Posts Tagged ‘Judy Dater Imogen Cunningham and Twinka Thiebaud

17
Jan
13

Exhibition: ‘Imogen Cunningham’ at Fundación Mapfre, Madrid

Exhibition dates: 18th September 18 2012 – 20th January 2013

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This is the first posting on one of my favourite photographers of all time: Imogen Cunningham. The sensuality of this artist, from the early Pictorialist studies (including her ground breaking depiction of the male nude, her husband artist Roi Partridge) to the later Modernist nudes, portraits, industrial landscapes and botanical photographs is of the highest order. Cunningham reminds me of a photographic version of Georgia O’Keeffe without the undoubted darkness that inhabits some of O’Keeffe’s work.

The portrait of Frida Kahlo Rivera (1931, below) is a magnificent study of a proud woman with delicate use of natural light framing the face and gently clasped hands. Note the textures within the photograph – the dress, the shawl, the wicker chair and the wall – and also notice the reflective light falling behind the sitter upper left to balance the frontal light coming from bottom right. Masterful. Cunningham’s famous Two Callas (1929, below) is an glorious study of form, light and texture, a sensual symphony for the eyes, the background a kind of mutable black that allows the viewer’s gaze to be immersed in the subject. The viewer’s voyeuristic gaze is further engaged by the voluptuous suggestiveness of the copious hair and out of focus breast of Phoenix Recumbent (1968, below) where, “the object of the gaze is not aware of the current viewer (though they may originally have been aware of being filmed, photographed, painted etc. and may sometimes have been aware that strangers could subsequently gaze at their image).” “Notes on ‘The Gaze'” Daniel Chandler

Finally, the photograph of Imogen Cunningham and Twinka Thiebaud by Judy Dater (1974, below) seems to me to capture the spirit of the human being Imogen Cunningham with indelible grace. Youth, beauty, age, wisdom. A constantly inquisitive mind, wanting to know, wanting to see things more clearly, taking photographs right up until her final years. There she is with her twin-lens Rollei dressed as if from another century, the quizzical nature of her left hand and the look that passes between Imogen and Twinka, the space between them seeming to shimmer with possibility. That space seems to wash away the years of Imogen’s life to when she was young, lying naked near some trees (Self-Portrait (1906, below). It is a truly memorable image. In the sensitivity of this image, Dater embodies everything that I admire in Cunningham’s work: light, texture, sensitivity to subject, an understanding of beauty and an irrepressible, joyous sensuality. A fitting tribute to one of the world’s great photographers.

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Many thankx to the Fundación Mapfre, Madrid for allowing me to publish the photographs in the posting. Please click on the photographs for a a larger version of the image.

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Imogen Cunningham exhibition poster
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Imogen Cunningham exhibition poster

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Imogen Cunningham. 'Self-Portrait' 1906

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Imogen Cunningham
Self-Portrait
1906
Platinum print
©The Imogen Cunningham Trust, 2012

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Imogen Cunningham.  'Magnolia Blossom' 1925

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Imogen Cunningham
Magnolia Blossom
1925
Gelatin silver print
©The Imogen Cunningham Trust, 2012

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Imogen Cunningham
Roi on the Dipsea trail 3
1918

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Imogen Cunningham
Unmade bed
1957

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Imogen Cunningham. 'Three Dancers, Mills College' 1929

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Imogen Cunningham
Three Dancers, Mills College
1929
Gelatin silver print
©The Imogen Cunningham Trust, 2012

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Imogen Cunningham. 'Five Eggs' 1951

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Imogen Cunningham
Five Eggs
1951
Cibachrome
©The Imogen Cunningham Trust

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Imogen Cunningham. 'The Wood Beyond the World' c. 1912

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Imogen Cunningham
The Wood Beyond the World
c. 1912

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Imogen Cunningham. 'Agave Design 2' 1920s

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Imogen Cunningham
Agave Design 2
1920s

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 Imogen Cunningham. 'The dream' 1910

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Imogen Cunningham
The dream
1910
© The Imogen Cunningham Trust, 2011

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Imogen Cunningham. 'Frida Kahlo Rivera, Painter and Wife of Diego Rivera' 1931

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Imogen Cunningham
Frida Kahlo Rivera, Painter and Wife of Diego Rivera
1931

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Imogen Cunningham. 'Two Callas' 1929

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Imogen Cunningham
Two Callas
1929

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Imogen Cunningham.  'Cary Grant, Actor' 1932

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Imogen Cunningham
Cary Grant, Actor
1932
Gelatin silver print
©The Imogen Cunningham Trust, 2012

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Imogen Cunningham.  'Aloe' 1925

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Imogen Cunningham
Aloe
1925
Gelatin silver print
©The Imogen Cunningham Trust, 2012

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Imogen Cunningham. 'Nude' 1939

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Imogen Cunningham
Nude
1939
Gelatin silver print
©The Imogen Cunningham Trust, 2012

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Imogen Cunningham. 'Edward Weston and Margrethe Mather, Photographers I-II' 1922

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Imogen Cunningham
Edward Weston and Margrethe Mather, Photographers I-II
1922
© The Imogen Cunningham Trust, 2011

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Imogen Cunningham. 'Hen and Chickens' 1929

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Imogen Cunningham
Hen and Chickens
1929
© The Imogen Cunningham Trust, 2011

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Imogen Cunningham. 'Phoenix Recumbent' 1968

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Imogen Cunningham
Phoenix Recumbent
1968
Gelatin silver print
Private Collection

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Judy Dater. 'Imogen Cunningham and Twinka Thiebaud' 1974

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Judy Dater
Imogen Cunningham and Twinka Thiebaud
1974

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FUNDACIÓN MAPFRE – Instituto de Cultura
Paseo de Recoletos, 23
28004 Madrid, Spain
T: +34 915 81 61 00

Opening hours:
Sunday 11.00 am – 7.00 pm
Monday 2.00 – 8.00 pm
Tuesday 10.00 am – 8.00 pm
Wednesday 10.00 am – 8.00 pm
Thursday 10.00 am – 8.00 pm
Friday 10.00 am – 8.00 pm
Saturday 10.00 am – 8.00 pm

Fundación Mapfre website

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Dr Marcus Bunyan

Dr Marcus Bunyan is an Australian artist and writer. His work explores the boundaries of identity and place. He writes the Art Blart blog which reviews exhibitions in Melbourne, Australia and posts exhibitions from around the world. He has a Dr of Philosophy from RMIT University, Melbourne and is currently studying a Master of Art Curatorship at The University of Melbourne.

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