011
• BOYLAN, Jessie
  • Review: ‘As far as I know’ by Katrin Koenning and Jessie Boylan at The Colour Factory Gallery, Fitzroy, Melbourne
• BOYNES, Robert
  • Exhibition: ‘Postscript’ at Karen Woodbury Gallery, 7th April to 1st May 2010
• BRACK, John
  • Review: ‘Jonh Brack’ retrospective at The National Gallery of Victoria, NGV Australia, Federation Square, Melbourne, April – August 2009
• BRASSINGTON, Pat
  • Exhibition: ‘Pat Brassington: Quill’ at Bett Gallery, Hobart, May 2013
  • Review: ‘Pat Brassington: À Rebours’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, August – September 2012
  • Review: Pat Brassington at Arc One Gallery, Melbourne, August – September 2010
• ‘BRAVE NEW WORLD: AUSTRALIA 1930s’
  • Review: ‘Brave New World: Australia 1930s’ at The Ian Potter Centre: NGV Australia, Melbourne, July – October 2017
• BRITTON, Helen
  • Opening: ‘The things I see’ at Gallery Funaki, Melbourne, November 2008
• ‘BROOK ANDREW: 52 PORTRAITS’
  • Text: ‘Un/settling Aboriginality’ Dr Marcus Bunyan / Exhibition: ‘Brook Andrew: 52 Portraits’ at Tolarno Gallery, Melbourne, June – July 2013
• BROWN, Jane
  • Review: ‘Jane Brown/Australian Gothic’ at Edmund Pearce Gallery, Melbourne, April – May 2012
• BROWN, Lyndell
  • Review: ‘Framing Conflict – Iraq and Afghanistan’ with Charles Green at The Ian Potter Museum of Art, The University of Melbourne, November –  February 2009
• BUNYAN, Marcus (Black and white archive)
  • Orphans and small groups, 1994-1996 Part 1 / Part 2
  • Sleep/Wound, 1995-1996
  • Padlocks/People, 1994-1996
  • Horses, sheep, 1994-1995
  • Dogs, chicken, cattle, 1994-1995
  • Mask, 1994
  • Études, 1994
  • Songs of Eternity, 1994
  • Immersion, 1994
  • Ignudi, 1994
  • South Yarra and surrounds, 1994
  • England, 1993
  • England, 1993
  • Circumnavigation, 1992-1994
  • Within, 1992-1994
  • Objects, cars and places, 1991-1992
  • Self-portraits and nudes, 1991-1992
  • Portraits, South Yarra, Melbourne, 1991-1992
  • At Newport, 1991
  • The Regent Theatre, 1991
• BUNYAN, Marcus (Art since 2009)
  • The shadow takes another form (2024-2025) March 2025
  • Dark Light from the series Travelling the wonderful loneliness (2019-2024) March 2024
  • Tell Me Why from the series Travelling the wonderful loneliness (2019-2024) March 2024
  • Material Witness from the series Travelling the wonderful loneliness (2019-2024) March 2024
  • (How I) Wish You Were Here from the series Travelling the wonderful loneliness (2019-2024) March 2024
  • Aus der Traum (From the Dream) 2023
  • The sun does not move 2017-2022
  • New website: Marcus Bunyan – celebrating 30 years of art practice in 2021 November 2021
  • Resonance 2021
  • Stones, Vaults, Flowers: Père Lachaise 2017-2020
  • A day in the Tiergarten 2019-2020
  • The Night Journey 2019
  • Oblique 2019
  • Paris in film July 2018; on Art Blart Part 1; Part 2
  • The Shape of Dreams 2013-2017: new body of work, December 2017
  • Too Much of the Air 2015
  • upside, down 2013
  • Vertical 2011
  • The Symbolic Order (cartes de visite) 2011
  • Missing in Action (red kenosis) 2010
  • Missing in Action (dark kenosis) 2010
  • Missing in Action (horizontal kenosis) 2010
  • There But For The Grace of You Go I 2009
  • The Shape of Dreams 2009
  • Momentum 2009
  • Further work from 1997-2008 can be found on my website
• BUNYAN, Marcus (Curatorship/conferences/exhibitions)
  • Paper: “Exposure: The white Australian male in portrait photography 1858-1914,” presented at Human Kind: Transforming Identity in British and Australian Portraits 1700-1914 international conference, The University of Melbourne, September 2016
  • Co-curatorship of exhibition Out of the closets, onto the streets: gay liberation photography 1971-1973 at Edmund Pearce Gallery, Melbourne, July 2014
  • Invited artist in the exhibition Transmissions: Archiving HIV/AIDS – Melbourne 1979 – 2014 at the George Paton Gallery, The University of Melbourne, July 2014
  • Invited artist in the exhibition Vital Signs – Interpreting the Archive at Blindside, Melbourne, July 2014
  • Curated exhibition: Density by Andrew Follows at Anita Traverso Gallery, Richmond, August – September 2013
• BUNYAN, Marcus (Music)
  • Music: Marcus Bunyan. The Only Recording 1977 (2017) 47 mins CD disc. Various pianoforte pieces recorded in the Recital Hall of the Royal College of Music, London on the 15th November 1977. Limited release November 2017
• BUNYAN, Marcus (Writing for Art Blart) – full list of writing can be seen on the Marcus Bunyan Writings page
  • Text/Exhibition: “Without judgement,” on the exhibition ‘Diane Arbus: Sanctum Sanctorum’ at David Zwirner, London, November 2025 – January 2026
  • Text/Exhibition: “Myths of the American West,” on the exhibition ‘Richard Avedon ‘In The American West’ 1979-1984′ at the Fondation Henri Cartier-Bresson, Paris, April – October, 2025
  • Text/Exhibition: “Sleeping Beauty,” on the exhibition ‘Ricordati di me. I post mortem della collezione M. G. Jacob’ (Remember Me. Postmortems from the M. G. Jacob Collection) at Biblioteca Panizzi, Reggio Emilia, Italy, April – July, 2025
  • Text/Exhibition: “Nurture: A world of creativity and transformation,” on the exhibition ‘The basement: photography from Prahran College (1968-1981)’ at the Museum of Australian Photography, Wheelers Hill, Melbourne, March – May, 2025
  • Text/Exhibition: “Street cred,” on the exhibition Dawoud Bey: Street Portraits at Denver Art Museum, November 2024 – May 2025
  • Text/Exhibition: “Out in the midday sun” on the exhibition ‘Martin Parr. Early Works’ at Fotografie Forum Frankfurt (FFF), September 2024 – February 2025
  • Text/Exhibition: “Contested ground,” on the exhibition A Long Arc: Photography and the American South since 1845 at the Virginia Museum of Fine Arts, Richmond, October 2024 – January 2025
  • Text/Exhibition: “In front of me I have the sea,” on the exhibition Life Dances On: Robert Frank in Dialogue at the Museum of Modern Art (MoMA), New York, September 2024 – January 2025
  • Text/Exhibition: “Self Seen,” on the exhibition Weegee. Autopsy of the Spectacle at Fundacion Mapfre, Madrid, September 2024 – January 2025
  • Text/Exhibition: “within, bridge and fissure,” on the exhibition Picturing the Border at the Cleveland Museum of Art, July 2024 – January 2025
  • Text/Exhibition: “Losers and losers,” on the exhibition ONE YEAR! Photographs from the Miners’ Strike 1984-85 at Four Corners, London, September – October 2024
  • Text/Exhibition: “Deriving pleasure from the dérive,” on the exhibition The Poetry of the Everyday. Photographs by Elfriede Mejchar at Museum der Moderne Salzburg, April – September 2024
  • Text/Exhibition: “(hidden) in plain sight,” on the exhibition Rosario de Velasco at the Museo Nacional Thyssen-Bornemisza, Madrid. June – September 2024
  • Text/Exhibition: “An offer you can’t refuse,” on the exhibition Suburbia. Building the American Dream at the Centre de Cultura Contemporània de Barcelona | CCCB, March – September 2024
  • Text/Exhibition: “Then and now,” on the exhibition A Different Light – First Photographs of Aotearoa at the Auckland War Memorial Museum, New Zealand, April – September 2024
  • Text/Exhibition: “In vivid and completely natural un/reality,” on the exhibition Roger Mayne: Youth at the Courtauld Gallery, London, June – September 2024
  • Text/Exhibition: “David Goldblatt writing history,” on the exhibition David Goldblatt: No Ulterior Motive at Fundación MAPFRE, Madrid, May – June 2024
  • Text/Exhibition: “Otherworldy beings: the materialisations and transformations of Francesca Woodman and Julia Margaret Cameron,” on the exhibition Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In at the National Portrait Gallery, London, March – June 2024
  • Review: “Down with Earth,” on the exhibition ‘Julie Millowick: Surrounding’ at the Castlemaine Art Museum, February – June 2024
  • Review: “Wondering through history,” on the exhibition Wanderings About History. The Photography of Ulrich Wüst at the RMIT Gallery, Melbourne, March – April 2024
  • Text/Exhibition: “Full of the world” on the exhibition Dorothea Lange: Seeing People at the National Gallery of Art, Washington Part 2, November 2023 – March 2024
  • Review: “Smoke and mirrors, smoke and mirrors…” on the exhibition Photography: Real & Imagined at The Ian Potter Centre: NGV Australia, Melbourne Part 2, October 2023 – February 2024
  • Text/Photographs: “Communities dismantled,” on the Melbourne slum photographs of Frederick Oswald Barnett (Australian, 1883-1972), February 2024
  • Vale Ian Lobb (1948-2023), photographer “The luminosity of Ian Lobb” December 2023
  • Text/Exhibition: “Salt of the Earth” on the exhibition Golden Valley Faces: The photographs of Richard Jenkins at the Café Gallery, Hay Castle, Hay-on-Wye, until September 2023
  • Text/Exhibition: “The Eye of the Beholder” on the exhibition Under Cover: J.C. Leyendecker and American Masculinity at the New-York Historical Society, August 2023
  • Text/Exhibition: “Transcending reality” on the exhibition Reality Makes Them Dream: American Photography, 1929-1941 at the Cantor Arts Center at Stanford University, California, July 2023
  • Text/Exhibition: “Man and imagination” on the exhibition Ansel Adams in Our Time at the de Young museum, San Francisco, July 2023 
  • Text/Exhibition: “Forever present” on the exhibition Chris Killip, Retrospective at The Photographers’ Gallery, February 2023 
  • Text: “Golden splendour: privilege, ceremony and racism in 1920s-1930s Australia” on the photo album ‘John “Jack” Riverstone Faviell (1892-1960), 1922-1933’ Part 2, January 2023 (4,670 words)
  • Text/Exhibition: “Visible Man / Invisible photographer” on the exhibition Gordon Parks: Stokely Carmichael and Black Power at the Museum of Fine Arts, Houston, January 2023
  • Exhibition: ‘Baldwin Lee’ at Joseph Bellows Gallery, La Jolla, California, November 2022
  • Text/Exhibition: “Ghosts in the machine,” on the exhibition Bernd and Hilla Becher at the Metropolitan Museum of Art, New York, November 2022
  • Text/Exhibition: “Reclaiming the light,” on the exhibition Between skin & shirt: The photographic portraits of William Harding at the National Library of New Zealand Gallery, Wellington, October 2022 
  • Text/Exhibition: “The quiet of the great beyond” on the exhibition American Silence: The Photographs of Robert Adams at the National Gallery of Art, Washington, September 2022
  • Exhibition: ‘Brick Lane 1978: The Turning Point’ at Four Corners, London, August 2022
  • Review: “The Black and White Show,” on the exhibition WHO ARE YOU: Australian Portraiture at NGV Australia, Federation Square, Melbourne, August 2022
  • Text/Exhibition: “A portent of things to come…” on the exhibition Germany / 1920s / New Objectivity / August Sander at Centre Pompidou, Paris, August 2022 
  • Text/Photographs: “Familiar yet strange: Frank Hurley’s First World War photographs” on Frank Hurley – Soldiers of the Australian Imperial Force (AIF) on the Western Front during the First World War, mid-1917 – September 1918, July 2022
  • Text/Photographs: “Rendering the past and the presence, shaping history and memory,” on Images of Mongolian noblemen and noblewomen of early 20th century (1910s-1920s), July 2022
  • Text/Exhibition: “The blink of an eye,” on the exhibition Marion Kalter. Deep Time at the Museum der Moderne Salzburg, Austria, April 2022
  • Review: ‘Visions of India: from the colonial to the contemporary’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, March 2022
  • Text: ‘Finding Integrity: “New Woman” artists and female emancipation in the first half of the twentieth century’ on the exhibition The New Woman Behind the Camera at the National Gallery of Art, Washington Part 3, January 2022
  • Text/Exhibition: “There is no more time,” on the exhibition ‘Freedom Must Be Lived: Marion Palfi’s America, 1940-1978’ at the Phoenix Art Museum, December 2021
  • New website: ‘Marcus Bunyan – celebrating 30 years of art practice in 2021’ November 2021
  • Text/Exhibition: “In our sight, in our mind” on the exhibition Mervyn Bishop: Australian Photojournalist at the National Film and Sound Archive of Australia, Acton, Canberra ACT, October 2021
  • Text/Exhibition: “Dark atmosphere of a grey reality,” on the exhibition Michael Schmidt: A new German Perspective at Jeu de Paume, Paris, August 2021
  • Text/Exhibition: “Bill Brandt: master of photography, master of reinvention,” on the exhibition Bill Brandt at the Fundación Mapfre, Madrid, August 2021
  • Review: “The Family of Yang,” on the exhibition William Yang: Seeing and Being Seen at the Queensland Art Gallery | Gallery of Modern Art (GOMA), Brisbane, August 2021
  • Review: “Disguising power as virtue or, the Inner Landscape of Beauty,” on the exhibition An-My Lê: On Contested Terrain at the Amon Carter Museum of American Art, Fort Worth, Texas, August 2021
  • Text/Exhibition: “Recognising small diversions,” on the exhibition Friedrich Seidenstücker – Life in the City: Photographs from the 1920s to 1940s at the Käthe Kollwitz Museum, Cologne, June 2021
  • Text/Exhibition: “The power of imagination,” on the exhibition Eugène Atget, Voir Paris at the Fondation Henri Cartier-Bresson, Paris, June 2021
  • Text/Exhibition: “Nature ∞ nurture,” on the exhibition The Human Cost: America’s Drug Plague at the Bronx Documentary Center, New York, June 2021
  • Text/Photographs: “Death, duplicity and dishonour,” on ‘The “Green Ticket” roundup – first roundup of Jews in France during World War II’, Memorial de la Shoah, Paris, May 2021
  • Review: “Contested Ground,” on the exhibition ‘Do Brumbies Dream in Red? – Tom Goldner’ at the Meat Market Stables, Melbourne, May 2021
  • Review: ‘Ruth Maddison: It was the best of times, it was the worst of times’ at the Centre for Contemporary Photography, Melbourne, April 2021
  • Text/Exhibition: “Realist structuralist illusionist,” on the exhibition Clarice Beckett: The present moment at the Art Gallery of South Australia, Adelaide, March 2021
  • Review: “Embodied Ab/origin,” on the exhibition DESTINY at NGV Australia, Federation Square, Melbourne, January 2021
  • Text/Exhibition: “The semi-transparent self,” on the exhibition The Experimental Self: Edvard Munch’s Photography at the National Nordic Museum, Seattle, January 2021
  • Text/Exhibition: “A difficult thing said simply,” on the exhibition Unearthed: Photography’s Roots at the Dulwich Picture Gallery, London, January 2021
  • Text: “For a few brief moments, rebels with a cause,” on the exhibition Bruce Davidson: Brooklyn Gang at Cleveland Museum of Art, December 2020
  • Text: “It’s a mystery,” on the exhibition Photography’s Last Century: The Ann Tenenbaum and Thomas H. Lee Collection at the Metropolitan Museum of Art, New York, November 2020
  • Exhibition: Acting Out: Cabinet Cards and the Making of Modern Photography at the Amon Carter Museum of American Art, Fort Worth, Texas, October 2020
  • Pamphlet: ‘Australian Aboriginal Art’ with texts by Charles Barrett and A.S. Kenyon, National Museum of Victoria, 1952, August 2020
  • Text: “Atget’s shadow” on his Paris photographs, August 2020
  • Text: “D-Construction: deliberate masculinities in a discontinuous world,” on the exhibition Masculinities: Liberation through Photography at the Barbican Art Gallery, London, June 2020
  • Text: ‘Prospect/us, protect us: plague and resumption in fin de siècle Sydney’ on John Degotardi Jr.’s The Plague Albums, Sydney, 1900, June 2020
  • Text: “Closer and closer,” on the exhibition Dorothea Lange: Words & Pictures at the The Museum of Modern Art, New York, March 2020
  • Text: “Visions of divine damnation,” on the exhibition William Blake at Tate Britain, London Part 2, February 2020
  • Review: “Writing the body politic / broken” on Turning Points: Contemporary Photography from China at the National Gallery of Victoria, Melbourne, January 2020
  • European photographic research tour: Josef Sudek archive at u(p)m The Museum of Decorative Arts, Prague, December 2019
  • European photographic research tour: “A moment of experience,” on the exhibition Ara Güler: Two Archives, One Selection: Tracing Ara Güler’s Footsteps in Istanbul at the Istanbul Museum of Modern Art, November 2019
  • Text and photos: Marcus Bunyan. “Punk jacket” in Chris Brickell and Judith Collard (eds.,). Queer Objects. Manchester University Press, November 2019
  • Text: Marcus Bunyan. “Nothing emerges from nothing,” Foreword to We Had Such High Hopes: Student Activism and the Peace Movement 1949-1952, A Photographic Memoir by Joyce Evans. Australian Scholarly Publishing, August 2019
  • Text/Review: “Picturing themselves,” on the exhibition Why Take Pictures? at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
  • Vale Joyce Evans OAM photographer (1929-2019) July 2019
  • Text/Photographs: The Seven Last Words 1898 by F. Holland Day (1864-1933) (with Joyce Evans) April 2019
  • Text/Exhibition: “Far from heaven,” on Bill Viola/Michelangelo: Life, Death, Rebirth at the Royal Academy of Arts, London, March 2019
  • Text: “Alternate readings/elisions/a damaged life,” on the exhibition Akram Zaatari: The Fold – Space, time and the image at the Contemporary Arts Center, Cincinnati, January 2019
  • Text: “Dans toute sa force” (In full force) on Germaine Krull’s portfolio MÉTAL 1928 December 2018
  • Text: “The aristocrats” on the circus photographs of Edward J. Kelty November 2018
  • Text: Death and the image. This text investigates how the act of photography visually writes trauma. Word count: 8,137. November 2018
  • Text: “Without worry … here ‘I am’,” on the exhibition African American Portraits: Photographs from the 1940s and 1950s at the Metropolitan Museum of Art, New York Part 2, June – October 2018
  • Text: “Climbing into immortality” on the work of Lewis W. Hine (1874-1940), September 2018
  • Review: “Terror incognita,” on the exhibition Colony: Australia 1770-1861 at NGV Australia at Federation Square, Melbourne Part 2, featuring photographs from exhibition, March – July 2018
  • Review: “The power of intention,” on the exhibition Diane Arbus: American Portraits at the Heide Museum of Modern Art, Melbourne, March – June 2018
  • Text: “Rare magician, strange alchemist, tells stories through visuals,” on the exhibition Jakob Tuggener – Machine time at Fotostiftung Schweiz, Winterthur, Zurich, October 2017 – January 2018
  • Book review: “Truth and consequence in red dirt country,” on the book The Lumen Seed by Judith Crispin (2016) January 2018
  • Text/Exhibition: Clarence H. White and His World: The Art and Craft of Photography, 1895-1925 at the Princeton University Art Museum, October 2017 – January 2018
  • Text: “Show and tell,” on the exhibition The Unflinching Gaze: photo media and the male figure at the Bathurst Regional Art Gallery, New South Wales, October – December 2017
  • Review: “Extending the possibilities of the universe: when the chicken is not an egg (and vice versa),” on the exhibition René Magritte: The Revealing Image, Photos and Films at the Latrobe Regional Art Gallery, Victoria, August – November 2017
  • Review: “Double take,” on the exhibition An unorthodox flow of images at the Centre for Contemporary Photography (CCP), Melbourne Part 2, November 2017
  • Vale William Heimerman (1950-2017) “William Heimerman: the essence of 344” October 2017
  • Review: “Very Pauline,” on the exhibition Queer British Art 1861-1967 at Tate Britain, London, September 2017
  • Review: Patrick Pound: The Great Exhibition as part of the NGV Festival of Photography at NGV Australia, Melbourne Part 2, July 2017
  • Review: “Still singing, still Dreaming, still loving… not dying,” on the exhibition Christian Thompson: Ritual Intimacy at Monash University Museum of Art (MUMA), Melbourne, July 2017
  • Exhibition: Wolfgang Tillmans: 2017 at Tate Modern, London, June 2017
  • Review: “Reading either side of the sign: Bronwyn Oliver and the invitation to imagine,” on the exhibition The sculpture of Bronwyn Oliver at TarraWarra Museum of Art, Healesville, Victoria, February 2017
  • Text/Exhibition: Soulèvements / Uprisings at Jeu de Paume, Paris, January 2017
  • Text/Photographs: Mother Boats C.P. (Brian Traynor). ‘Los Angeles Pride Parade’ June 1970, October 2016
  • Exhibition: Roberto Donetta Photographer and Seed Salesman from Bleniotal at Fotostiftung Schweiz, Winterthur, Zurich, August 2016
  • Review: Henry Talbot: 1960s Fashion Photographer at The Ian Potter Centre: NGV Australia, Melbourne, August 2016
  • Text/Exhibition: “One wrong does not a life make,” on Crime Stories: Photography and Foul Play at the Metropolitan Museum of Art, New York, July 2016
  • Review: “An independent vision,” on the exhibition Max and Olive: The photographic life of Olive Cotton and Max Dupain at The Ian Potter Museum of Art, Melbourne, July 2016
  • Review: “Time lapse,” on the exhibition Andy Warhol | Ai Weiwei at the National Gallery of Victoria, Melbourne, April 2016
  • Cabinet card: William Bardwell, photographer – Alfred William Howitt, William Barak and unidentified man, April 2016
  • Review: Ben Quilty: After Afghanistan at the Castlemaine Art Gallery and Historical Museum, January – April 2016
  • Photography/text: Alexander Gardner: ‘Memories of the War. Illustrations of the Grand Review’ and Matthew Brady photographs of the Grand Review March 2016
  • Exhibition: Dark Fields of the Republic: Alexander Gardner Photographs, 1859-1872 at the National Portrait Gallery, Washington, September 2015 – March 2016
  • Review: Trent Parke: The camera is god at the Monash Gallery of Art, Melbourne, November 2015 – February 2016
  • Text: “The multiple singularities of photography: Photograph, photographer, negative, print,” on the exhibition Every Photograph is an Enigma at Fotomuseum Winterthur, Zurich, October 2015 – February 2016
  • Exhibition: The Time Between: The Sequences of Minor White at the Museum of Photographic Arts, San Diego, October 2015 – January 2016
  • Review: “Reality, passing” on the exhibition William and Winifred Bowness Photography Prize 2015 at the Monash Gallery of Art, Melbourne, November 2015
  • Text ‘The road less travelled” on the exhibition Julia Margaret Cameron: from the Victoria and Albert Museum, London at the Art Gallery of New South Wales (AGNSW), Sydney, August – October 2015
  • Text: “Reflections on David: In a galaxy all of his own,” on the exhibition David Bowie is at the Australian Centre for the Moving Image (ACMI), Melbourne, July – November 2015
  • Exhibition: Colour my world: handcoloured Australian photography at the National Gallery of Australia, Canberra, April – September 2015
  • Exhibition: Joseph Cornell: Wanderlust at the Royal Academy of Arts, London, July – September 2015
  • Photographs and text: ‘Quandong, New South Wales, Australia 1887’, July 2015
  • Research paper: ‘Beginnings: The International Photographic Collection at the National Gallery of Victoria’ May 2015
  • Review: “What’s the story!” on the exhibition Earth Matters: contemporary photographers in the landscape at the Monash Gallery of Art, Wheelers Hill, Melbourne, March – May 2015
  • Text: Hands/Class – Tree, Surface, Root; Artist in focus: Larry Fink – April 2015
  • Review: Richard Avedon People at The Ian Potter Museum of Art, Melbourne, December 2014 – March 2015
  • Text: “Exposing your/self,” on the exhibition: Storyteller: The Photographs of Duane Michals at Carnegie Museum of Art, Pittsburgh, November 2014 – February 2015
  • Text/Exhibition: Wynn Bullock: Revelations at the High Museum of Art, Atlanta, June 2014 – January 2015
  • Exhibition/text: Everyday imagining: new perspectives on Outsider art at The Ian Potter Museum of Art, Melbourne, October 2014 – January 2015
  • Review: Polixeni Papapetrou: Lost Psyche at Stills Gallery, Sydney, November 2014
  • Exhibition/text: From Steam to Diesel at the Portobello Library, Edinburgh, November 2014
  • Review: Crossing Paths with Vivian Maier at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, October 2014
  • Review: Minor White: Manifestations of the Spirit at the J. Paul Getty Museum, Los Angeles, July – October 2014
  • Catalogue essay: “Aspects of the Self (Revealed),” on the exhibition Hidden Talents at the Faculty of the Victorian College of the Arts (VCA), The University of Melbourne, August 2014
  • Catalogue essay: “Being (t)here: Gay liberation photography in Australia 1971-73” from the exhibition Out of the closets, onto the streets July 2014
  • Exhibition/text: Vivian Maier (1926-2009). A Photographic Revelation at Château de Tours, May 2014
  • Review: The Rennie Ellis Show at Monash Gallery of Art, Wheeler Hill, Melbourne, May 2014
  • Text/exhibition: Australian vernacular photography Art Gallery of New South Wales (AGNSW), May 2014
  • Text/review: “A Vocabulary of Printing and the Syntax of the Image,” on the exhibition KHEM at Strange Neighbour, Melbourne, May 2014
  • Review/Text: Edward Steichen & Art Deco Fashion at the National Gallery of Victoria, Melbourne, February 2014
  • Text: ‘Facile, Facies, Facticity’ by Dr Marcus Bunyan, January 2014
  • Exhibition: ‘Charles Marville: Photographer of Paris’ at the National Gallery of Art, Washington, January 2014
  • Review: Claudia Terstappen: In The Shadow Of Change at the Monash Gallery of Art, Wheelers Hill, Melbourne, December 2013
  • Text: ‘Made ready: A Philosophy of Moments’ Dr Marcus Bunyan, December 2013
  • Text: ‘Transgressive Topographies, Subversive Photographies, Cultural Policies’ Dr Marcus Bunyan, September 2012 published October 2013
  • Review: Joyce Evans: Edge of the road at the Monash Gallery of Art, Wheelers Hill, Melbourne, October 2013
  • Review: Carol Jerrems: photographic artist at the Monash Gallery of Art, Wheelers Hill, Melbourne, September 2013
  • Opening speech: ‘John Cato Retrospective’ and book launch at the Ballarat International Foto Biennale, August 2013
  • Catalogue essay: ‘Intimations of Mor(t)ality: Sudarios (Shrouds) by Erika Diettes’ by Dr Marcus Bunyan, August 2013
  • Text: ‘Un/settling Aboriginality’ Dr Marcus Bunyan July 2013
  • Text: ‘Ernest Cole: Journeys through photojournalism, social documentary photography and art’ July 2013
  • Review: ‘Johsel Namkung: A Retrospective’ published by Cosgrove Editions, 2013
  • Video: ‘InsideArt – Marcus Bunyan’ talks about the exhibition ‘Confounding: Contemporary Photography’ at NGV International, Melbourne March 2013
  • Video: ‘Marcus Bunyan – what makes a great photograph?’ at the Centre for Contemporary Photography, Melbourne, online March 2013
  • Review: Jeff Wall Photographs at The Ian Potter Centre: NGV Australia, National Gallery of Victoria, March 2013
  • Text: “Thinking contemporary photography,” on the exhibition Confounding: Contemporary Photography at NGV International, Melbourne, February 2013
  • Text: “Orality, (n)framing and enactment in the art of Jacqui Stockdale,” in IANN magazine Vol.8, ‘Unfound in Australia’, October 2012 (published online January 2013)
  • Public talk: “This is not my favourite photograph,” by Dr Marcus Bunyan part of What makes a great photograph? at the Centre for Contemporary Photography (CCP), Fitzroy, December 2012
  • Review/Text: “Downfall of a dream: (n)framing the enigma in Gregory Crewdson’s ‘Beneath the Roses’,” on the exhibition Gregory Crewdson: In A Lonely Place at the Centre for Contemporary Photography (CCP), Fitzroy, October 2012
  • Paper: “Traversing the unknown” presented at the Travel Ideals international conference, July 2012 published October 2012
  • Text: ‘The defining of Apollonian and Dionysian ideals in images of the male body’ (1996) published September 2012
  • Review/Text: “How Light Works” on the exhibition Light Works at NGV International, Melbourne, September 2012
  • Writing on Weegee: Murder Is My Business at the International Center of Photography, New York, August 2012
  • Text: “On the Nature of Photography,” on the exhibition Portraits of Renown: Photography and the Cult of Celebrity at the J. Paul Getty Museum, Los Angeles, August 2012
  • Text: “The Eye that sees the Sun: Andrew Follows and his Tabula rasa,” on the exhibition Through the Looking Glass Dimly at The Old Ambulance Depot, Edinburgh Art Festival, August 2012
  • Text: Transit series by Katrin Koenning July 2012
  • Review: Lost & Found: Family Photos Swept away by the 3.11 East Japan Tsunami at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – July 2012
  • Review: Fred Kruger: Intimate Landscapes at The Ian Potter Centre: NGV Australia, Melbourne, July 2012
  • Opening speech: “Out of Sight, Out of Mind,” for the exhibition Traverse by Kim Percy at Stockroom, Kyneton, 2012
  • Review: ‘Looking at Looking’ at the National Gallery of Victoria, Melbourne February 2012
  • Text: “George Platt Lynes, Minor White and The Temptation of Saint Anthony Is Mirrors” on the exhibition HIDE/SEEK: Difference and Desire in American Portraiture at the Brooklyn Museum, New York, February 2012
  • Essay: ‘Now you see it, now you don’t: the history and conservation of The Keith Haring Mural, Johnston Street, Collingwood, Melbourne,’ 2011
  • Opening speech: Movement and Emotion and Jodie Noble Solo exhibitions at Arts Project Australia, Melbourne 2011
  • Essay/review: ‘Un/aware and in re/pose: the self, the subject and the city’: essay about surveillance, the gaze, the camera, the self, the subject and the city 2011
  • Review: Scott’s Last Expedition at the Australian National Maritime Museum, Sydney 2011
  • Text: The Museum of Old and New Art (MONA) Hobart 2011
  • Opening speech: ‘John Bodin: Rite of Passage’ at Anita Traverso Gallery, Richmond 2011
  • Review: Time Machine: Sue Ford at Monash Gallery of Art, Wheelers Hill, Victoria 2011
  • Text/Review: “The Digital Punctum,” on the exhibition In Spates by Sam Shmith at Arc One Gallery, Melbourne 2011
  • Text/Review: “Heavy Weather: Photography and the Australian Land(e)scape,” on the exhibition Stormy Weather: Contemporary Landscape Photography at NGV Australia, Melbourne, February 2011
  • Vale Dr John Cato and ‘… And His Forms Were Without Number’, catalogue essay from the retrospective at the Photographers’ Gallery, Melbourne on the photographic work of Dr John Cato 1971-1991 (2002) republished on Art Blart, February 2011
  • Review: An American Index of the Hidden and Unfamiliar by Taryn Simon at the CCP, Melbourne 2010
  • Review: Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang at Heide Museum of Modern Art, Melbourne 2010
  • Review: Tacita Dean at Australian Centre for Contemporary Art (ACCA), Melbourne 2009
  • Review: My Jesus Lets Me Rub His Belly by Martin Smith at Sophie Gannon Gallery, Melbourne 2009
  • Review: triestement (more-is u thrill-o) at John Buckley Gallery, Melbourne 2009
  • Text: ‘The Passing of Memory: resurrecting a photograph for the series ‘The Shape of Dreams” 2009
  • Review: Mark Strizic: Melbourne – A City in Transition (Rare Silver Gelatin Photographs) at Gallery 101, Melbourne 2009
  • Review: Order and disorder: archives and photography at the National Gallery of Victoria International, Melbourne 2009
  • Review: Ocean Without A Shore video installation by Bill Viola at The National Gallery of Victoria, Melbourne 2009
  • Review: Rosalie Gascoigne at The Ian Potter Centre: NGV Australia, Melbourne, 2009
  • Text: Marcus Bunyan. “Re-Pressentation” chapter from Pressing the Flesh: Sex, Body Image and the Gay Male. Phd research, RMIT University, Melbourne, 2001
  • Text: Marcus Bunyan. “In Press” chapter from Pressing the Flesh: Sex, Body Image and the Gay Male. Phd research, RMIT University, Melbourne, 2001
  • Text: Marcus Bunyan. “Historical Pressings” chapter from Pressing the Flesh: Sex, Body Image and the Gay Male. Phd research, RMIT University, 2001
  • Text: Marcus Bunyan. “Bench Press” chapter from Pressing the Flesh: Sex, Body Image and the Gay Male. Phd research, RMIT University, 2001
• BURNS, Ian
  • Exhibition: ‘AND THEN…’ at Anna Schwartz Gallery, Melbourne, July – August 2010
• ‘BUSHIDO: WAY OF THE SAMURAI’ 
  • Exhibition: ‘Bushido: Way of the Samurai’ at the NGV International, Melbourne, July – November 2014
• BURTON, Jane
  • Review: ‘Ivy’ at Karen Woodbury Gallery, Richmond, Melbourne, September 2009

C

• ‘CAI GUO-QIANG: FALLING BACK TO EARTH’
  • Exhibition: ‘Cai Guo-Qiang: Falling Back to Earth’ at the Gallery of Modern Art (GOMA), Brisbane, November 2013 – May 2014
• ‘CANDID CAMERA’
  • Exhibition: ‘Candid Camera: Australian Photography 1950s – 1970s’ at the Art Gallery of South Australia, Adelaide, May – August 2010
• ‘CARINE THEVENAU: RETURN TO HULDRA’S WOOD’
  • Exhibition: ‘Carine Thevenau: Return To Huldra’s Wood’ at Edmund Pearce Gallery, Melbourne, February – March 2012
• ‘CAROL JERREMS: PHOTOGRAPHIC ARTIST’
  • Review: ‘Carol Jerrems: photographic artist’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, July – September 2013
• CARTE DE VISITE
  • Carte de visite: William Bardwell, photographer – Alfred William Howitt, William Barak and unidentified man, April 2016
• CARTE-O-MANIA!
  • Exhibition: ‘Carte-o-mania!’ at the National Portrait Gallery, Canberra, Australia, November 2018 – April 2019
• CATO, John
  • Opening speech: ‘John Cato Retrospective’ and book launch at the Ballarat International Foto Biennale, exhibition 17th August – 15th September 2013
  • Opening: ‘John Cato Retrospective’ at the Ballarat International Foto Biennale, 17th August 2013
  • Vale Dr John Cato and ‘… And His Forms Were Without Number’, catalogue essay from the retrospective at the Photographers’ Gallery, Melbourne on the photographic work of Dr John Cato 1971-1991 (2002) republished on Art Blart, February 2011
• CENTRE FOR CONTEMPORARY PHOTOGRAPHY (CCP)
  • Review: ‘Ruth Maddison: It was the best of times, it was the worst of times’ at the Centre for Contemporary Photography, Melbourne, February – April 2021
  • Review: ‘Why Take Pictures?’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – August 2019
  • Exhibition: ‘Shea Kirk: Vantages’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – August 2019
  • Exhibition: ‘Sophie Gabrielle: Worry For The Fruit The Birds Won’t Eat’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – August 2019
  • Review: ‘An unorthodox flow of images’ at the Centre for Contemporary Photography (CCP), Melbourne Part 2, September – November 2017
  • Exhibition: ‘An unorthodox flow of images’ at the Centre for Contemporary Photography (CCP), Melbourne Part 1, September – November 2017
  • Review: ‘Crossing Paths with Vivian Maier’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, October 2014
  • Exhibition: ‘The Sievers Project’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – August 2014
  • Review: 
’After Images’ by Daniel von Sturmer at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, May – July 2013
  • Review: ‘A Performative Paradox’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, May – July 2013
  • Public talk: ‘This is not my favourite photograph’ by Dr Marcus Bunyan part of ‘What makes a great photograph?’ at the Centre for Contemporary Photography (CCP), Fitzroy, December 2012
  • Review/Text: ‘Downfall of a dream: (n)framing the enigma in Gregory Crewdson’s ‘Beneath the Roses” from ‘Gregory Crewdson: In A Lonely Place’ at the Centre for Contemporary Photography (CCP), Fitzroy, October 2012
  • Review: ‘Lost & Found: Family Photos Swept away by the 3.11 East Japan Tsunami’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – July 2012
  • Essay / review: ‘In camera and in public’ at the Centre for Contemporary Photography, Melbourne, September – October 2011
  • Review: ‘Autumn Masterpieces: Highlights from the Permanent Collection’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, March – May 2010
  • Review: ‘An American Index of the Hidden and Unfamiliar’ by Taryn Simon at the Centre for Contemporary Photography (CCP), Melbourne, October – December 2010
  • Review: Trish Morrissey (Ireland) at the Centre for Contemporary Photography (CCP), Fitzroy, January – March 2010
  • Review: ‘Expedition’ by Shane Hulbert at the Centre for Contemporary Photography (CCP), Fitzroy, January – March, 2010
  • Review: ‘Simryn Gill: Inland’ at the Centre for Contemporary Photography (CCP), Fitzroy, October – December 2009
  • Review: ‘Climbing the Walls and Other Actions’ by Clare Rae at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, August – September 2009
    
  • Review: ‘First Jobs’ by Tracey Moffatt at Centre for Contemporary Photography (CCP), August – September 2009
• CHRIS ROUND / INVERSION
  • Exhibition: ‘Chris Round / Inversion’ at Edmund Pearce Gallery, Melbourne, July 2014
• ‘CHRISTIAN THOMPSON: RITUAL INTIMACY’
  • Review: ‘Christian Thompson: Ritual Intimacy’ at Monash University Museum of Art (MUMA), Melbourne, April – July 2017
• CICCONE, Valerio
  • Review: ‘Valerio Ciccone: Peripheral Observer’ at Arts Project Australia, Melbourne, September – October 2012
• ‘CINDER’
  • Exhibition: ‘Troy Ruffels: Cinder’ at James Makin Gallery, Collingwood, Melbourne, June – July 2013
• ‘CLARICE BECKETT: THE PRESENT MOMENT’
  • Exhibition: ‘Clarice Beckett: The present moment’ at the Art Gallery of South Australia, Adelaide, February – May 2021
• ‘CLAUDIA TERSTAPPEN: IN THE SHADOW OF CHANGE’
  • Review: ‘Claudia Terstappen: In The Shadow Of Change’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, November 2013 – January 2014
• ‘CLEMENT MEADMORE: THE ART OF MID-CENTURY DESIGN’
  • Review: ‘Clement Meadmore: The art of mid-century design’ at the Ian Potter Museum of Art, Melbourne, November 2018 – March 2019
• COLE, Bindi
  • Review: ‘Sistagirls’ by Bindi Cole at Nellie Castan Gallery, Melbourne, July 2010
• COLE, Peter
  • Exhibition: ‘Elements + Memories’ at John Buckley Gallery, Melbourne, March – April 2009
• ‘COLONY: AUSTRALIA 1770-1861’
  • Review: ‘Colony: Australia 1770 – 1861’ at NGV Australia at Federation Square, Melbourne Part 2, featuring photographs from exhibition
  • Exhibition: ‘Colony: Australia 1770 – 1861’ at NGV Australia at Federation Square, Melbourne Part 1, March – July 2018
• ‘COLOUR MY WORLD: HANDCOLOURED AUSTRALIAN PHOTOGRAPHY’
  • Exhibition: ‘Colour my world: handcoloured Australian photography’ at the National Gallery of Australia, Canberra, April – September 2015
• ‘CONCRETE’
  • Review: ‘Concrete’ at the Monash University Museum of Art (MUMA), Melbourne, May – July 2014
• ‘CONFOUNDING: CONTEMPORARY PHOTOGRAPHY’
  • Review: ‘Confounding: Contemporary Photography’ at NGV International, Melbourne, October 2012 – March 2013
• CONNELLY-NORTHEY, Lorraine
  • Review: ‘Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey’ at The Ian Potter Centre: NGV Australia, Federation Square, Melbourne, October 2021 – February 2022
• CONSTABLE, Alan
  • Review: ‘Why Take Pictures?’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
  • Review: ‘Polaroid Project’ at Arts Project Australia, Melbourne, June – July 2014
  • Exhibition: ‘Alan Constable: Ten Cameras’ at South Willard, Los Angeles, May – June 2013
  • Work: ‘Not titled (three lens red camera)’ November 2011
  • Review: ‘Alan Constable: Viewfinder’ at Arts Project Australia, Northcote, Melbourne, April – June 2011
  • ‘Untitled (Hasselblad)’ 2008
  • Opening: ‘Clay Cameras’ at Helen Gory Galerie, August 2009
• CORRIDORE, Michael
  • Review: ‘Tangent’ by Michael Corridore at Edmund Pearce Gallery, Melbourne, September – October 2013
• ‘COTTEES: THERE’S A LOT TO CELEBRATE’
  • Video: ‘Cottees: There’s a lot to celebrate’ (2012) by GPYR-Melbourne / insidious racism? October 2012
• COTTON, Olive
  • Review: ‘Max and Olive: The photographic life of Olive Cotton and Max Dupain’ at The Ian Potter Museum of Art, Melbourne, May – July 2016
• COX, Dale
  • Review: ‘Dale Cox: Inner Logic’ at Australian Galleries, Melbourne, July – August 2018
• CREWDSON, Gregory
  • Review: ‘Gregory Crewdson: In A Lonely Place’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, September – November 2012
• CRISPIN, Judith
  • Book review: ‘The Lumen Seed’ by Judith Crispin (2016) January 2018
• CROOKS, Daniel
  • Review: ‘Intersection’ at Anna Schwartz Gallery, Melbourne, November – December 2008
• ‘CROSSING PATHS WITH VIVIAN MAIER’
  • Review: ‘Crossing Paths with Vivian Maier’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, October 2014
• ‘CROWD SOURCE’
  • Exhibition: ‘Crowd Source’ at the State Library of New South Wales, Sydney, April – August 2015
• ‘CUBISM & AUSTRALIAN ART’
  • Review: ‘Cubism & Australian Art’ at Heide Museum of Modern Art, Bulleen, November 2009 – April 2010
• CURTIS, Andrew
  • Review: ‘Andrew Curtis: Moonlight Mile’ at Blockprojects, Melbourne, February – March 2013
• ‘CUTTING EDGE: 21st CENTURY PHOTOGRAPHY’
  • Exhibition: ‘Cutting edge: 21st-century photography’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, November 2015 – February 2016

D

• ‘DALE COX: INNER LOGIC’
  • Review: ‘Dale Cox: Inner Logic’ at Australian Galleries, Melbourne, July – August 2018
• DAMICHI, Claudia
  • Exhibition: ‘The Bitter Sweet’ at Sophie Gannon Gallery, 30th March – 25th April 2010
• ‘DARK LIGHT’
  • Photographs: Marcus Bunyan. “Dark Light” sequence from the series Travelling the wonderful loneliness 2019-2024
• ‘DARKNESS BY DAY’
  •  Review: ‘Darkness by Day’ by Shannon McGrath at Anita Traverso Gallery, Richmond, February 2013
• ‘DAUGHTERS OF THE SUN: CHRISTIAN WALLER & KLYTIE PATE’
  • Exhibition: ‘Daughters Of The Sun: Christian Waller & Klytie Pate’ at Bendigo Art Gallery, Australia, November 2018 – February 2019
• ‘DAVID BOWIE IS’
  • Text: ‘Reflections on David: In a galaxy all of his own’ / Exhibition: ‘David Bowie is’ at the Australian Centre for the Moving Image (ACMI), Melbourne, July – November 2015
• ‘DAVID HOCKNEY: CURRENT’
  • Exhibition: ‘David Hockney: Current’ at NGV International, Melbourne, November 2016 – March 2017
• ‘DAVID McDIARMID: WHEN THIS YOU SEE REMEMBER ME’
  • Exhibition ‘David McDiarmid: When This You See Remember Me’ at NGV Australia, Melbourne, May – August 2014
• DAVIES, Darren
  • Exhibition: ‘Darron Davies: The Travellers’ at the Centre for Theology and Ministry, Melbourne, April – May 2016
  • Review: ‘Terraria’ by Darron Davies at Edmund Pearce Gallery, Melbourne, January – February 2013
• DAVIES, Emma
  • Review: ‘Morphed’ at Craft Victoria, Melbourne, June – July 2009
• DAVILA, Juan
  • Exhibition: ‘Juan Davila: The Moral Meaning of Wilderness’ at the Monash University Museum of Art (MUMA), Caulfield, August – October 2011
• DAVIS, John
  • Review: ‘John Davis: Presence’ at The Ian Potter Centre: NGV Australia, Melbourne, August – October 2010
• DAVIS, Julie
  • Review: ‘Apocrypha’ photographs with Alex Rizkalla at Place Gallery, Richmond, June – July 2009
• DAVIS, Penelope
  • Review: ‘Penelope Davis: Smack’ at Nellie Castan Gallery, Melbourne, May – June 2011
• DE CLARIO, Domenico
  • Review: ‘triestement (more-is u thrill-o)’ at John Buckley Gallery, Melbourne, April – May 2009
• DEACON, Destiny
  • Review: “Embodied Ab/origin” on the exhibition DESTINY at NGV Australia, Federation Square, Melbourne, November 2020 – February 2021
• ‘DEEPER DARKER BRIGHTER’
  • Review: ‘DEEPER DARKER BRIGHTER’ at Town Hall Gallery, Hawthorn Arts Centre, Melbourne, May – July 2018
• ‘DEGAS: A NEW VISION’
  • Review: ‘Degas: A New Vision’ at the National Gallery of Victoria International, Melbourne Part 2, June – September 2016
  • Exhibition: ‘Degas: A New Vision’ at the National Gallery of Victoria International, Melbourne Part 1, June – September 2016
• DEGOTARDI, John Jr.,
  • Text: ‘Prospect/us, protect us: plague and resumption in fin de siècle Sydney’ on John Degotardi Jr.’s The Plague Albums, Sydney, 1900, June 2020
• ‘DEL KATHRYN BARTON: THE HIGHWAY IS A DISCO’
  • Review: ‘Del Kathryn Barton: The Highway is a Disco’ at the Ian Potter Centre: NGV Australia at Federation Square, Melbourne, November 2017 – March 2018
• DEMAND, Thomas
  • Exhibition: ‘Thomas Demand’ at the National Gallery of Victoria, Melbourne, November 2012 – March 2013
  • Exhibition: ‘Thomas Demand’ at the National Gallery of Victoria International, Melbourne, November 2012 (installation photographs)
• ‘DENSITY’
  • Exhibition: ‘Density’ by Andrew Follows, curated by Dr Marcus Bunyan, at Anita Traverso Gallery, Richmond, August – September 2013
• ‘DESTINY’
  • Review: “Embodied Ab/origin” on the exhibition DESTINY at NGV Australia, Federation Square, Melbourne, November 2020 – February 2021
• DEVILLE, Julia
  • Review: ‘Night’s Plutonian Shore’ at Sophie Gannon Gallery, Richmond, July – August 2010
  • Review: ‘Cineraria’ at Sophie Gannon Gallery, July – August 2009
• ‘DIANE ARBUS: AMERICAN PORTRAITS’
  • Review: ‘Diane Arbus: American Portraits’ at the Heide Museum of Modern Art, Melbourne, March – June 2018
• DIETTES, Erika
  • Opening: ‘Sudarios (Shrouds)’ at the Ballarat International Foto Biennale, 17th August 2013
• ‘DO BRUMBIES DREAM IN RED?’
  • Review: ‘Do Brumbies Dream in Red? – Tom Goldner’ at the Meat Market Stables, Melbourne, February 2021
• ‘DOMBROVSKIS: JOURNEYS IN THE WILD’
  • Review: ‘Dombrovskis: Journeys into the Wild’ at Monash Gallery of Art, Wheelers Hill, Melbourne, March – May 2019
• DOMBROVSKIS, Peter
  • Review: ‘Dombrovskis: Journeys into the Wild’ at Monash Gallery of Art, Wheelers Hill, Melbourne, March – May 2019
• ‘DRESSING UP: CLOTHING AND CAMERA’
  • Exhibition: ‘Dressing up: clothing and camera’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, November 2019 – February 2020
• ‘DROUGHT PHOTOGRAPHS’
  • Review: ‘Sidney Nolan: Drought Photographs’ at Australian Galleries, Melbourne, March 2011
    
• DUPAIN, Max
  • Photographs: Max Dupain (Australian, 1911-1992) Part 2, December 2020
  • Photographs: Max Dupain (Australian, 1911-1992) Part 1, November 2020
  • Review: ‘Max and Olive: The photographic life of Olive Cotton and Max Dupain’ at The Ian Potter Museum of Art, Melbourne, May – July 2016
  • Exhibition: ‘Max Dupain The Paris ‘private’ series and other pictures’ at the Art Gallery of New South Wales (AGNSW), Sydney, May – September 2014
• DUPONT, Stephen
  • Review: ‘Stephen Dupont / The White Sheet Series No. 1’ at Edmund Pearce Gallery, Melbourne, April – May 2014
• DUSENJKO, Natasha
  • Exhibition: ‘Babel’ fine porcelain and paper works at Craft Victoria, Melbourne, May – June 2009
• ‘DUTCH MASTERS OF LIGHT: HENDRIK KERSTENS & ERWIN OLAF’
  • Exhibition: ‘Dutch masters of light: Hendrik Kerstens & Erwin Olaf’ at Monash Gallery of Art, Melbourne, October – December 2016

E

• ‘EARTH MATTERS: CONTEMPORARY PHOTOGRAPHERS IN THE LANDSCAPE’
  • Review: ‘Earth Matters: contemporary photographers in the landscape’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, March – May 2015
• EDMUND PEARCE GALLERY
  • Edmund Pearce Gallery to close December 2014
• ‘EDWARD STEICHEN & ART DECO FASHION’
  • Review/Text: ‘Edward Steichen & Art Deco Fashion’ at the National Gallery of Victoria, Melbourne, October 2013 – March 2014
  • Exhibition: ‘Edward Steichen & Art Deco Fashion’ at NGV International, Melbourne, October 2013 – March 2014. Installation photos
• ‘EDWARD BURTYNSKY: AUSTRALIAN MINESCAPES’
  • Exhibition: ‘Edward Burtynsky: Australian Minescapes’ at the Australian Centre for Photography, Sydney, July – August 2009
• EDWARDS, McLean
  • Review: ‘McLean Edwards: Songs from the Ghost Ship’ at Karen Woodury Gallery, Melbourne, May – June 2009
• ‘EFFACE’
  • Exhibition: ‘Efface’ by Henri van Noordenburg at Edmund Pearce Gallery, Melbourne, November 2013
• ELLIOTT, Alfred
  • Exhibition: ‘The view from here: The photographic world of Alfred Elliott 1890-1940’ at the Museum of Brisbane, February – August 215
• ELLIS, Rennie
  • Review: ‘The Rennie Ellis Show’ at Monash Gallery of Art, Wheeler Hill, Melbourne, April – June 2014
  • Opening: ‘No Standing Only Dancing’ by Rennie Ellis at The Ian Potter Centre: NGV Australia, October 2008 – February 2009
• ELMS, Gregory
  • Exhibition: ‘What Remains’ at Edmund Pearce Gallery, Melbourne, November 2013
  • Review: ‘Preserved’ at Edmund Pearce Gallery, Melbourne, November 2012
• EUGÈNE ATGET: OLD PARIS’
  • Exhibition: ‘Eugène Atget: Old Paris’ at the Art Gallery of New South Wales, Sydney, August – November 2012
• EVANS, Catherine
  • Review: ‘Standing Stone’ by Catherine Evans at BLINDSIDE, April – May 2014
• EVANS, Joyce
  • Exhibition: ‘Joyce Evans’ at the National Library of Australia, Canberra, April – November 2023
  • Text: Marcus Bunyan. “Nothing emerges from nothing,” Foreword to We Had Such High Hopes: Student Activism and the Peace Movement 1949-1952, A Photographic Memoir by Joyce Evans. Australian Scholarly Publishing, August 2019
  • Joyce Evans celebration May 2019
  • Photographs: ‘The Seven Last Words’ 1898 by F. Holland Day (1864-1933) with text about my friend Joyce Evans
  • Review: ‘Joyce Evans: Edge of the road’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, October – November 2013
• ‘EVERYDAY IMAGINING: NEW PERSPECTIVES ON OUTSIDER ART’
  • Exhibition/text: ‘Everyday imagining: new perspectives on Outsider art’ at The Ian Potter Museum of Art, Melbourne, October 2014 – January 2015
• eX de Medici
  • Review: ‘Sweet Complicity’ at Karen Woodbury Gallery, Melbourne, September – October 2009

F

• FAVIELL, John “Jack” Riverstone
  • Photo album: John “Jack” Riverstone Faviell (1892-1960), 1922-1933 Part 1
• FEMALE NUDES
  • Photographs: ‘Women’ 1960s Australian 35mm colour slides Part 2
  • Photographs: ‘Women’ 1960s Australian 35mm colour slides Part 1
• FERRAN, Anne
  • Exhibition: ‘Birdlike’ at Sutton Gallery, Melbourne, March – April 2022
  • Review: ‘Anne Ferran: Box of Birds’ at Stills Gallery, Sydney, June – July 2013
• ‘FLATLANDS: PHOTOGRAPHY AND EVERYDAY SPACE’
  • Exhibition: ‘Flatlands: photography and everyday space’ at the Art Gallery of New South Wales (AGNSW), Sydney, September 2012 – February 2013
• FLEMING, Tim
  • ‘Flatland’ video of his work
• FOLLOWS, Andrew
  • Vale Andrew Follows: A life in focus. Elements Of Focus exhibition at Magnet Gallery, Docklands, Melbourne, December 2019
  • Photographs: ‘Andrew Follows: Carmania 2’ June 2016
  • Photographs: ‘Andrew Follows: Carmania’ February 2016
  • Exhibition: ‘Density’ by Andrew Follows, curated by Dr Marcus Bunyan, at Anita Traverso Gallery, Richmond, August – September 2013
  • Invitation to opening: ‘Density’ by Andrew Follows, curated by Dr Marcus Bunyan at Anita Traverso Gallery, Melbourne, 31st August 2013
  • Preview: ‘Night’s Ocean Shore’ from ‘Through the Looking Glass Dimly’ at The Old Ambulance Depot, Edinburgh Art Festival, August 2012
  • Appeal for donations: Andrew Follows and his exhibition at Edinburgh Art Festival, August 2012
• FORD, Sue
  • Review: ‘Sue Ford’ at The Ian Potter Centre: NGV Australia, Melbourne, April – August 2014
  • Review: ‘Time Machine: Sue Ford’ at Monash Gallery of Art, Wheelers Hill, Victoria, April – June 2011
  • Vale Sue Ford
• ‘FOUND AND GATHERED: ROSALIE GASCOIGNE | LORRAINE CONNELLY-NORTHEY’
  • Review: ‘Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey’ at The Ian Potter Centre: NGV Australia, Federation Square, Melbourne, October 2021 – February 2022
• FRANK, Dale
  • Review: ‘The Big Black Bubble’ at Anna Schwartz Gallery, Melbourne, March – April 2009
• ‘FRANK HURLEY – SOLDIERS OF THE AUSTRALIAN IMPERIAL FORCE (AIF) ON THE WESTERN FRONT’
  • Text/Photographs: “Familiar yet strange: Frank Hurley’s First World War photographs” on Frank Hurley – Soldiers of the Australian Imperial Force (AIF) on the Western Front during the First World War, mid-1917 – September 1918, July 2022
• ‘FREDERICK OSWALD BARNETT (AUSTRALIAN, 1883-1972)’
  • Text/Photographs: “Communities dismantled,” on the Melbourne slum photographs of Frederick Oswald Barnett (Australian, 1883-1972), February 2024
• FREDERICKS, Murray
  • Review: ‘Trace’ at Arc One Gallery, Melbourne, May – June 2011
• ‘FRED KRUGER: INTIMATE LANDSCAPES’
  • Review: ‘Fred Kruger: Intimate Landscapes’ at The Ian Potter Centre: NGV Australia, Melbourne, February – July 2012
• FUNAKI, Mari
  • Video: ‘klimt02 in conversation with Mari Funaki’ published 2014
  • Review: ‘Mari Funaki: Objects’ at the The Ian Potter Centre: NGV Australia, Melbourne, August – October 2010
  • Exhibition: ‘Mari Funaki, Works 1992-2009’ at Art Gallery of Western Australia, June – October 2009
• FUSINATO, Marco
  • Review: ‘Double Infinitives’ by Marco Fusinato at Anna Schwartz Gallery, Melbourne, June – July 2009

G

• GABRIELLE, Sophie
  • Exhibition: ‘Sophie Gabrielle: Worry For The Fruit The Birds Won’t Eat’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
• ‘GARDEN OF THE EAST: PHOTOGRAPHY IN INDONESIA 1850s-1940s’
  • Exhibition: ‘Garden of the East: Photography in Indonesia 1850s-1940s’ at the National Gallery of Australia, Canberra, February – June 2014
• GASCOIGNE, Rosalie
  • Review: ‘Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey’ at The Ian Potter Centre: NGV Australia, Federation Square, Melbourne, October 2021 – February 2022
  • Review: ‘Rosalie Gascoigne’ at The Ian Potter Centre: NGV Australia, Melbourne, December 2008 – March 2009
• GERTSAKIS, Elizabeth
  • Exhibition: ‘Girls In Our Town: Women in the Shadow of ‘The Magnificent Empire’, Florina Prefecture & Region, Macedonia Greece 1900-1917, 2017′ at William Mora Galleries, Melbourne, July 2017
• ‘GHOST HOOVANAH’
  • Exhibition: ‘Jacqui Stockdale: Ghost Hoovanah’ at This Is No Fantasy, Melbourne, June – July 2018
• ‘GILBERT & GEORGE: THE ART EXHIBITION’
  • Exhibition: ‘Gilbert & George: The Art Exhibition’ at the Museum of Old and New Art (MONA), Hobart, November 2015 – March 2016
• GILL, Simryn
  • Review: ‘Simryn Gill: Gathering’ at Heide Museum of Modern Art, Melbourne, April – July 2010
  • Review: ‘Simryn Gill: Inland’ at the Centre for Contemporary Photography, Fitzroy, October – December 2009
• ‘GIRLS IN OUR TOWN: WOMEN IN THE SHADOW OF ‘THE MAGNIFICENT EMPIRE”
  • Exhibition: ‘Girls In Our Town: Women in the Shadow of ‘The Magnificent Empire” at William Mora Galleries, Melbourne, July 2017
• ‘GLAMOUR STAKES: MARTIN PARR’
  • Exhibition: ‘Glamour stakes: Martin Parr’ at Monash Gallery of Art, Melbourne, October – December 2016
• ‘GLOBELIGHT ’13 [NEW LIGHT ART + DESIGN]’
  • Exhibition ‘Globelight ’13 [New Light Art + Design]’ at Anita Traverso Gallery, Richmond, Melbourne, July – August 2013
• GO, Junko
  • Review: ‘all about … blooming’ at Gallery 101, Melbourne, February – March 2009
• GODDEN, Christine
  • Opening: ‘Long Distance Vision: Three Australian Photographers’ at The Ian Potter Centre, NGV Australia, Federation Square, Melbourne, August 2009
• GOLDNER, Tom
  • Review: ‘Do Brumbies Dream in Red? – Tom Goldner’ at the Meat Market Stables, Melbourne, February 2021
  • Exhibition: ‘Tom Goldner: Passage’ at The Fox Darkroom & Gallery, Kensington, Melbourne, May 2017
• GOLLINGS, John
  • Review: ‘John Gollings: The history of the built world’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, December 2017 – March 2018
• GRAHAM, Anne Marie
  • Review: ‘Exotic Queensland: Recent Painting’ at Gallery 101, Melbourne, May 2009
• GRANT, Lee
  • Review: ‘Lee Grant / Belco Pride’ at Edmund Pearce Gallery, Melbourne, June 2013
• GREEN, Charles
  • Review: ‘Framing Conflict – Iraq and Afghanistan’ exhibition with Lyndell Brown at The Ian Potter Museum of Art, The University of Melbourne, November –  February 2009
• GREEN, Janina
  • Exhibition: ‘Janina Green: Ikea’ at Edmund Pearce Gallery, Melbourne, November – December 2012
• GRIGG, Richard
  • Opening: ‘New work’ at Block Projects, Melbourne, March 2009
• ‘GUEST RELATIONS’
  • Exhibition: ‘Guest Relations’ by Robyn Stacey at Stills Gallery, Sydney, October – November 2013
• ‘GUNNER ANDREW RUMANN EMBARKATION FOR SINGAPORE, AUGUST 1941’
  • Photographs: ‘Gunner Andrew Rumann embarkation for Singapore, August 1941’ and other WW2 Australian photographs, October 2020
• GURSKY, Andreas
  • Opening: ‘Andreas Gursky’ at the National Gallery of Victoria International, Melbourne, November 2008 – February 2009

H

• HAYES, Siri
  • Review: ‘En Plein Air’ at Gallerysmith, Melbourne, March – April 2009
• HARGRAVE, Lyndal
  • Review: ‘All the Little Pieces’ at Anita Traverso Gallery, Richmond, Melbourne, September – October 2009
• HARSENT, Simon
  • Review: ‘Simon Harsent / Melt: Portrait of an Iceberg’ at Edmund Pearce Gallery, Melbourne, February – March 2014
• HAYDON, Kirsten
  • Review: ‘Ice Structure’ at Gallery Funaki, Melbourne, May – June 2011
• ‘HEAVENLY VAULTS’
  • Review: ‘Heavenly Vaults’ by David Stephenson at John Buckley Gallery, Richmond, November 2009
• HEIDE MUSEUM OF MODERN ART
  • Exhibition: ‘Barbara Hepworth: In Equilibrium’ at the Heide Museum of Modern Art, Melbourne, November 2022 – March 2023
  • Review: ‘Diane Arbus: American Portraits’ at the Heide Museum of Modern Art, Melbourne, March – June 2018
  • Review: ‘Louise Bourgeois: Late Works’ at Heide Museum of Modern Art, Melbourne, November 2012 – March 2013
  • Exhibition: ‘Albert Tucker: Images of Modern Evil’ at Heide Museum of Modern Art, March – June 2011
  • Review: ‘Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang’ at Heide Museum of Modern Art, July – October 2010
  • Review: ‘Simryn Gill: Gathering’ at Heide Museum of Modern Art, Melbourne, April – July 2010
  • Review: ‘Cubism & Australian Art’ at Heide Museum of Modern Art, Bulleen, November 2009 – April 2010
    
  • Review: ‘Modern Times: The Untold Story of Modernism in Australia’ at Heide Museum of Modern Art, Melbourne, March – July 2009
  • Review: ‘The Art of Existence’ by Les Kossatz at Heide Museum of Modern Art, Melbourne, November 2008 – March 2009
• HEIMERMAN, William
  • Vale William Heimerman (1950-2017) October 2017
• HENDERSON, Titania
  • Exhibition: ‘The Other’ at Karen Woodbury Gallery, Richmond, October – November 2010
• ‘HENRY TALBOT: 1960s FASHION PHOTOGRAPHER’
  • Review: ‘Henry Talbot: 1960s Fashion Photographer’ at The Ian Potter Centre: NGV Australia, Melbourne, May – August 2016
• HENSON, Bill
  • Exhibition: ‘Bill Henson’ as part of the NGV Festival of Photography, NGV International, Melbourne, March – August 2017
  • Exhibition: ‘Bill Henson: Landscapes’ at Castlemaine Art Gallery and Historical Museum, Victoria, April – June 2016
  • Review: ‘Wildcards: Bill Henson shuffles the deck’ at Monash Gallery of Art, Wheelers Hill, Melbourne, February – March 2014
  • Exhibition: ‘Bill Henson: early work from the MGA collection’ at the Anne & Gordon Samstag Museum of Art, Adelaide, October – December 2011
  • Review: Bill Henson at Tolarno Galleries, Melbourne, March – April 2011
• HEPWORTH, Barbara
  • Exhibition: ‘Barbara Hepworth: In Equilibrium’ at the Heide Museum of Modern Art, Melbourne, November 2022 – March 2023
• HICKS, Petrina
  • Exhibition: ‘Petrina Hicks: Selected Photographs, 2013’ at Helen Gory Galerie, Prahran, Melbourne, June – July 2013
• ‘HIJACKED 2’
  • ‘HIJACKED 2: Australia/Germany’ at the Anne & Gordon Samstag Museum of Art, Adelaide, May – July 2011
    
• ‘HIJACKED III’
  • Exhibition: ‘Hijacked III: Contemporary Photography from Australia and the UK’ at Perth Institute of Contemporary Art  (PICA), February – April 2012
• HISTORICAL AUSTRALIA
  • Photographs: Historical Australia Part 1, December 2017
• ‘HOBART TOWN – FROM KANGAROO POINT 1891’
  • Photograph: ‘Hobart Town – from Kangaroo Point 1891’
• ‘HODA AFSHAR: A CURVE IS A BROKEN LINE’
  • Exhibition: ‘Hoda Afshar: A Curve is a Broken Line’ at the Art Gallery of New South Wales, Sydney, September 2023 – January 2024
• ‘HODA AFSHAR / UNDER WESTERN EYES’
  • Review: ‘Hoda Afshar / Under Western Eyes’ at Edmund Pearce Gallery, Melbourne, April – May 2014
• ‘HOME FRONT: WARTIME SYDNEY 1939-45’
  • Exhibition: ‘Home Front: Wartime Sydney 1939-45’ at the Museum of Sydney, March – September 2012
• HOSKING, Robyn
  • Review: The work of Robyn Hosking, ‘AT_SALON’ at Anita Traverso Gallery, Richmond, March 2012
• HOWITT, Alfred William
  • Cabinet card: William Bardwell, photographer – Alfred William Howitt, William Barak and unidentified man, April 2016
• ‘(HOW I) WISH YOU WERE HERE’
  • Photographs: Marcus Bunyan. “(How I) Wish You Were Here” from the series Travelling the wonderful loneliness (2019-2024)
• ‘HOW NATURE SPEAKS’
  • Review: ‘How Nature Speaks’ at Arc One Gallery, Melbourne, featuring artists Justine Khamara, Lyndell Brown and Charles Green, Imants Tillers, Sam Shmith, Janet Laurence, Murray Fredericks and Huang Xu, July – August, 2010
• HULBERT, Shane
  • Review: ‘Expedition’ at the Centre for Contemporary Photography (CCP), Fitzroy, January – March, 2010
• HURLEY, Frank
  • Text/Photographs: “Familiar yet strange: Frank Hurley’s First World War photographs” on Frank Hurley – Soldiers of the Australian Imperial Force (AIF) on the Western Front during the First World War, mid-1917 – September 1918, July 2022

I

• ‘IAN STRANGE: SUBURBAN’
  • Review: ‘Ian Strange: SUBURBAN’ at NGV Studio Melbourne, July – September 2013
• ‘ICE STRUCTURE’
  • Review: ‘Ice Structure’ at Gallery Funaki, Melbourne, May – June 2011
    
• ‘ICON & ARCHIVE’
  • Exhibition: ‘Icon & Archive: photography & the World Wars’ at Monash Gallery of Art, Melbourne, April – July 2010
• ‘IMAGINED HISTORIES’
  • Exhibition: ‘Imagined Histories’ by Amber McCaig at Edmund Pearce Gallery, Melbourne, November 2013
• ‘IMPRESSIONS OF MELBOURNE’
  • Exhibition: ‘Impressions of Melbourne’ at the Monash Gallery of Art, Melbourne, July – September 2015
• ‘IMPRESSIONS OF PARIS: LAUTREC, DEGAS, DAUMIER, ATGET’
  • Exhibition: ‘Impressions of Paris: Lautrec, Degas, Daumier, Atget’ at the Monash Gallery of Art, Melbourne, July – September 2015
• ‘IN CAMERA AND IN PUBLIC’
  • Essay / review: ‘In camera and in public’ at the Centre for Contemporary Photography, Melbourne, September – October 2011
• IN CONVERSATION
  • In conversation: Marcus Bunyan and Elizabeth Gertsakis discuss his new work, The Shape of Dreams (2013 – 2017), December 2017
• INDIGENOUS AUSTRALIAN ARTIST AND ART
  • Text/Exhibition: “In our sight, in our mind” on the exhibition Mervyn Bishop: Australian Photojournalist at the National Film and Sound Archive of Australia, Acton, Canberra ACT, March – October 2021
  • Review: “Embodied Ab/origin” on the exhibition DESTINY at NGV Australia, Federation Square, Melbourne, November 2020 – February 2021
  • Pamphlet: ‘Australian Aboriginal Art’ with texts by Charles Barrett and A.S. Kenyon, National Museum of Victoria, 1952, August 2020
  • Review: ‘Christian Thompson: Ritual Intimacy’ at Monash University Museum of Art (MUMA), Melbourne, April – July 2017
  • Carte de visite: William Bardwell, photographer – Alfred William Howitt, William Barak and unidentified man, April 2016
  • Text: ‘Un/settling Aboriginality’ Dr Marcus Bunyan / Exhibition: ‘Brook Andrew: 52 Portraits’ at Tolarno Gallery, Melbourne, June – July 2013
  • Review: ‘Ricky Maynard: Portrait of a Distant Land’ at The Ian Potter Museum of Art, Melbourne, May – August 2011
  • Review: ‘Paradise’ at Tolarno Galleries, Melbourne, June – July 2011
  • Exhibition: ‘TRACEY MOFFATT: narratives’ at Art Gallery of South Australia, Adelaide, February – March 2011
  • Review: ‘Sistagirls’ by Bindi Cole at Nellie Castan Gallery, Melbourne, July 2010
  • Review: ‘Emily Kame Kngwarreye: The Person and her Paintings’ at DACOU Aboriginal Art, Port Melbourne, October – December 2009
  • Review: ‘First Jobs’ by Tracey Moffatt at Centre for Contemporary Photography, August – September 2009
  • Exhibition: ‘Ricky Maynard: Portrait of a Distant Land’ at Museum of Contemporary Art (MCA), Sydney, June – August 2009
• ‘INGEBORG TYSSEN: PHOTOGRAPHS’
  • Review: ‘Ingeborg Tyssen: photographs’ at Monash Gallery of Art, Melbourne, November 2012 – February 2013
• ‘INHERITANCE’
  • Exhibition: ‘Inheritance’ at the Australian Centre for Photography, Sydney, May – June 2009
• ‘INSIDEART’
  • Video: ‘InsideArt – Marcus Bunyan’ talks about the exhibition ‘Confounding: Contemporary Photography’ at NGV International, Melbourne published March 2013
• IN MEMORY
  • In memory: ‘Port Arthur, Tasmania, 1891’
• ‘IN THE FOLDS OF HILLS’
  • Exhibition and book launch preview: ‘In the Folds of Hills’ by Kristian Laemmle-Ruff at The Field Institute, Melbourne, 1st May 2014
• ‘INTIMACY’
  • Review: ‘Intimacy’ at Australian Centre for Contemporary Art (ACCA), Melbourne, October – November 2008

J

• ‘JACQUI STOCKDALE: GHOST HOOVANAH’
  • Exhibition: ‘Jacqui Stockdale: Ghost Hoovanah’ at This Is No Fantasy, Melbourne, June – July 2018
• ‘JACQUI STOCKDALE: THE QUIET WILD’
  • Review: ‘Jacqui Stockdale: The Quiet Wild’ at Helen Gory Galerie, Melbourne, April – May 2012
• JAMES, Peter
  • Review: ‘reENLIGHTENMENT’ at Gallery 101, Melbourne, March – April 2009
• JAMISON, Kirra
  • Review: ‘Slow Down, You Move Too Fast’ at Sophie Gannon Gallery, Melbourne, September – October 2009
• ‘JANINA GREEN: IKEA’
  • Exhibition: ‘Janina Green: Ikea’ at Edmund Pearce Gallery, Melbourne, November – December 2012
• ‘JAN SENBERGS: OBSERVATION – IMAGINATION’
  • Exhibition: ‘Jan Senbergs: Observation – Imagination’ at The Ian Potter Centre: NGV Australia, Melbourne, March – June 2016
• ‘JEFF WALL PHOTOGRAPHS’
  • Review: ‘Jeff Wall Photographs’ at The Ian Potter Centre: NGV Australia, National Gallery of Victoria, Melbourne, November 2012 – March 2013
  • Exhibition: ‘Jeff Wall Photographs’ at The Ian Potter Centre: NGV Australia, Melbourne, November 2012 – March 2013 (installation photographs)
• ‘JENNY REDDIN: THE ART OF CATASTROPHE’
  • Review: ‘Jenny Reddin: The Art of Catastrophe’ at Anita Traverso Gallery, Richmond, September 2012
• JERREMS, Carol
  • Review: ‘Carol Jerrems: photographic artist’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, July – September 2013
  • Review: ‘Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang’ at Heide Museum of Modern Art, July – October 2010
• ‘JOAN ROSS: TOUCHING OTHER PEOPLE’S SHOPPING’
  • Exhibition: ‘Joan Ross: Touching Other People’s Shopping’ at Bett Gallery, Hobart, June 2013
• ‘JODIE NOBLE SOLO’
  • Opening: ‘Jodie Noble Solo’ at Arts Project Australia, Melbourne, October – November 2011
    
• ‘JOEL-PETER WITKIN – PHOTOGRAPHS 1980-2016’
  • Exhibition: ‘Joel-Peter Witkin – Photographs 1980-2016’ at William Mora Galleries, Melbourne, August 2017
• ‘JOHN CATO RETROSPECTIVE’ AND BOOK LAUNCH
  • Opening speech: ‘John Cato Retrospective’ and book launch at the Ballarat International Foto Biennale, exhibition 17th August – 15th September 2013
• ‘JOHN GOLLINGS: THE HISTORY OF THE BUILT WORLD’
  • Review: ‘John Gollings: The history of the built world’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, December 2017 – March 2018
• ‘JOHN “JACK” RIVERSTONE FAVIELL’
  • Photo album: John “Jack” Riverstone Faviell (1892-1960), 1922-1933 Part 1
• ‘JOHN WOLSELEY – HEARTLANDS AND HEADWATERS’
  • Exhibition: ‘John Wolseley – Heartlands and Headwaters’ at The Ian Potter Centre: NGV Australia, Melbourne, April – August 2015
• ‘JOYCE EVANS’
  • Exhibition: ‘Joyce Evans’ at the National Library of Australia, Canberra, April – November 2023
• ‘JOYCE EVANS: EDGE OF THE ROAD’
  • Review: ‘Joyce Evans: Edge of the road’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, October – November 2013
• ‘JUAN DAVILA: THE MORAL MEANING OF WILDERNESS’
  • Exhibition: ‘Juan Davila: The Moral Meaning of Wilderness’ at the Monash University Museum of Art (MUMA), Caulfield, August – October 2011
• JULIA MARGARET CAMERON: FROM THE VICTORIA AND ALBERT MUSEUM, LONDON’
  • Text/Exhibition: ‘Julia Margaret Cameron: from the Victoria and Albert Museum, London’ at the Art Gallery of New South Wales (AGNSW), Sydney Part 2, August – October 2015
  • Exhibition: ‘Julia Margaret Cameron: from the Victoria and Albert Museum, London’ at the Art Gallery of New South Wales (AGNSW), Sydney Part 1, August – October 2015
• ‘JULIE MILLOWICK: SURROUNDING’
  • Review: ‘Julie Millowick: Surrounding’ at the Castlemaine Art Museum, February – June 2024
• ‘JUVENILIA’
  • Exhibition: ‘Juvenilia: Peter Milne’ at Strange Neighbour, Fitzroy, Melbourne, February – March 2015

K

• KENTRIDGE, William
  • Notes from the public lecture ‘Anti-Entropy: A Natural History of the Studio’ at the Australian Centre for the Moving Image (ACMI), Melbourne, March 2012
• KERR, David-Ashley
  • Exhibition: ‘Rückenfigur’ by David-Ashley Kerr at Dear Patti Smith ARI, Fitzroy, November 2011
• ‘KHEM’
  • Text/review: ‘A Vocabulary of Printing and the Syntax of the Image’ from the exhibition ‘KHEM’ at Strange Neighbour, Melbourne, April – May 2014
• KIRK, Shea
  • Exhibition: ‘Shea Kirk: Vantages’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
• KLIPPEL, Robert
  • Exhibition: ‘Klippel/Klippel: Opus 2008’ at National Gallery of Victoria (Federation Square), Melbourne, October – November 2008
• KNGWARREYE, Emily Kame
  • Review: ‘Emily Kame Kngwarreye: The Person and her Paintings’ at DACOU Aboriginal Art, Port Melbourne, October – December 2009
• KOENNING, Katrin
  • Review: ‘As far as I know’ by Katrin Koenning and Jessie Boylan at The Colour Factory Gallery, Fitzroy, Melbourne
  • Artwork and text: ‘Transit’ series by Katrin Koenning
• KOSSATZ, Les
  • Review: ‘The Art of Existence’ at Heide Museum of Modern Art, Melbourne, November – March 2009
• KRUGER, Fred
  • Review: ‘Fred Kruger: Intimate Landscapes’ at The Ian Potter Centre: NGV Australia, Melbourne, February – July 2012
• KUHNEN, Johannes
  • Exhibition: ‘Johannes Kuhnen: a survey of innovation’ at RMIT Gallery, Melbourne, June – July 2009
• KUPERHOLZ, Josephine
  • Review: ‘Blight’ at Gallery 101, Melbourne, June 2009

L

• LAEMMLE-RUFF, Kristian
  • Exhibition and book launch preview: ‘In the Folds of Hills’ by Kristian Laemmle-Ruff at The Field Institute, Melbourne, 1st May 2014
  • Review: ‘Littoral’ by Kristian Laemmle-Ruff at Colour Factory Gallery, Fitzroy, May 2012
• LAING, Rosemary
  • Review: ‘Rosemary Laing’ at TarraWarra Museum of Art, Healesville, Victoria, December 2017 – February 2018
  • Review ‘The Paper’ by Rosemary Laing at Tolarno Galleries, Melbourne, April – May 2014
  • Text: Minkowski retentir / Photos: Rosemary Laing groundspeed series
  • Review: ‘Rosemary Laing: leak’ at Tolarno Galleries, Melbourne, February – March 2011
• LAWLER, Kim
  • Review: ‘Between Lines’ at fortyfive downstairs, Flinders Lane, Melbourne, September – October 2009
• ‘LEE GRANT / BELCO PRIDE’
  • Review: ‘Lee Grant / Belco Pride’ at Edmund Pearce Gallery, Melbourne, June 2013
• LENZLINGER, Jorg
  • Review: ‘The Water Hole’ exhibition by Gerda Steiner and Jorg Lenzlinger at Australian Centre for Contemporary Art (ACCA), Melbourne, December 2008 – March 2009
• LEONG, Owen
  • Exhibition: ‘Birthmark’ at Anna Pappas Gallery, Prahran, May – June 2010
• LEUNIG, Michael
  • ‘The weary gentleman’: war, April 2014
  • ‘Meditation on two photographs’: F-35 jet fighter purchase, April 2014
  • ‘Vintage Leunig’: Everyone’s New Year’s resolution 2012
  • ‘Commemoration’: September 11, 2011
  • ‘Carbon Footprints, War Footprints’: President Obama and the “just war” (God with us)
  • ‘What is This Life?’ cartoon
  • ‘Curly Word’
  • ‘The 3 A.M. WAKE UP’
• LEWENS, Carolyn
  • Review: ‘DEEPER DARKER BRIGHTER’ at Town Hall Gallery, Hawthorn Arts Centre, Melbourne, May – July 2018
• LEWIS, Martin
  • Exhibition: ‘The Prints of Martin Lewis: From the Collection of Dr. Dorrance Kelly’ at the Bruce Museum, Greenwich, CT, October 2011 – February 2012
• ‘LIGHT IN SPACE’
  • Exhibition: ‘Light in Space’ by Veronica Caven Aldous at Stephen McLaughlan Gallery, Melbourne, June 2012
• ‘LIGHT WORKS’
  • Review/Text: ‘Light Works’ at NGV International, Melbourne, March – September 2012
• ‘LIGHT YEARS’
  • Exhibition: ‘Light Years: Photography and Space’ at the National Gallery of Victoria International, Melbourne, May – September 2009
• ‘LITTORAL’
  • Review: ‘Littoral’ by Kristian Laemmle-Ruff at Colour Factory Gallery, Fitzroy, May 2012
• ‘LIVING WATER: CONTEMPORARY ART OF THE FAR WESTERN DESERT’
  • Exhibition: ‘NGV 150th Felton Bequest Gift – Living Water: Contemporary Art of the Far Western Desert’ at NGV Australia, Melbourne, May 2011 – May 2012
    
• ‘LIQUID LIGHT: 500 YEARS OF VENETIAN GLASS’
  • Exhibition: ‘Liquid Light: 500 Years of Venetian Glass’ at NGV International, Melbourne, March 2019 – April 2020
• LOBB, Ian
  • Vale Ian Lobb (1948-2023), photographer “The luminosity of Ian Lobb” December 2023
• LODER, Nicola
  • Review: ‘Tourist #5: Disappearing Project 1-41’ at Helen Gory Galerie, Prahran, Melbourne, March – April 2012
  • Opening: ‘Tourist #3: sighted child 1-11’ at Helen Gory Galerie, Melbourne, April – May 2009
• ‘LONG DISTANCE VISION’
  • Review: ‘Long Distance Vision: Three Australian Photographers’ at The Ian Potter Centre NGV Australia, Melbourne, August 2009 – February 2010
• ‘LOOKING AT LOOKING’
  • Review: ‘Looking at Looking’ at the National Gallery of Victoria, Melbourne, September 2011 – March 2012
• ‘LOST & FOUND’
  • Review: ‘Lost & Found: Family Photos Swept away by the 3.11 East Japan Tsunami’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – July 2012
• ‘LOUISE BOURGEOIS: LATE WORKS’
  • Review: ‘Louise Bourgeois: Late Works’ at Heide Museum of Modern Art, Melbourne, November 2012 – March 2013
• ‘LUMINOUS CITIES’
  • Review: ‘Luminous Cities: Photographs of the Built Environment’ at NGV International, Melbourne, October 2010 – March 2011
• ‘LUMINOUS WORLD: CONTEMPORARY ART FROM THE WESFARMERS COLLECTION’
  • Review: ‘Luminous World: Contemporary Art from the Wesfarmers Collection’ at The Ian Potter Museum of Art, Melbourne, March – July 2015

M

• MACDONALD, Anne
  • Exhibition: ‘Party’ by Anne MacDonald at Bett Gallery, Hobart, October – November 2013
• MADDISON, Ruth
  • Review: ‘Ruth Maddison: It was the best of times, it was the worst of times’ at the Centre for Contemporary Photography, Melbourne, February – April 2021
• MAGRITTE, René
  • Review: ‘René Magritte: The Revealing Image, Photos and Films’ at the Latrobe Regional Art Gallery, Victoria, August – November 2017
• MAIDMENT, Simon (curator)
  • Interview: Simon Maidment, co-curator of the exhibition ‘David McDiarmid: When This You See Remember Me’ at NGV Australia, Melbourne, May – August 2014
• MAKIGAWA, Carlier
  • Review: ‘October 2009’ at Gallery Funaki, Melbourne, October 2009
• ‘MANSTYLE’
  • Review/Exhibition: ‘ManStyle’ at the National Gallery of Victoria, Melbourne, March – November 2011
• ‘MARCUS BUNYAN – CELEBRATING 30 YEARS OF ART PRACTICE IN 2021’
  • New website: ‘Marcus Bunyan – celebrating 30 years of art practice in 2021’ November 2021
• ‘MARCUS BUNYAN: THE ONLY RECORDING’
  • Music: Marcus Bunyan. The Only Recording 1977 (2017) 47 mins CD disc. Various pianoforte pieces recorded in the Recital Hall of the Royal College of Music, London on the 15th November 1977. Limited release November 2017
• ‘MARK STRIZIC: MELBOURNE – A CITY IN TRANSITION (RARE SILVER GELATIN PHOTOGRAPHS’
  • Review: ‘Mark Strizic: Melbourne – A City in Transition (Rare Silver Gelatin Photographs)’ at Gallery 101, Melbourne, April – May 2009
• ‘MARTIN PARR: IN FOCUS’
  • Review: ‘Martin Parr: In Focus’ at Niagara Galleries, Richmond, Melbourne, March 2012
• MARVILLE, Charles
  • Research at the State Library of Victoria further update. February 2014
  • Research at the State Library of Victoria update. January 2014
  • Research at the State Library of Victoria. Research experience on the Charles Marville photographs at the State Library of Victoria, January 2014
• ‘MASTERPIECES FROM THE HERMITAGE: THE LEGACY OF CATHERINE THE GREAT’
  • Exhibition: ‘Masterpieces from the Hermitage: The Legacy of Catherine the Great’ at NGV International, Melbourne, July – November 2015
  • Exhibition: ‘Masterpieces from the Hermitage: The Legacy of Catherine the Great’ at NGV International, Melbourne, July – November 2015
• ‘MATERIAL WITNESS’
  • Photographs: Marcus Bunyan. “Material Witness” from the series Travelling the wonderful loneliness (2019-2024) March 2024
• ‘MAX AND OLIVE: THE PHOTOGRAPHIC LIFE OF OLIVE COTTON AND MAX DUPAIN’
  • Review: ‘Max and Olive: The photographic life of Olive Cotton and Max Dupain’ at The Ian Potter Museum of Art, Melbourne, May – July 2016
• ‘MAX DUPAIN’  (Australian, 1911-1992)
  • Photographs: Max Dupain (Australian, 1911-1992) Part 2, December 2020
  • Photographs: Max Dupain (Australian, 1911-1992) Part 1, November 2020
• ‘MAX DUPAIN THE PARIS ‘PRIVATE’ SERIES AND OTHER PICTURES’
  • Exhibition: ‘Max Dupain The Paris ‘private’ series and other pictures’ at the Art Gallery of New South Wales (AGNSW), Sydney, May – September 2014
• MAYNARD, Ricky
  • Review: ‘Ricky Maynard: Portrait of a Distant Land’ at The Ian Potter Museum of Art, Melbourne, May – August 2011
  • Exhibition: ‘Ricky Maynard: Portrait of a Distant Land’ at Museum of Contemporary Art (MCA), Sydney, June – August 2009
• McCAIG, Amber
  • Exhibition: ‘Imagined Histories’ at Edmund Pearce Gallery, Melbourne, November 2013
• McCARDLE, James
  • On This Day In Photography: December 21 2019 – 1970s (Family of Man, Prahran College, Carol Jerrems) December 2019
  • On This Day In Photography: December 14 2019 – Context (Jenny Boddington, National Gallery of Victoria, curator, Melbourne) December 2019
  • On This Day In Photography: December 11 2019 – Carol (Carol Jerrems, The Photographers’ Gallery and Workshop, Brummels Gallery, Joyce Evans) December 2019
• McCLELLAND SCULPTURE SURVEY & AWARD 2010
  
  • Review: ‘McClelland Sculpture Survey & Award 2010’ at McClelland Gallery & Sculpture Park, Langwarrin, Victoria, November 2010 – July 2011
    
• McDIARMID, David
  • Exhibition ‘David McDiarmid: When This You See Remember Me’ at NGV Australia, Melbourne, May – August 2014
• McGRATH, Shannon
  •  Review: ‘Darkness by Day’ at Anita Traverso Gallery, Richmond, February 2013
• McGREGOR, Laith
  • Opening: ‘So It Goes’ at Helen Gory Galerie, Melbourne, May 2009
• MEADMORE, Clement
  • Review: ‘Clement Meadmore: The art of mid-century design’ at the Ian Potter Museum of Art, Melbourne, November 2018 – March 2019
• MELBOURNE’S MAGNIFICENT ON ART BLART
  • Melbourne’s magnificent eleven 2012
    The eleven best Melbourne artists/exhibitions that featured on the Art Blart blog in 2012
  • Melbourne’s magnificent nine 2011
    The nine best Melbourne exhibitions (Bendigo and Hobart included) that featured on the Art Blart blog in 2011
  • Melbourne’s magnificent eleven 2010
    The eleven best Melbourne exhibitions that featured on the Art Blart blog for 2010
  • Melbourne’s magnificent dozen 2009
    The twelve best Melbourne exhibitions that featured on the Art Blart blog for 2009
• ‘MELBOURNE NOW’
  • Exhibition: ‘Melbourne Now’ at the National Gallery of Victoria, Melbourne, Part 2, November 2013 – March 2014
  • Exhibition: ‘Melbourne Now’ at the National Gallery of Victoria, Melbourne, Part 1, November 2013 – March 2014
• ‘MELT: PORTRAIT OF AN ICEBERG’
  • Review: ‘Simon Harsent / Melt: Portrait of an Iceberg’ at Edmund Pearce Gallery, Melbourne, February – March 2014
• ‘MERVYN BISHOP: AUSTRALIAN PHOTOJOURNALIST’
  • Text/Exhibition: “In our sight, in our mind” on the exhibition Mervyn Bishop: Australian Photojournalist at the National Film and Sound Archive of Australia, Acton, Canberra ACT, March – October 2021
• MILLOWICK, Julie
  • Review: ‘Julie Millowick: Surrounding’ at the Castlemaine Art Museum, February – June 2024
• MILLS, Stormie
  • Review: ‘Diction’ at Helen Gory Galerie, Prahran, Melbourne, September – October 2009
• MILNE, Peter
  • Exhibition: ‘Juvenilia: Peter Milne’ at Strange Neighbour, Fitzroy, Melbourne, February – March 2015
• MINKOWKSI, Eugene
  • Text: Minkowski retentir / Photos: Rosemary Laing groundspeed series, October 2012
• ‘MISSING IN ACTION’
  • Photographs: Marcus Bunyan. ‘Missing in Action (red kenosis)’ 2010; OR see the full series on my website
  • Photographs: Marcus Bunyan. ‘Missing in action (dark kenosis)’ 2010; OR see the full series on my website
  • Photographs: Marcus Bunyan. ‘Missing in Action (horizontal kenosis)’ 2010; OR see the full series on my website
• ‘MODERN TIMES’
  • Review: ‘Modern Times: The Untold Story of Modernism in Australia’ at Heide Museum of Modern Art, Melbourne, March – July 2009
• MOFFATT, Tracey
  • Exhibition: ‘TRACEY MOFFATT: narratives’ at Art Gallery of South Australia, Adelaide, February – March 2011
  • Review: ‘First Jobs’ at Centre for Contemporary Photography, August – September 2009
• MöLLER, Vera
  • Review: ‘Nocturnalians and Shadow Eaters’ at Sophie Gannon Gallery, Melbourne, October – November 2009
• ‘MOMENTUM’
  • Photographs: Marcus Bunyan. ‘Momentum’ 2009; OR view the full series on my website
• MONA
  • The Museum of Old and New Art (MONA), Hobart
• MONASH GALLERY OF ART / MUSEUM OF AUSTRALIAN PHOTOGRAPHY
  • Text/Exhibition: “Nurture: A world of creativity and transformation,” on the exhibition ‘The basement: photography from Prahran College (1968-1981)’ at the Museum of Australian Photography, Wheelers Hill, Melbourne, March – May, 2025
  • Review: ‘Visions of India: from the colonial to the contemporary’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, December 2021 – March 2022
  • Exhibition: ‘Dressing up: clothing and camera’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, November 2019 – February 2020
  • Review: ‘John Gollings: The history of the built world’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, December 2017 – March 2018
  • Review: ‘Under the sun: Reimagining Max Dupain’s Sunbaker’ at the Monash Gallery of Art, Melbourne, May – August 2017
  • Exhibition: ‘Glamour stakes: Martin Parr’ at Monash Gallery of Art, Melbourne, October – December 2016
  • Exhibition: ‘Dutch masters of light: Hendrik Kerstens & Erwin Olaf’ at Monash Gallery of Art, Melbourne, October – December 2016
  • Exhibition: ‘Beyond Eden: Polixeni Papapetrou’ at Monash Gallery of Art, Melbourne, October – December 2016
  • Exhibition: ‘Cutting edge: 21st-century photography’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, November 2015 – February 2016
  • Review: ‘Trent Parke: The camera is god’ at the Monash Gallery of Art, Melbourne, November 2015 – February 2016
  • Exhibition: ‘Impressions of Paris: Lautrec, Degas, Daumier, Atget’  and ‘Impressions of Melbourne’ at the Monash Gallery of Art, Melbourne, July – September 2015
  • Review: ‘What’s the story’ / ‘Earth Matters: contemporary photographers in the landscape’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, March – May 2015
  • Review: ‘PHOTOGRAPHY MEETS FEMINISM: Australian women photographers 1970s-80s’ at the Monash Gallery of Art, Melbourne, October – December 2014
  • Review: ‘The road: Photographers on the move 1970-1975’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, June – August 2014
  • Review: ‘The Rennie Ellis Show’ at Monash Gallery of Art, Wheeler Hill, Melbourne, April – June 2014
  • Review: ‘Wildcards: Bill Henson shuffles the deck’ at Monash Gallery of Art, Wheelers Hill, Melbourne, February – March 2014
  • Review: ‘Claudia Terstappen: In The Shadow Of Change’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, November 2013 – January 2014
  • Review: ‘Joyce Evans: Edge of the road’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, October – November 2013
  • Review: ‘Carol Jerrems: photographic artist’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, July – September 2013
  • Review: ‘Ingeborg Tyssen: photographs’ at Monash Gallery of Art, Melbourne, November 2012 – February 2013
  • Review: ‘Photographic abstractions’ at the Monash Gallery of Art (MGA), Melbourne, August – September 2012
  • Exhibition: ‘2011 Bowness Photography Prize’ at the Monash Gallery of Art, Melbourne, September – October 2011
  • Review: ‘Time Machine: Sue Ford’ at Monash Gallery of Art, Wheelers Hill, Victoria, April – June 2011
  • Exhibition: ‘Icon & Archive: photography & the World Wars’ at Monash Gallery of Art, Melbourne, April – July 2010
• MONASH UNIVERSITY MUSEUM OF ART (MUMA)
  • Review: ‘Christian Thompson: Ritual Intimacy’ at Monash University Museum of Art (MUMA), Melbourne, April – July 2017
  • Review/Exhibition: ‘Concrete’ at the Monash University Museum of Art (MUMA), Melbourne, May – July 2014
  • Essay/Exhibition: ‘Reinventing the Wheel: the Readymade Century’ at the Monash University Museum of Art (MUMA), Melbourne, October – December 2013
  • Exhibition: ‘Juan Davila: The Moral Meaning of Wilderness’ at the Monash University Museum of Art (MUMA), Caulfield, August – October 2011
  • Review/Exhibition: ‘NETWORKS (cells & silos)’ at Monash University Museum of Art (MUMA), Caulfield, February – April 2011
• MONTALTO SCULPTURE PRIZE 2013
  • Winner of the 2013 Montalto Sculpture Prize: ‘Abundance’ by Fredrick White
• MOORE, Tom
  • Review: ‘Pondlurking’ at Helen Gory Galerie, Prahran, Melbourne, March – April 2010
• ‘MORIENDO RENASCOR: 19th CENTURY PHOTOGRAPHY’
  • Exhibition: ‘Moriendo renascor: 19th century photography’ at the State Library of South Australia, Adelaide, May – July 2014
• ‘MORTALITY’
  • Review: ‘Mortality’ at the Australian Centre for Contemporary Art, Melbourne, October – November 2010
    
• MOTHER BOATS C.P.
  • Photographs: Mother Boats C.P. (Brian Traynor). ‘Los Angeles Pride Parade’ June 1970, October 2016
• ‘MOVEMENT AND EMOTION’
  • Opening: ‘Movement and Emotion’ at Arts Project Australia, Melbourne, October – November 2011
• MUDFORD, Grant
  • Review: ‘Grant Mudford: Attention to Detail’ at the Joseph Bellows Gallery, La Jolla, California, March 2025
• MUECK, Ron
  • Exhibition: ‘Ron Mueck’ at the National Gallery of Victoria International, Melbourne, January – April 2010
• ‘MY COUNTRY, I STILL CALL AUSTRALIA HOME: CONTEMPORARY ART FROM BLACK AUSTRALIA’
  • Exhibition: ‘My Country, I Still Call Australia Home: Contemporary Art from Black Australia’ at The Gallery of Modern Art (GOMA), Brisbane, June – October 2013
• ‘MY LAST 60 YEARS ON THE STREETS: JOHN WILLIAMS RETROSPECTIVE (1933 – 2016)’
  • Review: ‘My last 60 years on the streets: John Williams Retrospective (1933 – 2016)’ at Magnet Galleries, Melbourne, June – July 2018

N

• NATIONAL GALLERY OF VICTORIA
  • Review: “Smoke and mirrors, smoke and mirrors…” on the exhibition Photography: Real & Imagined at The Ian Potter Centre: NGV Australia, Melbourne Part 2, October 2023 – February 2024
  • Exhibition: ‘Photography: Real & Imagined’ at The Ian Potter Centre: NGV Australia, Melbourne Part 1, October 2023 – February 2024
  • Review: ‘WHO ARE YOU: Australian Portraiture’ at NGV Australia, Federation Square, Melbourne, March – August 2022
  • Review: ‘Found and Gathered: Rosalie Gascoigne | Lorraine Connelly-Northey’ at The Ian Potter Centre: NGV Australia, Federation Square, Melbourne, October 2021 – February 2022
  • Review: “Embodied Ab/origin” on the exhibition DESTINY at NGV Australia, Federation Square, Melbourne, November 2020 – February 2021
  • Exhibition: ‘Liquid Light: 500 Years of Venetian Glass’ at NGV International, Melbourne, March 2019 – April 2020
  • Review: “Writing the body politic / broken” on Turning Points: Contemporary Photography from China at the National Gallery of Victoria, Melbourne, June 2019 – January 2020
  • Exhibition: ‘Terracotta Warriors: Guardians of Immortality’ at the National Gallery of Victoria, Melbourne, May – October 2019
  • Review: ‘Colony: Australia 1770 – 1861’ at NGV Australia at Federation Square, Melbourne Part 2, featuring photographs from exhibition, March – July 2018
  • Exhibition: ‘Colony: Australia 1770 – 1861’ at NGV Australia at Federation Square, Melbourne Part 1, March – July 2018
  • Review: ‘Del Kathryn Barton: The Highway is a Disco’ at the Ian Potter Centre: NGV Australia at Federation Square, Melbourne, November 2017 – March 2018
  • Review: ‘Brave New World: Australia 1930s’ at The Ian Potter Centre: NGV Australia, Melbourne, July – October 2017
  • Exhibition: ‘Bill Henson’ as part of the NGV Festival of Photography, NGV International, Melbourne, March – August 2017
  • Review: ‘Patrick Pound: The Great Exhibition’ as part of the NGV Festival of Photography at NGV Australia, Melbourne Part 2, March – July 2017
  • Exhibition: ‘Patrick Pound: The Great Exhibition’ as part of the NGV Festival of Photography at NGV Australia, Melbourne Part 1, March – July 2017
  • Exhibition: ‘William Eggleston Portraits’ at the National Gallery of Victoria, Melbourne, March – June 2017
  • Exhibition: ‘David Hockney: Current’ at NGV International, Melbourne, November 2016 – March 2017
  • Review: ‘Degas: A New Vision’ at the National Gallery of Victoria International, Melbourne Part 2, June – September 2016
  • Exhibition: ‘Degas: A New Vision’ at the National Gallery of Victoria International, Melbourne Part 1, June – September 2016
  • Review: ‘Henry Talbot: 1960s Fashion Photographer’ at The Ian Potter Centre: NGV Australia, Melbourne, May – August 2016
  • Exhibition: ‘Jan Senbergs: Observation – Imagination’ at The Ian Potter Centre: NGV Australia, Melbourne, March – June 2016
  • Review: ‘Time lapse: Andy Warhol | Ai Weiwei’ at the National Gallery of Victoria, Melbourne, December 2015 – April 2016
  • Exhibition: ‘Andy Warhol | Ai Weiwei’ at the National Gallery of Victoria, Melbourne Part 1, December 2015 – April 2016
  • Exhibition: ‘Masterpieces from the Hermitage: The Legacy of Catherine the Great’ at NGV International, Melbourne, July – November 2015
  • Exhibition: ‘John Wolseley – Heartlands and Headwaters’ at The Ian Potter Centre: NGV Australia, Melbourne, April – August 2015
  • Exhibition: ‘Masterpieces from the Hermitage: The Legacy of Catherine the Great’ at NGV International, Melbourne, July – November 2015
  • Research paper: ‘Beginnings: The International Photographic Collection at the National Gallery of Victoria’ May 2015
  • Exhibition: ‘Bushido: Way of the Samurai’ at the NGV International, Melbourne, July – November 2014
  • Review/Interview: Simon Maidment, co-curator of the exhibition ‘David McDiarmid: When This You See Remember Me’ at NGV Australia, Melbourne, May – August 2014
  • Review: ‘Sue Ford’ at The Ian Potter Centre: NGV Australia, Melbourne, April – August 2014
  • Review/Text: ‘Edward Steichen & Art Deco Fashion’ at the National Gallery of Victoria, Melbourne, October 2013 – March 2014
  • Exhibition: ‘Melbourne Now’ at the National Gallery of Victoria, Melbourne, Part 2, November 2013 – March 2014
  • Exhibition: ‘Melbourne Now’ at the National Gallery of Victoria, Melbourne, Part 1, November 2013 – March 2014
  • Exhibition: ‘Edward Steichen & Art Deco Fashion’ at NGV International, Melbourne, October 2013 – March 2014. Installation photos
  • Review: ‘Ian Strange: SUBURBAN’ at NGV Studio Melbourne, July – September 2013
  • Exhibition: ‘Thomas Demand’ at the National Gallery of Victoria, Melbourne, November 2012 – March 2013
  • Review: ‘Jeff Wall Photographs’ at The Ian Potter Centre: NGV Australia, National Gallery of Victoria, Melbourne, November 2012 – March 2013
  • Review: ‘Confounding: Contemporary Photography’ at NGV International, Melbourne, October 2012 – March 2013
  • Video: ‘InsideArt – Marcus Bunyan’ talks about the exhibition ‘Confounding: Contemporary Photography’ at NGV International, Melbourne March 2013
  • Exhibition: ‘Jeff Wall Photographs’ at The Ian Potter Centre: National Gallery of Victoria Australia, Melbourne, November 2012 – March 2013 (installation photographs)
  • Exhibition: ‘Thomas Demand’ at the National Gallery of Victoria International, Melbourne, November 2012 – March 2013 (installation photographs)
  • Review/Text: ‘Light Works’ at NGV International, Melbourne, March – September 2012
  • Review: ‘Fred Kruger: Intimate Landscapes’ at The Ian Potter Centre: NGV Australia, Melbourne, February – July 2012
  • Exhibition: ‘Unexpected Pleasures: The Art and Design of Contemporary Jewellery’ at the National Gallery of Victoria, Melbourne, April – August 2012
  • Review: ‘Looking at Looking’ at the National Gallery of Victoria, Melbourne, September 2011 – March 2012
  • Review: ‘The mad square: Modernity in German Art 1910 – 37’ at The National Gallery of Victoria, Melbourne, November 2011 – March 2012
  • Review: ‘ManStyle’ at the National Gallery of Victoria, Melbourne, March – November 2011
  • Exhibition: ‘Vienna – Art & Design’ at the National Gallery of Victoria, Melbourne, June – October 2011
  • Exhibition: ‘NGV 150th Felton Bequest Gift – Living Water: Contemporary Art of the Far Western Desert’ at NGV Australia, Melbourne, May 2011 – May 2012
  • Exhibition: ‘Gustave Moreau and the Eternal Feminine’ at the National Gallery of Victoria, Melbourne, December 2010 – April 2011
  • Review: ‘Luminous Cities: Photographs of the Built Environment’ at NGV International, Melbourne, October 2010 – March 2011
  • Review: ‘Stormy Weather: Contemporary Landscape Photography’ at NGV Australia, Melbourne, September 2010 – March 2011
  • Review: ‘Unnerved: The New Zealand Project’ at NGV International, Melbourne, November 2010 – February 2011
  • Exhibition: ‘Timelines: Photography and Time’ at the National Gallery of Victoria, Melbourne, May – October 2010
    
  • Review: ‘John Davis: Presence’ at The Ian Potter Centre: NGV Australia, Melbourne, August – October 2010
  • Review: ‘Mari Funaki: Objects’ at the The Ian Potter Centre: NGV Australia, Melbourne, August – October 2010
  • Exhibition: ‘European Masters: Städel Museum 19th – 20th Century’, Winter Masterpieces at the National Gallery of Victoria, Melbourne, June – October 2010
  • Exhibition: ‘Ron Mueck’ at the National Gallery of Victoria International, Melbourne, January – April 2010
  • Exhibition: ‘Ricky Swallow: The Bricoleur’ at The Ian Potter Centre, NGV Australia, Melbourne, October 2009 – February 2010
  • Exhibition photographs: ‘Salvador Dali: Liquid Desire’ Melbourne Winter Masterpieces at the National Gallery of Victoria, Melbourne, June – October 2009
  • Exhibition: ‘Light Years: Photography and Space’ at the National Gallery of Victoria International, Melbourne, May – September 2009
  • Review: ‘Jonh Brack’ retrospective at The National Gallery of Victoria, NGV Australia, Federation Square, Melbourne, April – August 2009
  • Review: ‘Order and disorder: archives and photography’ at the National Gallery of Victoria International, Melbourne, October 2008 – April 2009
  • Review: ‘Ocean Without A Shore’ video installation by Bill Viola at The National Gallery of Victoria, Melbourne February 2009
  • Review: ‘Rosalie Gascoigne’ at The Ian Potter Centre: NGV Australia, Melbourne, December 2008 – March 2009
  • Opening: ‘Andreas Gursky’ at the National Gallery of Victoria International, Melbourne, November 2008 – February 2009
  • Opening: ‘No Standing Only Dancing’ by Rennie Ellis at The Ian Potter Centre: NGV Australia, October 2008 – February 2009
  • Exhibition: ‘Klippel/Klippel: Opus 2008’ at National Gallery of Victoria (Federation Square), Melbourne, October – November 2008
• NATIONAL MUSEUM OF AUSTRALIA
  • Exhibition: ‘Black Mist Burnt Country’ at the National Museum of Australia, Canberra, August – November 2018
• ‘NATURE/REVELATION’
  • Exhibition: ‘Nature/Revelation’ at The Ian Potter Museum of Art, Melbourne, March – July 2015
• NEALE, David
  • Review: ‘David Neale and Emma Price’ at Gallery Funaki, Melbourne, August – September 2010
• NETTO, Vanila
  • Review: ‘Navigating Widely’ at Arc One Gallery, Melbourne, March 2011
• ‘NETWORKS (cells & silos)’
  • Review/Exhibition: ‘NETWORKS (cells & silos)’ at Monash University Museum of Art (MUMA), Caulfield, February – April 2011
    
• ‘NEW 09’
  • Review: ‘New 09’ at Australian Centre for Contemporary Art (ACCA), Melbourne, March – May 2009
• NEWSOME, Mary
  • Review: ‘Bowerhouse Blues’ at Gallery 101, Melbourne, February 2009
• NICHOLSON, John
  • Exhibition: ‘Halftone’ at Sophie Gannon Gallery, Richmond, October – November 2010
  • Review: ‘Connection is Solid’ at Sophie Gannon Gallery, Richmond, Melbourne, August – September 2009
• NOBLE, Jodie
  • Opening: ‘Jodie Noble Solo’ at Arts Project Australia, Melbourne, October – November 2011
• NOLAN, Sidney
  • Review: ‘Sidney Nolan: Drought Photographs’ at Australian Galleries, Melbourne, March 2011
• NOLAN, Will
  • Opening: ‘Little Treasures’ at Helen Gory Galerie, August 2009
• NOONAN, David
  • Review: ‘Scenes’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, August – September 2009
• NOORDENBURG, Henri van
  • Exhibition: ‘Efface’ at Edmund Pearce Gallery, Melbourne, November 2013
• ‘NO STANDING ONLY DANCING’
  • Opening: ‘No Standing Only Dancing’ by Rennie Ellis at The Ian Potter Centre: NGV Australia, October 2008 – February 2009

O

• ‘OBLIQUE’
  • Photographs: Marcus Bunyan. ‘Oblique’ 2019; or the layout of the whole series on my website
• ‘OCEAN WITHOUT A SHORE’
  • Review: ‘Ocean Without A Shore’ video installation by Bill Viola at The National Gallery of Victoria, Melbourne 2009
• O’CONNOR, Derek
  • Exhibition: Paintings at Karen Woodbury Gallery, Melbourne, March – April 2009
• OLIVER, Bronwyn
  • Review: ‘The sculpture of Bronwyn Oliver’ at TarraWarra Museum of Art, Healesville, Victoria, November 2016 – February 2017
• ‘ON THE BEACH’
  • Review: ‘On the beach’ at the Mornington Peninsula Regional Art Gallery, Mornington, December 2015 – February 2016
• ‘ORDER AND DISORDER’
  • Review: ‘Order and disorder: archives and photography’ at the National Gallery of Victoria International, Melbourne, October 2008 – April 2009
• ORR, Jill
  • Review: ‘Jill Orr: Vision’ at Jenny Port Gallery, Richmond, Melbourne, June – July, 2010
  • Opening: ‘Faith in a Faithless Land’ at Jenny Port Gallery, Melbourne, May 2009
• OU, Selina
  • Review: ‘Selina Ou: New York’ at Sophie Gannon Gallery, Richmond, October – November 2011
• ‘OUT OF THE CLOSETS, INTO THE STREETS: GAY LIBERATION PHOTOGRAPHY 1971-73’
  • Exhibition: ‘Out of the closets, into the streets: gay liberation photography 1971-73’ at Edmund Pearce Gallery, Melbourne, July 2014. Video by Dr Marcus Bunyan and installation photographs.
  • Catalogue essay: ‘Being (t)here: Gay liberation photography in Australia 1971-73’ from the exhibition Out of the closets, onto the streets July 2014
  • Exhibition: ‘Out of the closets, into the streets: gay liberation photography 1971-73’ at Edmund Pearce Gallery, Melbourne, July 2014. Catalogue essay by Professor Dennis Altman.
  • Exhibition preview: ‘Out of the closets, into the streets: gay liberation photography 1971-73’ at Edmund Pearce Gallery, July 2014. Curated by Dr Marcus Bunyan and Nicholas Henderson.

P

• PAM, Max
  • Opening: ‘Long Distance Vision: Three Australian Photographers’ at The Ian Potter Centre, NGV Australia, Federation Square, Melbourne, August 2009
• PAPAPETROU, Polixeni
  • Vale Polixeni Papapetrou (1960-2018) April 2018
  • Exhibition: ‘Beyond Eden: Polixeni Papapetrou’ at Monash Gallery of Art, Melbourne, October – December 2016
  • Review: ‘Polixeni Papapetrou: Eden’ at Stills Gallery, Sydney, September – October 2016
  • Review: ‘Polixeni Papapetrou: Lost Psyche’ at Stills Gallery, Sydney, October – November 2014
  • Review: ‘A Performative Paradox’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, May – July 2013
  • Exhibition: ‘Polixeni Papapetrou: The Dreamkeepers’ at Stills Gallery, Sydney, March – May 2012
• PARAMOR, Louise
  • Opening: Review: ‘Show Court 3’ and ‘Mood Bomb’ at Nellie Castan Gallery, Melbourne, March 2009
• ‘PARIS IN FILM’
  • Photographs: Marcus Bunyan. ‘Paris in film’ 2018 Part 2; or the whole series on my website
  • Photographs: Marcus Bunyan. ‘Paris in film’ 2018 Part 1; or the whole series on my website
• PARKE, Trent
  • Review: ‘Trent Parke: The camera is god’ at the Monash Gallery of Art, Melbourne, November 2015 – February 2016
• ‘PARTY’
  • Exhibition: ‘Party’ by Anne MacDonald at Bett Gallery, Hobart, October – November 2013
• ‘PASSAGE’
  • Exhibition: ‘Tom Goldner: Passage’ at The Fox Darkroom & Gallery, Kensington, Melbourne, May 2017
• PATE, Klytie
  • Exhibition: ‘Daughters Of The Sun: Christian Waller & Klytie Pate’ at Bendigo Art Gallery, Australia, November 2018 – February 2019
• ‘PATRICK POUND: THE GREAT EXHIBITION’
  • Review: ‘Patrick Pound: The Great Exhibition’ as part of the NGV Festival of Photography at NGV Australia, Melbourne Part 2, March – July 2017
  • Exhibition: ‘Patrick Pound: The Great Exhibition’ as part of the NGV Festival of Photography at NGV Australia, Melbourne Part 1, March – July 2017
• ‘PATTERN SPILL’
  • Exhibition: ‘Lionel Bawden: Pattern spill’ at Karen Woodbury Gallery, Richmond, November – December 2011
• PERCY, Kim
  • Opening: ‘Traverse’ by Kim Percy at Stockroom, Kyneton, March – April 2012
• ‘PETER BOOTH’
  • Exhibition: ‘Peter Booth’ at TarraWarra Museum of Art, Healesville, November 2022 – March 2023
• ‘PETRINA HICKS: SELECTED PHOTOGRAPHS, 2013’
  • Exhibition: ‘Petrina Hicks: Selected Photographs, 2013’ at Helen Gory Galerie, Prahran, Melbourne, June – July 2013
• ‘PHOTOGRAPHIC ABSTRACTIONS’
  • Review: ‘Photographic abstractions’ at the Monash Gallery of Art (MGA), Melbourne, August – September 2012
• ‘PHOTOGRAPHY & PLACE’
  • Exhibition: ‘Photography & place: Australian landscape photography, 1970s until now’ at the Art Gallery of New South Wales, Sydney, March – May 2011
    
• ‘PHOTOGRAPHY AND THE PERFORMATIVE’
  • Exhibition: ‘Photography and the Performative’ at the Chau Chak Wing Museum at The University of Sydney, April – August 2024
• ‘PHOTOGRAPHY AS CRIME’
  • Symposium: ‘Photography as Crime’ at the Centre for Contemporary Photography, Melbourne, October 2011
    
• ‘PHOTOGRAPHY MEETS FEMINISM: Australian women photographers 1970s-80s’
  • Review: ‘PHOTOGRAPHY MEETS FEMINISM: Australian women photographers 1970s-80s’ at the Monash Gallery of Art, Melbourne, October – December 2014
• ‘PHOTOGRAPHY: REAL & IMAGINED’
  • Review: “Smoke and mirrors, smoke and mirrors…” on the exhibition Photography: Real & Imagined at The Ian Potter Centre: NGV Australia, Melbourne Part 2, October 2023 – February 2024
  • Exhibition: ‘Photography: Real & Imagined’ at The Ian Potter Centre: NGV Australia, Melbourne Part 1, October 2023 – February 2024
• PICCININI, Patricia
  • Exhibition: ‘Patricia Piccinini: The Fitzroy Series’ at the Centre for Contemporary Photography, Melbourne, August – September 2011
  • Review: ‘Unforced Intimacies’ at Tolarno Galleries, Melbourne, October – November 2009
• ‘PICTURING NEW YORK’
  • Exhibition: ‘Picturing New York: Photographs from the Museum of Modern Art’ at the Art Gallery of Western Australia (AGWA), Perth, January – May 2013
• ‘POLAROID PROJECT’
  • Review: ‘Polaroid Project’ at Arts Project Australia, Melbourne, June – July 2014
• ‘POLITICAL ACTS: PIONEERS OF PERFORMANCE ART IN SOUTHEAST ASIA’
  • Exhibition: ‘Political Acts: Pioneers of Performance Art in Southeast Asia’ at the Arts Centre Melbourne, February – May 2017
• ‘POLIXENI PAPAPETROU: EDEN’
  • Review: ‘Polixeni Papapetrou: Eden’ at Stills Gallery, Sydney, September – October 2016
• ‘POLIXENI PAPAPETROU: LOST PSYCHE’
  • Review: ‘Polixeni Papapetrou: Lost Psyche’ at Stills Gallery, Sydney, October – November 2014
• ‘POLIXENI PAPAPETROU: THE DREAMKEEPERS’
  • Exhibition: ‘Polixeni Papapetrou: The Dreamkeepers’ at Stills Gallery, Sydney, March – May 2012
• ‘PORTRAITS OF WAR: THE CROWN STUDIOS PROJECT’ 
  • Exhibition: ‘Portraits of War: The Crown Studios Project’ at the State Library of New South Wales, Sydney, June – September 2014
• POUND, Patrick
  • Review: ‘Patrick Pound: The Great Exhibition’ as part of the NGV Festival of Photography at NGV Australia, Melbourne Part 2, March – July 2017
  • Exhibition: ‘Patrick Pound: The Great Exhibition’ as part of the NGV Festival of Photography at NGV Australia, Melbourne Part 1, March – July 2017
• POWELL, Melissa
  • Review: ‘Vestige II’ at Anita Traverso Gallery, Richmond, February 2013
• PORT ARTHUR, TASMANIA
  • In memory: ‘Port Arthur, Tasmania, 1891’
• ‘PORTRAIT ENGRAVINGS IN STIPPLE BY W. RIDLEY, AND HIS ASSOCIATES, W. HOLL & T. BLOOD. 1796-1822’
  • Album: ‘Portrait Engravings in stipple by W. Ridley, and his associates, W. Holl & T. Blood. 1796-1822’ March 2020
• ‘PRESENT TENSE’
  • Exhibition: ‘Present Tense: An Imagined Grammar of Portraiture in the New Media Age’ at The National Portrait Gallery, Canberra, May – August 2010
• ‘PRESERVED’
  • Review: ‘Preserved’ by Greg Elms at Edmund Pearce Gallery, Melbourne, November 2012
• PRESSING THE FLESH: SEX, BODY IMAGE AND THE GAY MALE
  • Text: Marcus Bunyan. “Re-Pressentation” chapter from Pressing the Flesh: Sex, Body Image and the Gay Male. Phd research, RMIT University, Melbourne, 2001
  • Text: Marcus Bunyan. “In Press” chapter from Pressing the Flesh: Sex, Body Image and the Gay Male. Phd research, RMIT University, Melbourne, 2001
  • Text: Marcus Bunyan. “Bench Press” chapter from Pressing the Flesh: Sex, Body Image and the Gay Male. Phd research, RMIT University, 2001
  • Text: Marcus Bunyan. “Historical Pressings,” chapter from Pressing the Flesh: Sex, Body Image and the Gay Male. Phd research, RMIT University, 2001
• PRICE, Emma
  • Review: ‘David Neale and Emma Price’ at Gallery Funaki, Melbourne, August – September 2010

Q

• ‘QUEER OBJECTS’
  • Text and photos: Marcus Bunyan. “Punk jacket,” in Chris Brickell and Judith Collard (eds.,). Queer Objects. Manchester University Press, November 2019
• ‘QUILL’
  • Exhibition: ‘Pat Brassington: Quill’ at Bett Gallery, Hobart, May 2013
• QUILTY, Ben
  • Review: ‘Ben Quilty: After Afghanistan’ at the Castlemaine Art Gallery and Historical Museum, January – April 2016
• ‘QUANDONG, NEW SOUTH WALES, AUSTRALIA’
  • Photographs and text: ‘Quandong, New South Wales, Australia 1887’, July 2015

R

• RACISM IN AUSTRALIA
  • Text: “Golden splendour: privilege, ceremony and racism in 1920s-1930s Australia” on the photo album ‘John “Jack” Riverstone Faviell (1892-1960), 1922-1933’ Part 2, January 2023 (4,670 words)
• RAE, Clare
  • Review: ‘Climbing the Walls and Other Actions’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, August – September 2009
• RATAJ, Pamela
  • Exhibition: ‘The Morphology of Forgetting’ at Anita Traverso Gallery, 7th April – 1st May 2010
• REDDIN, Jenny
  • Review: ‘Jenny Reddin: The Art of Catastrophe’ at Anita Traverso Gallery, Richmond, September 2012
• REID, Mike
  • Review: ‘Shrouds’ by Mike Reid at the Colour Factory Gallery, Fitzroy, Melbourne, March 2013
• ‘REINVENTING THE WHEEL: THE READYMADE CENTURY’
  • Essay/Exhibition: ‘Reinventing the Wheel: the Readymade Century’ at the Monash University Museum of Art (MUMA), Melbourne, October – December 2013
• RENDALL, Steve
  • Exhibition: ‘Security, Storage and Recreation’ at John Buckley Gallery, 8th April – 1st May 2010
• ‘RENÉ MAGRITTE: THE REVEALING IMAGE, PHOTOS AND FILMS’
  • Review: ‘René Magritte: The Revealing Image, Photos and Films’ at the Latrobe Regional Art Gallery, Victoria, August – November 2017
• RESEARCH AT THE STATE LIBRARY OF VICTORIA
  • Research at the State Library of Victoria. Miserable research experience on the Charles Marville photographs at the State Library of Victoria, January 2014
• ‘RESONANCE’
  • Photographs: Marcus Bunyan. ‘Resonance’ 2021; OR the whole series on my website
• RESTORATION PROJECT
  • Restoration project October 2014
• ‘RICHARD AVEDON PEOPLE’
  • Review: ‘Richard Avedon People’ at The Ian Potter Museum of Art, Melbourne, December 2014 – March 2015
• RICHARDSON, Toby
  • Opening: ‘Little Treasures’ at Helen Gory Galerie, August 2009
• RIZKALLA, Alex
  • Review: ‘Apocrypha’ photographs with Julie Davis at Place Gallery, Richmond, June – July 2009
• ROEBUCK, Peter
  • Text by Peter Roebuck
• ROET, Lisa
  • Opening: ‘In-Sight’ at Karen Woodbury Gallery, Melbourne, June 2009
• ‘ROGER BALLEN’S THEATRE OF THE MIND’
  • Exhibition: ‘Roger Ballen’s Theatre of the Mind’ at SCA Galleries, Sydney College of the Arts, Sydney, March – May 2016
• ROSE STEREOGRAPH COMPANY
  • Stereographs: Rose Stereoscopic Views of Victorian Contingents leaving for the Boer War in South Africa, 1899-1900, October 2023
• ‘ROSEMARY LAING’
  • Review: ‘Rosemary Laing’ at TarraWarra Museum of Art, Healesville, Victoria, December 2017 – February 2018
• ROSS, Ewen
  • Review: ‘Warrina Portraits’ at Anita Traverso Gallery, Melbourne, July – August 2010
• ROSS, Joan
  • Exhibition: ‘Joan Ross: Touching Other Peopleʼs Shopping’ at Bett Gallery, Hobart, June 2013
• ROUND, Chris
  • Exhibition: ‘Chris Round / Inversion’ at Edmund Pearce Gallery, Melbourne, July 2014
• ROWLANDS, Robbie
  • Review: ‘Disintegration’ at Place Gallery, Melbourne, October – November 2008
• ‘RÜCKENFIGUR’
  • Exhibition: ‘Rückenfigur’ by David-Ashley Kerr at Dear Patti Smith ARI, Fitzroy, November 2011
• RUFFELS, Troy
  • Exhibition: ‘Troy Ruffels: Cinder’ at James Makin Gallery, Collingwood, Melbourne, June – July 2013
• RUMANN, Andrew
  • Photographs: ‘Gunner Andrew Rumann embarkation for Singapore, August 1941’ and other WW2 Australian photographs, October 2020
• ‘RUTH MADDISON: IT WAS THE BEST OF TIMES, IT WAS THE WORST OF TIMES’
  • Review: ‘Ruth Maddison: It was the best of times, it was the worst of times’ at the Centre for Contemporary Photography, Melbourne, February – April 2021

S

• SANSOM, Gareth
  • Opening: ‘Gareth Sansom’ at John Buckley Gallery, Melbourne, June 2009
• ‘SCOTT’S LAST EXPEDITION’
  • Review: ‘Scott’s Last Expedition’ at the Australian National Maritime Museum, Sydney, June – October 2011
    
• SCRASE,Carl
  • Review: ‘Symmetrical Spirit Guides and Fractal Alchemy’ at John Buckley Gallery, Melbourne, August – September 2009
• SENBERGS, Jan
  • Exhibition: ‘Jan Senbergs: Observation – Imagination’ at The Ian Potter Centre: NGV Australia, Melbourne, March – June 2016
• ‘SENTINELS’
  • Exhibition: ‘Sentinels’ by David Wood at Gasworks Arts Park, Albert Park, Melbourne, May – June 2013
• ‘SHEA KIRK: VANTAGES’
  • Exhibition: ‘Shea Kirk: Vantages’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
• SHMITH, Sam
  • Review: ‘In Spates’ by Sam Shmith at Arc One Gallery, Melbourne, March – April 2011
• ‘SHROUDS’
  • Review: ‘Shrouds’ by Mike Reid at the Colour Factory Gallery, Fitzroy, Melbourne, March 2013
• ‘SIMON HARSENT / MELT: PORTRAIT OF AN ICEBERG’
  • Review: ‘Simon Harsent / Melt: Portrait of an Iceberg’ at Edmund Pearce Gallery, Melbourne, February – March 2014
• ‘SIT. POSE. SNAP. BRISBANE PORTRAIT PHOTOGRAPHY 1850 – 1950’
  • Exhibition: ‘Sit. Pose. Snap. Brisbane Portrait Photography 1850 – 1950’ at the Museum of Brisbane, March – July 2017
• ‘SUDARIOS (SHROUDS)’
  • Catalogue essay: ‘Intimations of Mor(t)ality: Sudarios (Shrouds) by Erika Diettes’ by Dr Marcus Bunyan
  • Exhibition: ‘Sudarios (Shrouds)’ by Erika Diettes at the Mining Exchange, Ballarat International Foto Biennale, August – September 2013
• SLEETH, Matthew
  • Opening: ‘Long Distance Vision: Three Australian Photographers’ at The Ian Potter Centre, NGV Australia, Federation Square, Melbourne, August 2009
• SLOGGETT, Glenn
  • Review: ‘Why Take Pictures?’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
• SLUM PHOTOGRAPHY
  • Text/Photographs: “Communities dismantled,” on the Melbourne slum photographs of Frederick Oswald Barnett (Australian, 1883-1972), February 2024
• SMITH, Martin
  • Exhibition: ‘A Perfect Price For Donny’ at Ryan Renshaw Gallery, Brisbane, October – November 2011
  • Review: ‘How To Comfort Your Father’ at Sophie Gannon Gallery, Richmond, August – Sept 2010
  • Review: ‘My Jesus Lets Me Rub His Belly’ at Sophie Gannon Gallery, Richmond, April – May 2009
• SMITH, Peter James
  • Review: ‘reENLIGHTENMENT’ at Gallery 101, Melbourne, March – April 2009
• ‘SPOWERS & SYME’
  • Exhibition: ‘Spowers & Syme’ at the Geelong Art Gallery, Victoria July – October 2022
• SPOWERS, Ethel
  • Exhibition: ‘Spowers & Syme’ at the Geelong Art Gallery, Victoria July – October 2022
• STEPHENSON, David
  • Review: ‘Heavenly Vaults’ at John Buckley Gallery, Richmond, November 2009
• STACEY, Robyn
  • Exhibition: ‘Guest Relations’ by Robyn Stacey at Stills Gallery, Sydney, October – November 2013
  • Exhibition: ‘Robyn Stacey: Tall Tales and True’ at Stills Gallery, Paddington, Sydney , May – June 2011
• ‘STANDING STONE’
  • Review: ‘Standing Stone’ by Catherine Evans at BLINDSIDE, April – May 2014
• STATE LIBRARY OF NEW SOUTH WALES
  • Text: “Golden splendour: privilege, ceremony and racism in 1920s-1930s Australia” on the photo album ‘John “Jack” Riverstone Faviell (1892-1960), 1922-1933’ Part 2, January 2023 (4,670 words)
• STATE LIBRARY OF VICTORIA
  • Exhibition: ‘Bohemian Melbourne’ at the State Library of Victoria, Melbourne, December 2014 – February 2015
  • Review: ‘Victor Hugo: Les Misérables – From Page to Stage’ at the State Library of Victoria, Melbourne, July – November 2014
  • Marville research at the State Library of Victoria / Exhibition: ‘Charles Marville: Photographer of Paris’ at The Metropolitan Museum of Art, New York, January – May 2014
  • Research at the State Library of Victoria further update. February 2014
  • Research at the State Library of Victoria update. January 2014
  • Research at the State Library of Victoria. Research experience on the Charles Marville photographs at the State Library of Victoria, January 2014
• STEINER, Gerda
  • Review: ‘The Water Hole’ exhibition by Gerda Steiner and Jorg Lenzlinger at Australian Centre for Contemporary Art (ACCA), Melbourne, December 2008 – March 2009
• ‘STEPHEN DUPONT / THE WHITE SHEET SERIES NO. 1’
  • Review: ‘Stephen Dupont / The White Sheet Series No. 1’ at Edmund Pearce Gallery, Melbourne, April – May 2014
• STEPHENSON, David
  • Review: ‘Heavenly Vaults’ by David Stephenson at John Buckley Gallery, Richmond, November 2009
• STOKES, Pip
  • Review: ‘A Shrine for Orpheus’ at fortyfivedownstairs, Melbourne, May – June 2010
• ‘STORM IN A TEACUP’
  • Exhibition: ‘Storm in a Teacup’ at the Mornington Peninsula Regional Art Gallery, Mornington, July – September 2015
• ‘STORMY WEATHER: CONTEMPORARY LANDSCAPE PHOTOGRAPHY’
  • Review: ‘Stormy Weather: Contemporary Landscape Photography’ at NGV Australia, Melbourne, September 2010 – March 2011
    
• STOCKDALE, Jacqui
  • Exhibition: ‘Jacqui Stockdale: Ghost Hoovanah’ at This Is No Fantasy, Melbourne, June – July 2018
  • Text: ‘Orality, (n)framing and enactment in the art of Jacqui Stockdale’ in IANN magazine Vol.8, ‘Unfound in Australia’, October 2012 (published online January 2013)
  • Review: ‘Jacqui Stockdale: The Quiet Wild’ at Helen Gory Galerie, Melbourne, April – May 2012
• ‘STONES, VAULTS, FLOWERS: PÈRE LACHAISE’
  • Marcus Bunyan. Photographs: ‘Stones, Vaults, Flowers: Père Lachaise’ 2017-2020 or layout on the Marcus Bunyan website February 2020
• STRANGE, Ian
  • Review: ‘Ian Strange: SUBURBAN’ at NGV Studio Melbourne, July – September 2013
• STRIZIC, Mark
  • Review: ‘Mark Strizic: Melbourne – A City in Transition (Rare Silver Gelatin Photographs)’ at Gallery 101, Melbourne, April – May 2009
• ‘SUBTERRANEAN’
  • Exhibition: ‘Subterranean’ at Arts Project Australia, Northcote, March – April 2011
    
• ‘SUE FORD’
  • Review: ‘Sue Ford’ at The Ian Potter Centre: NGV Australia, Melbourne, April – August 2014
• ‘SUMMERS PAST’
  • Exhibition: ‘Summers Past: Golden Days in the Sun 1950-1970’ at The Victorian Archives Centre, North Melbourne, November 2011 – April 2012
• SWALLOW, Ricky
  • Exhibition: ‘Ricky Swallow: The Bricoleur’ at The Ian Potter Centre, NGV Australia, Melbourne, Oct 2009 – February 2010
  • Review: ‘Ricky Swallow: The Bricoleur’ at The Ian Potter Centre, NGV Australia, Melbourne, October 2009 – February 2010
• SYDNEY
  • Text: ‘Prospect/us, protect us: plague and resumption in fin de siècle Sydney’ on John Degotardi Jr.’s The Plague Albums, Sydney, 1900, June 2020
• SYER, Arthur K.
  • Exhibition: ‘Crowd Source’ at the State Library of New South Wales, Sydney, April – August 2015
• SYME, Eveline
  • Exhibition: ‘Spowers & Syme’ at the Geelong Art Gallery, Victoria July – October 2022
• SZILAGYI, Sophia
  • Exhibition: ‘Sophia Szilagyi: water studies’ at Beaver Galleries, Canberra, May – June 2013

T

• TALBOT, Henry
  • Review: ‘Henry Talbot: 1960s Fashion Photographer’ at The Ian Potter Centre: NGV Australia, Melbourne, May – August 2016
• ‘TALL TALES AND TRUE’
  • Exhibition: ‘Robyn Stacey: Tall Tales and True’ at Stills Gallery, Paddington, Sydney , May – June 2011
    
• ‘TANGENT’
  • Review: ‘Tangent’ by Michael Corridore at Edmund Pearce Gallery, Melbourne, September – October 2013
• TAYLOR, C. J.
  • Opening: ‘Little Treasures’ at Helen Gory Galerie, August 2009
• ‘TERRACOTTA WARRIORS: GUARDIANS OF IMMORTALITY’
  • Exhibition: ‘Terracotta Warriors: Guardians of Immortality’ at the National Gallery of Victoria, Melbourne, May – October 2019
• ‘TERRARIA’
  • Review: ‘Terraria’ by Darron Davies at Edmund Pearce Gallery, Melbourne, January – February 2013
• TERSTAPPEN, Claudia
  • Review: ‘Claudia Terstappen: In The Shadow Of Change’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, November 2013 – January 2014
• ‘THE BASEMENT: PHOTOGRAPHY FROM PRAHRAN COLLEGE (1968-1981)’
  • Text/Exhibition: “Nurture: A world of creativity and transformation,” on the exhibition ‘The basement: photography from Prahran College (1968-1981)’ at the Museum of Australian Photography, Wheelers Hill, Melbourne, March – May, 2025
• ‘THE DREAMKEEPERS’
  • Exhibition: ‘Polixeni Papapetrou: The Dreamkeepers’ at Stills Gallery, Sydney, March – May 2012
• ‘THE ENEMY AT HOME’
  • Exhibition: ‘The Enemy at Home: German internees in World War I Australia’ at The Museum of Sydney, May – September 2011
    
• ‘THE GREATEST WONDER IN THE WORLD’
  • Exhibition: ‘The Greatest Wonder of the World’ at the State Library of New South Wales, Sydney, February – May 2013
• ‘THE GREATS: MASTERPIECES FROM THE NATIONAL GALLERIES OF SCOTLAND’
  • Exhibition: ‘The Greats: masterpieces from the National Galleries of Scotland’ at the Art Gallery of New South Wales (AGNSW), Sydney Part 2, October 2015 – February 2016
  • Exhibition: ‘The Greats: Masterpieces from the National Galleries of Scotland’ at the Art Gallery of New South Wales (AGNSW), Sydney Part 1, October 2015 – February 2016
• THE IAN POTTER MUSEUM OF ART
  • Review: ‘Clement Meadmore: The art of mid-century design’ at the Ian Potter Museum of Art, Melbourne, November 2018 – March 2019
  • Review: ‘All the better to see you with: Fairy tales transformed’ at The Ian Potter Museum of Art, Melbourne, January – March 2018
  • Review: ‘Max and Olive: The photographic life of Olive Cotton and Max Dupain’ at The Ian Potter Museum of Art, Melbourne, May – July 2016
  • Review: ‘Luminous World: Contemporary Art from the Wesfarmers Collection’ at The Ian Potter Museum of Art, Melbourne, March – July 2015
  • Exhibition: ‘Nature/Revelation’ at The Ian Potter Museum of Art, Melbourne, March – July 2015
  • Review: ‘Richard Avedon People’ at The Ian Potter Museum of Art, Melbourne, December 2014 – March 2015
  • Exhibition/text: ‘Everyday imagining: new perspectives on Outsider art’ at The Ian Potter Museum of Art, Melbourne, October 2014 – January 2015
  • Review: ‘Ricky Maynard: Portrait of a Distant Land’ at The Ian Potter Museum of Art, Melbourne, May – August 2011
  • Review: ‘Framing Conflict – Iraq and Afghanistan’ with Charles Green at The Ian Potter Museum of Art, The University of Melbourne, November –  February 2009
• ‘THE LOST DIGGERS’
  • ‘The Lost Diggers’ France 1916-1918
    
• ‘THE LUMEN SEED’
  • Book review: ‘The Lumen Seed’ by Judith Crispin (2016) January 2018
• THE MUSEUM OF OLD AND NEW ART
  • The Museum of Old and New Art (MONA), Hobart
    
• ‘THE NAVIGATORS’
  • Exhibition: ‘The Navigators’ at Karen Woodbury Gallery, Melbourne, May 2010
• ‘THE NIGHT JOURNEY’
  • Photographs: Marcus Bunyan. ‘The Night Journey’ 2019; or the layout of the whole series on my website
• ‘THE PAPER’
  • Review ‘The Paper’ by Rosemary Laing at Tolarno Galleries, Melbourne, April – May 2014
• ‘THE PHOTOGRAPH AND AUSTRALIA’
  • Exhibition: ‘The photograph and Australia’ at the Art Gallery of New South Wales, Sydney, March – June 2015
• THE PHOTOGRAPHERS’ GALLERY AND WORKSHOP, MELBOURNE
  • Vale Ian Lobb (1948-2023), photographer “The luminosity of Ian Lobb” December 2023
  • Vale William Heimerman (1950-2017) October 2017
  • Vale Dr John Cato February 2011
• ‘THE PRINTS OF MARTIN LEWIS’
  • Exhibition: ‘The Prints of Martin Lewis: From the Collection of Dr. Dorrance Kelly’ at the Bruce Museum, Greenwich, CT, October 2011 – February 2012
• ‘THE QUIET WILD’
  • Review: ‘Jacqui Stockdale: The Quiet Wild’ at Helen Gory Galerie, Melbourne, April – May 2012
• ‘THE RENNIE ELLIS SHOW’
  • Review: ‘The Rennie Ellis Show’ at Monash Gallery of Art, Wheeler Hill, Melbourne, April – June 2014
• ‘THE ROAD: PHOTOGRAPHERS ON THE MOVE 1970-1975’
  • Review: ‘The road: Photographers on the move 1970-1975’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, June – August 2014
• ‘THE SCULPTURE OF BRONWYN OLIVER’
  • Review: ‘The sculpture of Bronwyn Oliver’ at TarraWarra Museum of Art, Healesville, Victoria, November 2016 – February 2017
• ‘THE SHADOW TAKES ANOTHER FORM’
  • Photographs: Marcus Bunyan. ‘The shadow takes another form’ 2024-2025; OR the full series on my website
• ‘THE SHAPE OF DREAMS’
  • Photographs: Marcus Bunyan. ‘The Shape of Dreams’ 2013-2017; OR the full series on my website
  • Photographs: Marcus Bunyan. ‘The Shape of Dreams’ 2009; OR the full series on my website
• ‘THE SIEVERS PROJECT’
  • Exhibition: ‘The Sievers Project’ at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, June – August 2014
• ‘THE STAGED PHOTOGRAPH’
  • Exhibition: ‘The Staged Photograph’ at the Chau Chak Wing Museum at The University of Sydney, April 2023 – August 2024
• ‘THE SUN DOES NOT MOVE’
  • Photographs: Marcus Bunyan. ‘The sun does not move’ 2017-2022; OR the full series on my website
• ‘THE SYMBOLIC ORDER (CARTES DE VISITE)’
  • Photographs: Marcus Bunyan. ‘The Symbolic Order (cartes de visite)’ 2011; OR the full series on my website
• ‘THE TRAVELLERS’
  • Exhibition: ‘Darron Davies: The Travellers’ at the Centre for Theology and Ministry, Melbourne, April – May 2016
• ‘THE UNFLINCHING GAZE: PHOTO MEDIA AND THE MALE FIGURE’
  • Text / Exhibition: ‘The Unflinching Gaze: photo media and the male figure’ at the Bathurst Regional Art Gallery, New South Wales, October – December 2017
• ‘THE VIEW FROM HERE: THE PHOTOGRAPHIC WORLD OF ALFRED ELLIOTT 1890-1940’
  • Exhibition: ‘The view from here: The photographic world of Alfred Elliott 1890-1940’ at the Museum of Brisbane, February – August 2015
• ‘THE WATER HOLE’
  • Review: ‘The Water Hole’ exhibition by Gerda Steiner and Jorg Lenzlinger at Australian Centre for Contemporary Art (ACCA), Melbourne, December 2008 – March 2009
• ‘THE WHITE SHEET SERIES NO. 1’
  • Review: ‘Stephen Dupont / The White Sheet Series No. 1’ at Edmund Pearce Gallery, Melbourne, April – May 2014
• ‘THE WORLD IS BEAUTIFUL: PHOTOGRAPHS FROM THE COLLECTION’
  • Exhibition: ‘The world is beautiful: photographs from the collection’ at the National Gallery of Australia, Canberra, December 2015 – April 2016
• ‘THERE BUT FOR THE GRACE OF YOU GO I’
  • Photographs: Marcus Bunyan. ‘There But For The Grace of You Go I’ 2009; OR the see the full series on my website
• THEVENAU, Carine
  • Exhibition: ‘Carine Thevenau: Return To Huldra’s Wood’ at Edmund Pearce Gallery, Melbourne, February – March 2012
• THOMAS, David
  • Opening: ‘Colour, Time’ at Nellie Castan Gallery, Melbourne, April 2009
• ‘THOMAS DEMAND’
  • Exhibition: ‘Thomas Demand’ at the National Gallery of Victoria, Melbourne, November 2012 – March 2013
  • Exhibition: ‘Thomas Demand’ at the National Gallery of Victoria International, Melbourne, November 2012 (installation photographs)
• THOMPSON, Christian
  • Review: ‘Christian Thompson: Ritual Intimacy’ at Monash University Museum of Art (MUMA), Melbourne, April – July 2017
• THORNTON, Warwick
  • Review: ‘Samson and Delilah’ Australian film
• ‘THROUGH THE LOOKING GLASS DIMLY’
  • Preview: ‘Night’s Ocean Shore’ from ‘Through the Looking Glass Dimly’ at The Old Ambulance Depot, Edinburgh Art Festival, August 2012
• TICHACEK, Monica
  • Exhibition: ‘Monika Tichacek, To all my relations’ at Karen Woodbury Gallery, Richmond, May 2011
    
• ‘TIMELINES: PHOTOGRAPHY AND TIME’
  • Exhibition: ‘Timelines: Photography and Time’ at the National Gallery of Victoria, Melbourne, May – October 2010
• ‘TIME MACHINE: SUE FORD’
  • Review: ‘Time Machine: Sue Ford’ at Monash Gallery of Art, Wheelers Hill, Victoria, April – June 2011
• ‘TIM HETHERINGTON/DOUG RICKARD’
  • Exhibition: ‘Tim Hetherington / Doug Rickard’ at Stills Gallery, Sydney, May – June 2013
• ‘TOM GOLDNER: PASSAGE’
  • Exhibition: ‘Tom Goldner: Passage’ at The Fox Darkroom & Gallery, Kensington, Melbourne, May 2017
• ‘TOO MUCH OF THE AIR’
  • Photographs: Marcus Bunyan. ‘Too Much of the Air’ 2015; OR the layout of the full series on my website
• ‘TOURIST’ SERIES BY NICOLA LODER
  • Review: ‘Tourist #5: Disappearing Project 1-41’ at Helen Gory Galerie, Prahran, Melbourne, March – April 2012
  • Opening: ‘Tourist #3: sighted child 1-11’ at Helen Gory Galerie, Melbourne, April – May 2009
• ‘TRANSIT’
  • Artwork and text: ‘Transit’ series by Katrin Koenning
• ‘TRANSMISSIONS: ARCHIVING HIV/AIDS – MELBOURNE 1979 – 2014’
  • Exhibition: ‘Transmissions: Archiving HIV/AIDS – Melbourne 1979 – 2014’ at George Paton Gallery, The University of Melbourne, July 2014
• ‘TRAVEL IDEAL: ENGAGING WITH SPACES OF MOBILITY’
  • International conference: ‘Travel Ideals: Engaging with spaces of mobility’ at the University of Melbourne, July 2012
• ‘TRAVERSE’
  • Opening: ‘Traverse’ by Kim Percy at Stockroom, Kyneton, March – April 2012
• TRAYNOR, Brian
  • Photographs: Mother Boats C.P. (Brian Traynor). ‘Los Angeles Pride Parade’ June 1970, October 2016
• ‘TRENT PARKE: THE CAMERA IS GOD’
  • Review: ‘Trent Parke: The camera is god’ at the Monash Gallery of Art, Melbourne, November 2015 – February 2016
• ‘TRIESTEMENT (MORE-IS U THRILL-O)’
  • Review: ‘triestement (more-is u thrill-o)’ by Domenico De Clario at John Buckley Gallery, Melbourne, April – May 2009
• ‘TROY RUFFELS: CINDER’
  • Exhibition: ‘Troy Ruffels: Cinder’ at James Makin Gallery, Collingwood, Melbourne, June – July 2013
• TUCKER, Albert
  • Exhibition: ‘Albert Tucker: Images of Modern Evil’ at Heide Museum of Modern Art, March – June 2011
• ‘TURNING POINTS: CONTEMPORARY PHOTOGRAPHY FROM CHINA’
  • Review: “Writing the body politic / broken” on ‘Turning Points: Contemporary Photography from China’ at the National Gallery of Victoria, Melbourne, June 2019 – January 2020
• TYSSEN, Ingeborg
  • Review: ‘Ingeborg Tyssen: photographs’ at Monash Gallery of Art, Melbourne, November 2012 – February 2013

U

• ‘UNDER THE SUN: REIMAGINING MAX DUPAIN’S SUNBAKER’
  • Review: ‘Under the sun: Reimagining Max Dupain’s Sunbaker’ at the Monash Gallery of Art, Melbourne, May – August 2017
• ‘UNDER WESTERN EYES’
  • Review: ‘Hoda Afshar / Under Western Eyes’ at Edmund Pearce Gallery, Melbourne, April – May 2014
• ‘UNEXPECTED PLEASURES: THE ART AND DESIGN OF CONTEMPORARY JEWELLERY’
  • Exhibition: ‘Unexpected Pleasures: The Art and Design of Contemporary Jewellery’ at the National Gallery of Victoria, Melbourne, April – August 2012
• UNKNOWN PHOTOGRAPHERS
  • Photographs and text: ‘Quandong, New South Wales, Australia 1887’, July 2015
• ‘UP CLOSE’
  • Review: ‘Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William Yang’ at Heide Museum of Modern Art, July – October 2010
• ‘UPSIDE, DOWN’
  • Photographs. Marcus Bunyan. ‘upside, down’ 2013; OR the full series on my website
• ‘UTOPIA’
  • Video: ‘Utopia’ by John Pilger (2013)

V

• VALE DR JOHN CATO (1926-2011)
  • Vale Dr John Cato February 2011
• VALE IAN LOBB (1948-2023), PHOTOGRAPHER
  • Vale Ian Lobb (1948-2023), photographer “The luminosity of Ian Lobb” December 2023
• VALE POLIXENI PAPAPETROU (1960-2018)
  • Vale Polixeni Papapetrou (1960-2018) April 2018
• VALE WILLIAM HEIMERMAN (1950-2017)
  • Vale William Heimerman (1950-2017) October 2017
• ‘VALERIO CICCONE: PERIPHERAL OBSERVER’
  • Review: ‘Valerio Ciccone: Peripheral Observer’ at Arts Project Australia, Melbourne, September – October 2012
• ‘VERTICAL’
  • Photographs: Marcus Bunyan. ‘Vertical’ 2011; OR the whole series on my website
• ‘VESTIGE II’
  • Review: ‘Vestige II’ by Melissa Powell at Anita Traverso Gallery, Richmond, February 2013
• ‘VICTOR HUGO: LES MISÉRABLES – FROM PAGE TO STAGE’
  • Review: ‘Victor Hugo: Les Misérables – From Page to Stage’ at the State Library of Victoria, Melbourne, July – November 2014
• ‘VIEW FROM THE WINDOW’
  • Exhibition: ‘View from the Window’ at Edmund Pearce Gallery, Melbourne, July 2014
• VIOLA, Bill
  • Review: ‘Ocean Without A Shore’ video installation by Bill Viola at The National Gallery of Victoria, Melbourne, February 2009
• ‘VISIONS OF INDIA: FROM THE COLONIAL TO THE CONTEMPORARY’
  • Review: ‘Visions of India: from the colonial to the contemporary’ at the Monash Gallery of Art, Wheelers Hill, Melbourne, December 2021 – March 2022
• ‘VITAL SIGNS – INTERPRETING THE ARCHIVE’
  • Exhibition preview: ‘Vital Signs – Interpreting the Archive’ at Blindside, Melbourne, July 2014
• von STURMER, Daniel
  • Review: 
’After Images’ by Daniel von Sturmer at the Centre for Contemporary Photography (CCP), Fitzroy, Melbourne, May – July 2013

W

• WADELTON, David
  • Review: ‘Why Take Pictures?’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
• WALL, Jeff
  • Review: ‘Jeff Wall Photographs’ at The Ian Potter Centre: NGV Australia, National Gallery of Victoria, Melbourne, November 2012 – March 2013
  • Exhibition: ‘Jeff Wall Photographs’ at The Ian Potter Centre: National Gallery of Victoria Australia, Melbourne, November 2012 – March 2013 (installation photographs)
• WALLER, Christian
  • Exhibition: ‘Daughters Of The Sun: Christian Waller & Klytie Pate’ at Bendigo Art Gallery, Australia, November 2018 – February 2019
• ‘WANDERINGS ABOUT HISTORY. THE PHOTOGRAPHY OF ULRICH WÜST’
  • Review: ‘Wanderings About History. The Photography of Ulrich Wüst’ at the RMIT Gallery, Melbourne, March – April 2024
• WAR PHOTOGRAPHY
  • Stereographs: Rose Stereoscopic Views of Victorian Contingents leaving for the Boer War in South Africa, 1899-1900, October 2023
  • Text/Photographs: “Familiar yet strange: Frank Hurley’s First World War photographs” on Frank Hurley – Soldiers of the Australian Imperial Force (AIF) on the Western Front during the First World War, mid-1917 – September 1918, July 2022
  • Photographs: ‘Gunner Andrew Rumann embarkation for Singapore, August 1941’ and other WW2 Australian photographs, October 2020
  • Review: ‘Framing Conflict – Iraq and Afghanistan’ with Charles Green at The Ian Potter Museum of Art, The University of Melbourne, November –  February 2009
• ‘WATER STUDIES’
  • Exhibition: ‘Sophia Szilagyi: water studies’ at Beaver Galleries, Canberra, May – June 2013
• ‘WE ARE ALL FLESH’
  • Review: ‘Berlinde De Bruyckere: We are all Flesh’ at the Australian Centre for Contemporary Art (ACCA), Melbourne, June – July 2012
• WEI, Guan
  • Review: ‘Cloud’ at Arc One Gallery, Melbourne, June 2010
• ‘WHAT MAKES A GREAT PHOTOGRAPH?’
  • Video: ‘Marcus Bunyan – what makes a great photograph?’ at the Centre for Contemporary Photography, Melbourne, December 2012, online March 2013
• ‘WHAT REMAINS’
  • Exhibition: ‘What Remains’ by Greg Elms at Edmund Pearce Gallery, Melbourne, November 2013
• ‘WHAT’S IN A FACE? ASPECTS OF PORTRAIT PHOTOGRAPHY’
  • Exhibition: ‘What’s in a face? aspects of portrait photography’ at the Art Gallery of New South Wales, Sydney, September 2011 – February 2012
• WHITE, Fredrick
  • Winner of the 2013 Montalto Sculpture Prize: ‘Abundance’
  • Sculpture: ‘Everything’ 2011
  • Sculpture: ‘Before the after’ 2010
  • Review: ‘Lifespan’ 2010
  • Sculpture: ‘Drawing Water’ 2010
• ‘WHO ARE YOU: AUSTRALIAN PORTRAITURE’
  • Review: “The Black and White Show,” on the exhibition WHO ARE YOU: Australian Portraiture at NGV Australia, Federation Square, Melbourne, March – August 2022
• ‘WHY TAKE PICTURES?’
  • Review: ‘Why Take Pictures?’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
• ‘WILDCARDS: BILL HENSON SHUFFLES THE DECK’
  • Review: ‘Wildcards: Bill Henson shuffles the deck’ at Monash Gallery of Art, Wheelers Hill, Melbourne, February – March 2014
• ‘WILLIAM BLACKWOOD: PANORAMA OF SYDNEY & HARBOUR FROM GOVERNMENT HOUSE’
  • William Blackwood: ‘Panorama of Sydney & Harbour from Government House’ 1858
• ‘WILLIAM EGGLESTON PORTRAITS’
  • Exhibition: ‘William Eggleston Portraits’ at the National Gallery of Victoria, Melbourne, March – June 2017
• ‘WILLIAM YANG: SEEING AND BEING SEEN’
  • Review: ‘William Yang: Seeing and Being Seen’ at the Queensland Art Gallery | Gallery of Modern Art (GOMA), Brisbane, March – August 2021
• WILLIAMS, John
  • Review: ‘My last 60 years on the streets: John Williams Retrospective (1933 – 2016)’ at Magnet Galleries, Melbourne, June – July 2018
• WILSON, Steve
  • Opening: ‘Little Treasures’ at Helen Gory Galerie, August 2009
• WITER, Oleh
  • Opening: Paintings at Space 39 Gallery, Melbourne, November 2008
• WOLSELEY, John
  • Exhibition: ‘John Wolseley – Heartlands and Headwaters’ at The Ian Potter Centre: NGV Australia, Melbourne, April – August 2015
• WOMEN
  • Photographs: ‘Women’ 1960s British / Australian 35mm colour slides Part 2
  • Photographs: ‘Women’ 1960s Australian 35mm colour slides Part 1
• WOOD, David
  • Exhibition: ‘Sentinels’ by David Wood at Gasworks Arts Park, Albert Park, Melbourne, May – June 2013
• ‘WORRY FOR THE FRUIT THE BIRDS WON’T EAT’
  • Exhibition: ‘Sophie Gabrielle: Worry For The Fruit The Birds Won’t Eat’ at the Centre for Contemporary Photography, Fitzroy, Melbourne, June – August 2019
• WRIGHT, Judith
  • Review: ‘Desire’ at Sophie Gannon Gallery, Melbourne, May – June 2009
• WÜST, Ulrich
  • Review: ‘Wanderings About History. The Photography of Ulrich Wüst’ at the RMIT Gallery, Melbourne, March – April 2024

X

• ‘XTRAVAGANZA. STAGING LEIGH BOWERY’
  • Exhibition: ‘XTRAVAGANZA. Staging Leigh Bowery’  at Kunsthalle Wien, Vienna, October 2012 – February 2013

Y

• YANG, William
  • Review: ‘William Yang: Seeing and Being Seen’ at the Queensland Art Gallery | Gallery of Modern Art (GOMA), Brisbane, March – August 2021
• YOUNG, John
  • Review: ‘Safety Zone’ at Anna Schwartz Gallery, Melbourne, April – May 2010

Z

• ZAHALKA, Anne
  • Review: ‘The Way Things Appear’ at Arc One Gallery, Melbourne, June – July 2010