Exhibition dates: 5th June – 16th August, 2025
Curated by Catlin Langford with Christopher Sutherland and Jessie Norman (Metro Auto Photo)
Installation view of the exhibition Auto-Photo: A Life in Portraits at RMIT Gallery, Melbourne, June – August, 2025
Photo: Marcus Bunyan
Dream Maker
This is one of the most joyous photography exhibitions that I have seen in a very long time.
The exhibition “introduces us to Alan Adler (2932-2024), who while little known, was the oldest and longest serving photobooth technician in the world… For over 50 years, Adler maintained a fleet of photobooths across Melbourne / Narrm, most notably the site at Flinders Street Station.”
Through the strip self-portraits Adler took while servicing and then testing the photobooths that he operated in Melbourne, Australia we become immersed in an archive of his world, the exhibition becoming a joyous ode to a man who devoted his life to photography (not in the traditional sense): in turns humorous and historical, a travelogue, his travelogue, through time and space.
We see Adler growing older and ageing; we see historic events such as the COVID pandemic with him wearing a mask; we see him travelling the world to picture other photobooths in situ; we see him goofing and performing for the camera; and we see the people he met along the way. I particularly like the photograph of Adler having his photo taken on the “Photo Ride: Take “5” with Chuckie” where he imitates the smile of his fellow traveller (see below)
The exhibition is also historical – there is a short section on the history of the photobooth – contemporary – there are contemporary works by Australian artists who use the photobooth as the basis for their art – and lost and found – where “lost” photobooth strips that Adler diligently collected in the hope of one day reuniting them with their owner are displayed.
There is an absolutely wonderful video by Christopher Sutherland titled Alan (extract below) which gives you good insight into the man. He seems part magician, keeping those old photobooths going, and part artist – Adler’s workshop reminding me so much of the basement of the American artist Joseph Cornell (1903-1972, see photo below) where he used to keep all the treasures he scavenged from around New York that he used to make his magical boxes. Adler’s photobooths were his magical boxes kept going by his bits and pieces, booths of happiness and memories, tales of a life in portraits.
In this exhibition the spirit of this man shines through in gloriously irreverent black and white and colour self-portraits, and fun, adventurous photographs from overseas. One of the best pure photography exhibitions I have seen this year.
What a life, well honoured.
Dr Marcus Bunyan
Please click on the photographs for a larger version of the image. All installation photographs © Marcus Bunyan
Entrance
Installation view of the exhibition Auto-Photo: A Life in Portraits at RMIT Gallery, Melbourne, June – August, 2025
Photos: Marcus Bunyan
Gallery 1
Christopher Sutherland (Australian)
Alan (extract)
2025-ongoing
Digital film
This is part of an ongoing film project by Christopher Sutherland on Alan Adler, which began in 2018 when they first met.
Cornell’s basement studio, 3708 Utopia Parkway, Flushing, New York, 1964
Collection Duff Murphy and Janice Miyahira
© Terry Schutté
Installation views of the exhibition Auto-Photo: A Life in Portraits at RMIT Gallery, Melbourne, June – August, 2025
Photos: Marcus Bunyan
Gallery 2
Installation views of the exhibition Auto-Photo: A Life in Portraits at RMIT Gallery, Melbourne, June – August, 2025
Photos: Marcus Bunyan
Auto-Photo: A Life in Portraits introduces us to Alan Adler (1932-2024), who while little known, was the oldest and longest serving photobooth technician in the world.
For over 50 years, Adler maintained a fleet of photobooths across Melbourne / Narrm, most notably the site at Flinders Street Station. As part of his weekly service, he would take a strip of test shots, now forming an extraordinary visual archive of over a thousand self-portraits.
Adler’s story shows a fascinating dedication to repetitious image making and is supported by the artworks of Melbourne creatives who have passionately used his photobooths.
Marking 100 years of the photobooth, Auto-Photo is one of many worldwide events that celebrate the centenary and reflect on the significance of this analogue machine.
Auto-Photo: A Life in Portraits features Adler’s extensive archive, alongside additional exhibits and works of art from the collections of Katherine Griffiths, Mark Holsworth, Kyle Archie Knight, Ruth O’Leary, Nicky Makin, Jesse Marlow, Brian Meacham, Metro Auto Photo, Patrick Pound and Joshua Smith.
Auto-Photo: A Life in Portraits is a Centre for Contemporary Photography (CCP) exhibition, presented in partnership with RMIT Culture.
Text from the RMIT Gallery website
Gallery 3
A Selected Visual History (in vitrine)
Photobooth portraits with the same background (c. 1930-1950) (in vitrine)
Julie Mac Photobooth Portraits 1970s (in vitrine)
Mark S. Holsworthy Photo Booth – readymade in 3 minutes 1984-continuing (in vitrine)
Installation views of the exhibition Auto-Photo: A Life in Portraits at RMIT Gallery, Melbourne, June – August, 2025
Photos: Marcus Bunyan
Gallery 4
Joshua Smith Flinders Street Photobooth 2019
Installation views of the exhibition Auto-Photo: A Life in Portraits at RMIT Gallery, Melbourne, June – August, 2025
Photos: Marcus Bunyan
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