27
Feb
11

Exhibition: ‘Painting on paper – Josef Albers in America’ at Pinakothek der Moderne, Munich

Exhibition dates: 16th December 2010 – 6th March 2011

 

Josef Albers. 'Study for a Adobe' c. 1947

 

Josef Albers (German, 1888-1976)
Study for a Adobe
c. 1947
Oil and graphite on blotting paper
24.1 × 30.5 cm
The Josef Albers Museum Quadrat Bottrop
© 2010 The Josef and Anni Albers Foundation/VG Bildkunst, Bonn/Artists Rights Society, New York

 

 

I really like the work of Josef Albers and these paintings on paper, studies for later work, give insight into that rare quality of Albers – his ability to mould, no that’s not the right word – his ability to accrete colours and spaces together, to build tectonic plates of colour that collide and burst against each other forming an “osmosis of plane and space.” These harmonic oscillations of vibrant colour form a pleasing equilibrium in the mind, freeing the viewer from conceptual thought and allowing us to enter a different state of being. It is fascinating to me that he painted these studies on blotting paper as the paper seems to soak up the colours, intensifying their existence.

Marcus

.
Many thankx to Pinakothek der Moderne for allowing me to publish the photographs of the art in the posting. Please click on the photographs for a larger version of the image.

 

 

Josef Albers. 'Color Study for a Variant / Adobe' Nd

 

Josef Albers (German, 1888-1976)
Color Study for a Variant / Adobe
Nd
Oil on blotting paper
48.2 × 60.9 cm
The Josef and Anni Albers Foundation
© 2010 The Josef and Anni Albers Foundation/VG Bildkunst, Bonn/Artists Rights Society, New York

 

Josef Albers. 'Study for a Variant / Adobe (I)' c. 1947

 

Josef Albers (German, 1888-1976)
Study for a Variant / Adobe (I)
c. 1947
Oil on blotting paper with pencil
24.1 × 30.6 cm
The Josef and Anni Albers Foundation
© 2010 The Josef and Anni Albers Foundation/VG Bildkunst, Bonn/Artists Rights Society, New York

 

 

The exhibition is the first to show such a concentration of paintings on paper by Josef Albers, some of which will be completely unknown to the general public. Works in oil on paper, painted by the artist since the 1940s in preparation for the Adobe and Variant series in particular, are presented together with a large group related to his principal work “Homage to the Square” from the artist’s late period, that he focused on from 1950 until his death in 1976.

Josef Albers was only able to fully develop into an important artist and influential teacher after emigrating to the USA. From around 1940 onwards, Albers was inspired by Mexico’s pre-Columbian architecture, sculpture and textile art that boosted his sense for the aesthetic and led to idiosyncratic, radiant colour compositions, the likes of which had never been seen at that time in European modern art. Around 1950, Albers discovered what was for him the ideal formal shape of colour – the square.

The works exhibited surprise the viewer with their spontaneity, their search for immediacy and the extraordinary delicacy of their colours. Albers studied the interaction of colours like virtually no other. Through his works on paper in particular it can be seen in detail how the artist achieved such a thorough osmosis of plane and space through increasing the density of the colours used.

Text from the Pinakothek der Moderne website

 

Josef Albers. 'Color Study for Homage to the Square' Nd

 

Josef Albers (German, 1888-1976)
Color Study for Homage to the Square
Nd
Oil and graphite on blotting paper with varnish
30.5 × 30.5 cm
The Josef Albers Museum Quadrat Bottrop
© 2010 The Josef and Anni Albers Foundation/VG Bildkunst, Bonn/Artists Rights Society, New York

 

Josef Albers. 'Color Study for Homage to the Square' Nd

 

Josef Albers (German, 1888-1976)
Color Study for Homage to the Square
Nd
Oil on blotting paper
33.2 × 30.9 cm
The Josef and Anni Albers Foundation
© 2010 The Josef and Anni Albers Foundation/VG Bildkunst, Bonn/Artists Rights Society, New York

 

Josef Albers. 'Color Study for Homage to the Square' Nd

 

Josef Albers (German, 1888-1976)
Color Study for Homage to the Square
Nd
Oil on blotting paper with varnish
33.6 × 30.4 cm
The Josef and Anni Albers Foundation
© 2010 The Josef and Anni Albers Foundation/VG Bildkunst, Bonn/Artists Rights Society, New York

 

 

Pinakothek Der Moderne
Barer Strasse 40
Munich

Gallery hours:
Daily except Monday 10am – 6pm
Thursday 10am – 8pm

Pinakothek der Moderne website

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His art work explores the boundaries of identity and place. He writes Art Blart, a photographic archive and form of cultural memory, which posts mainly photography exhibitions from around the world. He holds a Dr of Philosophy from RMIT University, Melbourne, a Master of Arts (Fine Art Photography) from RMIT University, and a Master of Art Curatorship from the University of Melbourne.

Marcus Bunyan black and white archive: ‘Sleep/Wound’ 1995-96


Marcus Bunyan black and white archive: 'Sleep/Wound' 1995-96 *PLEASE NOTE THIS POSTING CONTAINS PHOTOGRAPHS OF MALE NUDITY - IF YOU DO NOT LIKE PLEASE DO NOT LOOK, FAIR WARNING HAS BEEN GIVEN*

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